The most recommended books about the Odyssey

Too Much Happiness, the title story in a 2009 collection by Alice Munro, is a fictionalised account of the last days in the life of mathematician Sofya Kovalevskaya.

What really grabbed me was the way Munro managed to express, with wonderful economy, the way that Kovalevskaya’s acceptance as a woman mathematician in the 19th century felt conditional – she won prizes but had to fight to get a job; if she travelled for work people would allude to the daughter at home who might need her: “a jab there, a suggestion familiar to her, of faulty motherhood”.

It’s a beautiful and poignant portrayal of a complicated, brilliant woman. 

Kingsley’s The New Odyssey is a journalistic account of what became known during the 2015-2016 period as “Europe’s Refugee Crisis.” It brings a human face to the million or so refugees— a significant number of whom were from Syria, Afghanistan, and Iraq— who sought asylum in Europe by way of various irregular Mediterranean routes. By embedding himself with the refugees at the center of his book, Kingsley gives an intimate portrait of the reasons Europe became a destination for these refugees and of the violence and hardships they are subjected to at the hands of an unwelcoming Europe. The New Odyssey also provides an in-depth and nuanced portrait of the smugglers who, while by no means idealized in the book, are an easy scapegoat in European attempts to deflect responsibility for the suffering and death of migrants taking the irregular Mediterranean routes. Kingsley’s narrative balances a broad overview of the… show more.

I have picked this book because it tells a story that should interest anyone even if they have no interest in technical economics. Albert Hirschman was born into a Jewish family in Berlin and in his teens became politically committed as a socialist, at a time when the rise of the Nazi party made this a dangerous activity. The book tells the story of his exploits in Germany and occupied Europe before he ended up in the United States, where he made his career as a specialist on economic development, spending a significant part of his life advising the government of Colombia.

Hopefully, the book gives an account of Hirschman’s economic ideas in a way that will make sense even to readers who don’t know any economics, but even without that, it is a sufficiently gripping story of the life of an exile from inter-war Germany who ended up as… show more.

Hinds' mesmerizing paintings set the scene for a beautiful graphic rendition of The Odyssey. Anyone who has moved or travelled a lot, or seems to not be able to find a way home, can appreciate the story of Odysseus. I read this book many times with my two (once) young children, hopefully preparing them for a life of travel and living in Greece with their wanderer, researcher mom. For us Greek mythology is not for learning a "western" canon, which was never defined by ethnic Greeks anyway. We read the Odyssey to appreciate our roots in Greek island cultures and the hospitality they offer, which this lovely version makes palpable.

I was in Greece, and read the Odyssey by and on the wine dark sea, imagining that it was all real. 

This is the Anthony Verity translation for Oxford University Press. I have read Fagles’s translation, too, which everyone raves about, but the Oxford classic editions have great notes, which help you appreciate the text. And they are smaller to pack.

Each chapter is a deep exploration of a single poem, highlighting sounds and words in ways the poems’ authors may or may not have intended. When I met this book, I had been writing poetry for years—unfocused drafts distilled from raw experience and emotion that I later revised into purposeful communication.

Then I read The End of the Poem. Suddenly, I wanted my poems filled with riddles and echoes, delicate Easter eggs for my readers. This book taught me there is an uncontrollable synergy between writers, words, and readers. Each reader will encounter a writer’s intentional (and unintentional) choices in a unique framework built on their own unique experiences in this world.

Once, on a weeks-long gig far from home, I stayed in a bare attic room with no TV, no internet, not even a radio. I didn’t mind. I had this translation of the Odyssey to settle down with every evening after work. I would think about it all day long: the vivid language, the fantastical events, the struggle and suffering of the protagonist. Reading it was like going to a technicolor movie every night, except that the movie was inside my head.

Talk about an essential human story—the Odyssey is four thousand years old, but its characters have the same emotions, fears, vices, and virtues we have today. Their struggles make my heart race and my eyes tear up. My imagination goes into overdrive, and I revel in the wonder.

This is my favorite novel in Rieu's prose translation which has a real freshness, as if the very first book. I wanted that sense of freshness for my book, as well as the story of a man desperately trying to get home to his wife. The story takes place in the framework of Sam's 11-year-old imagination, and so carries him and his father through fantastic adventures as trying as those Odysseus faces in The Odyssey. 

The author, a professor of classics at Bard College, invites his father to attend his class on The Odyssey. What unfolds is a marvelous father-son story as his opinionated father vigorously participates and the author limns his complicated relationship to this endearing and perplexing man. All this is set against insightful discussions of The Odyssey and the father-son relationship of Odysseus and Telemachus. A surprising and very pleasurable read.

The plot and characters always had new twists and layers with the suspense building steadily from page one to the climax.