I've always been fascinated by the idea of the war in Heaven. As a storyteller, the eternal struggle between angels and demons fighting for the fate of creation has been a source of perpetual inspiration for me. But finding stories about angels that aren't YA or paranormal romance can be challenging. So, channeling my love of historical fiction and action-packed adventure, I set out to craft a thrilling, realistic tale that puts the reader right on the front lines beside a peaceful angel forced into becoming a warrior fighting against his former brothers. This list reflects my favorite books that paved the way and inspired my own work.
One of the key references I used in writing The Sabrael Confession, this book is a comprehensive list of all the named angels throughout history, good or bad, complete with their rank in the angelic host and all mentions of them across the world's religions. My copy looks like it's been through a war with dog-eared pages, sticky notes protruding from the sides, and little scribbles in the margins. Whenever I needed a new angel in my book, I scoured this amazing resource to find the perfect fit. All my fallen angels are fallen angels found here. All my good angels are listed here. It's a truly fascinating read, and does well to point out inconsistencies where an angel has been listed as good by some, evil by others.
Gustav Davidson's classic text, A dictionary of Angels: Including the Fallen Angels, is the result of sixteen years of research in Talmudic, gnostic, cabalistic, apocalyptic, patristic, and legendary texts. The classic reference work on angels is beautifully illustrated and its reissue coincides with the resurgence of belief in angels in America. This well researched and exquisitely illustrated dictionary is a wonderful collectable for all those who believe in angels, miracles, lore, and faith.
I began studying Tarot from a scholarly perspective, and that origin has shaped my interests ever since. But in those early years, I was also drawn into the possibilities of Tarot divination through the unique adventure of full-time Tarot practice. Then, after completing my Ph.D. in interdisciplinary humanities and writing my first Tarot book, I was lucky enough to meet the extraordinary thinkers who transformed our understanding of Tarot in the last quarter of the 20th century. I’ve chosen works from that exciting time, highlighting some deeper levels of Tarot exploration.
When this book was published in 1979, mythologist Joseph Campbell was not yet a media celebrity—just a noted scholar. But poets and artists had already begun to engage with his exploration of the “hero’s journey.” As a student of archetypal psychology, I was initially excited to discover that Campbell had written about the Tarot.
I say “initially” because I was soon put off by the fact that Campbell had placed the origin of Tarot around 1350—a hundred years too early. But since then, I’ve become enthusiastic about his commentary, which draws associations between Tarot and Dante Alighieri’s 1332 epic poem, the Divina Commedia. Although 1450 (the probable timeframe of the earliest Tarot) was a transitional space between the periods designated as the “Middle Ages” and “Renaissance,” my research and experience suggest that Tarot is most closely tied to a medieval worldview and best understood in that context.
Tarot Revelations is an analysis of the mysterious philosophy in the ancient cards that became modern playing cards. Citing Dante, C.G.Jung, and early Gnostics and alchemists, Campbell and Roberts reveal a path that has spiritual meaning for everyone. Writing in collaboration with Richard Roberts, Joseph Campbell stated, "We have come to revelations of a grandiose poetic vision of Universal Man that has been for centuries the inspiration of saints and sinners, sages and fools, in kaleidoscopic transformations." According to Richard Roberts, "In the 22 cards comprising the Major Arcana, we have a genuine document of the soul's initiation into higher…
It began with a blinding light, a divine revelation from a mysterious intelligence that called itself VALIS (Vast Active Living Intelligence System). And with that, the fabric of reality was torn apart and laid bare so that anything seemed possible, but nothing seemed quite right.
It was madness, pure and simple. But what if it were true?
The opening line to this book is literally one for the ages – if there’s one thing that Ms. Morrison knew how to do, it was to keep you gripped right from the very beginning. And the intrigue that the opening inspires continues throughout the book.
I love a layered story – with different entry points, perspectives, and histories wrapped up into one beautifully written package. I felt completely entangled in the small world of the town of Ruby and it’s many inhabitants, the people felt real, they rose off the page (the audio-page) and spoke to me in my sleep.
Speaking of audio – Toni Morrison herself reads the audiobook. The most sublime experience. I finished the book and immediately wanted to go again.
Four young women are brutally attacked in a convent near an all-black town in America in the mid-1970s. The inevitability of this attack, and the attempts to avert it, lie at the heart of Paradise.
Spanning the birth of the Civil Rights movement, Vietnam, the counter-culture and politics of the late 1970s, deftly manipulating past, present and future, this novel reveals the interior lives of the citizens of the town with astonishing clarity. Starkly evoking the clashes that have bedevilled the American century: between race and racelessness; religion and magic; promiscuity and fidelity; individuality and belonging.
My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
This well-researched and in-depth account has been translated from French and discusses the various occult movements which inspired the art and ideas of the surrealists. It covers a diverse range of topics including divination, astrology, myth, voodoo, Gnosticism, freemasonry, alchemy, secret societies, and Celticism and shows how various artists and writers took inspiration from these systems. The book contains a selection of images, copious notes, a substantial bibliography, and a good index making this an indispensable research tool for aspiring scholars of surrealism and the occult.
A profound understanding of the surrealists’ connections with alchemists and secret societies and the hermetic aspirations revealed in their works
• Explains how surrealist paintings and poems employed mythology, gnostic principles, tarot, voodoo, alchemy, and other hermetic sciences to seek out unexplored regions of the mind and recover lost “psychic” and magical powers
• Provides many examples of esoteric influence in surrealism, such as how Picasso’s Demoiselles d’Avignon was originally titled The Bath of the Philosophers
Not merely an artistic or literary movement as many believe, the surrealists rejected the labels of artist and author bestowed upon them by outsiders,…
Invitation to a Beheading is almost indescribable. It is Kafka-like in its dizzying circuitry.
The narrative teases and denies and misguides us readers exactly as it teases, denies, misguides the main character, poor Cincinnatus. Nabokov cajoles and navigates a tale that pinballs between outrageous absurdity, exquisitely excruciating stasis, and incremental revelation. And Nabokov’s command of nuanced language is superhuman.
Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world.
In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude," an imaginary crime that defies definition. Cincinnatus spends his last days in an absurd jail, where he is visited by chimerical jailers, an executioner who masquerades as a fellow prisoner, and by his in-laws, who lug their furniture with them into his cell. When Cincinnatus is led out to be executed, he simply wills his executioners out of existence: they disappear, along with the…
Our history is spoken through the voice of the conqueror – notably white male. My work seeks to balance our narratives through insight from women’s perspectives. I support my creative writing with extensive research in history, archeology, and myths, and include in situ interpretations of the relevant landscape. There are many truths to be told, not simply one ordained story and I wish to shine the light on stories that have been hidden and/or silenced. The themed series title, Women Unveiled, pertains to this.
I chose this book for its interesting exploration of spiritual resurrections that were common throughout ancient civilizations including the Egyptians, Phoenicians, Greek, Persian, and Indians. Silva says these mystical rituals lead initiates (including Plato and Socrates) onto a path of self-empowerment and spiritual awakening. Silva includes the gnostic teachings practiced by the Cathars, who claimed the literal resurrection of Jesus was a lie, and were persecuted by the Church to suppress such gospel teachings by Mary Magdalene and Phillip.
“Those who say they will die first and then rise are in error,” states the once banned Gospel of Philip. For centuries, every esoteric and Gnostic sect was aware that the literal interpretation of the resurrection of Christ promoted by the Church was a fraud. And with good reason: thousands of years before Jesus, initiates from Egypt and China to Celtic Britain and North America practiced a mystical ritual, and its adepts — from Zoroaster to Plato —regarded the experience as the pinnacle of spiritual development: a life-altering awakening that disclosed insights into the nature of reality and the self.…
Plus, Tariq's
9, 11, and 17-year-old's favorite books.
Why did Tariq's
17-year-old love this book?
Writing for "young adults" is fraught with difficulty. Are they children who think like grown-ups or borderline adults with children's taste? Bentley Hart evades the problem by writing a book that neither talks down to nor seeks to educate his potential readers, instead treating them with respect and assuming that they will find what he does interesting. Which in the case of my teenage daughter proved correct; the story was fantastical and the characters completely relatable.
The “genre” of the modern Gnostic novel encompasses an especially eclectic range of works. With this book—a fantasy by turns dark, absurd, comic, frantic, and lyrical—David Bentley Hart joins a company that includes figures as diverse as Georges Bernanos, Anatole France, David Lindsay, Philip K. Dick, Patrick White, Umberto Eco, William Gaddis, Harold Bloom, Jorge Luis Borges, Vladimir Nabokov, John Crowley, and Philip Pullman. In Kenogaia, a clockwork universe, an oppressive global society of ever-present surveillance, and the coming of age of its protagonist, Michael Ambrosius, are all disrupted by the arrival of a mysterious child from beyond the stars.…
I was in my teens when I discovered that if I focused on something hard enough I could manifest it. During my investigations into whether others had experienced this, I discovered the Adyar Bookstore in the Strand Arcade in Sydney, and that I had an insatiable thirst for all texts metaphysical, historical, and quantum theory. Turns out that many of the greatest thinkers in history believed that humans hold sway over many of the events and occurrence of their own lives, including Einstein, Plato, Tesla, Carl Sagan, and more. My books are the product of my exploration into the nature of personal reality, spirituality, and the meaning of life.
To oppose my ancient Master I needed an ancient evil. And what better place to find an uncensored account of one of the oldest creation myths than to reference Gnostic (early Christian) texts, buried for thousands of years and re-discovered in a cave nearby the town of Nag Hammadi in Egypt 1945.
A good hunk of these texts tell the creation myth of ‘Sophia and the Archons’ - the ultimate creator who gave birth to the ultimate destroyer. Sophia goes on embodying the earth to nurture and protect the golden seed of consciousness of mankind.
Her evil offspring, who is not of the physical world, is hell-bent on destroying humanity. So what if these Archons had found the means to manifest on Earth plane?
This is the most complete, up-to-date, one-volume, English-language edition of the renowned library of fourth-century Gnostic manuscripts discovered in Egypt in 1945, which rivaled the Dead Sea Scrolls find in significance.
I completed a Masters in Theology where I studied early Church theology (Patristics) and Jungian analysis. Next, I wanted to pursue a PhD in Patristics to discover how and why the Catholic Church had banished true spirituality for stifling dogma and randy sexual abuse, but I was the mother of four children and had to go to work. I became an acquisitions editor for a Catholic publishing house, which enabled me to continue my research on the building deviation from real spirit in Catholicism. I wrote the Revelations Trilogy instead of doing a thesis in graduate school. This trilogy is very hot and controversial because nobody could control me.
Fragments of a Faith Forgottenis a great book on the real teachings of the ancient Gnostics and how they differed from Judeo-Christianity two thousand years ago.
Since this book was published, lost Gnostic texts were discovered in 1947 that support Mead’s earlier conclusions.
Bringing back the importance of Gnostic beliefs as Roman Catholicism collapses is a core theme in my book. Because the Catholic Church defeated the Gnostics and destroyed their great library in Alexandria, Egypt, almost all current information on the Gnostics is derogatory.
Mead’s work is a deep and balanced presentation of what they actually believed.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
