Here are 100 books that Behind Closed Doors fans have personally recommended if you like
Behind Closed Doors.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
A cultural tour de force, this book includes everything you could ever wish to know about the Georgian era, although it does specifically stick to its latter years (1789-1830). It is a deeply informative read yet the author maintains a lively and engaging tone throughout as he covers a wide range of topics such as the landscape of Regency Britain, travel, law and order, as well as entertainment, health, and sexuality, so it’s just perfect for any reader unfamiliar with the period. In fact, it’s perfect for anyone who already is. Established writers of the genre will surely pick up something new by reading it.
'Excellent... Mortimer's erudition is formidable' The Times
A time of exuberance, thrills, frills and unchecked bad behaviour...Ian Mortimer turns to what is arguably the most-loved period in British history - the Regency, or Georgian England.
This is the age of Jane Austen and the Romantic poets; the paintings of John Constable and the gardens of Humphry Repton; Britain's military triumphs at Trafalgar and Waterloo. It was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality.
And like all periods in history, it was an age of many contradictions - where Beethoven's thundering…
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
On the other side of the coin, there is this behemoth of a book. I’d be lying if I said that its sheer size and tightly-packed text weren’t slightly off-putting, but I consider Cruickshank’s formidable work a must-have for any novelist writing in the Georgian era. Impeccably researched and showing a wide range of social history from the lives of ordinary layman to the wealthy and powerful, it's a truly fantastic resource, and if you’re looking to familiarise yourself with the 'dirty underbelly' of eighteenth-century London (a whole world away from shiny Bridgerton-esque ballrooms and stately homes) then this is absolutely the book for you.
Georgian London evokes images of elegant buildings and fine art, but it was also a city where prostitution was rife, houses of ill repute widespread, and many tens of thousands of people dependent in some way or other on the wages of sin. The sex industry was, in fact, a very powerful force indeed, and in The Secret History of Georgian London, Dan Cruickshank compellingly shows how it came to affect almost every aspect of life and culture in the capital.
Examining the nature of the sex trade, he offers a tantalising insight into the impact of prostitution to give…
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
Dora Blake—the protagonist in my book—is an aspiring jewellery designer, which meant it was imperative I understood not just how jewellery looked but how it was made. This book ticks both those boxes and more. Not only is it filled with beautiful photographs to make your inner magpie tingle with excitement, it tells the reader a history of how jewellery was fashioned, what was worn in the daytime and evening, as well as the significance of certain gems for certain occasions. Learn all about cut steel, foiled backs, and harlequin jewels, the language of flowers, memento mori, cameos, and lover’s eyes, all delivered in a wonderfully accessible conversational tone. A truly fascinating book that is also a feast for the eyes!
Georgian Jewellery is a celebration of the style and excellence of the eighteenth century, and of the ingenuity that produced such a wealth of fabulous jewellery.
Heavy academic tomes have already been written about the period, but this book examines it in a more colourful and accessible way. The book aims to show that Georgian jewellery is not only the stuff of museums and safe boxes, but that it can be worn as elegantly and fashionably today as it was 200 years ago.
Much disparate information about the jewellery has been gathered together and the period is brought alive by…
Marriage and Fatherhood in the Nazi SS
By
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
At first glance you’d be forgiven for thinking this is rather similar to Dan Cruickshank’s Georgian Londonconsidering its title. However, this book takes a modern comparative view of the era, considering how people of the time mimic the attitudes of people today. History oft-times repeats itself, and Corfield’s book is an incredibly nuanced take on this viewpoint yet still succeeds in being a thoroughly pleasurable read. Fiction nowadays not only seeks to tell a story but aims as well to tell us something about the world we live in, and this is no less true than historical fiction—it is why books like this are so crucial to a writer’s research.
A comprehensive history of the Georgians, comparing past views of these exciting, turbulent, and controversial times with our attitudes today
The Georgian era is often seen as a time of innovations. It saw the end of monarchical absolutism, global exploration and settlements overseas, the world's first industrial revolution, deep transformations in religious and cultural life, and Britain's role in the international trade in enslaved Africans. But how were these changes perceived by people at the time? And how do their viewpoints compare with attitudes today?
In this wide-ranging history, Penelope J. Corfield explores every aspect of Georgian life-politics and empire,…
I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.
Not primarily a book about archaeology, but I’ve included this book because it explores the tricky matter of how we can gain access to the ordinary people of ancient Rome. Some of whom, such as the mint-workers, made the things that archaeologists discover in the 21st century in Italy. The author takes up the challenge of recovering these overlooked professions from funeral workers, through bakers and tanners, to criers who all featured in the ancient cities of Italy. There is a paradox running through the book that although these people were the ancient world’s “essential workers’, they were also stigmatised or taboo. This paradox explains much about Roman society and its contradictions.
Trade and Taboo investigates the legal, literary, social, and institutionalcreation of disrepute in ancient Roman society. It tracks the shiftingapplication of stigmas of disrepute between the Republic and LateAntiquity by following groups of professionals-funeral workers, criers,tanners, mint workers, and even bakers-and asking how they coped withstigmatization.
The goal of this book is to reveal the construction and motivations forthese attitudes, and to show how they created inequalities, informedinstitutions, and changed over time. Additionally, the volume shows howpolitical and cultural shifts mutated these taboos, reshaping economicmarkets and altering the status of professionals at work within thesemarkets.
I grew up around a lot of suffering over status. I didn’t want to suffer, so I kept trying to understand why everyone plays a game that they insist they don’t want to play. I found my answer when I studied evolutionary psychology. This answer really hit home when I watched David Attenborough’s wildlife documentaries. I saw the social rivalry among our mammalian ancestors, and it motivated me to research the biology behind it. I took early retirement from a career as a Professor of Management and started writing books about the brain chemistry we share with earlier mammals. I’m so glad I found my power over my inner mammal!
It’s hilarious and cringey at the same time to read this honest look at status anxiety. It’s hilarious to watch others seek status. As for yourself, you hopefully relieve your cringing because you see how status has obsessed people throughout history.
The author says we seek the love of the world as well as the love of a partner. The quest can ruin an otherwise good life, so he offers solutions. I love his explanation of the original “Bohemians.” They were the hipsters of the 19th century! They created those impressionist paintings we love because they were aching for status.
The author is a famous British philosopher who inherited a fortune. He sees that money does not relieve status anxiety. But he misses the real reason: because we’ve inherited the brain of status-seeking animals (as explained in all of my books).
From one of our greatest voices in modern philosophy, author of The Course of Love, The Consolations of Philosophy, Religion for Atheists and The School of Life - Alain de Botton sets out to understand our universal fear of failure - and how we might change it
'De Botton's gift is to prompt us to think about how we live and how we might change things' The Times
We all worry about what others think of us. We all long to succeed and fear failure. We all suffer - to a greater or lesser…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
I love to travel—both physically around the world and throughout time and history through books. Anniqua Rana’s Wild Board in the Cane Field transported me elsewhere. It is a beautifully rendered and imaginatively descriptive tale that takes the reader to a place few have likely visited—the life and culture of rural Pakistan. It is also a magically realistic tale, a favorite genre of mine. While this poignant story centers on its teenage protagonist, I was immediately captivated by all the characters and their hopes, desires, challenges, and joys.
One day, a baby girl, Tara, is found, abandoned and covered in flies. She is raised by two mothers in a community rife with rituals and superstition. As she grows, Tara pursues acceptance at all costs. Saffiya, her adoptive mother, and Bhaggan, Saffiya's maidservant, are victims of the men in their community, and the two women, in turn, struggle and live short but complicated lives. The only way for the villagers to find solace is through the rituals of ancient belief systems.
Tara lives in a village that could be any village in South Asia, and she dies, like many…
I grew up in St. Paul, Minnesota, in a neighborhood that was stable, safe, and stimulating. After my freshman year in college, I signed up for an “urban experience” in Detroit. It turned out to be the summer of the Detroit riots. I woke up to U.S. Army vehicles rumbling into the park across from my apartment. Over the next month, I witnessed the looting and burning of whole neighborhoods. I remember thinking: what a waste! Why are we throwing away neighborhoods like Kleenex? I have been trying to answer that question ever since.
I’ve often thought that discrimination against poor people is the last socially acceptable prejudice. Kahlenberg proves me correct.
While racial segregation has declined, economic segregation has increased exponentially. Kahlenberg exposes the myths and false arguments that justify economic discrimination. He shows that excluding the poor is most common in liberal communities on the two coasts.
Research demonstrates that where we grow up has a powerful effect on our ability to succeed in school and the job market, demolishing the idea that we are a meritocracy and that rich people deserve to live behind invisible walls in privileged communities.
The last, acceptable form of prejudice in America is based on class and executed through state-sponsored economic discrimination, which is hard to see because it is much more subtle than raw racism.
While the American meritocracy officially denounces prejudice based on race and gender, it has spawned a new form of bias against those with less education and income. Millions of working-class Americans have their opportunity blocked by exclusionary snob zoning. These government policies make housing unaffordable, frustrate the goals of the civil rights movement, and lock in inequality in our urban and suburban landscapes.
I never believed the idea that creativity was for a gifted few. Throughout my life, as a teenage fishing guide, an entrepreneur and college professor, novelist, and creativity guide, the folks I’ve met are rich with creative and entrepreneurial qualities. My calling is to help you appreciate your creative genius so that it appreciates in value for you. Growing your creatively entrepreneurial genius is the best way to prepare for a future of unknowable unknowns, the best way to build careers we desire, the best way to fully appreciate life. I offer various perspectiveS on core creative and entrepreneurial concepts so you can construct the best path to your personal renewal and growth.
I used this book in class for three semesters. The students were fans; I stopped using it only because I re-designed my classes regularly. It’s a deep dive into hundreds of social science and neuroscience research projects about how we relate to each other, how we want to engage with each other, and why. It first appeared to be an unusual pick for a class on creatively entrepreneurial growth but students agreed it made sense when reminded that most creative work is done in collaborative teams so understanding each other is of great creative benefit. Brooks uses fictional characters, a man and a woman, and tells their life stories, illuminating them with insights rooted in research; we see the deep human truths behind behaviors and are entertained along the way.
With unequaled insight and brio, New York Times columnist David Brooks has long explored and explained the way we live. Now Brooks turns to the building blocks of human flourishing in a multilayered, profoundly illuminating work grounded in everyday life. This is the story of how success happens, told through the lives of one composite American couple, Harold and Erica. Drawing on a wealth of current research from numerous disciplines, Brooks takes Harold and Erica from infancy to old age, illustrating a fundamental new understanding of human nature along the way: The unconscious mind, it…
An Italian Feast celebrates the cuisines of the Italian provinces from Como to Palermo. A culinary guide and book of ready reference meant to be the most comprehensive book on Italian cuisine, and it includes over 800 recipes from the 109 provinces of Italy's 20 regions.
I am a queer writer whose early love of science fiction and fantasy gave me an outlet for my creativity and new ways of seeing myself in the world. It was A Wrinkle in Time by Madeleine L’Engle and Timeline by Michael Crichton that first introduced me to time and space travel in fiction, but it was the new Doctor Who and shows like Twelve Monkeys that made me realize how mad and wonderful stories about time and space travel could be. And once I came to terms with my own queer identities, I saw an obvious space for my own contribution to the time travel canon.
The Space Between Worlds is less time travel than it is parallel dimensional travel but I think it’s worth fibbing for.
Cara is a traverser – someone who can travel between different versions of her world. She retrieves data about those worlds – what went wrong and what went right – and brings it back to her own for study. She can do this because the Caras in these worlds are all dead. Except when one isn’t, royally mucking up her job.
This book is gritty and queer (though I’m not going to promise an ending wrapped up in a bow) and the method of travel the author created makes for a unique and thought-provoking read.
The Sunday Times bestseller. Winner of the Kitschies Golden Tentacle award.
A stunning science fiction debut, The Space Between Worlds is both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging.
'My mother used to say I was born reaching, which is true. She also used to say it would get me killed, which it hasn't. Not yet, anyway.'
Born in the dirt of the wasteland, Cara has fought her entire life just to survive. Now she has done the impossible, and landed herself a comfortable life on the lower levels of the wealthy and walled-off Wiley…
