Here are 88 books that Wild Boar in the Cane Field fans have personally recommended if you like
Wild Boar in the Cane Field.
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I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
This story is about Benny a teenager who can hear objects speaking and his mother, who is a compulsive hoarder.
Benny finds a group of people in a hidden wing of the local library which introduces him to a new world where he is accepted. He meets Aleph a drug user who leaves lines of poetry on paper in the books of the library and Slavoj a homeless drunk man who spouts much philosophy from his wheelchair. Ozeki makes the reality fantastic, the work is grounded in ordinary details.
The book is a beautiful portrait of a mix of characters you ordinarily would ignore and makes magic of the everyday. It's this everyday magic that I also wish to capture in my own fiction.
"No one writes like Ruth Ozeki-a triumph." -Matt Haig, New York Times bestselling author of The Midnight Library
"Inventive, vivid, and propelled by a sense of wonder." -TIME
"If you've lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home." -David Mitchell, Booker Prize-finalist author of Cloud Atlas
Longlisted for the Women's Prize for Fiction
A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both-the brilliantly inventive new novel…
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
Veena Rao’s Purple Lotus is an inspiring story of one woman’s (Tara) search for and discovery of self-worth, self-determination, inner strength, and authenticity. I admired the author’s fine writing which powerfully captures the harsh realities of a young immigrant’s life in an abusive marriage in a new, foreign country, the pressures and expectations from her traditional family and community back in India, and, ultimately, Tara’s ability and courage to recognize that she is undeserving of such treatment. Concurrently, she realizes that her struggles are emblematic of broader, systemic issues, which Tara forthrightly and eloquently addresses head-on.
A 2021 Georgia Author of the Year Award Finalist
Award-Winning Finalist, Women's Fiction, 2021 International Book Awards
Award-Winning Finalist, Multicultural Fiction, 2021 International Book Awards
Featured in Travel + Leisure's "20 Most-anticipated Books for Fall"
"20 Classic and New Books About Feminism That Will Get You Thinking and Talking"
Parade
"A moving and polished novel that highlights Rao's literary promise."
Kirkus Reviews
"Rao's resonant novel is an ode to the value of personal dignity and the importance of being true to oneself that carries on long after the final chapter."
Newsweek magazine
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
Writing a memoir is a brave act, especially one that shares a personal and spiritual exploration, and Cindy Rasicot’s engaging Finding Venerable Mother does just that. I applaud her honesty. Within these pages, I experienced, first, her encounter and then budding relationship with Dhammananda Bhikkhuni, Thailand’s first female Buddhist monk. Along the way, Ms. Rasicot frankly shares personal health challenges, obstacles she encountered living in a foreign country, and, ultimately, triumphs. It is a story of love and acceptance, healing and hope.
When Cindy moves to Thailand with her husband and teenage son, she finds herself strangely adrift in a foreign culture, unprepared for the challenges she encounters there. On an impulse she signs up for a conference where she unexpectedly meets a Thai Buddhist nun, Venerable Dhammananda Bhikkhuni, who leads her on a spiritual journey from which there is no turning back. Along the way she discovers the beauty of the Thai people and culture.
This soulful and engaging memoir is the story of one woman's journey of physical, emotional, and spiritual healing through her connection to a loving Buddhist teacher…
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
In Debra Thomas’s compassionately rendered Luz, her protagonist’s (Alma) border crossing from Mexico into the United States is relayed in painful, harrowing, and often shocking detail. It is a powerful and, at times, difficult read. Yet an important one. I often forgot that this is a work of fiction, as the story Thomas so deftly portrays is all too common and all too real, especially for a resident of Southern California, which I am. However, it is one filled with hope and determination and the unwavering spirit of a young, passionate girl in search of answers.
Alma Cruz wishes her willful teenage daughter, Luz, could know the truth about her past, but there are things Luz can never know about the journey Alma took to the US to find her missing father.
In 2000-three years after the disappearance of her father, who left Oaxaca to work on farms in California-Alma sets out on a perilous trek north with her sister, Rosa. What happens once she reaches the US is a journey from despair to hope.
Timeless in its depiction of the depths of family devotion and the blaze of first love, Luz conveys, with compassion and…
I hold the registered trademark as "The Work-Life Balance Expert®," and work with organizations that seek to enhance their productivity by improving the effectiveness of their people. I've spoken to Fortune 50 companies such as IBM, Cardinal Health Group, Lockheed, American Express, the IRS, Wells Fargo, and Westinghouse. My books have been published in 19 languages and have been featured in 68 of the top 75 American newspapers, as well asTime Magazine and the Wall Street Journal. At heart, I'm a simpler living advocate. I believe in giving back to his community and am an active volunteer for Art Space in downtown Raleigh, and the North Carolina Museum of Art.
We are all creatures of habit and many of our habits are akin to what the author calls rituals. This is heavy-duty stuff, and well worth reading. In our modern hectic work-a-day world, too often we lack rituals that could be sustaining and rewarding. Why is this important? Rituals can add richness and meaning to our daily lives. For example, the author says a walk in the park or lightning a candle at certain times of the day enables us to reconnect with others and with our inner self.
During a time when many of us live miles and miles from our families and might not even know our neighbors, rituals provide us with a feeling of belonging. They enhance our sense of who we are, personally and professionally, as well as individually and collectively. The great news is that rituals can easily be adapted to suit occasions and events…
A highly readable and beautifully designed exploration of ritual, ideal for all those who wish to add a touch of spirituality into their daily lives. This has the potential to become a core book on modern ritual. Starting with an introduction to ritual and how it can be used, the book then describes the essential components that make a ritual potent and effective. Although it is grounded in Druidry, it gives a basic framework for each ritual which encourages the practitioner to use the book within their own spiritual tradition. Inspirational and practical, the book includes ideas for rituals to…
Having lived in the countryside for more than two decades and fallen for its charms, I find myself fascinated by its heritage. Rural history is often overlooked for the grand stories of royalty, urban life, and warfare. For me, the archaeology and history that speaks of daily life, practical struggles, and the humanity of people–that’s what really switches me on. I constantly yearn to get inside the minds of our ancestors to try and understand how they saw the world. Whether that’s strange superstitions or ingenious inventions, it’s all part of what it means to be human.
In 2018, I visited one of the most unusual exhibitions I’d ever been to. Hosted by the Ashmolean Museum in Oxford, ‘Spellbound’ examined how magical thinking has been practiced over the centuries.
From mummified cats to lovers’ rings, the displays were dazzling. Every time I open the accompanying book, with its remarkable photographs and illustrations, I’m transported back to this extraordinary, baffling world.
Do you believe in magic? Even if you don't, you probably 'think magically' sometimes. We touch wood to stop bad things happening, or take a lucky object to a job interview or exam in an irrational attempt to influence the outcome. Spellbound: Magic, Ritual & Witchcraft was the first exhibition to examine how magical thinking has been practised over the centuries. With exquisitely engraved rings to bind a lover, enchanted animal hearts pierced with nails, mummified cats concealed in walls and many other intriguing objects, the exhibition catalogue shows that the use of magic is driven by our strongest emotions:…
I grew up a fan of an evening news segment called “On the Road with Charles Kuralt.” Kuralt spotlighted upbeat, affirmative, sometimes nostalgic stories of people and places he discovered as he traveled across the American landscape. The charming stories he told were only part of the appeal; the freedom and adventure of being on the open road ignited a spark that continues to smolder. Some of my fondest memories from childhood are our annual family road trips, and I still jump at the chance to drive across the country.
When I read the opening sentences of A Life on the Road by Charles Kuralt, the character of Win Avery in my own book was born in my imagination. Kuralt wrote: “There is no contentment on the road, and little enough fulfillment. I know that now. I am acquainted with people who live settled lives and find deep gratification in family and home. I know what I have missed...the generations together at the table, the pleasures of kinship, the rituals of the hearth. And still I wander, seeking compensation in unforeseen encounters and unexpected sights…No train leaves the station that I do not want to catch.” His words are as sad as they are thrilling and they move me every time I read them.
"A professional memoir of a gifted, good-humored and gracious man...The book has the feel of good conversation on a long trip." THE NEW YORK TIMES BOOK REVIEW John Charles Kuralt on the journey of his life. From a southern boy bitten by wanderlust and wonder, to a curious rover writing for newspapers, radio, and TV, to a CBS News correspondent adventuring around the world--from Cuba and Vietnam to the Congo and the North Pole, to his twenty-plus years roaming the back roads of America. In this engaging memoir, Kuralt relives a lifetime of discovering places and people whose unique stories…
I love stories, and as a child I found that some of the best and most powerful stories I ever heard were those that people told about the past. When I grew up, I pursued a career as an academic archaeologist and historian, and I am now Professor of Classical Archaeology at the University of Vienna. But while I am of course interested in the past, in recent years I have been increasingly thinking about the politics of the past as well. Why do we choose to celebrate some stories about the past and not others? I have found these books all useful in helping me to think through this.
This collection of essays offers a broad set of different examples of history and ideas about the past have been pressed into the service of nationalism – often resulting, as the title has it, in the invention of tradition.
I also love the quality of the writing in this book. Hobsbawm has such elegant prose, and as an editor he seems to have influenced the style of the other authors in the volume.
Many of the traditions which we think of as very ancient in their origins were not in fact sanctioned by long usage over the centuries, but were invented comparatively recently. This book explores examples of this process of invention - the creation of Welsh and Scottish 'national culture'; the elaboration of British royal rituals in the nineteenth and twentieth centuries; the origins of imperial rituals in British India and Africa; and the attempts by radical movements to develop counter-traditions of their own. It addresses the complex interaction of past and present, bringing together historians and anthropologists in a fascinating study…
Mike Thorn is the author of Shelter for theDamned, Darkest Hours, andPeel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, includingVastarien, Dark Moon Digest, and The NoSleep Podcast.His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere.
Scarlett R. Algee’s debut collection is an exemplar of concision, comprised of stories that have been sanded down to their unsettling essences for maximally chilling impact. Bleedthrough deftly navigates the space where beauty and horror intermingle, often boldly upending genre conventions in the process. These pieces are vivid and absorbing, drawing fully realized worlds before exposing the terrible things that lurk on the peripheries.
A virtual-reality getaway stirs up latent malice. A lingering illness hides a truly monstrous malady. A young girl realizes her new stepmother is something other than human, while a dying man’s last wish bestows his ghoulish lover with the most intimate of gifts. A solitary occultist wakes to find his summoning ritual gone horribly awry, a mother’s grief leads her into a resort’s troubled past, and a teenage girl’s growing pains mark the beginning of an otherworldly change.
These and other stories await in Bleedthrough and Other Small Horrors, the debut collection of dark short fiction…
My exploration of Sufism began in the unlikely environment of the Soviet Union where Sufism was considered a relic of the past to be replaced by the atheist, world-asserting ideology. The fact that my Muslim academic advisor assigned this topic to me, an active customs officer, was nothing short of a miracle. It was the beginning of a chain of miracles that punctuated my teaching and research career in the USSR, UK, US, EU, and the post-Soviet republics of Eurasia, especially Tatarstan and Kazakhstan. Having observed Sufism in various shapes and forms for over thirty years, my knowledge of its precepts and rituals is of great help to me in everyday life.
Now that you know what Sufism is all about, it is time to find out what lies behind the romantic façade of Sufi love poetry, ecstatic outbursts, and exotic rituals. For this purpose, I cannot recommend a better guide than this collective monograph. Its authors explain the nuts and bolts of Sufi life past and present: how Sufis interact with the world that they are supposed to despise and reject, how they feed themselves and their families, how they create and sustain their fellowships and associations, how their shrines serve as centers of charity, education, and arbitration as well as objects of pilgrimages, both collective and individual. My greatest takeaway from this informative and richly illustrated volume is Sufism’s remarkable adaptability. It thrives in the countryside, urban spaces, and cyber environment, often against great odds.
This volume describes the social and practical aspects of Islamic mysticism (Sufism) across centuries and geographical regions. Its authors seek to transcend ethereal, essentialist and "spiritualizing" approaches to Sufism, on the one hand, and purely pragmatic and materialistic explanations of its origins and history, on the other. Covering five topics (Sufism's economy, social role of Sufis, Sufi spaces, politics, and organization), the volume shows that mystics have been active socio-religious agents who could skillfully adjust to the conditions of their time and place, while also managing to forge an alternative way of living, worshiping and thinking.
