Here are 48 books that The Wizard of Oz fans have personally recommended if you like
The Wizard of Oz.
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As a child, I wanted to be either a chook (chicken) farmer or an archaeologist. In high school, my Latin teacher gave me a copy of The Hobbit and changed my passion to travel, which, for Australians, mostly means, Overseas. In second year University, The Lord of the Rings cemented that longing, and I have "travelled" Overseas almost annually ever since. But a long research trip for a historical novel taught me that the best travel is a journey: travel with a purpose. And whether or not I'm on a plane, train, bus, or foot myself, some of my favourite reading has always been books with journeys at their heart.
Journeys are most often linear – Here to There – or circular – "There and Back Again."The Odysseyis actually a return leg in the most traumatic and perennial circular journey: going to war, and then, gettingback."Wily" (in modern terms, read, "sneaky," "trickster") Odysseus left Troy a famous warrior, but takes seven years to get home. The fabulous episodes of that journey, the Cyclops, the Sirens, Scylla and Charybdis, Circe, and Calypso, the wreck in Phaeacia that leaves him bereft even of clothes, have grounded the Western imagination. But the concluding little things – the recognition scenes, the dog that dies, and the nurse who doesn't – push that epic past into a close, human Now.
Homer's epic chronicle of the Greek hero Odysseus' journey home from the Trojan War has inspired writers from Virgil to James Joyce. Odysseus survives storm and shipwreck, the cave of the Cyclops and the isle of Circe, the lure of the Sirens' song and a trip to the Underworld, only to find his most difficult challenge at home, where treacherous suitors seek to steal his kingdom and his loyal wife, Penelope. Favorite of the gods, Odysseus embodies the energy, intellect, and resourcefulness that were of highest value to the ancients and that remain ideals in out time.
When I was little, I would draw for hours, captivated by the female experience. Art, film, and literature focused on women’s lives have always felt the most compelling to me. Whether it’s gazing at a woman painted centuries ago, watching a film about a woman navigating her time, or reading a book that delves into her inner world, I’m drawn to their stories. Their complexities and imperfections are often what I love most. This lifelong fascination has shaped my career. Whether illustrating fashion, designing book covers, or authoring my own books, the emotions and experiences of female characters inspire me, fuel my creativity, and remind me of the power and importance of their stories.
Anne Shirley is the most optimistic character in literature, and I have an unwavering love for her. Despite her circumstances, her boundless imagination and deep gratitude for the beauty in the world and people inspire both those around her and me.
When I read Anne of Green Gables, the world seemed brighter and more hopeful. I was overjoyed when my children were old enough for me to share this book with them. Her character's transformative power is undeniable, and her poetic view of life stays with me long after the last page.
I love that it was written by a woman. I always appreciate it when female authors write female characters. Every time I read Anne of Green Gables, I feel a pang of grief when it ends.
Anne of Green Gables is the classic children's book by L M Montgomery, the inspiration for the Netflix Original series Anne with an E. Watch it now!
Marilla and Matthew Cuthbert are in for a big surprise. They are waiting for an orphan boy to help with the work at Green Gables - but a skinny, red-haired girl turns up instead. Feisty and full of spirit, Anne Shirley charms her way into the Cuthberts' affection with her vivid imagination and constant chatter. It's not long before Anne finds herself in trouble, but soon it becomes impossible for the Cuthberts to…
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Maybe this is cheating, but it’s still a book set during a war, albeit a fantastical one.
But come on: Arthur, Guinevere, Lancelot, Merlin, Nimue, Pellinore, Gawain, Mordred, the Round Table–I may never have read a more powerful scene (or seen such, in the play) as when Arthur cheers for Lancelot to ride and save Guinevere from a fire which Arthur himself set!
Moving, with great, classic prose typical of the time and White’s contemporaries C.S. Lewis and Tolkien.
Voyager Classics - timeless masterworks of science fiction and fantasy.
A beautiful clothbound edition of The Once and Future King, White's masterful retelling of the Arthurian legend.
T.H. White's masterful retelling of the Arthurian legend is an abiding classic. Here all five volumes that make up the story are published together in a single volume, as White himself always wished.
Here is King Arthur and his shining Camelot, beasts who talk and men who fly; knights, wizardry and war. It is the book of all things lost and wonderful and sad; the masterpiece of fantasy by which all others are…
Eleven-year-old Mira wishes everything could go back to the way it was. Before she changed schools and had to quit gymnastics. Especially before Papa died. Now she spends her days cooking and cleaning for her stepsisters and Val—who she still won’t call mom and still won’t forgive for the terrible…
Writing is in my blood – my grandmother wrote poetry, my mother writes novels, and over the last twenty-plus years I’ve written just about everything (and now I teach writing at my local university). I’ve loved stories for as long as I can remember. While my fiction career may be newly revived, I spent over 20 years as a pop culture commentator, poking at the minutia of the stories I love. I think stories may be one of the most important things in our culture – they inspire us, they brighten our day, they bring us to tears, and sometimes when we are lost they show us the way.
This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of whythe elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.
Joseph Campbell's classic cross-cultural study of the hero's journey has inspired millions and opened up new areas of research and exploration. Originally published in 1949, the book hit the New York Times best-seller list in 1988 when it became the subject of The Power of Myth, a PBS television special. The first popular work to combine the spiritual and psychological insights of modern psychoanalysis with the archetypes of world mythology, the book creates a roadmap for navigating the frustrating path of contemporary life. Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages…
I learned to read at four and have been telling stories ever since. Books were my escape from unhappiness into a new and endless world. Left to myself, I’d read ten or so weekly, and my mind was packed with characters, dialogue, jokes, prose, and poetry like an over-brimming literary reservoir. Words are my thing, and I am an avid collector of them. I was reading David Copperfield at eight and specialised in 18th and 19th-century literature at university. I’ve written five books and am working on the sixth. I love writing humour but have also authored Jane Austen Fan Fiction and poetry. Without books, my world is nothing.
I simply love this book and read it at least once a year. It’s in the YA genre, and I am more like an MAA (middle-aged adult) but the main character, Auggie Pullman, and his friends and family are so enticing that I’m drawn in every time.
Auggie has an incredibly rare facial deformity and when we first meet him, he’s off to school for the first time. The book is written with a light touch and from many different voices, something the author pulls off with aplomb. It’s notoriously difficult to get away with multiple narrators, but this really works.
I root for Auggie every time, and the sheer humanity of the book, along with great humour and characterisation means that I come back to it again and again.
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'Has the power to move hearts and change minds' Guardian
'Tremendously uplifting and a novel of all-too-rare power' Sunday Express
'An amazing book . . . I absolutely loved it. I cried my eyes out' Tom Fletcher
Read the award-winning, multi-million copy bestselling phenomenon that is WONDER in this new tenth anniversary edition.
'My name is August. I won't describe what I look like. Whatever you're thinking, it's probably worse.'
Auggie wants to be an ordinary ten-year-old. He does ordinary things - eating ice cream, playing on his Xbox. He feels ordinary - inside. But ordinary kids don't make other…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Bolaño wrote two epics: The Savage Detectives and the much more widely read 2666. Savage may be a sloppier novel—it follows two fictional founders of a fictional poetic movement called the visceral realists who are trying to track down the mysterious founder of the movement—but it’s also a novel about the elusiveness of meaning. With a lot of sex and violence thrown in for measure. The frame-story narrative informed my own, although I employed a lot less sex.
Winner of the Herralde Prize and the Romulo Gallegos Prize. Natasha Wimmer's translation of The Savage Detectives was chosen as one of the ten best books of 2007 by the Washington Post and the New York Times.
New Year's Eve 1975, Mexico City. Two hunted men leave town in a hurry, on the desert-bound trail of a vanished poet.
Spanning two decades and crossing continents, theirs is a remarkable quest through a darkening universe - our own. It is a journey told and shared by a generation of lovers, rebels and readers, whose testimonies…
Worcester Glendenis is a 12-year-old wannabe private detective. He models himself on his hero, the fictional private eye Philip Marlowe, of course without the booze, cigarettes, and violence. After all, he is only twelve.
He's a likable and smart kid with two pesky 7-year-old twin sisters, and a Mum and…
One reason I became a professor of humanities, teaching subjects like film, theater, and literature, was to share my enthusiasm for the great works of imagination which have inspired people for centuries. Stories shape our lives and pass on our most important values and beliefs to future generations. In my academic career, I have directed plays and have written two novels, but teaching film has been my major passion for the last several years.
This popular text on screenwriting relates films to narrative ideas found in ancient myths around the world.
Vogler does an excellent job in demonstrating how films often use elements of plot and character that have proven to be universal characteristics of stories for centuries. He applies these concepts not only to fantasy films but standard Hollywood dramas such as Titanic.
Originally an influential memo Vogler wrote for Walt Disney Animation executives regarding The Lion King, The Writer’s Journey details a twelve-stage, myth-inspired method that has galvanized Hollywood’s treatment of cinematic storytelling. A format that once seldom deviated beyond a traditional three-act blueprint, Vogler’s comprehensive theory of story structure and character development has met with universal acclaim, and is detailed herein using examples from myths, fairy tales, and classic movies. This book has changed the face of screenwriting worldwide over the last 25 years, and continues to do so.
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
When I first encountered Harry Dresden, a professional wizard solving a double homicide in Chicago, I was instantly hooked by its noir, fantasy, and traditional mystery with dollops of humor. This novel—the first in The Dresden File series—kept me engaged the entire time with a fast-moving plot and interesting characters.
I could see in my mind’s eye Chicago’s skyscrapers and their reflection in Lake Michigan as Harry dug deeper into the crimes and the supernatural world. This was my first urban fantasy read, and Butcher’s ability to blend a private investigator story with the supernatural ensured it was not my last.
In the first novel in the #1 New York Times bestselling Dresden Files series, Harry Dresden’s investigation of a grisly double murder pulls him into the darkest depths of magical Chicago…
As a professional wizard, Harry Dresden knows firsthand that the “everyday” world is actually full of strange and magical things—and most of them don’t play well with humans. And those that do enjoy playing with humans far too much. He also knows he’s the best at what he does. Technically, he’s the only at what he does. But even though Harry is the only game in town, business—to put…
Twelve-year-old supernatural sleuth Dotty Morgan becomes embroiled in an ancient conflict between rival Japanese factions, and the timing couldn't be worse. A new girl in town creates jealousy between Dotty and her girlfriend, and her mother invites a nightmare houseguest to stay with them. She must put the drama aside…
Since I was very young, I’ve had experiences with the paranormal. Whether it be a soft graze along my cheek or a spirit standing in front of me, I’ve always been drawn to things behind the veil. Joining the world of the living with the dead comes natural for me, and reading the genres of paranormal and fantasy is like a cup of hot tea on a chilly winter afternoon.
I fell in love with the characters. Even the ones I didn’t necessarily like, I wanted to read more about.
More importantly, for me, this book came out at a time when I was having difficulties in my own relationship. The idea of being apart from the one person I thought would be forever shattered me. Reading Bella’s emotions for Edward and the crushing heartbreak she felt, was like reading about my feelings on the pages of the book.
Of course there’s vampires and I love all things vampire.
When 17 year old Isabella Swan moves to Forks, Washington to live with her father she expects that her new life will be as dull as the town.
But in spite of her awkward manner and low expectations, she finds that her new classmates are drawn to this pale, dark-haired new girl in town. But not, it seems, the Cullen family. These five adopted brothers and sisters obviously prefer their own company and will make no exception for Bella.
Bella is convinced that Edward Cullen in particular hates her, but she feels a strange attraction to him, although his hostility…
