I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
As one of my favorite novels, I find something unexpected every time I read this book. It takes you to a dystopic world, not so much as what it would look like, but how it would feel. I find it affirmative in its negativity. It takes me to what I value and wants to protect, cherish, and continue to experience. It has been part of a lesson I learned long ago and have lived by.
If you want things to be better, what is bad has to be confronted without turning away and surmounted by overcoming, adaptation, or acceptance.
Paul Auster's dystopian future from the author of contemporary classic The New York Trilogy: 'a literary voice for the ages' (Guardian)
'That is how it works in the City. Every time you think you know the answer to a question, you discover that the question makes no sense . . .'
This is the story of Anna Blume and her journey to find her lost brother, William, in the unnamed City. Like the City itself, however, it is a journey that is doomed, and so all that is left is Anna's unwritten account of what happened.
I am the director of Equipping Church Leaders-East Africa. East African church leaders (and most Christians everywhere) are interested in eschatology (the study of the “last things”). I have been fascinated by this subject for decades, particularly since I attended a church that took eschatology seriously. After a time, however, I realized that something was amiss in that pastor’s understanding of eschatology. That motivated me to study eschatology on my own and begin compiling an extensive library on the subject. While pursuing my M.Div. at Trinity Evangelical Divinity School, I wrote two major papers on the subject and now have written the most comprehensive synthesis on biblical eschatology currently available.
G. K. Beale, now at Reformed Theological Seminary in Dallas, TX, is probably the premier authority on the book of Revelation. His massiveThe Book of Revelation(NIGTC) is over 1100 pages long and, I believe, is without question the most scholarly and detailed treatment of Revelation currently available. Anyone who is seriously interested in the book of Revelation needs to interact with this book. Beale’s treatment of Revelation is enhanced by his deep understanding of the Old Testament (he is co-editor, with D. A. Carson, of Commentary on the New Testament Use of the Old Testament). In short, serious students of Revelation should get this book. Its depth of detail will be worth it and will lead the reader to see biblical connections not previously imagined.
This commentary series is established on the presupposition that the theological character of the New Testament documents calls for exegesis that is sensitive to theological themes as well as to the details of the historical, linguistic, and textual context. Such thorough exegetical work lies at the heart of these volumes, which contain detailed verse-by-verse commentary preceded by general comments on each section and subsection of the text.
An important aim of the NIGTC authors is to interact with the wealth of significant New Testament research published in recent articles and monographs. In this connection the authors make their own scholarly…
The 55th-century-and-counting end-of-times narrative of Millennium is a time-travel story, yes, but it is more than that.
It manages to dodge the gleeful “paradoxes” at the heart of classical travellers-in-time stories while acknowledging the difficulties of interfering in the established timeline.
Bill Smith, the world-weary 20th-century airplane accident investigator, and his connection with Louise Baltimore, a fixer from dozens of millennia in the future, is one of the oddest relationships in fiction, and Varley’s account of the terminal ennui at the twilight of humanity is distressingly plausible.
If humans can only survive by going deep into history to divert “victims” of catastrophic accidents into a new (if bewildered) life in their far future in order to keep a more or less functioning society alive, what does this say about our survival? Pessimistic but riveting.
In the skies over Oakland, California, a DC-10 and a 747 are about to collide. But in the far distant future, a time travel team is preparing to snatch the passengers, leaving prefabricated smoking bodies behind for the rescue teams to find. And in Washington D.C., an air disaster investigator named Smith is about to get a phone call that will change his life...and end the world as we know it.
I am the director of Equipping Church Leaders-East Africa. East African church leaders (and most Christians everywhere) are interested in eschatology (the study of the “last things”). I have been fascinated by this subject for decades, particularly since I attended a church that took eschatology seriously. After a time, however, I realized that something was amiss in that pastor’s understanding of eschatology. That motivated me to study eschatology on my own and begin compiling an extensive library on the subject. While pursuing my M.Div. at Trinity Evangelical Divinity School, I wrote two major papers on the subject and now have written the most comprehensive synthesis on biblical eschatology currently available.
One of the best ways to deal with controversial subjects is the “point-counterpoint” method of having a proponent of each major view state his or her own position and then be critiqued by proponents of other views. The Meaning of the Millennium: Four Views does just that, utilizing the following proponents: George Eldon Ladd, historic premillennialism; Herman Hoyt, dispensational premillennialism; Loraine Boettner, postmillennialism; and Anthony Hoekema, amillennialism. The book is compact enough so as not to be intimidating for the general reader, yet the major points of each view and critique are sufficiently articulated. While this is a good introduction to the subject, Hoyt’s and Boettner’s presentations are, in my opinion, considerably weaker than Ladd’s and Hoekema’s.
Christ is coming again.
Since the first century, Christians have agreed that Christ will return. But since that time there have also been many disagreements. How will Christ return? When will he return? What sort of kingdom will he establish? What is the meaning of the millennium? These questions persist today.
Four major views on the millennium have had both a long history and a host of Christian adherents. In this Spectrum Multiview volume Robert G. Clouse brings together proponents of each view: George Eldon Ladd on historic premillenniallism, Herman A. Hoyt on dispensational premillennialism, Loraine Boettner on post-millennialism and…
I’ve always been curious about how stories shape how we see the world. As a child, I noticed there were countless conflicting stories explaining how things worked. But which stories were the real ones? Which were true? At university, I studied the stories we tell ourselves about how the world will end. And as we live in times that can feel quite apocalyptic, I’m particularly fascinated by the stories we tell ourselves about who we are and what the future holds. If society dissolved around us, what stories would we tell ourselves to keep going? Are we telling those stories now?
I found this book realistic in a really frightening way. The entire societal structure of the world depends on the stories we humans tell ourselves about ‘us’ and ‘them,’ and I think the book plays with this very cleverly.
It has a very tender depiction of what happens to us and our stories when we’re all alone, and I still think about the way generational guilt is woven through the story.
It was one of those books where I kept walking up to my wife to say, “Can I read you something?” and, “Listen to this…” because the ideas are so big, but the language is so clipped and to the point.
In this taut, dystopian tale, an island nation ravaged by the Change has built an enormous concrete barrier around its coastline-the Wall. Joseph Kavanagh, a new Defender, has one task: to protect his section of the Wall from the Others, the desperate souls trapped amid the rising seas outside. A blend of the most compelling issues of our time-climate change, increasing fear, widening divisions-The Wall is a suspenseful story of love, trust, and survival.
I have long been a fan of zombie apocalypse scenarios. The first movie I watched was the classic Dawn of the Dead remake. Shocked and fascinated, I wanted more, devouring anything I could find on the topic. It wasn’t long before I stumbled across my first zombie apocalypse book, and I was hooked. It became an obsession for a while, and I spent my free time reading one zombie book after another. Finally, I reached a point where I wanted to write my own story and version of the apocalypse, and I did. Fast-forward several years, and I’m now a full-time author with numerous completed series, most of them zombie.
This book's opening scene is one of the most visceral and shocking I have ever read. Incredibly tragic, it hits you in the gut with the force of a hammer blow before sweeping you along on an adventure of epic proportions. Once I started reading, I was unable to stop.
I just had to know what happened next and what lay in store for the main protagonists, Kati and Jenni. Somewhere along the way, I fell in love with them, and I will never forget the hours I spent by their side. My only regret is that the story ended, though I’ve heard rumors of a possible continuation. If that’s true, it will be a dream come true!
Rhiannon Frater's As the World Dies trilogy is an internet sensation. The first two books, The First Days and Fighting to Survive, have won the Dead Letter Award for Best Novel from Mail Order Zombie. The First Days was named one of the Best Zombie Books of the Decade by the Harrisburg Book Examiner. AmericanHorrorBlog calls Rhiannon Frater "a writer to watch."
The morning that the world ends, Katie is getting ready for court and housewife Jenni is taking care of her family. Less than two hours later, they are fleeing for their lives from a zombie horde.
A mysterious “explosion” on the moon may herald the end of the world, but don’t expect a lot of heavy action. This book is character driven. No cardboard cutouts here. Get ready to meet real people, complicated and contradictory as real people are—my favorite thing in a novel.
The book’s pace is slow as menace builds. It allows you to revel in the quality of the writing. As I read, I knew I was going to read this book a second time to enjoy the gracefulness of its language.
I have been fascinated by the zombie genre since I was a child. No other genre has influenced and inspired me as much. I am also a very critical consumer of zombie content, as I have great respect for the genre. I began writing my own stories to fill in gaps that I felt had not yet been addressed by previous works. Since the release of my first novel, I have enjoyed meeting with zombie genre fans, writers, crafters, and creators at horror cons, zombie cons, comic cons and have participated in many panels and podcasts. It is a subject that I will never grow tired of discussing. The zombie genre is truly undying.
Wastelands is an anthology of short stories, all obviously focused on the apocalypse, but not all including zombies. One memorable story was titled When Sysadmins Ruled the Earth by Cory Doctorow, which features the communications between tech geeks who are safely ensconced within blast-resistant data hosting centers when the apocalypse begins. Working in server hosting centers are equipped with their own power sources, air filtering systems, and an abundance of junk food vending machines, the author creates a scenario where truly the geeks shall inherit the earth.
The definitive anthology of the best post-apocalyptic literature of the last two decades. Featuring New York Times bestsellers Stephen King, George R.R. Martin and Orson Scott Card, edited by award-winning anthologist John Joseph Adams.
Prescient tales of Armageddon and its aftermath, by twenty-two of today's finest writers, including:
Paolo Bacigalupi Neal Barrett, Jr. Tobias S. Buckell Cory Doctorow David Grigg Dale Bailey Elizabeth Bear Richard Kadrey John Langan Jerry Oltion James Van Pelt
Together they reveal what it will mean to survive and remain human after the end of the world...
Reading Frankenstein, Dr. Jekyll and Mr. Hyde, and other “scary stories” in high school ignited a hunger for suspense. In writing my own gothic horror novel, I explored the why’s and how’s a bit, and discovered that the thing I love about lurking, terrifying danger in books is that it bares a character’s soul more rapidly, and more believably, than almost any other plot device. When we face a fate worse than death, we confront our deepest motivators and challenge bedrock beliefs. I hope you’ll enjoy the books on this list as much as I do! I feel like their particular uniqueness is hard to find.
In a Celtic-feeling village the reader follows the story of an absolutely ordinary protagonist, Idris. He’s a poet who chooses great peril in order to discover the truth behind a growing despair plaguing the land.
It is the end of times, according to all the oracles. But Idris refuses to accept annihilation’s cold embrace. As the villagers scrape by despite sickness and blighted crops, the bard goes on a search for hope. In the haunted, banshee-infested moor, he discovers the door on half-bald hill.
I really loved this story because it was all my favorite things—a bleak, earthy landscape with a sharp sense of foreboding haunting every page, and in sharp relief, a group of very real persons, each fostering a flame of hope despite overwhelming burdens and gnawing griefs.
When the Bloodmoon rose, death came rushing into the world. Now the water is bitter, blight consumes everything, the Crone haunts the hills, and the Druid of Blackthorn searches desperately for hope. Sorensen's lyrical tale of light overcoming darkess is a matchless work of Celtic-inspired lore.
In the summer of 1999, the second book in JK Rowling’s Harry Potter series (The Chamber of Secrets) was published. It seemed that everyone was reading it–kids, young adults and grownups. More than that though, kids were getting excited about reading, maybe for the first time. Parents were reading it with their kids. The excitement they shared was inspiring. I thought Rowling had achieved something remarkable–something worthwhile–for a writer of fiction. It compelled me to change the story I was working on–a rather violent, edgy tale–into a book for young adults.
I love a book that makes me laugh. But if I immediately feel guilty or disturbed for laughing, if the story makes me re-examine my values page after page, that is a home run.
This – the first of the Dancers at the End of Time series of books and short stories – had me pondering the boundaries of scientific reality as well as right versus wrong while also being galactically entertained.
The (objectively awful) main characters are time- and space-hopping immortals. Virtually all-powerful, they can change their own appearance and environment at will. When one of them decides to experiment with the concept of Love…everything, and nothing, starts to change.
A vicious, delicious satire of unchecked indulgence that tests the bounds of good taste.
