My passion for Celtic cultures, languages, and traditions comes from my family, where singing and storytelling were common. I worked as a singer and musician, and trained in Celtic Studies through Harvard University. That was an amazing experience, and research in Scotland and Ireland expanded my knowledge tremendously. I taught Celtic literature, mythology, and folklore at numerous colleges, and am Expert Contributor in Iron Age Pagan Celtic Religion for the Database of Religious History at the University of British Columbia, and invited Old Irish translator for the upcoming Global Medieval Sourcebook at Stanford University. I wake up every day excited to share the historical realities of these amazing cultures and beliefs!
I wrote
Celtic Cosmology and the Otherworld: Mythic Origins, Sovereignty and Liminality
Ancient inscriptions and early manuscripts from Ireland, Britain, and Celtic Europe contain tantalizing clues about the cosmology, religion, and mythology…
This is an incredibly useful and totally indispensable resource that provides excellent translations of well-known and lesser-known writings about the Celts from the Iron Age and the Medieval Era.
Many people don't realize that there are really bad translations of some of these materials floating around the internet, and there's no need for that. The editors and translators of this classic anthology are top-notch, and whether the accounts or texts come from Greek, Latin, Gaulish, Old Irish, or Middle Welsh sources, students and enthusiasts can rely upon them.
Because it is a sourcebook, it doesn't provide any commentary, so that's important to know upfront (and fear not: see below). As such, some of the material may not make sense to some readers - or can lead to erroneous claims and inaccurate conclusions - if one doesn't know the history of the text, the historical context, and the secondary studies that interpret them. But this is where one begins, with primary sources.
And as far as having a s***-ton of important material at your fingertips, this is superb!
A new edition of an invaluable collection of literary sources, all in translation, for Celtic Europe and early Ireland and Wales. The selections are divided into three sections: the first is classical authors on the ancient celts-a huge selection including both the well-known-Herodotos, Plato, Aristotle, Livy, Diogenes Laertius, and Cicero-and the obscure-Pseudo-Scymnus, Lampridius, Vopsicus, Clement of Alexandria and Ptolemy I. The second is early Irish and Hiberno-Latin sources including early Irish dynastic poetry and numerous tales from the Ulster cycle and the third consists of Brittonic sources, mostly Welsh.
So how does one interpret early Celtic literature?
Here is a prime example of how it's done, and done right. This anthology contains some of Emeritus Professor Tomás Ó Cathasaigh's most important studies and essays about early Irish literature, including mythic literature... and shows how much training, knowledge, and insight a person needs to not only to make sense of early Irish literature, but to really illuminate and understand it.
Tomás was my Old Irish teacher at Harvard, and it was truly an honour and blessing to sit at the knee of a master, as they say. He would blush to read such a gushing statement, as he was always so humble about his work, and understated in regards to his incredible knowledge and achievements.
His dry wit was unparalleled, as were his classes, which were intense to say the least. We were held to very high standards, and because of our deep respect and regard for him, we worked incredibly hard to make good use of the amazing opportunity to study with him (not to mention extra time in Irish pubs and some notable parties!)
This lovely collection of essays shows the depth of his knowledge, and is an important book for those serious about early Irish literature and myth.
Coire Sois, The Cauldron of Knowledge: A Companion to Early Irish Saga offers thirty-one previously published essays by Tomas O Cathasaigh, which together constitute a magisterial survey of early Irish narrative literature in the vernacular.
O Cathasaigh has been called "the father of early Irish literary criticism," with writings among the most influential in the field. He pioneered the analysis of the classic early Irish tales as literary texts, a breakthrough at a time when they were valued mainly as repositories of grammatical forms, historical data, and mythological debris. All four of the Mythological, Ulster, King, and Finn Cycles are…
This recent and very unique release from University of Wales Press presents a wide range of academic studies about different aspects of Celtic mythology, showcasing what kinds of perspectives and methodologies are being used these days at the cutting edge of the study of Celtic mythology.
It also provides readers and students with an introduction to some important topics, and well-grounded and insightful interpretations, as well as the work and approaches of a wide range of Celticists from a variety of countries.
Some of my favourite mentors and colleagues are in the book, as well as an essay by yours truly about the possible use of entheogens in early Ireland. This is a shorter version of a larger body of research I'm currently editing for publication, but it shows how a knowledge of Old Irish and the wide range of early Irish literature can provide a deep pathway into topics that would not have been considered proper to explore in decades past.
And it entertained me to no end when UWP mentioned my topic first on the back of the book... I guess they thought magic mushrooms would be a selling point!
This wide-ranging book contains twelve chapters by scholars who explore aspects of the fascinating field of Celtic mythology - from myth and the medieval to comparative mythology, and the new cosmological approach. Examples of the innovative research represented here lead the reader into an exploration of the possible use of hallucinogenic mushrooms in Celtic Ireland, to mental mapping in the interpretation of the Irish legend Tain Bo Cuailgne, and to the integration of established perspectives with broader findings now emerging at the Indo-European level and its potential to open up the whole field of mythology in a new way.
This classic and unsurpassed study of iconography and literature pertaining to deities and various types of symbolism found in Celtic myth, I think has often been overlooked by students... as well as by enthusiasts, who inexplicably prefer trying to discern the veracities of topics related to Celtic paganism through online chat rooms, where many posts (including heated arguments and mind-boggling claims and posturing) rarely seem to culminate in any kind of helpful or accurate conclusions. And readers and seekers deserve better!
I would highly recommend that people step away from the phone, and pick up this book! So many of the questions that never seem to get answered on social media are both answered and clarified in this excellent work (which I use myself!). The chapters talk about a variety of gods and goddesses, and mythic themes (with examples from Britain, Ireland, Gaul, and the Continent) including horned gods, the symbolism and representations of the human head, and attributes of animals and birds.
While there have been a handful of academic journal articles on some of these specific themes, this book supersedes and makes irrelevant the vast majority of popular writings about Celtic deities and pagan symbolism. And all in one book!
Although some aspects of pre-Roman and pre-Christian beliefs remain shrouded in mystery, the author of this comprehensive, profusely illustrated volume contends that neither the Roman invasion of Britain nor the coming of Christianity eliminated pagan religious practice. Dr Anne Ross, who speaks Gaelic and Welsh, writes from wide experience of living in Celtic speaking communities where she has traced vernacular tradition. She employs archaeological and anthropological evidence, as well as folklore, to provide broad insight into the early Celtic world. She begins by examining Celtic places of worship, the shrines and sanctuaries in which sacred objects were housed and from…
I really think this book has also been underappreciated and overlooked by students and enthusiasts.
It contains a remarkable (and again) unsurpassed collection of written sources from the Iron Age in regard to the history, culture, and religions of the Celtic speaking peoples of ancient Europe. In some places it focuses on interactions between the Celts and population groups from the Mediterranean and other parts of ancient Europe.
But it also goes into a great deal of detail about the Celts themselves; where they lived; the names and activities of many of their leaders, warriors, druids, and others; and fascinating information about their cultures, beliefs, and religions... in accurate historical context which makes for a very engaging - and at times a surprising read.
Without a proper understanding of the historical realities, and the context from which information derives... whether Greek and Roman accounts, inscriptions, other written sources, archeology, and more... any attempt to understand the Celtic speaking peoples of ancient Europe, and their beliefs and practices, is like a castle built upon sand.
This book provides a solid foundation upon which some of the other recommended books - and the corpus of Goidelic and Brythonic literature itself - can then be properly explored.
Ancient inscriptions and early manuscripts from Ireland, Britain, and Celtic Europe contain tantalizing clues about the cosmology, religion, and mythology of native Celtic cultures, which survived despite revision and censorship by Christian redactors. Focusing on the latest research and translations, the author provides fresh insights into the beliefs and practices of the Iron Age inhabitants of Ireland, Britain, and Gaul. Chapters cover cosmology, deities and their attributes, Otherworld encounters, druidic beliefs, feminine power in narrative sources, magical rites, seasonal symbolism, and the wisdom of ancient shape shifters and sages.
The Valor of Valhalla series by Martin Kearns is a pulse-pounding dark urban fantasy trilogy that fuses the raw power of Norse mythology with the grit of modern warfare. Set in a world where ancient gods and mythical creatures clash with secret military organizations and rogue heroes, the series follows a band of unseeming heroes who are bound to an ancient prophecy. As they navigate a dangerous web of deceit, sacrifice, and violent combat, they must confront not only their own demons but also the growing threat of Ragnarök—the Norse apocalypse.
At its heart, The Valor of Valhalla blends high-stakes…
In a battle between two ancient evils, can one naïve young man become the last hope against powerful creatures of legend?
David Dolan thinks he's already got the world figured out. But when a collapsed bridge plunges him into the icy Hudson, he's pulled deep into the deadly realm that exists between life and death. And with his earthly form trapped in a coma, he's vulnerable to the horde of demons hell-bent on his utter destruction.
Traversing the road to the afterlife, David seeks the wisdom and skills he needs to fight the demonic forces reigning havoc on his allies…
