I came to Shanghai largely by accident back in the late twentieth century and found a city of art deco and modernism, of influences form east and west – then far less developed, smaller and more intimate, as if a dust sheet had been thrown over the city in 1949 and the metropolis underneath left to await a new era. The old city, the once international city that was the most modern in Asia – jazz, skyscrapers with elevators, streamline moderne villas, a hundred nationalities living cheek-by-jowl was still, seemingly, just within reach. I’ve never stopped being fascinated by that old world, or writing about it.
Riichi, an experimental, modernist Japanese writer, was perfectly suited to Shanghai, always an experimental modernist city. Shanghai was written after the author’s extended sojourn in Shanghai in the late 1920s. It is a fever dream of a city, cosmopolitan, deracinated, and louche yet almost impossible to grasp. Riichi’s Shanghai is not totally naturalistic yet his novel amazingly embodies the very spirit of old Shanghai.
Published serially between 1928 and 1931, Shanghai tells the story of a group of Japanese expatriates living in the International Settlement at the time of the May 30th Incident of 1925. The personal lives and desires of the main characters play out against a historical backdrop of labor unrest, factional intrigue, colonialist ambitions, and racial politics.
The author, Yokomitsu Riichi (1898-1947), was an essayist, writer, and critical theorist who became one of the most powerful and influential literary figures in Japan during the 1920s and 1930s. He looked to contemporary avant-garde movements in Europe -- Dadaism, futurism, surrealism, expressionism --…
I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.
As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
Plus, Tracey's
2, and 7-year-old's favorite books.
Why did Tracey love this book?
This
is the story of a family in India, centering around an aging mother and
grandmother. It is a well-observed account of family dynamics.
Ma is in search
of her younger self, lost in the violent upheavals of the 1947 Partition of
India and Pakistan.My reading group
friends were divided over this book, mostly because of its substantial length,
but I found it delightful and it has stayed with me. An often joyous, sometimes nightmarish, baggy novel full of
whimsical flights of fancy with butterflies, blackbirds, crows, saris, and
bangles.
You can wander around in this book and become part of this family. I
enjoyed the unusual form of the novel. It is presented in mostly very short chapters, which punctuate the flow
of the text like the stanzas of a poem, as Shree explores consciousness,
borders, and divisions.
A playful, feminist, and utterly original epic set in contemporary northern India, about a family and the inimitable octogenarian matriarch at its heart.
“A tale tells itself. It can be complete, but also incomplete, the way all tales are. This particular tale has a border and women who come and go as they please. Once you’ve got women and a border, a story can write itself . . .”
Eighty-year-old Ma slips into a deep depression after the death of her husband. Despite her family’s cajoling, she refuses to leave her bed. Her…
I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.
I really enjoy all of Gaiman’s collections, but this one is my favorite. “We Can Get Them for You Wholesale” and “The Price” are two stories I particularly love, one so darkly comic I laughed nonstop the first time I read it and one that gave me a genuine chill.
But it’s a deep collection with lots of great stories spanning genres and emotions, and one I’ve read a few times.
***This short fiction collection includes 'Chivalry', this year's Radio 4 Neil Gaiman Christmas Day special, starring Glenda Jackson and Kit Harington. This is the story of Mrs Whitaker, who finds the Holy Grail in a charity shop.***
Open your mind to one of the brightest, most brilliant writers of our generation...
'Gaiman is god in the universe of story' - Stephen Fry
'There's no one quite like Neil Gaiman' - George R. R. Martin
An elderly widow finds the Holy Grail beneath an old fur coat. A stray cat fights and refights a terrible nightly battle to protect his unwary…
When I began compiling stories for my collection, I noted the theme of disappearance throughout. I’m not sure why that’s the case. Perhaps because I’ve dealt with disappearance on a personal level. Perhaps almost all stories deal with the theme. I have also always been fascinated by people who disappear (such as Agatha Christie), especially into the wild. As a former book editor, my reading standards are very high. The books I’ve recommended are superb and still resonate with me years after I’ve read them. I hope you explore this list and that the characters in these unique and well-crafted stories linger on, even after you’ve finished the last page.
Daisy Johnson is a force of her own. I’ve read all three of her books and was the most taken with her more recent novel, Sisters. This has a moody, gothic feel to it. Very well narrated by one of the two sisters, and is the ultimate story about disappearance, and the traumatic effect it can have on a loved one. Brutal, surreal, and with a setting as real as its characters: a crumbling moldy cottage, near the shore, that lives and breathes with the characters. And includes a twist you won’t see coming.
The electrifying novel from the Booker shortlisted author of Everything Under.
'A short sharp explosion of a gothic thriller' Observer
Something unspeakable has happened to sisters July and September.
Desperate for a fresh start, they move across the country to an old family house that has a troubled life of its own. Noises come from behind the walls. Lights flicker of their own accord. Sleep feels impossible, dreams are endless.
In their new, unsettling surroundings, July finds that the fierce bond she's always had with September - forged with a blood promise when they were children - is beginning to…
I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.
This is such a beautiful book to me. In it, a lost child from a crowded urban environment encounters a mythic deer who takes her on a journey filled with wonders. I don’t know how, but the author manages to convey such believable tenderness and deep connection between this large wild animal and the small child. The art is made with a soft pencil style that is a perfect match for the atmospheric, dreamy, and magical content.
Hailed by Entertainment Weekly and the Wall Street Journal as a best book of the year, this gorgeous and imaginative story—part picture book, part graphic novel—is utterly transporting and original. USA Today declared it “a compelling and melancholy debut from an important new talent" as well as "an expansive and ageless book full of wonder, sadness, and wild bursts of imagination.” And like Shaun Tan's The Arrival and Raymond Briggs's The Snowman, it is quickly becoming a modern classic.
A little girl—lost and alone—follows a mysterious stag deep into the woods, and, like…
I admire the way children tell stories—how their imagination veers here and there, how fantasy and reality intertwine, and how magic can happen at any moment. I wrote stories like this when I was a kid and, fortunately, saved many of them. When writing The Kids of Cattywampus Street (my twentieth book), I went through these stories and recreated this narrator’s voice as the 8-year-old me with absurdity and confidence. I wanted to show a range of characters in a diverse world where kids believe in themselves, have the power to use their imagination, can get into and out of trouble on their own accord, are resilient, adaptable, strong, and just plain funny.
These interrelated short stories are whimsical, sometimes melancholy, and often use nonsense language. My parents read these to me when I was a kid and I always listened intently and laughed hysterically, and later I read them to myself. Many of the stories are narrated by the Potato-Face-Blind-Man, an old minstrel of the Village of Liver-and-Onions who hangs out in front of the local post office. That says it all right there. This book creates a magical, fantasy world which provided me with fodder for the rest of my life. These have been a huge influence on me!
I take joy in the simple delights of life, such as eating chocolate, enjoying the sights of flowers in full bloom, and soaking in the sun on warm, sunny days. Those are the times I like to get out and explore, be inspired, and write. I like to write about all of the light we can discover in our world—the light from within and all around us—because it is easy for people to get sucked into focusing on the dim realities of our world or what’s not right. My goal is always to entertain, inspire, and spark wonder in my readers.
This is a book that someone gifted me for college graduation, and although I had no aspirations of becoming a children’s book author at the time, I loved the inspirational message of the story.
What will I do? Where will I live? Who will I become? These are questions that most young people ask themselves, especially at a milestone moment in their lives, like graduation. In this book—with its lyrically wonderful rhyming words and otherworldly illustrations—Dr. Seuss reminded me that I am in control of my destiny.
The book does a good job of blending the realities of life with the possibilities of what life can become. It taught me that, although there will be ups and downs, twists and turns, and a few dead ends, ultimately, I can choose which way to go in life. What an empowering message to read at any age or stage in life!
I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.
Rimbaud is the inescapable, volcanically talented, revolutionary poet of late 19th century France, the boy who had mastered the classical idioms and forms of the art by the time he was fifteen, and by age eighteen was reinventing poetic language both in the prose poems of Illuminations and in visionary irregular lyrics. He stopped writing poetry at age twenty, but the poems he left behind helped to open the door to modern poetry around the world.
A new translation of the best and most provocative work by France's infamous rebel poet.
Poet, prodigy, precursor, punk: the short, precocious, uncompromisingly rebellious career of the poet Arthur Rimbaud is one of the legends of modern literature. By the time he was twenty, Rimbaud had written a series of poems that are not only masterpieces in themselves but that forever transformed the idea of what poetry is. Without him, surrealism is inconceivable, and his influence is palpable in artists as diverse as Henry Miller, John Ashbery, Bob Dylan, and Patti Smith. In this essential volume, renowned translator Mark Polizzotti…
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I feel as though this book isn’t widely known. The plot is quite bizarre and surreal–a man falls in love with a woman who is growing a water lily in her lung.
The novel’s theme of grief stood out to me, and I feel it was perfectly illustrated by Collin’s desperate attempts to keep his wife alive. It is evident that Vian used Jean-Paul Sartre’s existentialist philosophy as inspiration for this novel.
