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Like all Boomers, I grew up in the shadow of “The War.” My parents, relatives, and others participated in World War II to various extents; all were affected by it. Therefore, I absorbed the Pacific Theater early on. My father trained as a naval aviator, and among my early TV memories is the 1950s series Victory at Sea. My mother coaxed me early on, and an aunt was an English teacher, so I began learning to read before kindergarten. In retrospect, that gave me extra time to start absorbing the emerging literature. Much later I helped restore and flew WW II aircraft, leading to my first book.
Shattered Sword is proof that history is a journey rather than a destination. When published in 2005, Parshall and Tully set a milepost on the then-six-decade road to understanding the pivotal June 1942 battle.
Aside from correcting “settled facts” about the battle, the authors added depth with detailed examinations of rare subjects. Among other things, how the Imperial Navy managed its flight and hangar decks; how the combat air patrols were cycled. What some readers might consider “nuts and bolts” provide revelations to those seeking deeper knowledge, especially for relevant individuals and Japanese culture.
Many consider the Battle of Midway to have turned the tide of the Pacific War. It is without question one of the most famous battles in history. Now, for the first time since Gordon W. Prange's bestselling Miracle at Midway, Jonathan Parshall and Anthony Tully offer a new interpretation of this great naval engagement.
Unlike previous accounts, Shattered Sword makes extensive use of Japanese primary sources. It also corrects the many errors of Mitsuo Fuchida's Midway: The Battle That Doomed Japan, an uncritical reliance upon which has tainted every previous Western account. It thus forces a major, potentially controversial reevaluation…
I have always been interested in military history and wanted to become a professional soldier. I benefitted especially from three years as the American liaison officer on the staff of the German 12th Panzer Division. German Army organization, planning and decision-making, troop leadership, and training are outstanding and made a deep impression on me. I received a superb education as a historian at the University of Wuerzburg, Germany, which required history to be written from original source documents, not secondary sources uncritically accepted. My standards emphasize attention to detail in military planning and operations, and archival work in English, German, and French. As do the authors that I have selected.
Conventional histories blame Germany for starting the First World War by “turning a Balkan Quarrel into a European war.” McMeekin shows both Germany and Austria-Hungary wanted a quick, isolated Austrian-Serbian war. It was Russia that wanted a general European war in order to seize Constantinople and the Bosporus Straits and give Russia access to the Mediterranean. Therefore, the Russians wanted France and Great Britain to tie down Germany, while Russia crushed the Austrians and seized the Balkans and the Bosphorous. And the Russians knew about the Serb plot to assassinate Archduke Franz Ferdinand in advance. McMeeken’s archival research in proving his case is impressive.
The catastrophe of the First World War, and the destruction, revolution, and enduring hostilities it wrought, make the issue of its origins a perennial puzzle. Since World War II, Germany has been viewed as the primary culprit. Now, in a major reinterpretation of the conflict, Sean McMeekin rejects the standard notions of the war's beginning as either a Germano-Austrian preemptive strike or a "tragedy of miscalculation." Instead, he proposes that the key to the outbreak of violence lies in St. Petersburg.
It was Russian statesmen who unleashed the war through conscious policy decisions based on imperial ambitions in the Near…
I have always been interested in military history and wanted to become a professional soldier. I benefitted especially from three years as the American liaison officer on the staff of the German 12th Panzer Division. German Army organization, planning and decision-making, troop leadership, and training are outstanding and made a deep impression on me. I received a superb education as a historian at the University of Wuerzburg, Germany, which required history to be written from original source documents, not secondary sources uncritically accepted. My standards emphasize attention to detail in military planning and operations, and archival work in English, German, and French. As do the authors that I have selected.
Paddock brings together the work of three revisionist historians, myself, McMeekin, and Schmidt, in one slim (136 pages) volume. In particular, Paddock gives access to Schmidt’s important work on French planning for those who do not read German. Paddock not only presents German, Russian, and French military planning, but correlates them. The result is a fundamentally new and convincing picture of pre-war military planning and diplomacy.
Contesting the Origins of the First World War challenges the Anglophone emphasis on Germany as bearing the primary responsibility in causing the conflict and instead builds upon new perspectives to reconsider the roles of the other Great Powers.
Using the work of Terrance Zuber, Sean McMeekin, and Stefan Schmidt as building blocks, this book reassesses the origins of the First World War and offers an explanation as to why this reassessment did not come about earlier. Troy R.E. Paddock argues that historians need to redraw the historiographical map that has charted the origins of the war. His analysis creates a…
I have always been interested in military history and wanted to become a professional soldier. I benefitted especially from three years as the American liaison officer on the staff of the German 12th Panzer Division. German Army organization, planning and decision-making, troop leadership, and training are outstanding and made a deep impression on me. I received a superb education as a historian at the University of Wuerzburg, Germany, which required history to be written from original source documents, not secondary sources uncritically accepted. My standards emphasize attention to detail in military planning and operations, and archival work in English, German, and French. As do the authors that I have selected.
Zinn uses Japanese sources and modern Operations Research techniques to produce a revisionist account of the attack. The Japanese planning was deeply flawed and the execution of the attack chaotic. The Japanese escaped disaster only because American defensive measures were abysmal. The Japanese attack wasn’t “brilliant,” is commonly maintained – it was dumb luck. Zinn also demolishes numerous hoary myths, for example, that the Japanese could/should have destroyed the American fuel storage tanks. Zinn’s attention to military detail produces a fundamentally new appreciation of the Pearl Harbor attack.
The attack on Pearl Harbor on 7 December, 1941, has been portrayed by historians as a dazzling success, "brilliantly conceived and meticulously planned". With most historians concentrating on command errors and the story of participants' experiences, this book presents a detailed evaluation of the Japanese attack on Pearl Harbor on an operational and tactical level.
It examines such questions as: Was the strategy underlying the attack sound? Were there flaws in planning or execution? How did Japanese military culture influence the planning? How risky was the attack? What did the Japanese expect to achieve, balanced against what they did achieve?…
I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century. I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time. It is with this in mind that I’ve chosen the books on my list.
One of the very best books in English about France during this time, Hanna mines a treasure trove of letters between a married peasant couple from southwest France to tell an intimate history of the war, of its effects on families, women, villages, men, and the countryside. War stories take place on battlefields, of course, but also in homes and in hearts. Anyone wanting to understand the experience of the Great War at the front, on the home front, and everywhere in between, should start here.
Paul and Marie Pireaud, a young peasant couple from southwest France, were newlyweds when World War I erupted. With Paul in the army from 1914 through 1919, they were forced to conduct their marriage mostly by correspondence. Drawing upon the hundreds of letters they wrote, Martha Hanna tells their moving story and reveals a powerful and personal perspective on war.
Civilians and combatants alike maintained bonds of emotional commitment and suffered the inevitable miseries of extended absence. While under direct fire at Verdun, Paul wrote with equal intensity and poetic clarity of the brutality of battle and the dietary needs…
I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century. I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time. It is with this in mind that I’ve chosen the books on my list.
With some 1.5 million men dead, and several million more wounded, the story of France and the Great War is in many ways simply the story of grief, and this work captures that beautifully. Through the tragic, true story of a wounded amnesiac veteran whose name and family are unknown, Le Naour tells the crucial story of women, families, and an entire culture in mourning, in many ways hopelessly. Yet the veteran and the people who try to help him or claim him as their own retain their dignity and humanity in this account.
Chronicles the remarkable story of a World War I soldier who was discovered wandering in France with no memory of his identity and who was the focus of twenty years of court battles when he was "claimed" by hundreds of families whose fathers, husbands, sons, and brothers had been lost in combat. 20,
Biology is the study of life, and I cannot think of anything more important. It’s like being interested in what’s happening to the ball when you are playing the ball game. I was very fortunate to have grown up in close contact with nature and it led me down this path. I love discovering intricate mechanisms not by thoughts but with data. Those discoveries almost always turn out to be surprising and more than what had, or could be, imagined and assumed.
This book is less about Biology and more about becoming a biologist. Errington spent his youth outside, hunting, trapping, and fishing in the still largely pristine environment of South Dakota. Although hunting later "became ritualistic" he then continued the rest of his life feeling "called" into the wild and learning about nature there, leading him to go to graduate studies, but continuing all his life to long "for the authentic." It was a romantic activity to be close to nature, and a joy to learn that there are rules of order driving the complexity of "natural relationships." He validated for me loving the wild and wanting to be part of it all, noticing and savoring it, imprinting on it, being one with it. It made getting close to the land to feel the freedom of it in the wild outdoors, as from the 1893 Rudyard Kipling poem, "The Young…
I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century. I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time. It is with this in mind that I’ve chosen the books on my list.
A day-to-day chronicle of a remarkably observant Frenchman who served from the beginning to the end of the war, this fascinating book is full of minute observations, perceptive insights, and the real, gritty texture of military life, service at the front, visits home, and confrontations with civilian life and politics. Barthas recounts all of this with an engaging immediacy and passion that makes the reader sad to part company with him at the war’s end.
The harrowing first-person account of a French foot soldier who survived four years in the trenches of the First World War
Along with millions of other Frenchmen, Louis Barthas, a thirty-five-year-old barrelmaker from a small wine-growing town, was conscripted to fight the Germans in the opening days of World War I. Corporal Barthas spent the next four years in near-ceaseless combat, wherever the French army fought its fiercest battles: Artois, Flanders, Champagne, Verdun, the Somme, the Argonne. Barthas' riveting wartime narrative, first published in France in 1978, presents the vivid, immediate experiences of a frontline soldier.
I have written 13 books and over 200 national magazine articles on U.S. Military weapons and am Field Editor for the NRA’s American Rifleman magazine. The story of the World War II weapons and campaigns have been widely covered but the First World War is sometimes all but forgotten. Those who are not familiar with America’s rather brief, but important, role in the conflict often do not realize how the First World War helped make the United States one of the world’s “superpowers.”
Numerous fascinating first-hand accounts of American “Doughboys” who saw front-line service in World War I. Many of the stories are poignant and personal.
I've always been a writer. Most recently, though, I have completed a PhD in philosophy and I decided to write a book that deals with the issues that I wrestled with over the course of my studies in a way that can be appreciated by a popular audience. This Enchanted Realm is my first book—though I'm the author of a dissertation on Charles S. Peirce and two academic papers on Peirce and Arthur Schopenhauer. Like Franz Kafka before me, I was employed in a job unrelated to creative writing which is where I realized that good poetry is only the right words in the right order—I decided to move from writing technical protocols to writing—technically—stories.
Whether you love him or hate him (as he was a tortured and unpleasant soul), Céline innovated the philosophical novel in the modern context and brought the genre to its pinnacle with Journey to the End of the Night.Reflecting on the horrors, absurdity, and stupidity of World War I, returning soldier Ferdinand Bardamu (a stand-in for Céline) finds himself equally miserable in “peacetime” serving as a doctor for the poor in Paris (Céline was trained as a doctor). Céline is occasionally compared to another French writer of philosophical novels: Jean-Paul Sartre. Journeyis not heavily allegorical like some of Sartre’s fiction works are (such as No Exit); Céline simply “shouts” at you, and sometimes you’re benefited in hearing the shouting. In Journey’s portrayal of inter-war urban decay, one gets the sense that Céline agrees…
Celine's masterpiece-colloquial, polemic, hyper realistic-boils over with bitter humor and revulsion at society's idiocy and hypocrisy: Journey to the End of the Night is a literary symphony of cruelty and violence that hurtles through the improbable travels of the petit bourgeois (and largely autobiographical) antihero, Bardamu: from the trenches of WWI, to the African jungle, to New York, to the Ford Factory in Detroit, and finally to life in Paris as a failed doctor. Ralph Manheim's pitch-perfect translation captures Celine's savage energy, and a dynamic afterword by William T. Vollmann presents a fresh, furiously alive take on this astonishing novel.
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