Here are 100 books that The Banquet Years fans have personally recommended if you like
The Banquet Years.
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Born in Budapest, Hungary, Susan Rubin Suleiman emigrated to the U.S. as a child with her parents. She has had a distinguished career as a professor of French and comparative literature at Harvard, publishing more than a dozen books and over 100 scholarly articles. Her acclaimed memoir about returning to Budapest, Budapest Diary: In Search of the Motherbook, appeared in 1996; in 2023, she published Daughter of History: Traces of an Immigrant Girlhood, a memoir of immigration which was a finalist for a 2024 National Jewish Book Award. She has been awarded many honors, including the Radcliffe Medal for Distinguished Achievement in 1990 and France’s highest honor, the Légion d’Honneur, in 2018.
First published in the 1980s, this is a classic in memory studies, tracing the evolution of public memory in France regarding the Vichy regime over a forty-year period. Rousso shows how the first narrative about “everyone resisted,” promoted by Charles de Gaulle, was gradually replaced by a more realistic version of the past, including recognition of Vichy’s collaboration with the Nazis in rounding up Jews and members of the Resistance.
From the Liberation purges to the Barbie trial, France has struggled with the memory of the Vichy experience: a memory of defeat, occupation, and repression. In this provocative study, Henry Rousso examines how this proud nation-a nation where reality and myth commingle to confound understanding-has dealt with les annees noires. Specifically, he studies what the French have chosen to remember-and to conceal.
I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.
One of the most moving accounts I know of how literary creation takes place. With extraordinary sensitivity, Steegmuller reveals the mind and soul of the perturbed young bourgeois, Gustave Flaubert, and shows him growing, bit by bit, page by page, into the writer who set new terms for the art of the novel for the next hundred years. Art remains a mystery, but Steegmuller brings us uncannily close to the heart of it.
Francis Steegmuller's beautifully executed double portrait of Madame Bovary and her maker is a remarkable and unusual biographical study, a sensitive and detailed account of how an unpromising young man turns himself into one of the world's greatest novelists. Steegmuller starts with the young Flaubert, prone to mysterious fits, hypochondriacal, at odds with and yet dependent on his bourgeois family. Then, drawing on Flaubert's voluminous correspondence, Steegmuller tracks his subject through friendships and love affairs, a trip to the Orient, nervous breakdown and tenuous recovery, and finally into the study, where a mind at once restless and jaded finds a…
I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.
Rimbaud is the inescapable, volcanically talented, revolutionary poet of late 19th century France, the boy who had mastered the classical idioms and forms of the art by the time he was fifteen, and by age eighteen was reinventing poetic language both in the prose poems of Illuminations and in visionary irregular lyrics. He stopped writing poetry at age twenty, but the poems he left behind helped to open the door to modern poetry around the world.
A new translation of the best and most provocative work by France's infamous rebel poet.
Poet, prodigy, precursor, punk: the short, precocious, uncompromisingly rebellious career of the poet Arthur Rimbaud is one of the legends of modern literature. By the time he was twenty, Rimbaud had written a series of poems that are not only masterpieces in themselves but that forever transformed the idea of what poetry is. Without him, surrealism is inconceivable, and his influence is palpable in artists as diverse as Henry Miller, John Ashbery, Bob Dylan, and Patti Smith. In this essential volume, renowned translator Mark Polizzotti…
I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.
An expert in French fascism, Kaplan meticulously documents the career and the fate of the anti-Semitic, collaborationist novelist and journalist, Robert Brasillach. He was one of the few prominent intellectuals executed after the Liberation in France. His trial in late 1944 and execution in February 1945 put on the public stage the drama the country had just experienced: the Occupation, collaboration with the Nazis, the Resistance. As Kaplan presents it, Brasillach’s eloquent defense lawyer, the equally eloquent prosecutor, and Brasillach himself articulated the collision of visions of what it meant to be French and what it meant to be a patriot (or a traitor), arguments that still agitate France today.
On February 6, 1945, a 35-year-old French writer and newspaper editor named Robert Brasillach was executed for treason by a French firing squad. He was the only writer of any distinction to be put to death by the French Liberation government during the violent days of score-settling known as the Purge. In this book, Alice Kaplan, author of the memoir "French Lessons" tells the story of Brasillach's rise and fall: his emergence as the golden boy of literary fascism during the 1930s, his wartime collaboration with the Nazis, his dramatic trial and his afterlife as a martyr for French rightists…
I’m an author, radio broadcaster, journalist, and podcaster. I’ve been in the media for almost 40 years. Oddly, writing came to me very late but it hit me light a lightning bolt when it happened. I researched my Grandfather’s time on the Western Front in WW1 after discovering a letter he wrote to a friend. That was the moment I knew I had to write a book. My career has taken me from rock n roll radio to talkback in Commercial, Public, and now Community radio in Australia. I love what I do, but most of all, I just love telling stories to my audience, whatever the platform.
This is a first-person account of life in the trenches in France and Belgium in WW1. It’s actually a difficult read in places because his writing style is quite unusual and by no means eloquent, but once you get used to it, it’s truly intriguing. He wrote the book with a pencil on exercise books after the war, probably to try and exorcise his demons. It wasn’t until his family found it and took it to a publisher that his story came to light, a very frank and occasionally morbid description of war at its very worst but an essential read.
'It's the end of the 1916 winter and the conditions are almost unbelievable. We live in a world of Somme mud. We sleep in it, work in it, fight in it, wade in it and many of us die in it. We see it, feel it, eat it and curse it, but we can't escape it, not even by dying...' Private Edward Lynch enlisted in the army when he was just 18. He was one of thousands of fresh-faced men who were proudly waved off by the crowds as they embarked for France. The year was 1916 and the majority…
I have always been interested in military history and wanted to become a professional soldier. I benefitted especially from three years as the American liaison officer on the staff of the German 12th Panzer Division. German Army organization, planning and decision-making, troop leadership, and training are outstanding and made a deep impression on me. I received a superb education as a historian at the University of Wuerzburg, Germany, which required history to be written from original source documents, not secondary sources uncritically accepted. My standards emphasize attention to detail in military planning and operations, and archival work in English, German, and French. As do the authors that I have selected.
Conventional histories give the French a free pass concerning the causes of World War I: the French leadership is commonly described as being literally out-of-touch (on a battleship coming back to France). Schmidt’s brilliant archival research shows that the French were fully aware that the Austrians were going to issue an ultimatum to the Serbs and encouraged the Russians to support a Serb refusal and a Russian military attack on Austria. (My addendum: the French plan is a mirror image of the Russian plan – the French would tie down the Germans in the West and the Russians hordes would overwhelm the Germans in the East.)
Auch wenn die Genese des Ersten Weltkriegs - der "Ur-Katastrophe" des 20. Jahrhunderts - als gründlich erforscht gilt, verzeichnet die Geschichte des Kriegsausbruchs immer noch Bereiche, deren Bearbeitung bislang vernachlässigt wurde. Zu ihnen gehört die französische Außenpolitik in der Julikrise 1914. Obwohl in der wissenschaftlichen Kontroverse der Zwischenkriegszeit kein Konsens über Motive und Absichten des "forgotten belligerent of July 1914" (John W. Langdon) gefunden werden konnte, sind dem Gegenstand nach 1945 nur wenige Untersuchungen gewidmet. In dieses bislang kaum beachtete Terrain stößt die Studie vor. Nicht zuletzt auf der Grundlage neuer Quellen entwirft sie im Gegensatz zur älteren Forschung von…
I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century. I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time. It is with this in mind that I’ve chosen the books on my list.
One of the very best books in English about France during this time, Hanna mines a treasure trove of letters between a married peasant couple from southwest France to tell an intimate history of the war, of its effects on families, women, villages, men, and the countryside. War stories take place on battlefields, of course, but also in homes and in hearts. Anyone wanting to understand the experience of the Great War at the front, on the home front, and everywhere in between, should start here.
Paul and Marie Pireaud, a young peasant couple from southwest France, were newlyweds when World War I erupted. With Paul in the army from 1914 through 1919, they were forced to conduct their marriage mostly by correspondence. Drawing upon the hundreds of letters they wrote, Martha Hanna tells their moving story and reveals a powerful and personal perspective on war.
Civilians and combatants alike maintained bonds of emotional commitment and suffered the inevitable miseries of extended absence. While under direct fire at Verdun, Paul wrote with equal intensity and poetic clarity of the brutality of battle and the dietary needs…
Romance and chick-lit books hooked me as a young adult. It was this genre that inspired me to write. Since publishing my first book Gut Feeling in 2012 I’ve since written three chick-lit novels and a holiday rom-com screenplay. The fiction world of perfectly unperfect romance never fails.
This is the most touching love story I have ever read. I do not tend to read period dramas, and so I was hesitant to read a book set during the first world war. However, this book had me in tears so many times. I read this book over ten years ago, yet it is still my favorite love story of all time to date. Beautiful, just beautiful.
Set before and during the Great War, Birdsong captures the drama of that era on both a national and a personal scale. It is the story of Stephen, a young Englishman, who arrives in Amiens in 1910. His life goes through a series of traumatic experiences, from the clandestine love affair that tears apart the family with whom he lives, to the unprecedented experience of the war itself.
Biology is the study of life, and I cannot think of anything more important. It’s like being interested in what’s happening to the ball when you are playing the ball game. I was very fortunate to have grown up in close contact with nature and it led me down this path. I love discovering intricate mechanisms not by thoughts but with data. Those discoveries almost always turn out to be surprising and more than what had, or could be, imagined and assumed.
This book is less about Biology and more about becoming a biologist. Errington spent his youth outside, hunting, trapping, and fishing in the still largely pristine environment of South Dakota. Although hunting later "became ritualistic" he then continued the rest of his life feeling "called" into the wild and learning about nature there, leading him to go to graduate studies, but continuing all his life to long "for the authentic." It was a romantic activity to be close to nature, and a joy to learn that there are rules of order driving the complexity of "natural relationships." He validated for me loving the wild and wanting to be part of it all, noticing and savoring it, imprinting on it, being one with it. It made getting close to the land to feel the freedom of it in the wild outdoors, as from the 1893 Rudyard Kipling poem, "The Young…
I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century. I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time. It is with this in mind that I’ve chosen the books on my list.
A day-to-day chronicle of a remarkably observant Frenchman who served from the beginning to the end of the war, this fascinating book is full of minute observations, perceptive insights, and the real, gritty texture of military life, service at the front, visits home, and confrontations with civilian life and politics. Barthas recounts all of this with an engaging immediacy and passion that makes the reader sad to part company with him at the war’s end.
The harrowing first-person account of a French foot soldier who survived four years in the trenches of the First World War
Along with millions of other Frenchmen, Louis Barthas, a thirty-five-year-old barrelmaker from a small wine-growing town, was conscripted to fight the Germans in the opening days of World War I. Corporal Barthas spent the next four years in near-ceaseless combat, wherever the French army fought its fiercest battles: Artois, Flanders, Champagne, Verdun, the Somme, the Argonne. Barthas' riveting wartime narrative, first published in France in 1978, presents the vivid, immediate experiences of a frontline soldier.
