As a Scottish born Australian writer I grew up reading tales from Celtic and Norse mythology and always wanted them to be fact. With a passion for history, including tales of lost civilizations, and with a deeply rooted love of story, I have spent decades exploring how myth and story intertwine. Where do our stories come from? I have fantasized for many hours about what it would be like if there was an older magical world beneath ours. My first novel, The Lost Soul, began when I asked myself one question: What if myth was true?
Raymond E Feist takes a Celtic legend, massages it, and transports it to the new world with such ease that I could really believe the Hill of the Elf King existed in New York state. An earth-based fantasy from an author that has a wonderful knack of making his characters jump off the page, the tale hints at an unseen world. A fantastical world of powerful beings that exists deep below the land.
I love the thought that just below the level of our modern urban world is another world of otherworldly beings where even a simple stroll in nature can take a turn for the worst when we don’t understand the land we are walking on. Throw in an ancient Irish legend and you have the recipe for disaster.
Reissued in spectacular new cover of Feist's chilling dark fantasy
Successful screenwriter Phil Hastings decides to move his family from sunny California to a ramshackle farmhouse in New York State. The idea is to take some time out, relax and pick up the threads of his career as a novelist.
Good plan, bad choice. The place they choose is surrounded by ancient woodland. The house they choose is the centrepoint of a centuries-old evil intent on making its presence felt to intruders.
As a writer of children’s books, I’ve always been fascinated – not merely by the narrative, characters, and plot that form a story – but how ideas themselves spring to life and cross-pollinate to form some kind of creative endeavor, whether that’s a song, a poem, a book or anything else that provokes an emotional response. Rather than shying away from the question: "Where do you get your ideas?" I like to embrace it and search for answers myself. These books all set contexts through which the nature of imagination and ideas are explored alongside the tales they tell, and they remain an influence on the ideas I have, and the words I write.
A formative book from my childhood, The Weirdstone of Brisingamen kick-started my love of all things magic, heroic, and fantastical. Not only that, but the setting was close to where I grew up – these were locations I knew but viewed through a mythic lens. Loosely based on the legend of the Wizard of Alderley Edge, Alan Garner creates a fantasy world that feels so real as two children are pulled into an adventure where the very future of the world of men is on the line. It remains so influential on my own writing that I still return to the old dwarf caves of Fundinvale as an adult and enjoy the tale every bit as much as I did when I was a ten-year-old reading by torchlight under the duvet.
The Weirdstone of Brisingamen is one of the greatest fantasy novels of all time.
"Alan Garner's fiction is something special." - Neil Gaiman
When Colin and Susan are pursued by eerie creatures across Alderley Edge, they are saved by the Wizard. He takes them into the caves of Fundindelve, where he watches over the enchanted sleep of one hundred and forty knights.
But the heart of the magic that binds them - Firefrost, also known as the Weirdstone of Brisingamen - has been lost. The Wizard has been searching for the stone for more than 100 years, but the forces…
As a university historian and archaeologist my focus has been the Early Middle Ages. In the 1990s I wrote several books about the fifth and sixth centuries which barely mentioned Arthur but popular histories and films based on his story just kept coming, so I decided to look again at his story and work out how and why it developed as it did. I have published three well-received books on the subject, each of which builds on the one before, plus articles that have been invited to be included in edited volumes. I disagree with much in the five books above but collectively they reflect the debate across my lifetime. It is a great debate, I hope you enjoy it.
Green’s book is a great read, very scholarly, and inclusive of a great deal of comparatively early source material on Arthur. If you want a good discussion of how you could go from a figure of Celtic myth to one of history, again and again in multiple stories, this is the best guide to that journey and deserves a hearing, whether ultimately you agree with it or not. You’ll probably not be surprised to hear that I am not persuaded, despite my considerable respect for the arguments made herein, largely for the same reasons as I noted in looking at Padel’s work above. It is extraordinarily difficult to determine whether Arthur passed from ‘history’ to folk-lore or folk-lore to ‘history’, better in my view to not distinguish these as two separate genres with this much clarity.
As usual, it all comes down to the Historia Brittonum, which is called…
Ever since Geoffrey of Monmouth wrote his 'History of the Kings of Britain' in the twelfth century, there have been numerous attempts to prove that the Arthur of Celtic legend was in fact based on an actual historical figure. This trend continues to the present day, although as yet no definitive literary or archaeological proof has emerged for Arthur's existence. In this new and vigorous re-examination of the Arthurian legend, Thomas Green considers the earliest surviving literary and folkloric sources for Arthur and contests the belief that he was an actual person. Far from being an historical figure, Arthur emerges…
I was lucky enough to be introduced to medieval Welsh literature when I was an undergraduate, and the Welsh language mesmerised me. It is so unlike any other language that I had come across and translating texts from Welsh into English was as absorbing as code-cracking. My apprenticeship as a scholar was long and hard and I soon realised that my particular contribution was to make Welsh literature accessible to non-Welsh speakers, not simply through translations, but by aligning the Welsh tradition with the wider literary cultures of Europe. I want Wales and its two literatures to take their place as two of the great literatures of Europe.
I first read the tales of The Mabinogion when I was an undergraduate and their amazing otherness helped to propel me towards a career researching medieval Welsh literature.
These prose tales were composed in Welsh between 1100 and 1300. Four of the tales are linked together and are known as ‘The Four Branches of the Mabinogi’. Other tales include two original Arthurian stories, a dream vision set in the Roman British past, and three tales based on the French Arthurian romances of Chrétien de Troyes.
In this rich mixture of genres, otherworldly women marry heroic men, warfare between Wales and Ireland destroys a generation, and Arthur strides the land as the king of the whole island of Britain. Sioned Davies’s translation is the latest and best, capturing all the drama and apparent simplicity of the original Welsh texts.
'I cannot be killed indoors,' he said, 'nor out of doors; I cannot be killed on horseback, nor on foot.' 'Well,' she said, 'how can you be killed?'
Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as the Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse…
George Hagen is a Brooklyn writer who has written two adventure books for children about talking ravens. Hagen lived on three different continents by the time he was eleven, and developed a tremendous passion for folktales of all cultures from Africa, Egypt, Greece, Europe, and Celtic and Norse myth. His children's books were inspired by the myth of the Viking God Odin whose two ravens, Huginn and Muninn, flew around the land of ice and fire, reporting all the news. Hagen has appeared before hundreds of students, unraveling the secret mystery of riddles (modern and ancient) at schools from New York to Los Angeles.
Have you ever been curious about changlings, banshees, or megaliths? Have you wondered who, exactly, Merlin the magician was? It's all in Sofia Visconti's timeless tales. This book is a great guide to the Celtic, Irish and Scottish myths. It's like having an encyclopedia of magical beings at your fingertips.
The Norse God Odin was a relentless seeker of knowledge and wisdom, willing to sacrifice almost anything for this pursuit.
Odin's hunger for wisdom is evident in many of the stories that involve him, and I invite you to share his willingness to let go of your reality and jump into the mysterious worlds of Norse & Celtic Mythology and Runes.
Included in this Captivating 3 Book Collection are:
Runes: A Guide To The Magic, Meanings, Spells, Divination & Rituals Of Runes
Celtic Mythology: Dive Into The Depths Of Ancient Celtic Folklore, The Myths, Legends & Tales of The Gods,…
I have always loved fairy tales, myths, and fantasy, having developed a vivid imagination during childhood because we lived far from friends. When I began studying French, I discovered a love for medieval legends such as Tristan et Yseult. During trips to France, I explored troglodyte caves of the Loire Valley and prehistoric grottos, such as La Grotte de Lascaux. The more I researched legends and myths, the more my fantasy world of paranormal romance and shapeshifting warriors evolved.
This story is a retelling of a fairy tale of six brothers who transform
into swans due to an evil enchantment. Their sister Sorcha, the Daughter of the
Forest, painfully weaves shirts from starwort nettle to break the spell and
save them. Filled with romance, otherworldly elements of medieval Celtic
legends such as fairy folk and magic spells, this novel is a powerful testament
to love and loyalty.
I have always loved legends and fairy tales and felt totally immersed in this magic world of Marillier’s Celtic forest.
Sorcha, the seventh child and only daughter of Lord Colum, faces the difficult task of having to save her family from its enemies, who have bewitched her father and six older brothers while forcing her to choose between the life she has always known and a special love.
As a university historian and archaeologist my focus has been the Early Middle Ages. In the 1990s I wrote several books about the fifth and sixth centuries which barely mentioned Arthur but popular histories and films based on his story just kept coming, so I decided to look again at his story and work out how and why it developed as it did. I have published three well-received books on the subject, each of which builds on the one before, plus articles that have been invited to be included in edited volumes. I disagree with much in the five books above but collectively they reflect the debate across my lifetime. It is a great debate, I hope you enjoy it.
Oliver Padel is a linguist specializing in early Welsh and Cornish and as such the ideal guide to Arthur’s presence in early Celtic literature. While acknowledging that the earliest datable instances come in the Historia Brittonum in 829-30, his view is that Arthur began as a figure of Celtic mythology and was only later converted into a pseudo-historical figure fixed in the past. In that sense, the early Arthur is the individual in the Historia Brittonum in the section called Mirabilia (Wonders), where he is used as a way of explaining landscape features and the names given to them, who has then been adapted to be a British general fighting 12 battles in chapter 56. This has strongly influenced ways of looking at the evidence in recent years and it deserves our attention.
Personally, I don’t agree with it for two reasons. First of all is the whole issue of…
A fascinating survey of the numerous references to Arthur found in medieval Welsh literature emphasising the diverse literary genres used and the multifaceted portrayal of the character. New edition.
I love British history. I am fascinated by ancient roots; legends and myths arising from around the Roman invasion. Stories of Boudicca, Casswallen, Celtic legends, and Arthurian tales hold me in a world of imaginings and anticipation. These exciting stories have been told and retold, but Cartimandua, Warrior Queen of Brigantia is new to me. She, a Yorkshire lass like me – led the largest tribe in Britain. I have become absorbed into the iron-age lives and loves of her Brigantia. The interwoven links between known facts and fantasy intrigue me. My favourite books here encouraged my journey of discovery; the old birthing the new. The legends from Britain grow.
I devoured this book with gusto. I guess we all seek a bit of magic sometimes.
When I read this book some thirty years ago, I had hit a rough patch. I wanted to escape the harsh reality surrounding me. The pages of this Celtic story transported me to a better place. You know the feeling, when fear drives you through heavy fog into the unknown? Once through, the landscape opens to excitement and promise.
Steven Lawhead used wonderful imagery to transport me to a time when warriors and kings held the future; when myths were the reality, and ordinary people became heroes. I want to live in a place where bravery and magic link hands. This is where ‘Song Of Albion’ led me. It’s my past and my future.
Wolves in Oxford; extinct beasts in Scotland: the barriers between our world and the Celtic Otherworld are breaking down. Two men are drawn into Albion, and changed for ever.
My passion for Celtic cultures, languages, and traditions comes from my family, where singing and storytelling were common. I worked as a singer and musician, and trained in Celtic Studies through Harvard University. That was an amazing experience, and research in Scotland and Ireland expanded my knowledge tremendously. I taught Celtic literature, mythology, and folklore at numerous colleges, and am Expert Contributor in Iron Age Pagan Celtic Religion for the Database of Religious History at the University of British Columbia, and invited Old Irish translator for the upcoming Global Medieval Sourcebook at Stanford University. I wake up every day excited to share the historical realities of these amazing cultures and beliefs!
This recent and very unique release from University of Wales Press presents a wide range of academic studies about different aspects of Celtic mythology, showcasing what kinds of perspectives and methodologies are being used these days at the cutting edge of the study of Celtic mythology.
It also provides readers and students with an introduction to some important topics, and well-grounded and insightful interpretations, as well as the work and approaches of a wide range of Celticists from a variety of countries.
Some of my favourite mentors and colleagues are in the book, as well as an essay by yours truly about the possible use of entheogens in early Ireland. This is a shorter version of a larger body of research I'm currently editing for publication, but it shows how a knowledge of Old Irish and the wide range of early Irish literature can provide a deep pathway into topics…
This wide-ranging book contains twelve chapters by scholars who explore aspects of the fascinating field of Celtic mythology - from myth and the medieval to comparative mythology, and the new cosmological approach. Examples of the innovative research represented here lead the reader into an exploration of the possible use of hallucinogenic mushrooms in Celtic Ireland, to mental mapping in the interpretation of the Irish legend Tain Bo Cuailgne, and to the integration of established perspectives with broader findings now emerging at the Indo-European level and its potential to open up the whole field of mythology in a new way.
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
To comprehend the present, one must examine the past and observe the undercurrents that forge a people and their nation.
Rutherfurd’s Rebels of Ireland succeeds brilliantly in this endeavor. The families in this novel deal with the real historical events that shaped Irish destiny. They drew me into their lives and swept me along on a journey through time. When I finally emerged, I felt as if I had witnessed history, and lived it alongside them!
The Princes of Ireland, the first volume of Edward Rutherfurd’s magisterial epic of Irish history, ended with the disastrous Irish revolt of 1534 and the disappearance of the sacred Staff of Saint Patrick. The Rebels of Ireland opens with an Ireland transformed; plantation, the final step in the centuries-long English conquest of Ireland, is the order of the day, and the subjugation of the native Irish Catholic population has begun in earnest.
Edward Rutherfurd brings history to life through the tales of families whose fates rise and fall in each generation: Brothers who must choose between fidelity to their ancient…
