The best books about modern art, culture, and political conflict in France

Who am I?

I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.


I wrote...

Max Jacob: A Life in Art and Letters

By Rosanna Warren,

Book cover of Max Jacob: A Life in Art and Letters

What is my book about?

My book is about art, religion, anti-Semitism, and queer life in France in the 20th century.

Max Jacob (1876-1944) was a French poet and painter: Jewish, Breton, and a homosexual. Best known for his radical prose poems, The Dice Cup, he was Picasso’s first French friend, creating with him the nucleus of Modernist art in Montmartre before World War I. After a vision in 1909, he formally converted to Roman Catholicism (with Picasso as his godfather) in 1915. An ardent Catholic, he spent fourteen years as a lay associate of the Benedictine monastery of Saint-Benoît-sur-Loire, where the Gestapo arrested him in February 1944. He died in the Nazi transit camp of Drancy, the day before his scheduled transport to Auschwitz.

The books I picked & why

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The Banquet Years: The Origins of the Avant-Garde in France, 1885 to World War I

By Roger Shattuck,

Book cover of The Banquet Years: The Origins of the Avant-Garde in France, 1885 to World War I

Why this book?

A perpetually useful and inspiring book. Shattuck’s study of modern art in France came out in 1955 and remains a lively source for understanding how key artists—Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire—absorbed and reshaped traditions in writing, painting, and music, and launched the ethos of avant-garde aesthetics in the 20th century. A master storyteller, Shattuck situates his artists in their time, place, and culture with novelistic flair.


Flaubert and Madame Bovary: A Double Portrait

By Francis Steegmuller,

Book cover of Flaubert and Madame Bovary: A Double Portrait

Why this book?

One of the most moving accounts I know of how literary creation takes place. With extraordinary sensitivity, Steegmuller reveals the mind and soul of the perturbed young bourgeois, Gustave Flaubert, and shows him growing, bit by bit, page by page, into the writer who set new terms for the art of the novel for the next hundred years. Art remains a mystery, but Steegmuller brings us uncannily close to the heart of it.


The Drunken Boat: Selected Writings

By Arthur Rimbaud, Mark Polizzotti (translator),

Book cover of The Drunken Boat: Selected Writings

Why this book?

Rimbaud is the inescapable, volcanically talented, revolutionary poet of late 19th century France, the boy who had mastered the classical idioms and forms of the art by the time he was fifteen, and by age eighteen was reinventing poetic language both in the prose poems of Illuminations and in visionary irregular lyrics. He stopped writing poetry at age twenty, but the poems he left behind helped to open the door to modern poetry around the world.


The Vichy Syndrome: History and Memory in France Since 1944

By Arthur Goldhammer (translator), Henry Rousso,

Book cover of The Vichy Syndrome: History and Memory in France Since 1944

Why this book?

A classic, dramatically original study of conflicting French interpretations of the German Occupation in World War II and the anti-democratic regime of Vichy. Rousso shows how de Gaulle tried to unify the country after the Liberation by celebrating a myth of widespread French Resistance and obscuring the extent to which French collaboration enabled the horrors of the Shoah and the destruction of democracy. Rousso follows the story as it played out in the ensuing decades as more and more evidence of collaboration came to light, and ideological conflicts stretching back to the Dreyfus Affair in the late 19th century shook the county once again. At a time when authoritarian governments and xenophobia are rising around the world, Rousso’s book offers a timely lesson and a warning. 


The Collaborator: The Trial and Execution of Robert Brasillach

By Alice Kaplan,

Book cover of The Collaborator: The Trial and Execution of Robert Brasillach

Why this book?

An expert in French fascism, Kaplan meticulously documents the career and the fate of the anti-Semitic, collaborationist novelist and journalist, Robert Brasillach. He was one of the few prominent intellectuals executed after the Liberation in France. His trial in late 1944 and execution in February 1945 put on the public stage the drama the country had just experienced: the Occupation, collaboration with the Nazis, the Resistance. As Kaplan presents it, Brasillach’s eloquent defense lawyer, the equally eloquent prosecutor, and Brasillach himself articulated the collision of visions of what it meant to be French and what it meant to be a patriot (or a traitor), arguments that still agitate France today. 


5 book lists we think you will like!

Interested in France, modern art, and World War 2?

5,809 authors have recommended their favorite books and what they love about them. Browse their picks for the best books about France, modern art, and World War 2.

France Explore 584 books about France
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