As I’ve grown older I’ve become more and more interested in the spiritual aspect of life, believing that we are primarily a soul with a body rather than the other way round. I fell into teaching but have always found more fulfilment in extramural activities like learning about complementary therapies, former lives, and ancient spiritual practices, like dream therapy. I've never been sure which genre my novels fit into, just that they all have elements of romance, mystery, misdeeds, and good deeds, with the purpose of touching the reader’s soul. I believe words can be spells and inspired writing can cast magic.
My grandparents were Irish, which explains why Celtic mythology speaks to me. I hadn’t heard of Dream Angus (aka Aengus) until I read this book, by which time it was too late to quiz my ancestors on this impish Eros, golden-haired bearer of dreams. It was said that sometimes he kissed lovers and, when they parted, the kisses turned into songbirds who followed them home, serenading them with love songs. The author intersperses his telling of the legend with contemporary stories set in Scotland where one of the characters is especially influenced by an aspect of Dream Angus’s personality, sometimes good, sometimes quite the opposite. Angus lives on in a lullaby recorded, among others, by Barbara Dickson. It’s both haunting and sweet, just as love can be.
Dream Angus comes to you at night and bestows dreams. Just the sight of him may be enough to make you lose your heart, for he is also the god of love, youth and beauty.
In this mesmerising retelling of the Celtic myth, Alexander McCall Smith unites dream and reality, leaving us to wonder: what is life but the pursuit of dreams?
The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo…
I have been fascinated by ancient sacred sites since I first visited the ancient Rollright Stones on the Oxfordshire/Warwickshire border decades ago. I am interested in how the study of folklore and local traditions can be used in conjunction with archaeology to trace the origins and purposes of ancient monuments. I am an author and researcher who has had seven books published on the subjects of ancient civilizations, prehistoric monuments, and supernatural folklore. Born in Birmingham, England, I am a qualified archaeologist with a BA in European Archaeology from the University of Nottingham, and an MPhil in Greek Archaeology from Birmingham University.
I was attracted to this book as it uses the most up-to-date archaeological evidence together with new work on DNA and other scientific techniques to tell the story of the origins of the British and the Irish peoples, from around 10,000BC to the eve of the Norman Conquest. Whilst there are new archaeological discoveries made every week, one or two of which could potentially challenge some of the ideas in this work, at the moment it is the most up-to-date book on the subject which we have, and as such should be treasured.
The last Ice Age, which came to an end about 12,000 years ago, swept the bands of hunter gatherers from the face of the land that was to become Britain and Ireland, but as the ice sheets retreated and the climate improved so human groups spread slowly northwards, re-colonizing the land that had been laid waste. From that time onwards Britain and Ireland have been continuously inhabited and the resident population has increased from a few hundreds to more than 60 million.
Britain Begins is nothing less than the story of the origins of the British and the Irish peoples,…
As a Scottish born Australian writer I grew up reading tales from Celtic and Norse mythology and always wanted them to be fact. With a passion for history, including tales of lost civilizations, and with a deeply rooted love of story, I have spent decades exploring how myth and story intertwine. Where do our stories come from? I have fantasized for many hours about what it would be like if there was an older magical world beneath ours. My first novel, The Lost Soul, began when I asked myself one question: What if myth was true?
The first book in the trilogy, Key of Light, hooked me from the opening page and the rather sassy Malory Price who is driving in a storm to an intriguing dinner invitation and worrying about the bad day she’s just had. A thoroughly delightful woman, a born organizer, with a warrior streak a mile wide who sets off on a quest with her newfound friends to hunt for a mystical key with the power to lift the enchantment cast on three sleeping Celtic demi-goddesses.
I always love seeing how Nora Roberts crafts a boy meets girl story with a touch of Celtic fantasy. A fun read. A blend of myth, magic, and romance amid the backdrop of a hunt for a mystical key. Who could ask for more?
The pleasure of your company is desired for cocktails and conversation. 8pm, 4th September. Warrior's Peak. You are the Key. The lock awaits.
When Malory Price is issued with the above invitation she is naturally suspicious, especially as Warrior's Peak is a local mansion house straight out of a Hollywood horror movie. But with her overdraft at crisis limit and on the verge of losing her job at a local art gallery, she has little to lose by attending the event.
But Malory is about to get more than she bargained for. At Warrior's Peak she finds that she and…
As a university historian and archaeologist my focus has been the Early Middle Ages. In the 1990s I wrote several books about the fifth and sixth centuries which barely mentioned Arthur but popular histories and films based on his story just kept coming, so I decided to look again at his story and work out how and why it developed as it did. I have published three well-received books on the subject, each of which builds on the one before, plus articles that have been invited to be included in edited volumes. I disagree with much in the five books above but collectively they reflect the debate across my lifetime. It is a great debate, I hope you enjoy it.
Green’s book is a great read, very scholarly, and inclusive of a great deal of comparatively early source material on Arthur. If you want a good discussion of how you could go from a figure of Celtic myth to one of history, again and again in multiple stories, this is the best guide to that journey and deserves a hearing, whether ultimately you agree with it or not. You’ll probably not be surprised to hear that I am not persuaded, despite my considerable respect for the arguments made herein, largely for the same reasons as I noted in looking at Padel’s work above. It is extraordinarily difficult to determine whether Arthur passed from ‘history’ to folk-lore or folk-lore to ‘history’, better in my view to not distinguish these as two separate genres with this much clarity.
As usual, it all comes down to the Historia Brittonum, which is called…
Ever since Geoffrey of Monmouth wrote his 'History of the Kings of Britain' in the twelfth century, there have been numerous attempts to prove that the Arthur of Celtic legend was in fact based on an actual historical figure. This trend continues to the present day, although as yet no definitive literary or archaeological proof has emerged for Arthur's existence. In this new and vigorous re-examination of the Arthurian legend, Thomas Green considers the earliest surviving literary and folkloric sources for Arthur and contests the belief that he was an actual person. Far from being an historical figure, Arthur emerges…
I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of “The Twelve Labours of Hercules” when I was around 7 years old. I’ve read pretty much all the major stories and texts in relation to Celtic myth and Druid lore (particularly from Ireland), sometimes in multiple versions, so I think I have a fair idea of what is useful or worth reading.
This book is over 100 years old but it is still one of the best compilations of mythology about Ireland and Wales.
It gives potted versions of the stories, an excellent summary of what the myths are about, covering a vast number of them. It also has some lovely black and white illustrations.
This splendidly illustrated study by the distinguished Celticist T. W. Rolleston masterfully retells the great Celtic myths and illuminates the world that spawned them. Focusing principally on Irish myths, the book first takes up the history and religion of the Celts, the myths of the Irish invasion and the early Milesian kings. What follows is pure enchantment as you enter the timeless world of heroic tales centered around the Ulster king Conor mac Nessa and the Red Branch Order of chivalry (Ultonian cycle). These are followed by the tales of the Ossianic cycle, which center on the figure of Finn…
Picking up a fantasy novel and getting away from real-world problems is an escape for me. Even though many of these issues don’t exist in our lives, we can still learn from the way the characters deal with their struggles. We can find compassion and empathy and maybe see that there are two sides to every story. Along the way, we also get to see stunning vistas and amazing, mythical creatures.
In The Girl of Dorcha Wood Ward leads her readers on an emotional journey of love and loss that is filled with innocence, betrayal, love, pain, bitterness, and revenge. Her characters are incredibly realistic. She has a way of making you feel like you’ve known them all your life. The setting is well-written and almost feels like home.
Treacherous. Evil. Dark. Dorcha Wood is all of these.
And none of them.
The people of Felmore talk of Dorcha Wood in whispers, if they speak of it at all. There is danger in the dark forest. Monstrous things, remnants of the Aos Sí, lurk in the shadows, hunting the unwary should one be careless enough to cross those borders.
But to seventeen-year-old Fiadh, Dorcha Wood is home. A haven. It speaks to her in the rustle of the wind through the leaves, in the wild things that come to her hand. It is a forest whose secrets become known…
George Hagen is a Brooklyn writer who has written two adventure books for children about talking ravens. Hagen lived on three different continents by the time he was eleven, and developed a tremendous passion for folktales of all cultures from Africa, Egypt, Greece, Europe, and Celtic and Norse myth. His children's books were inspired by the myth of the Viking God Odin whose two ravens, Huginn and Muninn, flew around the land of ice and fire, reporting all the news. Hagen has appeared before hundreds of students, unraveling the secret mystery of riddles (modern and ancient) at schools from New York to Los Angeles.
Have you ever been curious about changlings, banshees, or megaliths? Have you wondered who, exactly, Merlin the magician was? It's all in Sofia Visconti's timeless tales. This book is a great guide to the Celtic, Irish and Scottish myths. It's like having an encyclopedia of magical beings at your fingertips.
The Norse God Odin was a relentless seeker of knowledge and wisdom, willing to sacrifice almost anything for this pursuit.
Odin's hunger for wisdom is evident in many of the stories that involve him, and I invite you to share his willingness to let go of your reality and jump into the mysterious worlds of Norse & Celtic Mythology and Runes.
Included in this Captivating 3 Book Collection are:
Runes: A Guide To The Magic, Meanings, Spells, Divination & Rituals Of Runes
Celtic Mythology: Dive Into The Depths Of Ancient Celtic Folklore, The Myths, Legends & Tales of The Gods,…
I was lucky enough to be introduced to medieval Welsh literature when I was an undergraduate, and the Welsh language mesmerised me. It is so unlike any other language that I had come across and translating texts from Welsh into English was as absorbing as code-cracking. My apprenticeship as a scholar was long and hard and I soon realised that my particular contribution was to make Welsh literature accessible to non-Welsh speakers, not simply through translations, but by aligning the Welsh tradition with the wider literary cultures of Europe. I want Wales and its two literatures to take their place as two of the great literatures of Europe.
I first read the tales of The Mabinogion when I was an undergraduate and their amazing otherness helped to propel me towards a career researching medieval Welsh literature.
These prose tales were composed in Welsh between 1100 and 1300. Four of the tales are linked together and are known as ‘The Four Branches of the Mabinogi’. Other tales include two original Arthurian stories, a dream vision set in the Roman British past, and three tales based on the French Arthurian romances of Chrétien de Troyes.
In this rich mixture of genres, otherworldly women marry heroic men, warfare between Wales and Ireland destroys a generation, and Arthur strides the land as the king of the whole island of Britain. Sioned Davies’s translation is the latest and best, capturing all the drama and apparent simplicity of the original Welsh texts.
'I cannot be killed indoors,' he said, 'nor out of doors; I cannot be killed on horseback, nor on foot.' 'Well,' she said, 'how can you be killed?'
Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as the Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse…
As a Scottish born Australian writer I grew up reading tales from Celtic and Norse mythology and always wanted them to be fact. With a passion for history, including tales of lost civilizations, and with a deeply rooted love of story, I have spent decades exploring how myth and story intertwine. Where do our stories come from? I have fantasized for many hours about what it would be like if there was an older magical world beneath ours. My first novel, The Lost Soul, began when I asked myself one question: What if myth was true?
Raymond E Feist takes a Celtic legend, massages it, and transports it to the new world with such ease that I could really believe the Hill of the Elf King existed in New York state. An earth-based fantasy from an author that has a wonderful knack of making his characters jump off the page, the tale hints at an unseen world. A fantastical world of powerful beings that exists deep below the land.
I love the thought that just below the level of our modern urban world is another world of otherworldly beings where even a simple stroll in nature can take a turn for the worst when we don’t understand the land we are walking on. Throw in an ancient Irish legend and you have the recipe for disaster.
Reissued in spectacular new cover of Feist's chilling dark fantasy
Successful screenwriter Phil Hastings decides to move his family from sunny California to a ramshackle farmhouse in New York State. The idea is to take some time out, relax and pick up the threads of his career as a novelist.
Good plan, bad choice. The place they choose is surrounded by ancient woodland. The house they choose is the centrepoint of a centuries-old evil intent on making its presence felt to intruders.
My passion for Celtic cultures, languages, and traditions comes from my family, where singing and storytelling were common. I worked as a singer and musician, and trained in Celtic Studies through Harvard University. That was an amazing experience, and research in Scotland and Ireland expanded my knowledge tremendously. I taught Celtic literature, mythology, and folklore at numerous colleges, and am Expert Contributor in Iron Age Pagan Celtic Religion for the Database of Religious History at the University of British Columbia, and invited Old Irish translator for the upcoming Global Medieval Sourcebook at Stanford University. I wake up every day excited to share the historical realities of these amazing cultures and beliefs!
I really think this book has also been underappreciated and overlooked by students and enthusiasts.
It contains a remarkable (and again) unsurpassed collection of written sources from the Iron Age in regard to the history, culture, and religions of the Celtic speaking peoples of ancient Europe. In some places it focuses on interactions between the Celts and population groups from the Mediterranean and other parts of ancient Europe.
But it also goes into a great deal of detail about the Celts themselves; where they lived; the names and activities of many of their leaders, warriors, druids, and others; and fascinating information about their cultures, beliefs, and religions... in accurate historical context which makes for a very engaging - and at times a surprising read.
Without a proper understanding of the historical realities, and the context from which information derives... whether Greek and Roman accounts, inscriptions, other written sources, archeology, and…
