100 books like Etiquette & Espionage

I didn’t realize for a long time that I was drawn to reading and writing quiet, character-driven stories about found families–because I didn’t know that was a thing. But here we are. As an introvert, I love learning about people and exploring their relationships with one another, and I have devoted my writing and reading life to this endeavor (even before, again, I knew this was a thing). As a child, I spent my time in libraries, falling in love with these characters. Now, as an author and professor of writing, I believe these novels are also all incredible textbooks of character creation and storytelling. 

I love to cheer for underdogs, and young women who are in this category have my special devotion. As a child of the 1960s, I remember a time when women didn’t have the same rights and opportunities as men, and we still seem to be fighting it today. Coming from a trauma-based childhood myself, I find myself comparing and contrasting coping mechanisms. Luckily, I haven’t found it necessary to kill anyone with dragon stone or jacked-up hornets so far. It delights me when these girls win, whether they game the system or fight their way with guns and knives.

I’ve always had a healthy dose of skepticism, having been a scientist before I was an author. I look for the con when something’s too good to be true, even in fiction…so don’t insult me by saying, “a magic amulet that makes everyone nice all the time.” If you want me to believe in pixie dust, tell me what’s in place to keep pixie dust smugglers from rigging the system. I raised smart, critical-minded kids, so I always pointed them to my own favorite young-audience books: those that felt real, even if they were fantastical, instead of ones with the more common “just trust me” attitude. 

I’ve always had a healthy dose of skepticism, having been a scientist before I was an author. I look for the con when something’s too good to be true, even in fiction…so don’t insult me by saying, “a magic amulet that makes everyone nice all the time.” If you want me to believe in pixie dust, tell me what’s in place to keep pixie dust smugglers from rigging the system. I raised smart, critical-minded kids, so I always pointed them to my own favorite young-audience books: those that felt real, even if they were fantastical, instead of ones with the more common “just trust me” attitude. 

I’ve always fallen in love with endearing characters. I want to go home with them. For me, the best characters are as real as any other friends. So many good books start with an idyllic situation. Say, a family or group of friends who have strong bonds. Then, someone is killed, or war breaks out. The idyll is smashed so the adventure can begin. I  also like the outsider perspective. The characters have to fight the powers that be. They must have a moral compass. Integrity. Why? I’m a Jewish woman. I was a Girl Scout in the Peace Corps, a poet, a social worker, and a therapist. 

Looking at this list, I think it reveals that I am fundamentally a nosy person. I love reading other people’s diaries and letters and getting the inside story of a person’s life. And I’m also fascinated by how people present themselves to the world. Giving presentations is one way to show ‘who you are,’ so perhaps it's not surprising that I now work with people to help them tell their stories, share their ideas, and be the best they can be in front of an audience. Many people say they ‘hate’ presenting, and my mission is to help them overcome that. 

Both as a writer and reader, I adore stories of fantasy and magic. The thing is, these stories have what I call a “price of admission,” which is the time and effort it takes to learn the world of the story in order to immerse yourself in it. That's one reason I am passionate about reading series books: they welcome me back to a world I already love and understand. Speaking as a writer, multiple volumes allow me to make the world I've created richer and deeper with each new book. A new book in a beloved series feels like catching up with an old friend, whether you're reading or writing.

Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.

I’ve always had a healthy dose of skepticism, having been a scientist before I was an author. I look for the con when something’s too good to be true, even in fiction…so don’t insult me by saying, “a magic amulet that makes everyone nice all the time.” If you want me to believe in pixie dust, tell me what’s in place to keep pixie dust smugglers from rigging the system. I raised smart, critical-minded kids, so I always pointed them to my own favorite young-audience books: those that felt real, even if they were fantastical, instead of ones with the more common “just trust me” attitude. 

Spy stories have always captivated me. This fascination grew after I learned that throughout history, many women worked behind the scenes as key spies. How cool is that? So, I decided to write a girls' spy school set in Jane Austen's world. Junior Library Guild said this about A School for Unusual Girls, “An outstanding alternative history series entry and a must-have for teen libraries.” Scholastic licensed the series for their school book fairs. Ian Bryce, the producer of Spiderman, Transformers, Saving Private Ryan, and other blockbusters, optioned it for film. To date, more than 600,000 copies of my award-winning historical novels are in the hands of readers around the globe.