Born in England to Irish parents, I didn’t grow up learning Irish but
discovered a love of foreign languages – mainly Arabic – when I moved abroad. So,
this might seem an odd choice for someone with no Irish language skills
whatsoever, but what a great read it was!
Spoken for almost 3,000 years, it should come
as no surprise that the landscape had such an impact on the language, and this
book weaves together countless tales of both, plus nature notes, mythology, and
more.
And the 32 words for field Magan tells usthe Irish
language has? They include Geamhar – a field of corn-grass; Tuar – a field for
cattle at night; Réidhleán – a field for games or dancing; and
Cathairín – a field with a fairy-dwelling in it.
The Irish language has thirty-two words for field. Among them are:
Geamhar - a field of corn-grass
Tuar - a field for cattle at night
Reidhlean - a field for games or dancing
Cathairin - a field with a fairy-dwelling in it
The richness of a language closely tied to the natural landscape offered our ancestors a more magical way of seeing the world. Before we cast old words aside, let us consider the sublime beauty and profound oddness of the ancient tongue that has been spoken on this island for almost 3,000 years.
Ever since I was a child the world has fascinated me. I’ve grown up with a deep love of reading and passion for the natural world, so much so that this often inspires both my writing and my artwork. As an artist and writer I seek to showcase the wonder and magic in the world. I have been able to draw upon ancient legends for inspiration into how people’s minds worked in the deep past and use it to enrich my writing further to cement the stories into our world and become more tangible. As a part-time adventurer, it’s only natural that my novels should be that.
I recommend this book not only for its gripping storyline but for its fascinating take on Irish mythology and seamless blend into our world too! I loved the characters, especially Cedar, the main protagonist in the book as she's thrown into the deep end and has to adapt pretty quickly to survive and save her daughter! And if you're like me and like to work out how it ends, there's enough here to keep you guessing. I certainly didn't see that coming!
It's been seven years since the love of Cedar McLeod's life left with no forwarding address. All she has left of him are heart-wrenching memories of happier times and a beautiful six-year-old daughter, Eden. Then, one day, Eden opens her bedroom door and unwittingly creates a portal that leads to anywhere she imagines.
But they're not the only ones who know of Eden's gift, and soon the child mysteriously vanishes.
Desperate for answers, Cedar digs into the past and finds herself thrust into a magical world of Celtic myths, fantastical creatures, and bloody rivalries. Teaming up with the unlikeliest of…
As the saying goes, I could tell you, but then I'd have to kill you. Ahem. Not actually. Breaking cover doesn't typically demand killing people. But I might lose my security clearance and my diplomatic immunity in Fairy. Which I don't want to do, so shall we say I have a lively imagination and no personal knowledge about spy craft or espionage either in this world or in Fairy? Promise. I know nothing. And anyway, you can't prove it!
This one is a great example of a middle-grade fantasy that deserves more attention. It pulled me right in and wouldn’t let go with its authentic Irish folklore and vivid narrative. Author Pat O’Shea is from Ireland and the sense of place is rich with history and atmosphere.
Brigit’s spunk is a perfect counterpoint to Pidge’s sober personality, and they were my friends. We were on an adventure together.
Set in the world of Irish mythology, The Hounds of the Morrigan tells of the coming of the great queen, the Morrigan, from out of the west to free the snake Olc Glas, and to bring destruction to the world. Two children, Pidge and Brigit, are chosen to thwart the Morrigan.
It is a magical adventure that catapults ancient Irish mythology into the 21st century, with a heroine full of heart and courage, all stitched together, like The Silver Road of the title, with themes of friendship, family, and environmental conservation.
O'Hart's writing sings from the pages, like a love song for old Ireland, remixed for a modern generation. This is my favorite children's book of the year.
Myth and magic combine in this unforgettable adventure drawing on Irish folklore, from award-winning author Sinead O'Hart.
The seandraiocht - the Old Magic - isn't remembered like it once was. Its power is fading...
When Rose is entrusted with a powerful stone by a Frost Giant, she is swept into an adventure full of danger. The stone can be used for great good or great evil, depending on its keeper. It leads Rose to discover the magic that runs through all of Ireland. A magic that is threaded together beneath the land: the Silver Road. But the Silver Road is…
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
Irish mythological tales are usually divided into various cycles. I’ve already included the heart of the aristocratic Ulster Cycle with The Táin above. Here, with The Pursuit, A.K.A., the Tóraíocht, we have my favourite part of the Fenian Cycle, with a Dark Ages hallucinatory road trip across the island as runaway lovers try to evade capture by a jilted king. Did I mention it was funny? I should have. It’s great.
For a thousand years and more audiences have delighted in these Irish tales, wondering at the elopement of the impetuous Grainne with the heroic Diarmuid and heartbroken by the fateful flight of Deirdre. Two strong women take control of their destinies and both pay grievous prices.
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
This is a fascinating look at the perceptions of Irish mythology at different points throughout our history. There’s always a lot of fuss on the internet about fantasy writers who get our mythology “wrong”, but Mark Williams shows that the legends themselves and their themes have evolved constantly to reflect the concerns and mores of the times and of the storytellers themselves. Ireland’s Immortals is almost an academic proof of the thesis laid out in Robert Holdstock’s brilliant novel, Mythago Wood, which -- it goes without saying -- I also highly recommend.
A sweeping history of Ireland's native gods, from Iron Age cult and medieval saga to the Celtic Revival and contemporary fiction
Ireland's Immortals tells the story of one of the world's great mythologies. The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation's languages, the book describes how Ireland's pagan divinities were transformed into literary characters in the medieval Christian era-and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and…
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
Jim Fitzpatrick’s CV may include the world’s most famous portrait of Che Guevara, but in Ireland, he is better known for his glorious depictions of our native myths and legends. If anything can be said to be his masterpiece, it is his work in The Book of Conquests. The text is a translation of a medieval manuscript, Lebor Gabála Érenn. This account of the mythical origins of Ireland was my most important inspiration for writing The Call. But as a child, it was the pulse-pounding illustrations that really made my jaw drop.
THE BOOK OF CONQUESTS, published in 1978, is the first volume of a trilogy of works, which tell the story of the ancient and magical race: the Tuatha Dé Danann. The second volume, THE SILVER ARM was published in 1981; while volume three, THE SON OF THE SUN is in preparation. THE BOOK OF CONQUESTS tells the story of Nuada, king of the Tuatha Dé Danann, and the First Battle of Moy Tura, one of the most important sagas in Early Irish Literature.
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
If you’re going to read Ireland’s most famous epic in English, you might as well read the most vivid translation going. These ancient stories were full of humour and raunchiness, as well as all the action and heroism you might be expecting. In my opinion, Ciaran Carson gets the tone absolutely right.
The Tain Bo Cualinge, centrepiece of the eighth-century Ulster cycle of heroic tales, is Ireland's great epic. It tells the story of a great cattle-raid, the invasion of Ulster by the armies of Medb and Ailill, Queen and King of Connacht, and their allies, seeking to carry off the great Brown Bull of Cualige. The hero of the tale is Cuchulainn, the Hound of Ulster, who resists the invaders single-handed while Ulster's warriors lie sick.
Growing up in the nineties I was a Buffy fan, although that is probably understating things. I have all the Buffy novels, which I read over when waiting for the next series to come out (this was in the days before Netflix!). For me, Buffy had the exact right mix of humour, horror, and deeper complexity, dealing with issues that really impacted me, but in a way that made them accessible. I loved the characters, I loved Buffy herself, I loved her strength and humanity. When I decided to write Raising Hell, I was influenced by Buffy, but there are differences – Ivy is no chosen one, she chose herself.
The Call picks up on the horror element I loved in Buffy. In this alternative world, the Irish have banished the Sidhe, but as revenge, the Sidhe call Irish teens to their land, where they are hunted for 24 hours. You don’t know who will be called, or when, but eventually, it will be your turn. School is all about helping teens learn to survive when they are taken. Three minutes pass in our world before you are returned. But in what state? I loved the concept of this novel, and the main character will hit you in all the feels!
I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of “The Twelve Labours of Hercules” when I was around 7 years old. I’ve read pretty much all the major stories and texts in relation to Celtic myth and Druid lore (particularly from Ireland), sometimes in multiple versions, so I think I have a fair idea of what is useful or worth reading.
There are newer versions of this book, often described as the “Illiad/Odyssey” of Irish tradition, but this is the classic translation from 1969.
Kinsella was a poet and a Gaeilgeoir (Irish speaker) so he really understood this text due to his deep knowledge of the source language and of Irish poetic norms, plus he spent 15 years lovingly translating it into the best English facsimile possible.
This is one of (if not the most) important myths of Ireland and is an essential read for those interested in Irish mythology.
The Tain Bo Cuailnge, centre-piece of the eighth-century Ulster cycle of heroic tales, is Ireland's greatest epic. It tells the story of a great cattle-raid, the invasion of Ulster by the armies of Medb and Ailill, queen and king of Connacht, and their allies, seeking to carry off the great Brown Bull of Cuailnge. The hero of the tale is Cuchulainn, the Hound of Ulster, who resists the invaders single-handed while Ulster's warriors lie sick.
Thomas Kinsella presents a complete and living version of the story. His translation is based on the partial texts in two medieval manuscripts, with elements…
