Fans pick 64 books like The Luckiest Lady in London

Look. I could tell you it’s a modern-day gothic. I could tell you it wields its heresy to illuminate the true meaning of God. I could tell you she writes with the clarity of an imprisoned martyr watching the pyre being assembled outside her window. But, really, I just want you to know that I read Sierra Simone with a goofy smile on my face, marveling at how she makes the bonkers believable. She’s a surreal realist. There’s an energy here that’s simply unmatched. The book vibrates. And if you make it through Priest, might I suggest her New Camelot trilogy, which tackles the only thing more sacred than the Catholic church: the American presidency.

The very opposite of my last recommendation, this book was wildly spicy!

The main character is a mom who has a love affair with a famous and very young pop star, and rumor has it it’s based on the author’s crush on Harry Styles. It was really easy to lose myself in the fantasy; I, too, am a mom in her forties who finds pop stars attractive and certainly wouldn’t mind taking a little vacation from reality.

I got so sucked into this one that I stayed up for hours past my bedtime reading it multiple nights in a row!

This enemies-to-lovers story about a romance writer and a literary fiction writer who strike a bet to write their next book in each other’s genre blew me away with its hilarious dialogue and realistic emotional stakes.

January struggles to write another Happily Ever After upon learning her recently deceased father had a secret life with another woman. She goes to deal with his beach house, only to find that her college writing rival is her neighbor for the summer.

As part of Gus and January’s renewed rivalry, they go on a series of dates to teach each other about their genre, and they develop mutual professional respect that bleeds into attraction.

One highlight is when they write flirty notes and hold them up through their neighboring windows. This is a true rom-com, so hilarious and sexy, but it commits to realism and reaches for heavy, heart-wrenching emotional stakes and the… show more.

While I could recommend any Loretta Chase novel and dare you to tell me you couldn’t spin at least a bread loaf-length lecture out of her style, I think you should start with Mr. Impossible, simply because the setting is as unique as her prose. We have a himbo and a genius running around Egypt in 1822 trying to rescue her kidnapped brother from the clutches of monument-thieving imperialists. Mind her character work. Note her humor. Her research. Her specificity. Her turn of phrase. Bring your highlighter. Or whatever instrument of self-loathing you use when another writer is so good at what they do it makes you want to give up.

Private Arrangements was my introduction to Sherry Thomas’s absolutely exquisite prose and story-telling. The setting is the Edwardian period and gives us a couple who were once passionately in love. The day after their wedding everything goes wrong with no way to pick up the pieces. Indeed, the two have lived apart for the last ten years. Now she wants a divorce, and he has a shocking proposal for her. How on earth can two people who have made such terrible mistakes find their way back to each other? Thomas takes you on an emotional ride on the way to the answer. She’s an amazing writer whose characters come to life on the page in a way few can match. If you haven’t read her work, you should.

Jill is a little-known but fascinating novel from 1884 about a young woman who, bored of her upper-class life, runs away from home to become a maid.

Jill is everything Victorian women weren’t meant to be: ambitious, scheming, brave, happy to lie, and much more interested in money than marriage. She’s also a bit in love with the woman she works for, which Victorian women certainly weren’t meant to be either.

There is so much I love about Jill, but one of my favourite things about it is how it turns Victorian tropes and expectations on their head, taking the set-up of a typically male adventure narrative and giving it to the character of Jill. It’s a wonderfully proto-feminist Victorian classic and well worth a read.

Okay, I’m cheating here a bit because Winterbourne isn’t a Scot. He’s Welsh!!!! I didn’t think a book boyfriend could get any sexier than a Scot until I discovered Rhys Winterbourne, a Welshman. Who knew? Imagine a dark hulk of a man, a commoner who clawed his way to unimaginable success. And then he meets Helen Ravenel, a delicate, retiring beauty, an aristocrat, the last person on earth he should want and yet he must have her. My heart breaks for this man. He can easily steamroll right over Helen, but she finds the strength within her to stand up for what she wants. The ending of this novel is so satisfying. I’ve read this book a dozen times and I’ll probably read it another dozen. I hope you do too! 

Trapped in Time is the quincentennial weekend escape.

Thanks to a bump on Emma’s head, the story takes you on a time-travel excursion back to the Victorian era, where modern-day Emma suddenly finds herself. With no way back to reality, she navigates and manipulates her way into the arms of the aristocratic John to serve a secret purpose.

But as Emma confronts the struggles of women in this era, she faces critical decisions of mind and heart. This story resonated on many levels to see the hard won progress as women we’ve made and that our path continues with batons held high.

A trio of tall, dark, broodingly handsome werewolves await, in this action-packed, high-passion, angsty trilogy indulging the fantasy of ‘the beast within’. A terrifying transformation befalls the men of the Wulf dynasty, and the curse can only be avoided by never falling in love. The perfect premise for romance!

This 1965 novel by English author Margaret Drabble follows protagonist and PhD student Rosamund as she becomes a single mother.

Educated, upper-middle-class Rosamund narrates with a quintessentially British and—for me—highly enjoyable blend of primness and humor. Fascinatingly and somewhat frustratingly, Rosamund keeps her pregnancy a secret from her daughter Octavia’s father, even after Octavia is born. She’s like a strange English Virgin Mary who studies Elizabethan sonnets and really doesn’t want to “put anyone out”.

Her story also offers an interesting glimpse into class issues in 1960s London and the way that experiences of pregnancy and motherhood can both transcend and accentuate class divisions.