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In the Company of the Courtesan.
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I have always had a wicked imagination and loved to tell stories. Unfortunately, this had me naively believing in fairy tales and happy endings. Cinderella has a lot to answer for. My kind heart and trusting nature were a magnet for bad men, and boy, did I suffer because of it. The term “Viking Berserker” comes to mind. This is why I have a passion for reading about strong women. I’ve learned (through reading books – such as those on my recommended list) that to survive, you have to have hope for a better future, and inspiring people – within inspiring stories – can often give you that hope.
The Author’s style is totally immersive. It begins with time travel through standing stones, and the genres multiply from there. The story has a good pace, plenty of action and adventure, humour, and a hunky scotsman… what else could you ask for?
In all seriousness, the main character is a feisty WW2 nurse who, when challenged, is ready to voice her opinions with plenty of sass. She is also strong, skilled, kind-hearted, and downright funny at times. She reminds me a lot of myself.
#1 NEW YORK TIMES BESTSELLER • The first book in Diana Gabaldon’s acclaimed Outlander saga, the basis for the Starz original series.
One of the top ten best-loved novels in America, as seen on PBS’s The Great American Read!
Unrivaled storytelling. Unforgettable characters. Rich historical detail. These are the hallmarks of Diana Gabaldon’s work. Her New York Times bestselling Outlander novels have earned the praise of critics and captured the hearts of millions of fans. Here is the story that started it all, introducing two remarkable characters, Claire Beauchamp Randall and Jamie Fraser, in a spellbinding novel of passion and…
I’ve always had a healthy dose of skepticism, having been a scientist before I was an author. I look for the con when something’s too good to be true, even in fiction…so don’t insult me by saying, “a magic amulet that makes everyone nice all the time.” If you want me to believe in pixie dust, tell me what’s in place to keep pixie dust smugglers from rigging the system. I raised smart, critical-minded kids, so I always pointed them to my own favorite young-audience books: those that felt real, even if they were fantastical, instead of ones with the more common “just trust me” attitude.
I think the main reason I like this book so much—other than its super-cool steampunk aesthetic—is that it flips a tired convention entirely on its head. It takes something questionable and makes it something awesome.
In modern day, the idea of a finishing school for girls is a bit much: an institution meant to train young women to be “proper enough” for polite society. Instead, the school is a training ground for strong and smart spies: the exact opposite of the "docile and obedient” it seems to train.
I love it when old tropes are subverted to make something newer and better and when opposites (like light/dark and sweet/sinister) are combined. Dangerous Spies armed with manners and the utmost civility? What’s cooler than that?
It's one thing to learn to curtsy properly. It's quite another to learn to curtsy and throw a knife at the same time. Welcome to finishing school.
Sophronia is a great trial to her poor mother. Sophronia is more interested in dismantling clocks and climbing trees than proper manners-and the family can only hope that company never sees her atrocious curtsy. Mrs. Temminnick is desperate for her daughter to become a proper lady. So she enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality.
But Sophronia soon realizes the school is not quite what her mother might…
I’ve been reading historical fiction since childhood—it’s my preferred method for learning history. I want to know who people were in an everyday way, not as broad-brush reporting. My tastes are not limited to particular eras although I do my best to skip as much battle detail as I can. I like historical fiction that has character as its throughline. Who are these people? What do/did they want? How did they get it? I think my theatre background and training are what make me ask questions like these. What did they have for dinner? What did they talk about? Their excesses, their eccentricities, their excellences.
Sarah Brandt is, in a squirmy twist for her upper-crust Knickerbocker New York City parents, a turn-of-the-century midwife, widowed and curious about everything. Women of her ilk don’t work. She meets Metropolitan Police Force detective Frank Malone and is his answer to prayer as well as his personal torment. The two meet each other uncannily all over town in this series from the Battery to the Bowery to the Bronx and back again; she, ever helpful, he, ever cynical, until their lives collide in a magically different, far more intimate way. The situations are always intriguing and built around impeccable Gilded Age research.
The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city...
After a routine delivery, Sarah visits her patient in a rooming house-and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl's room. She discovers that the victim is from one of the most prominent families in New York-and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit…
I’ve been reading historical fiction since childhood—it’s my preferred method for learning history. I want to know who people were in an everyday way, not as broad-brush reporting. My tastes are not limited to particular eras although I do my best to skip as much battle detail as I can. I like historical fiction that has character as its throughline. Who are these people? What do/did they want? How did they get it? I think my theatre background and training are what make me ask questions like these. What did they have for dinner? What did they talk about? Their excesses, their eccentricities, their excellences.
Skye O’Malley is one of the first heroines I encountered who lived by her own code, a startling development in a romance. In addition, Bertrice Small was the first to bridge romance and steamy; our Skye is definitely that. She’s delightful, delicious, de-lovely, and I really admire her outré behavior with England’s capricious Elizabeth Regina. She ends up the head of a clan of brothers and a worldwide sea-faring enterprise as well as a lover, a mother, and a remarkable human being. In addition, there are six more about her next generation, Skye’s Legacy. Small’s research into the Far East is exemplary given a time long, long before Google.
From the incomparable New York Times bestselling author Bertrice Small comes a heroine as breathtaking as she is legendary.
Indomitable and bold in an era of royalty and rogues, Skye O’Malley is a woman who embraces her unbridled sensuality as valiantly as she fights for her children, her lovers, her empire. A woman of justice and honor, she will match wits with and challenge the most dangerous and powerful woman of her time: Queen Elizabeth I.
Though Skye is the object of every man’s fantasy, only a handful have had the thrill of tasting her enticing passions–men whose own daring…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
Mary Laven’s readable academic bookVirgins of Veniceis the definitive resource on the topic of nuns in Renaissance Venice. She explores every aspect of what it was like to be and live as a nun during a roughly two-hundred-year period, when most convents were filled with high-status women of no religious calling, forced to live there by their fathers and the strict social conventions of the time.
A portrait of 16th and 17th century Italian convent life, set in the vibrant culture of late Renaissance Venice. Early 16th century Venice had 50 convents and about 3000 nuns. Far from being places of religious devotion, the convents were often little more than dumping-grounds for unmarried women fron the upper ranks of Venetian society. Often entering a convent at seven years old, these young women remained emotionally and socially attached to their families and to their way of life outside the convent. Supported by their private incomes, the nuns ate, dressed and behaved as gentlewomen. In contravention of their…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
This evocative novel tells the story of a Jewish midwife making her way in a very Christian Renaissance Venice. Along with all Jews confined to the ghetto at night by doge’s decree, Hannah is not permitted to help Christians with her medical knowledge. However, when her husband is taken to Malta and sold as a slave, Hannah finds that certain laws can be broken, for the right price.
Not since Anna Diamant’s The Red Tent or Geraldine Brooks’s People of the Book has a novel transported readers so intimately into the complex lives of women centuries ago or so richly into a story of intrigue that transcends the boundaries of history. A “lavishly detailed” (Elle Canada) debut that masterfully captures sixteenth-century Venice against a dramatic and poetic tale of suspense.
Hannah Levi is renowned throughout Venice for her gift at coaxing reluctant babies from their mothers using her secret “birthing spoons.” When a count implores her to attend his dying wife and save their unborn son, she is…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
This accessible academic work brings to life the inner workings – and breakdowns – of marriages at a time when annulment was the only option. Through court and ecclesiastical proceedings and petitions written by both sexes, the lives of ordinary women – including sexual relations, domestic abuse, cheating, and financial problems – are made even more real by the voices of friends, neighbors, and in-laws.
Based on a fascinating body of previously unexamined archival material, this book brings to life the lost voices of ordinary Venetians during the age of Catholic revival. Looking at scripts that were brought to the city's ecclesiastical courts by spouses seeking to annul their marriage vows, this book opens up the emotional world of intimacy and conflict, sexuality, and living arrangments that did not fit normative models of marriage.
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
A beautiful little book that showcases the paintings of early Renaissance painter Vittore Carpaccio, we see many women in his works. Some of saints, some bordering on the fantastical, a few quite realistic – all the women in Carpaccio’s art would have been inspired by real women living and working in Venice in the late 1400s and early 1500s.
In the course of writing Venice, her 1961 classic, Jan Morris became fascinated by the historical presence of a sometimes-overlooked Venetian painter. Nowadays the name of Vittore Carpaccio (1460-1520) suggests raw beef, but to Morris it conveyed far more profound meanings. Thus began a lifelong infatuation, reaching across the centuries, between a renowned Welsh writer and a great and delightfully entertaining artist of the early Renaissance. Handsomely designed with more than seventy photographs throughout, Ciao,Carpaccio! is a happy caprice of affection. In illuminating the life of the artist and his paintings, Morris throws in digressions about Venetian animals, courtesans, babies,…
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
Elena Cornaro Piscopia holds the title as the first woman in the world to earn a university degree. But she earned it at great cost, and her story breaks my heart every time I recount it to others.
Guernsey pulled me into Elena’s fraught life, from her early intellectual curiosity and prowess, to her self-flagellation after being paraded around as a prodigy. Elena loved learning but hated the spotlight. Her experiences encapsulate what many Early-Modern women had to offer—and had to endure—yet her fortitude ultimately spotlights her resilience and can inspire others.
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
This historical fiction novel formed Anna Maria dal Violin into a real person for me and inspired me to humanize every woman I wrote about in my own book.
Anna Maria was abandoned at the church of the Pieta in Venice where she was taught to sing and play numerous instruments. She became a violin virtuoso and a favorite of Vivaldi, who wrote pieces specifically to challenge her.
Barbara Quick takes this real story and makes both Anna Maria and Venice live brightly in eighteenth-century Venice.
Fourteen-year-old Anna Maria, abandoned at the Ospedale della Pieta as an infant, is determined to find out who she is and where she came from. Her quest takes her beyond the cloister walls into the complex tapestry of Venetian society, from the impoverished alleyways of the Jewish Ghetto to a masked ball in the company of a king; from the passionate communal life of adolescent girls competing for their maestro's favor to the larger-than-life world of music and spectacle that kept the citizens of a dying republic in thrall. In this world, where for fully half the year the entire…
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