Here are 100 books that The Book of Form and Emptiness fans have personally recommended if you like
The Book of Form and Emptiness.
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I love imperfect characters. They are more interesting, memorable, and three-dimensional than characters who have everything figured out. Imperfect characters are the most believable and readable because they are mirrors of ourselves. We live their stories more easily, and imperfect characters live the most awesome stories. Finding an imperfect female main character inhabiting a world full of conflict and then watching her strength emerge through a well-told story is one of my favorite reading experiences.
Of the five recommendations I made, this one is the heaviest. Historical fiction set in Germany during WWII, and having our main character be a poor German girl offers such an interesting juxtaposition of the starkness of the global stage with homelife for Liesel.
Another reason I love this book: Death as the narrator. So awesome giving Death a voice and imagining how he might think/feel. I also love how multifaceted all the characters are–they are full of both light and darkness, but it’s their decisions that determine if light will shine in such dark times.
'Life affirming, triumphant and tragic . . . masterfully told. . . but also a wonderful page-turner' Guardian 'Brilliant and hugely ambitious' New York Times 'Extraordinary' Telegraph ___
HERE IS A SMALL FACT - YOU ARE GOING TO DIE
1939. Nazi Germany. The country is holding its breath. Death has never been busier. Liesel, a nine-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall.
I lived and worked in South Korea for four years, where I first became fascinated with the country’s history, from shamans on Jeju island to the twentieth-century politics of Seoul. I’m the author of two novels and dozens of short stories and essays published in venues around the world, many of which feature some element of Korean history. I’m originally from Canada and now teach creative writing at the University of Adelaide in Australia.
This is a novel that I suspected I was falling into as much as reading—that is, I felt utterly and, at times, uncomfortably immersed in Murakami’s story universe.
I love the blending of contemporary realism in the novel (our protagonist’s day-to-day life) with the historical and the way the Japanese military’s atrocities in Manchuria in the 30s haunt the recognizably contemporary world so that even a man sitting at the bottom of a well contemplating existence and history feels like an acceptable and dreamlike weirdness.
I’m completely taken with such a strange and affecting representation of lesser-known histories and the ghosts such events leave us with.
Toru Okada's cat has disappeared and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.
When I was a boy, my adoptive father – a star pupil and friend of C.S. Lewis – heard I’d started reading the Sherlock Holmes stories. He bought every Sherlock Holmes book he could find. I remember lifting one to my nose and smelling the pages. I fell in love with books that day. I went on to earn a senior scholarship in English Literature at Cambridge University, and a PhD in storytelling. Since then, I have written over 50 books of my own and ghostwritten over 30 titles. I now host The Christian Storyteller Channel on YouTube, and I run BookLab, dedicated to helping emerging authors. My whole life is books.
I love the idea that books have souls, and I adore this quotation from Zafon’s classic novel: “Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it.”
I was thrilled to find this novel after I’d written my book because it shows that there are others who sense the soulful quality of old books. I also love it because it is written by a Spanish novelist, and it is in the Spanish-speaking world that we find the true literary origins of my most-loved genre of writing – magical realism.
"The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero." -Entertainment Weekly (Editor's Choice)
"One gorgeous read." -Stephen King
Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer's son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julian Carax. But when he sets out to find the author's other works, he makes a shocking discovery: someone has been…
Emmitt’s plans collapse when his wife, Mirai, suddenly backs out of purchasing their dream home. Disappointed, he’s surprised to discover her subtle pursuit of a life and career in Tokyo.
In his search for a meaningful life in Japan, and after quitting his job, he finds himself helping his mother-in-law…
I’ve worked in many places worldwide, including Native (Amerindian) communities, West Africa, and Jamaica. Each of these experiences has enriched my life and exposed me to the fact that our society is only one of many and, similarly, that all do not share our understanding of reality. Whether visiting Adongo, a Ghanaian shaman who lived on the Burkina Faso border, and watching him go into a trance and describe my spirit, or being in the sweltering dark of a sweat lodge transported by the chanting to another place, to merging with an ancient oak tree, I have been touched by magic. It’s out there.
Over the years, I’ve read hundreds, maybe thousands of books. Many of them have moved, stretched, and entertained me, but there are only a few I wandered into and realized early on that I would not get out of this one unchanged.
The author's inventiveness is astonishing, managing to create not one new world we inhabit but three, all deftly interconnected by the unlikely thread of a simple fable passed from generation to generation. Perhaps most striking to me is the sheer power of the book, its capacity to take us places and share lives we would otherwise never dreamed of.
While the mysterious document—itself a fascinating story within a story—wends its way through a narrative that spans a thousand years, its message is less important than the lives it touches.
And what lives. Each character is drawn so vividly and infused with such essential, defining human traits that we…
On the New York Times bestseller list for over 20 weeks * A New York Times Notable Book * A National Book Award Finalist * Named a Best Book of the Year by Fresh Air, Time, Entertainment Weekly, Associated Press, and many more
“If you’re looking for a superb novel, look no further.” —The Washington Post
From the Pulitzer Prize–winning author of All the Light We Cannot See, comes the instant New York Times bestseller that is a “wildly inventive, a humane and uplifting book for adults that’s infused with the magic of childhood reading experiences” (The New York Times…
I am a bibliophile. I love words, books, librarians, and independent bookstores. Both my novels describe the reading life of my main characters. To hold a book in my own hands generates an excited anticipation that both challenges and comforts me. So when I am reading a novel with a book within it as a character I double my reading fun! Like many readers, I fell in love with reading when I was very young and remember the smell of the modest musty library that my father used to take me to when I was knee-high to a grasshopper. So many books...so little time!
This book is the story of etymology: words and the mystery of their origin and utilization by writers and speakers. And of course, the story of the books that officially collect and define them. I made a list of new words, arcane and whimsical. It was amusing to guess which were legitimate usage and which were contrived to aid the narrator’s search for what is true and real. Wordplay is the name of the game. Obsessive main characters with a supporting cast of a lackadaisical cat and oddly motivated associates of the dictionary compilation project amused me up until the surprise ending.
'Made me almost tearful with gratitude that a book as clever as this could give such uncomplicated pleasure ... And when you find a book like this, you grab it, and you hold it close.' JOHN SELF
'A delight ... As funny and vivid as Dickens, as moving and memorable as Nabokov ... An extraordinarily large-hearted work.' THE CRITIC
Picked as a 'Book of the Year' in the Guardian ____________________________________ mountweazel, noun: a fake entry deliberately inserted into a dictionary or work of reference. Often used as a safeguard against copyright infringement.
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
Veena Rao’s Purple Lotus is an inspiring story of one woman’s (Tara) search for and discovery of self-worth, self-determination, inner strength, and authenticity. I admired the author’s fine writing which powerfully captures the harsh realities of a young immigrant’s life in an abusive marriage in a new, foreign country, the pressures and expectations from her traditional family and community back in India, and, ultimately, Tara’s ability and courage to recognize that she is undeserving of such treatment. Concurrently, she realizes that her struggles are emblematic of broader, systemic issues, which Tara forthrightly and eloquently addresses head-on.
A 2021 Georgia Author of the Year Award Finalist
Award-Winning Finalist, Women's Fiction, 2021 International Book Awards
Award-Winning Finalist, Multicultural Fiction, 2021 International Book Awards
Featured in Travel + Leisure's "20 Most-anticipated Books for Fall"
"20 Classic and New Books About Feminism That Will Get You Thinking and Talking"
Parade
"A moving and polished novel that highlights Rao's literary promise."
Kirkus Reviews
"Rao's resonant novel is an ode to the value of personal dignity and the importance of being true to oneself that carries on long after the final chapter."
Newsweek magazine
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
I love to travel—both physically around the world and throughout time and history through books. Anniqua Rana’s Wild Board in the Cane Field transported me elsewhere. It is a beautifully rendered and imaginatively descriptive tale that takes the reader to a place few have likely visited—the life and culture of rural Pakistan. It is also a magically realistic tale, a favorite genre of mine. While this poignant story centers on its teenage protagonist, I was immediately captivated by all the characters and their hopes, desires, challenges, and joys.
One day, a baby girl, Tara, is found, abandoned and covered in flies. She is raised by two mothers in a community rife with rituals and superstition. As she grows, Tara pursues acceptance at all costs. Saffiya, her adoptive mother, and Bhaggan, Saffiya's maidservant, are victims of the men in their community, and the two women, in turn, struggle and live short but complicated lives. The only way for the villagers to find solace is through the rituals of ancient belief systems.
Tara lives in a village that could be any village in South Asia, and she dies, like many…
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
Writing a memoir is a brave act, especially one that shares a personal and spiritual exploration, and Cindy Rasicot’s engaging Finding Venerable Mother does just that. I applaud her honesty. Within these pages, I experienced, first, her encounter and then budding relationship with Dhammananda Bhikkhuni, Thailand’s first female Buddhist monk. Along the way, Ms. Rasicot frankly shares personal health challenges, obstacles she encountered living in a foreign country, and, ultimately, triumphs. It is a story of love and acceptance, healing and hope.
When Cindy moves to Thailand with her husband and teenage son, she finds herself strangely adrift in a foreign culture, unprepared for the challenges she encounters there. On an impulse she signs up for a conference where she unexpectedly meets a Thai Buddhist nun, Venerable Dhammananda Bhikkhuni, who leads her on a spiritual journey from which there is no turning back. Along the way she discovers the beauty of the Thai people and culture.
This soulful and engaging memoir is the story of one woman's journey of physical, emotional, and spiritual healing through her connection to a loving Buddhist teacher…
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
In Debra Thomas’s compassionately rendered Luz, her protagonist’s (Alma) border crossing from Mexico into the United States is relayed in painful, harrowing, and often shocking detail. It is a powerful and, at times, difficult read. Yet an important one. I often forgot that this is a work of fiction, as the story Thomas so deftly portrays is all too common and all too real, especially for a resident of Southern California, which I am. However, it is one filled with hope and determination and the unwavering spirit of a young, passionate girl in search of answers.
Alma Cruz wishes her willful teenage daughter, Luz, could know the truth about her past, but there are things Luz can never know about the journey Alma took to the US to find her missing father.
In 2000-three years after the disappearance of her father, who left Oaxaca to work on farms in California-Alma sets out on a perilous trek north with her sister, Rosa. What happens once she reaches the US is a journey from despair to hope.
Timeless in its depiction of the depths of family devotion and the blaze of first love, Luz conveys, with compassion and…
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for…
I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
Anguli Ma was a murderer from a Buddhist parable who collected his victims' fingers in a necklace.
The parable goes that he met the Buddha who converted him by emitting calm and mindfulness. Vu’s book transplants this fable into the eighties in the western suburbs of Melbourne, Anguli Ma being a war refugee from the Vietnam/American war. He joins a shared household of other refugees and encounters a monk meditating in a park. The monk brings another world of mindfulness to Anguli Ma.
I like this book because of the clever adaptation of the parable and the Buddhist themes throughout- any one of the refugees could resort to violence like Anguli Ma or find peace through mindfulness—they all suffer from war trauma. It’s also beautifully written with the other world of mindfulness poetry in motion.
Anguli Ma is the central figure in a traditional Buddhist folktale, a deranged killer who wears his victims’ fingers in a garland around his neck. Chi Vu presents him as a menacing abattoir worker who carries bloody chunks of meat home to his lodgings in plastic bags, in this suburban Gothic tale set in 1980s Melbourne, when the flight of Vietnamese refugees to Australia was at its height.
The gathering fear, the prevailing darkness, the strange contours of the house which has been divided and sub-divided to accommodate its female occupants, the macabre humour and surreal effects, mark Chi Vu’s…
