My favorite books used in writing about death, religion, and spirituality

I chose this book for its interesting exploration of spiritual resurrections that were common throughout ancient civilizations including the Egyptians, Phoenicians, Greek, Persian, and Indians. Silva says these mystical rituals lead initiates (including Plato and Socrates) onto a path of self-empowerment and spiritual awakening. Silva includes the gnostic teachings practiced by the Cathars, who claimed the literal resurrection of Jesus was a lie, and were persecuted by the Church to suppress such gospel teachings by Mary Magdalene and Phillip.

I first read this book while at university. I re-read it after touring the Langue d’Òc region of France focusing on the folklore surrounding Mary Magdalene. This book advances the hypothesis that the historical Jesus married Mary Magdalene and travelled to the south of France, where their children married into nobility and established what became known as the Merovingian dynasty. This book provided a source of information as well as support, given my subject matter and the two entwining histories: the biblical era of Jesus and the 13th C siege of Montsegur. Its extensive bibliography provided a rich source of research, including academic articles, essays, and books.

Mary Magdalene is a central character in my novel. Aside from researching the folklore in the south of France and reading Mary’s Gospel discovered at Nag Hammadi, I needed to delve into contemporary writings of this historical and maligned woman.

I read many academic articles, essays, and books on Mary Magdalene, notably Karen King’s book The Gospel of Mary of Magdala, which could have just as easily been my third pick. I selected Cynthia Boudreault’s book as I appreciated the application of her reasoning and intuition. Her writing was accessible without being laden with religious overtones.

The Gospel of Mary is often interpreted as a Gnostic text. Gnosis is mystical and esoteric and refers to knowledge based on personal experience with the divine. It is an inward ‘knowing,’ and I was interested in interweaving a psychological approach. This book dived into spiritual aspects in an exploration of the soul’s journey and the spiritual heights attained from a psychological position and was instrumental in some components of Sara’s personal development. My character Sara is a messenger for Persephone, and I used this book to examine the deeper, mythical meanings of how our wounds can become the source of spiritual grace. 

This book provided a great opportunity for me to step outside of my entitled white Caucasian colonial skin and read the lived experience of someone who was treated as an ‘Other’ and who, when returning to his community, undertook and shared (through his book) his Initiations. I incorporated aspects of his shamanic experience with books on the Eleusian Mysteries (rituals for Demeter and Persephone), as well as interviews with women who had undergone shamanic experiences – both here in Australia with Indigenous elders and in South America.