I am a bibliophile. I love words, books, librarians, and independent bookstores. Both my novels describe the reading life of my main characters. To hold a book in my own hands generates an excited anticipation that both challenges and comforts me. So when I am reading a novel with a book within it as a character I double my reading fun! Like many readers, I fell in love with reading when I was very young and remember the smell of the modest musty library that my father used to take me to when I was knee-high to a grasshopper. So many books...so little time!
This book is the story of etymology: words and the mystery of their origin and utilization by writers and speakers. And of course, the story of the books that officially collect and define them. I made a list of new words, arcane and whimsical. It was amusing to guess which were legitimate usage and which were contrived to aid the narrator’s search for what is true and real. Wordplay is the name of the game. Obsessive main characters with a supporting cast of a lackadaisical cat and oddly motivated associates of the dictionary compilation project amused me up until the surprise ending.
'Made me almost tearful with gratitude that a book as clever as this could give such uncomplicated pleasure ... And when you find a book like this, you grab it, and you hold it close.' JOHN SELF
'A delight ... As funny and vivid as Dickens, as moving and memorable as Nabokov ... An extraordinarily large-hearted work.' THE CRITIC
Picked as a 'Book of the Year' in the Guardian ____________________________________ mountweazel, noun: a fake entry deliberately inserted into a dictionary or work of reference. Often used as a safeguard against copyright infringement.
Although I currently write romantic women’s fiction, because I came up in the Literary Fiction community, I frequently have writer friends ask me to recommend well-written Romance. Leaving aside the subjectivity of well-written and the snobbery inherent in the suggestion that Romance—a category they’ve admitted to never having read—isn’t generally well-written, I first have to explain that Romance has rules: While we often associate Romance with sex on the page, technically, it’s not a requirement. There are only two requirements, according to the Romance Writers of America: the love story has to be the central storyline of the book; and there has to be a happily ever after (HEA).
You like your small, introspective, architecture-of-a-marriage stories? Well, here’s the Romance version. Nothing really happens, plot-wise. It is simply a masterclass of two characters matched in every way that matters, ready to destroy everything they could potentially have because they’re scared of getting hurt. Humorous. Hot. Nerdy. Incisive. Affecting. This will introduce you to the basic foundation of Historical Romance—essentially, “the marriage plot”—in the quiet way you’re looking for.
From the superbly gifted Sherry Thomas comes this beautifully written romance about a marriage of convenience that turns inconveniently passionate...
Felix Rivendale, the Marquess of Wrenworth, is The Ideal Gentleman, a man all men want to be and all women want to possess. Even Felix himself almost believes this golden image. But underneath is a damaged soul soothed only by public adulation.
Louisa Cantwell needs to marry well to support her sisters. She does not, however, want Lord Wrenworth—though he seems inexplicably interested in her. She mistrusts his outward perfection, and the praise he garners everywhere he goes. Still, when…
When I was 27, I thought it would be fun to write. I have no formal training, yet I have found success through reading exposure and trial and error for 30 years. Changing my voice was hard, but reading these books helped me define the kind of story I wanted to tell in my new novel, Missed Connection. Erotic thrillers truly are a guilty pleasure for me.
I’m a BIG Greg Iles fan—he (in my opinion) writes a lot like Stephen King, but instead of horror, leans more into the twisty-thriller category that I find electrifying.
For those unfamiliar with Iles’ work, this book is a great place to start, as it has the right amount of everything that makes a great read: twists and turns, a likable protagonist in an awful situation, and page-turning goodness that will keep you glued to the couch. It explores the dark side of obsession, giving this story that "erotic" label that pushed me toward my new genre.
What if someone you loved - who you believed was murdered - came back into your life? This high-octane chiller from the No.1 New York Times bestseller 'gets under your skin, and then burrows deep' (Stephen King).
A secret from the past could destroy his future...
Mallory Gray Chandler was the quintessential Southern Belle. She loved John Waters with a seething passion that threatened to destroy them both, until he ended the relationship. She was later found raped and murdered on a New Orleans pier.
A decade later, a single word uttered by the stunning Eve Sumner turns John's world…
Phil Halton has worked in conflict zones around the world as an officer in the Canadian Army and as a security consultant and has extensive experience in Afghanistan. He is the author of two novels and a history.He holds a Master's Degree in Defence Studies from Royal Military College of Canada, and a Graduate Certificate in Creative Writing from Humber College.
The Taliban have long used poetry as a means of disseminating their messages, and their website features work in many different languages. Poetry has a very long tradition in Afghanistan, and so while the Taliban have tapped into this cultural current, it would be wrong to dismiss all of the poetry written (or even published) by the Taliban as mere propaganda. The poems in this work provide insight into the hearts and minds of Taliban fighters, who long for peace and for a multitude of things lost in war, who celebrate victories and lament defeats. A very human view of what are often seen as a faceless enemy.
The Taliban are synonymous with the war in Afghanistan. Doughty, uncompromising fighters, they plant IEDs, deploy suicide bombers and wage guerrilla warfare. While much has been written about their military tactics, media strategy and harsh treatment of women, the cultural and sometimes less overtly political representation of their identity, the Taliban's other face, is often overlooked. Most Taliban fighters are Pashtuns, a people who cherish their vibrant poetic tradition, closely associated with that of song. The poems in this collection are meant to be recited and sung; and this is the manner in which they are enjoyed by the wider…
I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible.
First published in 1980, Gaywyck was the first historical gay gothic romance. Virga, whose day job for forty years was as photo editor, turns his extraordinary eye on turn-of-the-last century New York.
The tangled lives, dark secrets, and mad love – all conventions of the romance genre – are stood on their heads in this reimagining. “I realized genre has no gender,” Virga says, and set about cannily reversing roles and inverting tropes to fashion a puzzle wrapped in an enigma of requited and unrequited love.
Gaywyck stands the test of time and remains a modern classic.
Gaywyck is the first gay Gothic novel. Long out of print, this classic proved that genre knows no gender. Young, innocent Robert Whyte enters a Jane-Eyre world of secrets and deceptions when he is hired to catalog the vast library at Gaywyck, a mysterious ancestral mansion on Long Island, where he falls in love with its handsome and melancholy owner, Donough Gaylord. Robert's unconditional love is challenged by hidden evil lurking in the shadowy past crammed with dark sexual secrets sowing murder, blackmail, and mayhem in the great romantic tradition. As Armisted Maupin urged, “Read the son of a bitch!…
Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
Love in the Time of Cholera sets a moody yet magical vibe and brings the city of Cartegena to vivid life. Gabriel Garcia Marquez’s writing is gorgeous even when not read in its original Spanish. While reading the book I could almost experience the languid, feverish haze one might dwell in, the delirium one might experience when struck by cholera.
This is an unconventional romance that follows the doomed lovers through their respective lives before life finally brings them together in their old age. It’s not a particularly large book, but its depth and brooding quality is why I return once every couple of years to re-read it.
There are novels, like journeys, which you never want to end: this is one of them. One seventh of July at six in the afternoon, a woman of 71 and a man of 78 ascend a gangplank and begin one of the greatest adventures in modern literature. The man is Florentino Ariza, President of the Carribean River Boat Company; the woman is his childhood sweetheart, the recently widowed Fermina Daza. She has earache. He is bald and lame. Their journey up-river, at an age when they can expect 'nothing more in life', holds out a shimmering promise: the consummation of…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
Charlie is homeless and lives in an abandoned carnival, just one of the places full of wonder and mystery in this novel. He is sometimes fed by a mature-aged gay couple and has an unrequited love. But he dies and we continue reading his story in a surreal version of the world he inhabited while alive. Yes, Charlie is a ghost. The carnival he still lives in has a life of its own, and he needs to protect the living who showed him kindness. A truly beautiful tale.
My name’s Charlie. I’m many things, though none of them having to do with any real talent. I’m a runaway, a hustler when I need to be, a ghost when I have to scare hoodlums away from my home, and a loner who maybe reads too much. But most of all, I’m the keeper of the carnival. That’s how I see myself. I look after the place ’cause even dying things need to be cared for. Maybe it’s illegal. Maybe that rusty metal fence around the carnival is supposed to keep me out too. Or maybe me and this place…
Working in schools, I was surrounded by young people facing challenges and finding their place in the world. Their lives were affected by various relationships, family, and their own personalities. I thrived on their energy and was privileged when they shared their stories, hopes, fears, and uncertainties. I witnessed hearts captured by young love that wasn’t always returned and marvelled at how those without good family support still managed to stay true to themselves no matter what life threw at them. Thank goodness for human resilience. I’m no poet but enjoy language and using poetic devices. I became a writer when teen characters insisted that I give voice to their stories.
I’m a sucker for endpapers so, with inside covers that appear browned with age, this book instantly grabbed me. I was even more drawn in by the edges of all pages looking aged, with the book’s title repeatedly running along the bottom of each one like a handwritten footer. Once I was reading, the flavour of classics like those by the Bronte sisters and Jane Austin meant I couldn’t put it down.
Set in the later part of the 20th century, Kate’s story explores self-worth and finding purpose. First-person narrative uses language cleverly. It is easy to read, the voice unpretentious. I felt like I knew Kate. We have so much in common, including the ability to write in the dark and a penchant for taking laneways rather than main roads.
SHORT-LISTED: CBCA Book of the Year, Older Readers, 2005'My name is Kate O'Farrell and I am seventeen years old. I am in my last year of school, and when that is over I will be leaving this place for good - going to a real city, where I will begin my new life.'I have long red hair and pale skin. I like staying up very late at night. It is my ambition to see the sun rise, but sadly I am always asleep by then. I love eating and reading, preferably at the same time.'I am very tall, and too…
I’ve been reading historical romance since I was a teen and writing it since I published my first historical romance in 1987. Since then I’ve written over forty romance novels, short stories, and novellas, many of which are historical romances. I adore history and research is never a chore for me. Graduate school and a project on Eleanore Sleath, an English author of Horrid Novels from the early 19th century, honed the research skills that I bring to my historical novels. There are times when readers need the certainty of the happy ending that Romance promises, and I love delivering on that promise in all my books. I hope everyone finds a new author to love from this list!
Private Arrangements was my introduction to Sherry Thomas’s absolutely exquisite prose and story-telling. The setting is the Edwardian period and gives us a couple who were once passionately in love. The day after their wedding everything goes wrong with no way to pick up the pieces. Indeed, the two have lived apart for the last ten years. Now she wants a divorce, and he has a shocking proposal for her. How on earth can two people who have made such terrible mistakes find their way back to each other? Thomas takes you on an emotional ride on the way to the answer. She’s an amazing writer whose characters come to life on the page in a way few can match. If you haven’t read her work, you should.
To all of London society, Lord and Lady Tremaine had the ideal arrangement: a marriage based on civility, courteousness, and freedom—by all accounts, a perfect marriage. The reason? For the last ten years, husband and wife have resided on separate continents.
But once upon a time, things were quite different for the Tremaines….When Gigi Rowland first laid eyes on Camden Saybrook, the attraction was immediate and overwhelming. But what began in a spark of passion ended in betrayal the morning after their wedding—and now Gigi wants to be free to marry again. When Camden…
I think Zoroastrianism got it right: there's a constant knife-edge balance between good and evil, with neither quite winning; but we shouldn't be overconfident that one day that balance will tip to the bad side because that is always more dominant. Art in all forms has served dictators and tyrants as well as criticised them; few works have ever actually changed anything. If they have, it's been through literature most of all. Zola's 'j'accuse' and Sinclair's 'the jungle' are two obvious examples, but all the books I have chosen are powerful tools for self–examination, and as someone who is particularly interested in man's inhumanity to man I have found them useful.
I think this is a better book than MME Bovary. It's quite in the tradition of Marivaudage but Flaubert has such a light though ruthless touch that at times you just don't know where your sympathies lie. If Flaubert has been a surgeon he's have been an expert with the smallest, finest scalpels! His technique stands in great contrast to the work of Hugo and Zola, and he certainly outmanoeuvres Balzac! I often wish he'd written more, but what he's left us is pure gold. You might like to compare this book with Fontane's Effi Briest – another stunning novel–of–manners. I was hard put to it to make a choice between these two novels for my 4th choice.
"I want to write the moral history of the men of my generation—or, more accurately, the history of their feelings," declared Gustave Flaubert, who envisioned "a book about love, about passion; but passion such as can exist nowadays—that is to say, inactive." First published in 1869, this novel fulfills Flaubert's conception with a realistic, ironic portrait of bourgeois lives played out against France's tumultuous revolution of 1848 and the founding of its Second Empire. Frédéric Moreau, a law student in Paris, dreams of achieving success in art, business, journalism, and politics. His aspirations take a romantic turn upon a chance…
