Here are 100 books that The Stud fans have personally recommended if you like
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As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
Despite draft-stage admonitions from his great friend, the Jesuit priest Ronald Knox, the amount of sex Waugh layers into Brideshead Revisited is surprising for 1945: functionally heterosexual couplings, more given over to class imperatives of property, inheritance and trophy wives, and the tentatively homosexual (depending on interpretation), as located in the awakenings of young adulthood, as sluiced by wine, aesthetic beauty, cigars and Venice in Summer.
But it’s Venice and its architecture that’s the actual location of the full sensual awakening, triggering the protagonist’s eventual journey to Catholicism as he passes time among the Venetian stone of churches… and a fountain: “This was my conversion to the baroque...I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones was indeed a life-giving spring.” Eroticized Ruskinalia, finally stepping beyond the Anglo-Catholicism of the Oxford Movement.
It is WW2 and Captain Charles Ryder reflects on his time at Oxford during the twenties and a world now changed. As a lonely student Charles was captivated by the outrageous and decadent Sebastian Flyte and invited to spend time at the Flyte's family home - the magnificent Brideshead. Here Charles becomes infatuated by its eccentric, aristocratic inhabitants, and in particular with Julia, Sebastian's startling and remote sister. But as his own spiritual and social distance becomes marked, Charles discovers a crueller world, where duty and desire, faith and happiness can only ever conflict.
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
This was only published way after Forster’s death–and I can quite see why: it would have whipped up a storm of unimaginable controversy with its story of homosexual love between two Cambridge students and then (steady yourself!) one of those students in later life and a rough-and-ready groundsman.
Forster wrote this in 1913/14, revised it in the 1930s and again in the 1950s, died in 1970, and Maurice finally appeared in 1971. So the book, which concerns hiding, was deeply hidden for over half a century. Forster is sentimental in terms of love and brutal in terms of fate.
Love bucks polite society’s norms in the face of the danger of arrest, public scandal, and disgrace. But such love is so delicate and dangerous that any affront to it has to be met with the most decisive action to protect everyone involved–even if the price is loneliness and a life-long…
As Maurice Hall makes his way through a traditional English education, he projects an outer confidence that masks troubling questions about his own identity. Frustrated and unfulfilled, a product of the bourgeoisie he will grow to despise, he has difficulty acknowledging his nascent attraction to men.
At Cambridge he meets Clive, who opens his eyes to a less conventional view of the nature of love. Yet when Maurice is confronted by the societal pressures of life beyond university, self-doubt and heartbreak threaten his quest for happiness.
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
This shamelessly self-regarding autobiography seems to have been a ghost-(re)written into a biography so that the author’s boasts are afforded a bit more credibility: “Harrison Marks is 40, reasonably good-looking, black hair, a black mustache, tanned and fit”; “His life is women, some of the most beautiful women in the world” etc.
Marks was the epicenter of the post-war British erotic revolution, moving from producing kitsch postcards of topless glamour models snapped in his cat-strewn Soho studios to the direction of truly dire British sex comedies (Come Play With Me is the best remembered), and with 8mm loops for home entertainment being churned out behind the scenes.
Disconcertingly, he often appeared in his work too. By the 1980s, he was reputed to be found, very refreshed, slumped in the corner of the film set while the others got on with the business at hand. This book comes from Marks’s…
When this book first appeared in 1967, public interest in glamour photographer and magazine publisher George Harrison Marks was arguably at an all-time high. Just who was this man with the beatnik beard, the thick frame glasses and the seemingly dream job of photographing beautiful women in a state of undress?
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
An accidental academic edge and idealistic, boosterish teacher lands Larkin’s non-entity protagonist in Oxford. Behavior degenerates from the tongue-tied comprehensive boy, ill at ease in the louche public school mob, to a fellow hearty and then a rowdy. After that, he becomes a stalker and gradually loses his marbles. Larkin has the protagonist write letters in the voice of the stalkee, Jill, and so imitate the assumed mindset of the innocent young girl primed for romance. Larkin would try something of this intimate interlocution again (passing himself off, as an author, as a retired headmistress) with his eroticized Enid Blyton-like novellas, Trouble at Willow Gables and Michaelmas Term at St Bride’s(dodging lesbian clinches with predatory older girls during late night Latin lessons in the dorms, frequent spankings from the headmistress, etc).
All this is brilliantly comic, proto-Angry Young Man and proto-punk, and counters the chilliness of post-war austerity with…
Michaelmas term, 1940. 18-year-old John Kemp has come down from Lancashire to Oxford University to begin his scholarship studying English. But when he invents an imaginary sister to win the attention of a rich but unreliable 'friend', and then falls in love for real, undergraduate life becomes its own strange world .
'Absolutely contemporary - perhaps even prophetic.' Joyce Carol Oates 'Remarkable . A book about innocence.' Simon Garfield 'A cryptic literary manifesto [about] discovering a literary personality, and the consolation art can provide.' Andrew Motion
When I talk with many non-romance readers, they’re often surprised to hear that a feminist reads and writes romance. It’s frustrating that so many people still buy into the conventional wisdom that all romance books are inherently anti-feminist, filled with alpha-hole heroes and wilting flower heroines. I challenged that conventional wisdom on my Romance Novels for Feminists review blog and continue to do so now that I’ve turned to writing romance. I’m so passionate about telling everyone I know about romances that feature clear feminist themes. If you share the conventional wisdom about romance, I hope you’ll give one of the books below a try. They’re not your grandmother’s bodice rippers anymore…
I could pick any historical romance by Milan and feel happy giving it a spot on this list. Because Milan’s stories are deeply invested in exploring how social strictures and structures function to keep women in their “rightful” (i.e., subordinate) place.
In my favorite, Mark Turner has recently been knighted by Queen Victoria for his philosophical treatise, A Gentleman’s Practical Guide to Chastity, an honor that makes him a rock star to myriad young Englishmen. When a rival offers a reward to anyone who can prove she’s seduced the morally upright Mark, courtesan Jessica Farleigh takes up the challenge.
While Mark’s fans and neighbors find the virgin philosopher and fallen woman an appalling mismatch, Mark does not shy away from his attraction, simultaneously offering a witty yet biting critique of the double standard on male and female sexual behavior.
Handsome, wealthy and respected, Sir Mark Turner is the most sought-after bachelor in all of Londonand he's known far and wide for his irreproachable character. But behind his virtuous reputation lies a passionate nature he keeps carefully in check...until he meets the beautiful Jessica Farleigh, the woman he's waited for all his life.
Is to ruin the man she loves
But Jessica is a courtesan, not the genteel lady Sir Mark believes. Desperate to be free of a life she despises, she seizes her chance when Mark's enemies make her an offer she can't refuse:…
I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people.
This book is one of my favorites because it features a strong independent heroine and a duke who decides to be a better man.
Cassandra has no patience with Ashmont—none. She is appalled by his behavior, and she isn’t afraid to tell him. He, on the other hand, is almost immediately smitten with her. It isn’t easy for him to change from a disgrace to a worthy partner, but he doesn’t give up—even when she plainly tells him she won’t marry him.
She threatens to murder him multiple times, and the fight scene with the umbrella is permanently etched into my mind. He might have been wrong about a lot of things, but he loves her exactly as she is.
USA Today bestselling author Loretta Chase continues her Difficult Dukes series with this delightful spin on Shakespeare's classic, The Taming of the Shrew.
This time, who’s taming whom…
Cassandra Pomfret holds strong opinions she isn’t shy about voicing. But her extremely plain speaking has caused an uproar, and her exasperated father, hoping a husband will rein her in, has ruled that her beloved sister can’t marry until Cassandra does.
Now, thanks to a certain wild-living nobleman, the last shreds of Cassandra’s reputation are about to disintegrate, taking her sister’s future and her family’s good name along with them.
Well, truly, who doesn’t want to live inside of a magical castle? A few years ago, I was lucky enough to become the owner of a crumbling Victorian house. It was in bad shape—a hoarder had lived there before with lots of cats and also, somehow, rats?—but the place had “good bones.” My husband and I were determined to scrape away all of the rot and give it new life—all while I was writing my middle-grade novel. Now that both projects are done, I truly feel like I live in an enchanted space.
I am a huge fan of Roshani Chokshi’s work—but she outdid herself with this book. The writing is thickly luxurious, and the House of Dreams, where much of the story takes place, feels like it sits at the borders of a fae otherworld. The magic is palpable. And deliciously foreboding.
A sumptuous, gothic story about an obsessive female friendship cursed to end in tragedy, a marriage unraveled by dark secrets, and the danger of believing in fairy tales - the breathtaking adult debut from New York Times bestselling author Roshani Chokshi.
Once upon a time, a man who believed in fairy tales married a beautiful, mysterious woman named Indigo Maxwell-Castenada. He was a scholar of myths. She was heiress to a fortune. They exchanged gifts and stories and believed…
My name is Elle Rivers, and I’ve been a romance reader and writer for over ten years. I started reading when I was in high school because I was a lonely kid who loved watching people fall in love. I love the romance genre because it always has a happy ending, and reading about characters overcoming their struggles reminds me that I can also face any hard moments in life. I try to write the same kinds of characters in my books. They’re all a piece of me, and I am so excited that others can read them, too.
This book was THE book that made me want to write a marriage in trouble.
It features characters to absolutely hate in the first few chapters, but then they turn it around and become lovable by the end of the book. I love the idea of a married couple (or engaged one) sleeping in separate rooms because of their distance and then they slowly move back into the same room.
This book also features a terrible mom who gets owned by her kid who’s finally had enough of them, which is always my favorite part of any book. This is a novel to get hooked on, and the ending scene where she finds their wedding invitations in the trash had my jaw on the FLOOR!
When your nemesis also happens to be your fiancé, happily ever after becomes a lot more complicated in this wickedly funny, lovers-to-enemies-to-lovers romantic comedy debut.
Naomi Westfield has the perfect fiancé: Nicholas Rose holds doors open for her, remembers her restaurant orders, and comes from the kind of upstanding society family any bride would love to be a part of. They never fight. They’re preparing for their lavish wedding that's three months away. And she is miserably and utterly sick of him.
Naomi wants out, but there's a catch: whoever ends the engagement will have to foot the nonrefundable wedding…
I’m a romance writer who moved around often as a child. Whenever I started a new school, I’d bring a book with me. Even now, I always run errands with a print book and my Kindle as I’m a writer, wife, and mother of four. Two of my children have medical conditions, and I’ve spent time in various doctor and hospital waiting rooms. I’ve taken books into MRI booths where I’d read while my daughter underwent an MRI. I gravitate toward emotional romances that keep me entertained while possessing a thread of humor or something unique about them so I can lose myself in their world anytime, anywhere.
I love books featuring strong chemistry between the two leads, and Nora and John’s chemistry leapt off the page. I also love series that have a strong family connection, and this is the first in a series with three sisters.
John enlists Nora’s help to uncover the identity of his birth mother, and this inspirational romance pulled on my heartstrings. I loved John, especially as he was the type of hero who was silent and impactful. The book was well-written and had enough scenes revolving around food to make me hungry. John and Nora’s story stayed with me long after I finished turning the last page.
After a devastating heartbreak three years ago, genealogist and historical village owner Nora Bradford has decided that burying her nose in her work and her books is far safer than romance in the here and now.
Unlike Nora, former Navy SEAL and Medal of Honor recipient John Lawson is a modern-day man, usually 100 percent focused on the present. But when he's diagnosed with an inherited condition, he's forced to dig into the secrets of his past and his adoption as an infant, enlisting Nora to help him uncover the…
I have cerebral palsy, but the list of things that I absolutely can’t do is surprisingly short: I can climb a flight of steps or walk the length of a football field, for example, but those tasks are going to take a lot more time and energy for me than they would an able-bodied person. We all choose where to invest in life, but cerebral palsy makes that process much more deliberate, and I’ve been fascinated by it for a long time. I’m always on the hunt for stories that demonstrate that our choices shape our life, not our limitations, and I’m determined to choose joy.
This book is the most fun I’ve ever had reading a romantic comedy—and I’ve read a lot of them! As the title suggests, a lot of this story is told through correspondence between our main couple, and while many authors strive for banter that is funny and flirty, these letters actually were—which is not easy to do!
I had an absolute blast watching Teddy and Everett get to know each other in the midst of a well-formed plot about building a life around what is truly important to you.
A charming and heartwarming new romantic comedy by the acclaimed author of Waiting for Tom Hanks, Kerry Winfrey.
Teddy Phillips never thought she would still be spending every day surrounded by toys at almost thirty years old. But working at a vintage toy store is pretty much all she has going on in her life after being unceremoniously dumped by her longtime boyfriend. The one joy that she has kept is her not-so-guilty pleasure: Everett’s Place, a local children’s show hosted by Everett St. James, a man whom Teddy finds very soothing . . . and, okay, cute.
