I’m a writer and also a history nerd. I love historical fiction—learning about the past through a story just makes the world come alive in a way that non-fiction doesn’t. As I child, I was entranced by middle-grade historical novels like The True Confessions of Charlotte Doyle and The Shakespeare Stealer. But I also love fantasy novels and how they use magic to make the truths of our world bigger and bolder, turning the elephant in the room into a dragon that can’t be ignored. Mixing history and fantasy together is my book version of peanut butter and chocolate.
When I first started reading this book, I thought it would be like every other fantasy novel featuring an orphan who goes to an elite school for magic. How wrong I was! Unlike the other books on this list which are more or less set in our world (but with magic!) The Poppy War is actually a secondary world fantasy.
What warrants its place on the list (besides being very good) is the fact that the plot points mirror the events of World War II, specifically the fighting between Japan and China.
This book is not for the faint of heart—there were some sections I found really tough to get through, especially knowing they were based on real-life events. But by then I was hooked, eager to see war orphan Rin realize not only her magic powers but her leadership capabilities.
Winner of the Reddit Fantasy Award for Best Debut 2018
'The best fantasy debut of 2018' - WIRED
A brilliantly imaginative epic fantasy debut, inspired by the bloody history of China's twentieth century and filled with treachery and magic.
When Rin aced the Keju - the test to find the most talented students in the Empire - it was a shock to everyone: to the test officials, who couldn't believe a war orphan from Rooster Province could pass without cheating; to Rin's guardians, who had hoped to get rich by marrying her off; and to Rin herself, who realized she…
I’ve always been interested in how people change, and how trauma and difficulties hasten change. After all, if we have to grow and gain new skills to stay alive, we find a way. Originally, personal transformation was a priority because I was terribly unhappy, scared, and had shielded myself from direct contact with the world around me in an effort to stay “safe.” Don’t do this. It doesn’t work. So I asked myself, as an author, how would murders, deception, and sanity-threatening events affect a depressed therapist? Murder For Liar is the product of exploring this.
Carroll is simply a great writer—more on the literature end of the book spectrum.
Nonetheless, this book gripped me as if it were a best-selling thriller. Sleeping in Flame confounded my expectations at every turn, and at times it seemed as though it couldn’t possibly end with any sort of resolution. But it does—in mind-expanding fashion.
I also try to take readers on the same sort of mysterious journey that Carroll’s protagonist hazards. Sometimes it’s challenging to imagine what would be a realistic reaction to a truly extraordinary event. Then I remember some of the stories I’ve heard in sessions as a psychotherapist.
Confused by his past, actor Walker Easterling falls in love with model Maris York, but his past lives threaten their safety and that of their unborn son
I’ve written seven books, all along the theme of adventure in one way or another, but my best-known work is that of my novels of the Ojibwe Indians. As a child, I grew up on a farm where my dad discovered scores of arrowheads and artifacts while plowing the fields. This was a deep revelation for me as to the extent of Indian culture and how little we know of its people. In my books, Windigo Moon and The Wolf and The Willow, I try to bring the world of the 1500s and its Native peoples to life.
No list of historical fiction depicting the Indians’ way of life would be complete without the inclusion of a book by the Gears, who’ve written many novels of Native life years before the arrival of European explorers.
I like this book because it’s a bit of a retelling of Hansel and Gretel set in the Haudenosaunee (Iroquois) culture. Two young children are among many captured by a witch and bound for an uncertain fate. The book delves into the widespread fear of witches in many Indian cultures and also offers a glimpse of life among the Haudenosaunee, who famously lived in large agricultural communities, dwelling in longhouses surrounded by palisades.
Six hundred years ago in what would become the northeastern United States and southeastern Canada, five Iroquois tribes were locked in bitter warfare. From the ashes of violence, a great Peacemaker was born…
Young Odion and his little sister, Tutelo, live in fear that one day Yellowtail Village will be attacked. When that day comes and Odion and Tutelo are marched away as slaves, their only hope is that their parents will rescue them.
Their mother, War Chief Koracoo, and their father, Deputy Gonda, think they are tracking an ordinary war party herding captive children to an enemy village. Koracoo…
I’ve been a fan of creature features movies and the old classic horror stories since childhood. Once I discovered urban fantasy it became my new genre of choice as far as reading. I love each author’s storytelling, worldbuilding, character development, etc. I find it helps me to read the negative reviews. Readers know when a writer is being authentic in their work vs when they are phoning it in. Listening to readers and understanding what puts them off, helps me craft a better story by avoiding the pitfalls that become cliché or annoying.
Ms. Murphy takes her time with the world building, in a universe where the supernatural is not known but discovered, and it is a treat to discover this world through the eyes of the protagonist. It’s also a switch that in this story at least, there is not a romance element. I also appreciate that Native American culture and folklore were not exploited in order to make a better story. I enjoyed this was not your typical werewolf, vampire, witch read and brought in something new, or at least something not often written about.
Joanne Walker has three days to learn to use her shamanic powers and save the world from the unleashed Wild Hunt.
No worries. No pressure. Never mind the lack of sleep, the perplexing new talent for healing herself from fatal wounds, or the cryptic, talking coyote who appears in her dreams.
And if all that's not bad enough, in the three years Joanne's been a cop, she's never seen a dead body—but she's just come across her second in three days.
From about the age of 14, I have been exploring how unusual ideas and experiences might change a person’s life. This led me to become an author and experimental psychologist studying the effects of religious beliefs, rituals, and meditation exercises on our minds and bodies. I have spent a good part of the last 4 years putting together a book which tries to answer many of my questions on the varieties of meditation practices around the world.
Imagine a Martian landing on planet Earth, meeting with people in Europe and the USA, and writing about it. Part of this book is filled with such freshness of vision and its cuts through the problems and vices of our civilization; the other part is no less of an extraordinary tale of a religious leader brought up in the Amazon who seems to move effortlessly between the natural and supernatural realms.
The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest--a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.
In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road…
Our history is spoken through the voice of the conqueror – notably white male. My work seeks to balance our narratives through insight from women’s perspectives. I support my creative writing with extensive research in history, archeology, and myths, and include in situ interpretations of the relevant landscape. There are many truths to be told, not simply one ordained story and I wish to shine the light on stories that have been hidden and/or silenced. The themed series title, Women Unveiled, pertains to this.
This book provided a great opportunity for me to step outside of my entitled white Caucasian colonial skin and read the lived experience of someone who was treated as an ‘Other’ and who, when returning to his community, undertook and shared (through his book) his Initiations. I incorporated aspects of his shamanic experience with books on the Eleusian Mysteries (rituals for Demeter and Persephone), as well as interviews with women who had undergone shamanic experiences – both here in Australia with Indigenous elders and in South America.
Maliodoma Patrice Some was born in a Dagara Village, however he was soon to be abducted to a Jesuit school, where he remained for the next fifteen years, being harshly indoctrinated into european ways of thought and worship. The story tells of his return to his people, his hard initiation back into those people, which lead to his desire to convey their knowledge to the world. Of Water and the Spirit is the result of that desire; it is a sharing of living African traditions, offered in compassion for those struggling with our contemporary crisis of the spirit.
My connection with the Andean highlands of southern Peru stretches back to 1975 when I spent about a year in a small community of Quechua-speaking potato farmers and llama herders. I have returned there many times over the years, most recently in 2019. Its people, their way of life, and vision of the world are dear to my heart and are the subject of The Hold Life Hasas well as a play, creative nonfiction, and, more recently, poetry. I love the way anthropology forces me to think outside the box and experience the world with different eyes, something I aim to convey in my work.
This book is about an unexpected meeting of minds. De la Cadena intended to write an account of a peasant campaign for land led by indigenous peasant leader Mariano Turpo during the 1950-60s. But early on it became clear that she and Mariano were talking past each other, for Mariano understood his successful activism in terms of his relationship with animate places in the landscape (“earth beings”). The book contains a moving account of how the urban intellectual and traditional Andean leader learned to appreciate and communicate with each other. De la Cadena argues that attention to cultural difference—far from perpetuating false consciousness—might open the way to radically new politics. Some readers may wish to pass over some dense theoretical passages, but the book is organized so one can do this without losing the larger picture.
Earth Beings is the fruit of Marisol de la Cadena's decade-long conversations with Mariano and Nazario Turpo, father and son, runakuna or Quechua people. Concerned with the mutual entanglements of indigenous and nonindigenous worlds, and the partial connections between them, de la Cadena presents how the Turpos' indigenous ways of knowing and being include and exceed modern and nonmodern practices. Her discussion of indigenous political strategies-a realm that need not abide by binary logics-reconfigures how to think about and question modern politics, while pushing her readers to think beyond "hybridity" and toward translation, communication that accepts incommensurability, and mutual difference…
I am an Emeritus Professor of Archaeology at Cardiff University. I have been writing books on later prehistoric and Romano-British and Roman provincial cults and customs since the 1980s, and my fascination with this subject remains undimmed. I have travelled all over the world as a visiting lecturer and in 2015 my book Bog Bodies Uncovered won two US Books of the Year awards. I have always been of the view that research is pointless unless it is shared and easily communicated, and so I try to avoid academic jargon and to present my publications both as accessible to general readers and as relevant to people at the cutting edge of their own research.
Because of its beautiful presentation of this complex topic, the stunning illustrations and the superb, world-class knowledge the author brings to an enigmatic subject, in which the ability of certain individuals to access the spirit world is discussed. The theatre in which the author performs is worldwide, and, although shamanism differs hugely from the Americas to Siberia, from India to southern Africa, and way beyond, he brilliantly presents a cohesive and totally enthralling picture of the essential ingredients of shamanism: shape-shifting, ‘soul-flight’, healing through contact with the spirits, are just some of the themes covered in this short volume. The book engages academics as a sound starting-point for the understanding of what a shaman is but its concise style and gorgeous colour images will engage anyone remotely interested in world religions.
