I have always been interested in military history and wanted to become a professional soldier. I benefitted especially from three years as the American liaison officer on the staff of the German 12th Panzer Division. German Army organization, planning and decision-making, troop leadership, and training are outstanding and made a deep impression on me. I received a superb education as a historian at the University of Wuerzburg, Germany, which required history to be written from original source documents, not secondary sources uncritically accepted. My standards emphasize attention to detail in military planning and operations, and archival work in English, German, and French. As do the authors that I have selected.
There never was a “Schlieffen Plan.” This assertion is based on masses of previously unused German war games and archival war planning documents. The “Schlieffen Plan” required 96 divisions in a one-front war against France, when Germany never had more than 72 divisions in a two-front war against France and Russia. Real war plans do not require 24 “ghost divisions.” Contrary to “common knowledge,” Schlieffen did not have an aggressive war plan, and he never intended to attack Belgium or France. The Russians and French executed a simultaneous attack on Germany: all the initial battles took place in East Prussia and German Alsace. Schlieffen saw this coming, and planned to counter-attack on German territory. The younger Moltke never actually had a plan, but was improvising.
Conventional histories blame Germany for starting the First World War by “turning a Balkan Quarrel into a European war.” McMeekin shows both Germany and Austria-Hungary wanted a quick, isolated Austrian-Serbian war. It was Russia that wanted a general European war in order to seize Constantinople and the Bosporus Straits and give Russia access to the Mediterranean. Therefore, the Russians wanted France and Great Britain to tie down Germany, while Russia crushed the Austrians and seized the Balkans and the Bosphorous. And the Russians knew about the Serb plot to assassinate Archduke Franz Ferdinand in advance. McMeeken’s archival research in proving his case is impressive.
The catastrophe of the First World War, and the destruction, revolution, and enduring hostilities it wrought, make the issue of its origins a perennial puzzle. Since World War II, Germany has been viewed as the primary culprit. Now, in a major reinterpretation of the conflict, Sean McMeekin rejects the standard notions of the war's beginning as either a Germano-Austrian preemptive strike or a "tragedy of miscalculation." Instead, he proposes that the key to the outbreak of violence lies in St. Petersburg.
It was Russian statesmen who unleashed the war through conscious policy decisions based on imperial ambitions in the Near…
Conventional histories give the French a free pass concerning the causes of World War I: the French leadership is commonly described as being literally out-of-touch (on a battleship coming back to France). Schmidt’s brilliant archival research shows that the French were fully aware that the Austrians were going to issue an ultimatum to the Serbs and encouraged the Russians to support a Serb refusal and a Russian military attack on Austria. (My addendum: the French plan is a mirror image of the Russian plan – the French would tie down the Germans in the West and the Russians hordes would overwhelm the Germans in the East.)
Auch wenn die Genese des Ersten Weltkriegs - der "Ur-Katastrophe" des 20. Jahrhunderts - als gründlich erforscht gilt, verzeichnet die Geschichte des Kriegsausbruchs immer noch Bereiche, deren Bearbeitung bislang vernachlässigt wurde. Zu ihnen gehört die französische Außenpolitik in der Julikrise 1914. Obwohl in der wissenschaftlichen Kontroverse der Zwischenkriegszeit kein Konsens über Motive und Absichten des "forgotten belligerent of July 1914" (John W. Langdon) gefunden werden konnte, sind dem Gegenstand nach 1945 nur wenige Untersuchungen gewidmet. In dieses bislang kaum beachtete Terrain stößt die Studie vor. Nicht zuletzt auf der Grundlage neuer Quellen entwirft sie im Gegensatz zur älteren Forschung von…
Paddock brings together the work of three revisionist historians, myself, McMeekin, and Schmidt, in one slim (136 pages) volume. In particular, Paddock gives access to Schmidt’s important work on French planning for those who do not read German. Paddock not only presents German, Russian, and French military planning, but correlates them. The result is a fundamentally new and convincing picture of pre-war military planning and diplomacy.
Contesting the Origins of the First World War challenges the Anglophone emphasis on Germany as bearing the primary responsibility in causing the conflict and instead builds upon new perspectives to reconsider the roles of the other Great Powers.
Using the work of Terrance Zuber, Sean McMeekin, and Stefan Schmidt as building blocks, this book reassesses the origins of the First World War and offers an explanation as to why this reassessment did not come about earlier. Troy R.E. Paddock argues that historians need to redraw the historiographical map that has charted the origins of the war. His analysis creates a…
Parshall and Tully have produced a reevaluation of the Battle of Midway which makes exhaustive and critical use of Japanese sources. To this point, the sole Japanese source was Fuchida Mitsuo’s Midway, which Shattered Sword shows was “irretrievably flawed.” In contrast to previous histories of Midway, Shattered Sword pays careful attention to the critical elements of naval warfare: ship design, training and tactics, decision-making. It also debunks eight further elements of “common knowledge” concerning Japanese planning and conduct of the battle. The result is a fundamentally new and detailed analysis of Midway.
Many consider the Battle of Midway to have turned the tide of the Pacific War. It is without question one of the most famous battles in history. Now, for the first time since Gordon W. Prange's bestselling Miracle at Midway, Jonathan Parshall and Anthony Tully offer a new interpretation of this great naval engagement.
Unlike previous accounts, Shattered Sword makes extensive use of Japanese primary sources. It also corrects the many errors of Mitsuo Fuchida's Midway: The Battle That Doomed Japan, an uncritical reliance upon which has tainted every previous Western account. It thus forces a major, potentially controversial reevaluation…
Zinn uses Japanese sources and modern Operations Research techniques to produce a revisionist account of the attack. The Japanese planning was deeply flawed and the execution of the attack chaotic. The Japanese escaped disaster only because American defensive measures were abysmal. The Japanese attack wasn’t “brilliant,” is commonly maintained – it was dumb luck. Zinn also demolishes numerous hoary myths, for example, that the Japanese could/should have destroyed the American fuel storage tanks. Zinn’s attention to military detail produces a fundamentally new appreciation of the Pearl Harbor attack.
The attack on Pearl Harbor on 7 December, 1941, has been portrayed by historians as a dazzling success, "brilliantly conceived and meticulously planned". With most historians concentrating on command errors and the story of participants' experiences, this book presents a detailed evaluation of the Japanese attack on Pearl Harbor on an operational and tactical level.
It examines such questions as: Was the strategy underlying the attack sound? Were there flaws in planning or execution? How did Japanese military culture influence the planning? How risky was the attack? What did the Japanese expect to achieve, balanced against what they did achieve?…
As a young doctor, Carl Holman has experienced the horrors of World War I and the death of his lover, a fellow officer. Back home after the War, he befriends a young jazz musician who he hopes will become a companion he can share his life with. But this is Oregon: the Ku Klux Klan is gaining influence, homosexual acts are illegal, and such a relationship will jeopardize Carl’s promising medical career.
Musician Jimmy Harper has his own dreams for the future and his own obstacles to overcome before he will allow himself to accept Carl’s love. More than a gay love story, Acquaintance is a deep dive into gay and lesbian history based on extensive period research of the 1920s.
As a young surgeon, Carl Holman has experienced the horrors of World War I and the loss of his lover, a fellow officer. Back home after the war, he befriends a young jazz musician who he hopes will become a companion he can share his life with. But this is Oregon: the Ku Klux Klan is gaining influence, homosexual acts are illegal, and such a relationship will jeopardize Carl’s promising medical career. Musician Jimmy Harper has his own dreams for the future and his own obstacles to overcome before he will allow himself to accept Carl’s love. Acquaintance is a…
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