I’ve been a Pratchett fan since I first read The Colour of Magic in 1986. I was nine and suddenly obsessed. When he died, I cried; when I found out he left me – us – one last gift, I cried again. The best satire doesn’t just make you laugh through the tears and cry with laughter; it makes you think. Over the decades, Pratchett perfected this art. Nobody can replace him, although many authors, including myself, try to follow. Searching for them between the rock and the trying-too-hard place, sometimes I find diamonds. May they shine as brightly in your eyes as they do in mine.
Only a real genius of a bard could give justice to the heroes who saved the village city of Skendrick from Dragonia the Dragon. Due to a sudden shortage of geniuses Heloise the Bard, who’s never met a run-on sentence she didn’t like, tells you (mostly) all about herself the battles, the riddles, Heloise, the magic, pooping in swamps, Heloise, the flatulent minotaur… oh yes, the dragon! Almost forgot. And if there’s one thing she knows, it’s that facts will ruin the truth every. Single. Time.
Black’s ‘Friday’ is a song so infinitely horrible it creates a space-inverting portal that makes it an eternal classic. So is this book. Read it with your eyes closed. In hiding. With mushroom powder at hand.
The #1 humorous fantasy bestseller! Sure, you think you know the story of the fearsome red dragon, Dragonia. How it terrorized the village of Skendrick until a brave band of heroes answered the noble villagers' call for aid. How nothing could stop those courageous souls from facing down the dragon. How they emerged victorious and laden with treasure.
But, even in a world filled with epic adventures and tales of derring-do, where dragons, goblins, and unlicensed prestidigitators run amok, legendary heroes don't always know what they're doing. Sometimes they're clueless. Sometimes beleaguered townsfolk are more hapless than helpless. And orcs?…
I’ve been reading middle grade and young adult science fiction and fantasy books via visits to local library branches (thanks, Mom!) and bookmobiles (anybody under 40 remember those?) since I was in grade school and writing in those same genres since 2005. That was when I tapped into my love of MG/YA fantasy novels and began writing about dragons between gigs as a professional animation writer.
The Sea of Trolls is an excellent and satisfying read that immersed me in the fascinating Norse/Saxon world of 793 A.D. It’s the first book in one of the best series I've read in a long time—featuring rich world-building, magic at all levels, bold deeds, and a dry sense of humor.
Jack is an apprentice bard and just beginning to learn the secrets of his mysterious master, when he and his little sister are captured by Viking chief, Olaf One-Brow, and taken to the court of Ivar the Boneless. Ivar is married to a half-troll named Frith, an evil and unpredictable queen with a strange power over her husband's court. Jack is sent on to the kingdom of the trolls, where he has to find the magical well and undo the charm he has cast on Frith. He is accompanied by Thorgill, a shield maiden, aged 12, who wants to be…
There is a saying that you can take the girl out of Scotland but not Scotland out of the girl. I am that girl. Born and raised in Scotland, I earned an MA from Edinburgh University and a M.Litt from Oxford. I met my husband during the summer at Dartmouth College and the rest, as they say, is history. Or, at least it would be, except for the hankering back to Scotland that never leaves. My novel set in Scotland was published by Simon & Schuster.
This is an extensive biography of Scotland’s celebrated bard, Robert Burns, and includes a collection of unpublished letters. Scotland’s own “heaven taught ploughman,” gave life a run for its money, giving us in his few but fruitful years lines of poetry that match Shakespeare himself.
Oh, would some
Power the giftie
gie us
To see ourselves as
Others see us!
McIntyre gives Burns a good shot. No Scottish writer, including myself, could think of their career trajectory without Robert Burns standing out prominently along that line. He gave us the gift of hubris and the gift of the poetic gab.
This biography illuminates and explores the complexities and contradictions of Burns's character and personality, untangling the myth from the legend. Based on new evidence from 700 letters Burns wrote during his life, McIntyre concentrates on the circumstances of the writing of poetry itself, and paints a vivid picture of Burns's emotional and impulsive political views, the cruelty and gentleness of which he was capable, stressing the importance and the quality of the satirical poetry as well as the unforgettable love poetry immediately associated with his name.
It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
I love fantasy stories where music and magic intertwine, and this novel combines that with one of my other favourite tropes—characters going on a shared journey. It’s the perfect way to throw characters together, force them to get close, and make them jointly deal with all kinds of situations. Annice is a bard whose flute playing has magical powers. Finding herself pregnant after a one-night stand, she ends up on the run with the baby’s father, a man she never expected to see again. They’re drawn together initially by Annice’s music, and I love the way music helps them come to understand each other better.
The Bards of Shkoder hold the country together. They, and the elemental spirits they Sing – earth, air, fire, and water - bring the news of the sea to the mountains, news of the mountains to the plains. They give their people, from peasant to king, a song in common.
Annice is a rare talent, able to Sing all four quarters, but her brother, the newly enthroned King Theron, sees her request to study at the Bardic Hall as a betrayal. To his surprise, Annice accepts his conditions, renouncing her royal blood and swearing to remain childless so as not…
While I love a good romance, I was disappointed to discover how few novels are written about friendship. In so many books, friends take a backseat to the love interest, or to the plot; it’s hard, outside of fiction aimed at children, to find stories that treat friendship as pivotal to a character’s life as friendship usually is in normal life. I love stories that show us what that kind of friendship looks like, and how it can matter… which is why I write them.
The War God series follows the development of an unlikely orc-analog paladin, Bahzell, which would be entertainment enough: but Bahzell’s best friend, a would-be quasi-orc bard, Brandark, remains his steadfast companion throughout all his unlikely adventures. The best part of their relationship is definitely their communication: via humorous barbs and perfectly timed silences. Sheer fun!
Whom the gods would recruit, they first tick off...our hero: the unlikely paladin, Bahzell Bahnakson of the Horse Stealer, Hradani. He's no knight in shining armour. He's a hradani, a race known for their uncontrollable rages, bloodthirsty tendencies, and inability to maintain civilized conduct. None of the other Five Races of man are like the hradani. Besides his ethnic burden, Bahzell has problems of his own to deal with: a violated hostage bond, a vengeful prince, a price on his head. He doesn't want to mess with anybody else's problems, let alone a god's, let alone the War God's! So,…
Reading Frankenstein, Dr. Jekyll and Mr. Hyde, and other “scary stories” in high school ignited a hunger for suspense. In writing my own gothic horror novel, I explored the why’s and how’s a bit, and discovered that the thing I love about lurking, terrifying danger in books is that it bares a character’s soul more rapidly, and more believably, than almost any other plot device. When we face a fate worse than death, we confront our deepest motivators and challenge bedrock beliefs. I hope you’ll enjoy the books on this list as much as I do! I feel like their particular uniqueness is hard to find.
In a Celtic-feeling village the reader follows the story of an absolutely ordinary protagonist, Idris. He’s a poet who chooses great peril in order to discover the truth behind a growing despair plaguing the land.
It is the end of times, according to all the oracles. But Idris refuses to accept annihilation’s cold embrace. As the villagers scrape by despite sickness and blighted crops, the bard goes on a search for hope. In the haunted, banshee-infested moor, he discovers the door on half-bald hill.
I really loved this story because it was all my favorite things—a bleak, earthy landscape with a sharp sense of foreboding haunting every page, and in sharp relief, a group of very real persons, each fostering a flame of hope despite overwhelming burdens and gnawing griefs.
When the Bloodmoon rose, death came rushing into the world. Now the water is bitter, blight consumes everything, the Crone haunts the hills, and the Druid of Blackthorn searches desperately for hope. Sorensen's lyrical tale of light overcoming darkess is a matchless work of Celtic-inspired lore.
I’m an American Jewish girl who was born knowing that I had been Japanese in my previous lifetime. After graduating with a degree in Japanese studies from Princeton University, I moved to Japan at 21 and became a well-known translator. One day the Geisha Mineko Iwasaki, the inspiration behind Arthur Golden’s Memoirs of a Geisha, asked me to co-author the story of her life. Published in 2002, Geisha, a Life became a bestseller. Writing Geisha awakened memories of my past life as a courtesan in fourteenth-century Kyoto. I began a deep study of reincarnation, which has led me to study the intersection of Buddhism and Psychoanalysis. Please look out for my forthcoming book, Reincarnation Karma.
I read this book when I was a teenager, and it taught me two very important things: that Enlightenment is possible—even for a Westerner—and that living Spiritual Masters exist out in the world who can help to guide you there. This helped me gather the courage to leave home and travel throughout Asia in search of my true teacher, who I eventually found in Japan. My own Remarkable Man.
The Armenian-Greek spiritual teacher, G.I. Gurdjieff's autobiographical account of his youth and early travels has become something of a legend since it was first published in 1963. A compulsive read in the tradition of adventure narratives, but suffused with Gurdjieff's unique perspective on life, it is organized around portraits of remarkable men and women who aided Gurdjieff's search for hidden knowledge or accompanied him on his journeys in remote parts of the Near East and Central Asia. A classic work, suffused with a haunting sense of what it means to live fully - with conscience, with purpose and with heart.
Fantasy has always been a passion and an escape for me. It started with copious amounts of reading, then I found anime when I was only a child as Cardcaptors began to air on TV. I’ve watched hundreds of anime shows since then and continued my penchant for reading and writing almost exclusively in the fantasy genre. In college, I obtained a BA in English with an emphasis on Creative Writing, so I have a good grasp on literature analysis and many works. In addition, I studied Japanese for two years, lived in Japan for six months, and held a position at the anime club while I was in college.
The medieval fantasy in this book was juxtaposed with band culture for the bard MC early in the book, which gave me a few laughs. I love all of the characters, but even more, I love that I didn’t like them all at first. One character came across too cheery while another was too stuck up, but I ended up loving them all by the end. The world is one I would adore stepping into for a week to live in, so it’s a very good escapist read. The MC’s directive is so simple, since he’s just trying to get into a bard group and prove his family wrong. The fact the scenario twists into so much more but remains so wholesome reminded me of the anime Spice and Wolf.
A bard and a forest spirit uncover a deadly magical threat…and the key to survival lies within their own forgotten songs.
Struggling bard Emry Karic has only one path home: impress the Auric Guild, join its ranks of elite musicians, and return to his family with his honor in hand.
Difficult to do on a good day. Impossible to do with a possessed lute.
Hours before Emry’s big break, an unnatural earthquake strikes, forcing a forest spirit named Aspen to take refuge in his lute. Aspen is loud, talkative...and not leaving anytime soon.
I’ve adored fantasy adventures for as long as I could read. A good story is a mirror of life, and sometimes life can feel hard, cold, and impersonal. Yet life can also be an adventure, and like fictional heroes, the way in which we overcome our challenges is what makes us truly human. And sometimes it’s the actions of fantastical or inhuman creatures that show us true humanity.
When a hero overcomes their challenges in a way that shows humanity, I stand up and cheer. When they do it in a way that’s creative or funny, I laugh. When an author can do both, I treasure it.
Another odd couple adventure story, the travels and adventures of Sigurt and the Bard in a historical setting were fun, authentic, and a reminder that grand adventures don’t always need magic.
With a bard as a pov character, there was a lot of song in the book, and the modest aspirations of our heroes (a decent meal and sleeping by the fire) are a welcome change from the powerful and ambitious protagonists you often see in the genre.
I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.
Every time I wade into a play or see a production, I discover the language that describes the human condition perfectly. Pithy moments of insight juxtaposed and embedded in meaningful testimonies of why we do the things we do. As a writer, I believe there is no better teacher of the magic of the English language.
This ebook contains Shakespeare's complete plays and complete poems in a new, easy-to-read and easy-to-navigate format. This is the most reader-friendly introduction to Shakespeare available today. 'The Complete Works of William Shakespeare' collects all thirty-seven of the immortal Bard's comedies, tragedies, and historical plays in a Collectible Edition. This volume also features Shakespeare's complete poetry, including the sonnets. With this beautiful Collectible Edition, you can enjoy Shakespeare's enduring literary legacy again and again.
