The most recommended books about courtesans

The Rossetti Letter is absolutely my favorite book of all time. This dual-timeline novel tells the story of Alessandra Rossetti, a 17th-century Venetian courtesan who becomes embroiled in dangerous political intrigue. In the present, PhD candidate Claire Donovan is writing her dissertation on Alessandra and the letter she wrote to warn the leaders of the Venetian Republic about what is known as the Spanish Conspiracy of 1618, and tries to uncover the courtesan’s role in the plot. I’ve never read a book that better describes my favorite city, Venice, more perfectly, both past and present. I reread this book about once a year, and am planning to do so again soon!

Lin is well-known among romance aficionados for her groundbreaking Tang Dynasty historical romances. With The Lotus Palace, the first novel in her Pingkang Li Mysteries series, she expands into crime and political intrigue. This is the only non-fantasy or science fiction title on this list, and it’s here because Lin not only crafts an engaging story of murder and romance, she also handles the historical setting like an absolute master. The world of the 9th century Tang capital Changan—from the seedy gambling dens and bars of the Pingkang Li red-light district to the luxurious family compounds of the exclusive northeast quarter—feels familiar and lived-in, rich and complete, fully detailed without reading like a history textbook.

This book treads ground common to books I love to read and write—vivid characters living in a world that is bisected by wealth—in a lushly atmospheric, but emotionally brutal, short read. Jewel is not a detective by trade—she is a courtesan working in one of the high-end houses. When her friend Winfield is murdered by a rich and powerful client, but mysteriously comes back to life—only different—Jewel needs answers. I loved the complex relationships between the characters and their society, and especially loved how the feeling of the world is prioritized, making the setting and its inhabitants richer.

In prose that is engrossing and rich in color, culture, and voice, Dunant’s historical fiction novel incorporates stories of two of the women that I included in my own book.

The courtesan Fiammetta, loosely based on the life of Veronica Franco, and her healer La Draga, inspired by Elena Crusichi, pulled me into eighteenth-century Venice and its opportunities and dangers for enterprising women. Paired with reading Franco’s actual poems and letters, edited and translated by Ann Rosalind Jones and Margaret F. Rosenthal, I developed a deep admiration and compassion for Franco and Crusichi during Venice’s heyday.

Dunant has again written a page turner that I read more than once.

Hand’s sentences are always beautiful, and this novel, her first, is dense with new ideas and original imagery. She evokes a bizarre future in a post-apocalyptic city where twins go on a hallucinogenic quest. Reads like a somewhat disturbing mythology. Gods and talking animals, autistic prophets, feral children, and death is personified. Unforgettable.

I love reading about women who had messy, complicated lives and Liane de Pougy certainly fits the bill.

Born in 1869, she was a chaos agent like no other. Soon after she got married as a teenager, she left her husband after he shot her when she was in bed with a lover. Then she went to Paris to become an actress and courtesan and became famous for her affairs with both men and women.

She was so captivating and so toxic that she inspired one lover to write multiple novels about her! After she made a fortune from her affairs, she married a prince and then, to top it all off, became a nun in the last years of her life.

Her diary is an intimate portrait of a woman who faced violence, exclusion, disappointment, but always with great bravery and an incredible zest for love, life, and adventure.

I could pick any historical romance by Milan and feel happy giving it a spot on this list. Because Milan’s stories are deeply invested in exploring how social strictures and structures function to keep women in their “rightful” (i.e., subordinate) place.

In my favorite, Mark Turner has recently been knighted by Queen Victoria for his philosophical treatise, A Gentleman’s Practical Guide to Chastity, an honor that makes him a rock star to myriad young Englishmen. When a rival offers a reward to anyone who can prove she’s seduced the morally upright Mark, courtesan Jessica Farleigh takes up the challenge.

While Mark’s fans and neighbors find the virgin philosopher and fallen woman an appalling mismatch, Mark does not shy away from his attraction, simultaneously offering a witty yet biting critique of the double standard on male and female sexual behavior.

This classic middle grade fantasy tale is what first taught me an appreciation of figurative language and lyricism in writing. It revolves around a young courtesan tasked to provide a definitive definition of delicious to resolve a court dispute. He asks many people throughout the land, which yields answers such as “a cold leg of chicken eaten in an orchard early in the morning in April when you have a friend to share it” or “a drink of cool water when you’re very, very thirsty.” At an early age, those descriptions made clear to me the power of making comparisons that evoke memory and mood. It also heavily influences my food and drink reviews to this day!

Set in the mid-19th century, in Paris, this novel follows Armand Duval, a young bourgeois, as he recounts his passion for the beautiful Marguerite Gautier, a “demi-mondaine” and courtesan. Rebelling against the social conventions of the time, Armand pursues his "unseemly" love affair, and unsurprisingly, pays the price for his defiance.

I love this novel for how richly it describes France’s society at the time. Inspired by the love affairs of Alexandre Dumas fils, with Marie Duplessis, a courtesan, The Lady of the Camellias also serves as the basis for Baz Luhrman’s film Moulin Rouge. 

Davidson demonstrates that sexual relationships with courtesans and youths in ancient Athens paralleled the markets in other luxuries such as fish and wine rather more than resembling the modern ideal of romantic love. In a society where marriages were mainly business arrangements made between families to ensure the production of legitimate heirs to their estates, such formal relationships were frequently loveless. This led the male partners and those as yet unmarried to resort to employing mistresses, courtesans, and youths as luxurious distractions from the mundane matter of marital maintenance of the bloodline.