10 books like Pagan Celtic Britain

My copy of this book is highlighted and dogeared to the max. When searching the word Druids, you usually come up with books on magic or books related to the neopagan movement which calls itself "druidism". This book, however, is a summary of what we really know about them and is based on solid research. Scholarly yet highly entertaining. Awesome book!

Because of its beautiful presentation of this complex topic, the stunning illustrations and the superb, world-class knowledge the author brings to an enigmatic subject, in which the ability of certain individuals to access the spirit world is discussed. The theatre in which the author performs is worldwide, and, although shamanism differs hugely from the Americas to Siberia, from India to southern Africa, and way beyond, he brilliantly presents a cohesive and totally enthralling picture of the essential ingredients of shamanism: shape-shifting, ‘soul-flight’, healing through contact with the spirits, are just some of the themes covered in this short volume. The book engages academics as a sound starting-point for the understanding of what a shaman is but its concise style and gorgeous colour images will engage anyone remotely interested in world religions.

In 1979 a magnificent hoard of late Romano-British gold and silver objects was discovered at Thetford, Norfolk. This is an incredibly important archaeological find, partly for the beauty and superb workmanship of the treasure but also for the information its presence provides concerning what was going on in the late Roman period in Britain. The hoard dates from the early 4th century AD, and its place of burial is at almost exactly the same location as, three centuries earlier, the tribe of the Iceni built a huge sacred timber structure, at the time of the Boudican rebellion in AD60. This was also a place of tribal assembly and after the Romans defeated Boudica, their army deliberately dismantled it as though it had never been, so as to erase their near-defeat by a British queen. The treasure itself is fascninating: for me the most intriguing objects were the more than thirty… show more.

This well-illustrated and highly readable book (available in hardback and paperback) is a comprehensive discussion of archaeological evidence for sacred buildings in late Iron Age and Roman Britain: ranging from grand Classical public sanctuaries, such as the temple of Claudius at Colchester, to rural, more intimate shrines, such as the temple dedicated to Apollo Cunomaglus at Nettleton in Wiltshire. Many sanctuaries, particularly in south-west England, seem purposefully to have been built within a day’s walk of each other and (sometimes, perhaps) within sight of one another, and it is tempting to see these ‘chains of sanctity’ as pilgrim routes, akin to the Camino trails of southern France and northern Spain. Reconstruction drawings in this book cause the ruins of Roman Britain’s shrines to spring into life, and make it easy to imagine what it must have been like to visit and worship at these holy places. The finds, also, tell… show more.

I was attracted to this book as it uses the most up-to-date archaeological evidence together with new work on DNA and other scientific techniques to tell the story of the origins of the British and the Irish peoples, from around 10,000BC to the eve of the Norman Conquest. Whilst there are new archaeological discoveries made every week, one or two of which could potentially challenge some of the ideas in this work, at the moment it is the most up-to-date book on the subject which we have, and as such should be treasured.  

This is the best collection of the Greek Myths I believe, and of course covers the Orpheus and Eurydice myth, the direct inspiration for my book. In the classical myth the poet and musician Orpheus loses his love, Eurydice, and sings his way into Hades, overcoming all opposition, until even Hades agrees to let him have Eurydice back in the living world, so long as he does not look back at her until returned there. Once in daylight he does look back, and loses her forever as she hasn't stepped into daylight too. However, unlike Orpheus my young hero succeeds.

Dating back over 4,500 years, Avebury is the world's largest prehistoric stone circle. It stands inside a village in Wiltshire, southern England. This book is not just a biography of the ancient site itself but also of the fascinating and highly unusual ritual landscape surrounding it. The most detailed, interesting, and clearly expressed account of the origins of Avebury I have read. The context of this magnificent prehistoric site is finally revealed in all its mysterious glory.

For me, the widely varying folklore and myths of England covered in this book help to reveal the rich, unique history that the country possesses. One worry I have is that such traditions are already disappearing from the fields and squares of the land, and indeed the minds of the people. This is due in no small part to the homogenisation of individual cultures by the mainstream mass media, something which unfortunately shows no signs of abating. 

The difference between an account of history and historical fiction is in the sensory images the writer conjures up for the reader --"You are there!" Searching for everyday details to “set the scene” for the novel, I found a wealth of material in this scholarly discussion of Celtic life, dwelling places and weaponry, clothing, technology, history and culture. Lots of useful illustrations here that brought family bonds and Celtic society to life for me.

Absolutely invaluable and more narrowly focused, Miles Russell’s Roman Sussex. This one gives the reader great details of ruins and archaeological sites (there are scores of them -- villas and temples and city walls --to be found all around Sussex). I've visited many of these historical sites, both as a student and later. Some of these places are only just coming to light, often by accident as Fishbourne was revealed when a backhoe cutting a trench across an open field hit a section of Roman brickwork. There's also a good discussion here of the real Togidubnus, my protagonist, the Celtic king who was probably the first inhabitant of the enormous palace at Fishbourne.