88 authors created a book list
connected to the indigenous peoples of the Americas,
and here are their favorite indigenous peoples of the Americas books.
I have been involved in the arts all my life, working as a writer, in film, and as a musician. I have degrees in music and creative writing and have studied visual arts and art history extensively as well. Besides being an author, I teach writing and humanities at the college level. I hope you enjoy these books as much as I do!
Dorothea Lange struggled with disease and disability and eventually found her path, becoming one of America’s greatest photographers through her ability to capture the human experience notably through photographs of people in the Great Depression. This book not only helps readers learn about Lange, but it aids them in understanding this difficult time in United States’ history. The illustrations are colorful and engaging, portraying a wide range of emotions that express the essence of Lange and her work.
STARRED REVIEW! "Weatherford never talks down to her audience…using figurative language and rich vocabulary to tell her story…Green's debut as a picture-book illustrator is brilliant…A fine introduction to an important American artist."―Kirkus Reviews starred review
Dorothea Lange saw what others missed.
Before she raised her lens to take her most iconic photo, Dorothea Lange took photos of the downtrodden, from bankers in once-fine suits waiting in breadlines, to former slaves, to the homeless sleeping on sidewalks. A case of polio had left her with a limp and sympathetic to those less fortunate. Traveling across the United States, documenting with her…
Greg Shed is a self-taught California illustrator specializing in Americana. In addition to commercial work and portraits, he has illustrated more than a dozen children’s books—several of which are about American history. A dedicated researcher, Greg has traveled from the Plymouth colony to the American prairie in search of authenticity and details. He has consulted with Native American craftsmen on the manufacture of native period attire. He is known for capturing golden light in his paintings, which often depict Native American cultures, wildlife, and landscapes.
Pilgrim Voices provides a fascinating first-hand description of pilgrims’ lives told through actual diaries and journals. Reading some of these 400-year-old accounts inspired me to visit the recreated 17th-century village of Plymouth Colony to gain a better sense of the environment as it once was in its wild and untamed state, along with the living conditions, customs, foods, and clothing of some of America’s first European settlers in the early 1600s.
A Notable Social Studies Trade Book for Young People and a C. S. Lewis Noteworthy book: A rich history of the pilgrim experience, as recorded in real diaries
Nearly four hundred years after the pilgrims left England in search of a better life, their stories still resonate with Americans today. In this account, the pilgrims’ own writings of their adventures and hardships are brought to life for young readers.
This touching account shows the pilgrims’ voyage on the Mayflower, their first meeting with the native people, and the hardships of hunger, illness, and death that they faced during their first…
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
There are more than 160 tales from eighty tribal groups in this book. They are various tales of creation and love, heroes and war, animals, tricksters, and the world’s end, many from contemporary Indigenous voices. Hopefully, these stories enable others who are not Native American but still want to read what many indigenous tribes taught to their children as a reason for the history of their peoples.
More than 160 tales from eighty tribal groups present a rich and lively panorama of the Native American mythic heritage. From across the continent comes tales of creation and love; heroes and war; animals, tricksters, and the end of the world.
“This fine, valuable new gathering of ... tales is truly alive, mysterious, and wonderful—overflowing, that is, with wonder, mystery and life" (National Book Award Winner Peter Matthiessen). In addition to mining the best folkloric sources of the nineteenth century, the editors have also included a broad selection of contemporary Native American voices.
I’ve been a historian of the period for more than two decades, and I am still fascinated by Andrew Jackson. He captures the attention of my undergraduate students and his name offers one of the best ways to start a shouting match at an academic conference. As I sifted through the various accounts of Jackson for this book, I was amazed at the range. Writers dealing with the same individual concluded that he was either a product of his age, a hero, the founder of American democracy, a populist, a racist, or a monstrous psychopath. All of these interpretations might have some merit, which made the project, in my opinion, all the more interesting.
If you ever thought to yourself, “Wow, Andrew Jackson would be a great candidate for psychotherapy, but no historian would ever actually try to view his life through Freudian analysis,” well, think again. Psychohistory enjoyed a brief moment in the sun during the 1970s and Rogin’s posthumous placement of Jackson on the couch was one of its shining examples. This book examines Jackson’s childhood trauma and fatherless upbringing as a major factor in his attitude and treatment of Native Americans throughout his life. Readers might find the analysis that dominates the second half of the book to be a bit dated in psychological terms, but Rogin offers a provocative way to explain Jackson’s confusing blend of patronizing and pathology towards Native Americans in the Early American Republic.
Rogin shows us a Jackson who saw the Indians as a menace to the new nation and its citizens. This volatile synthesis of liberal egalitarianism and an assault on the American Indians is the source of continuing interest in the sobering and important book.
I am drawn to what happens when writers skilled in one form of expression explore their ideas in another. Poets write with a sense of distillation. Prose allows for something different, the essay form bringing to the surface something more expansive, less concentrated. Clarity is constant, but it takes on a different rhythm, a spaciousness, a sense of one thing leading to another and another.
Because of the way she writes about the past and the way she writes about the present. Because she is at once straightforward and lyrical. Because she writes about places and people with the same acuity and insight. Because she writes with certainty about ambiguity.
Presented in two sections, "Memory: Persons and Places" and "Stories," this book offers the collected prose writings of Elizabeth Bishop (1911-79), one of America's most celebrated and admired poets. The selections are arranged not by date of compostion, but in biographical order, such that reading this volume greatly enriches one's understanding of Bishop's life--and thus her poetry as well. "Bishop's admirers will want to consult her Collected Prose for the light it sheds on her poetry," as David Lehman wrote in Newsweek. "They will discover, however, that it is more than just a handsome companion volume to [her] Complete Poems.…
I loved the risk the author took in the current climate of fear of cultural appropriation. Here she tells a moving story about a non-Indigenous teacher navigating the challenges of living and working in an Indigenous community.
Exploring the intricacies of power, culture and emotion when a non-Indigenous person moves to an Indigenous community as an educator, Jennifer Manuel casts a spell as captivating and perceptive as in her bestselling novel The Heaviness of Things That Float.
When new teacher Molleigh Royston moves to Tawakin―a remote Nuu-chah-nulth community in the Pacific Northwest―she arrives with good intentions. However, as she struggles to understand and help her students, doubts begin to accumulate―including doubts about her own motivations. Things escalate when three students start behaving strangely and Molleigh makes a serious cultural transgression, triggering a series of disturbing events in…
Jonathan Clements is a historian specialising in East Asia, and the author of A Brief History of China, The Art of War: A New Translation, and Confucius: A Biography. Several of his books have been translated and published in Chinese. He has presented three seasons of Route Awakening (National Geographic), an award-winning TV series about icons of Chinese culture. From 2013-2019, he was a visiting professor at Xi’an Jiaotong University, China.
Released in my native Britain as The Uninvited, Yan’s novel offers an unexpected angle on Chinese food by presenting the banquet as the place in China where alliances are forged, deals are done, and palms are greased. Her hero is a member of the Beijing underclass who somehow finds himself gate-crashing big society feasts. Pretending to be a journalist ready to be “entertained”, he discovers food he never dreamed of, but also comes to develop a sense of social responsibility. He starts to inhabit the part he is playing, and becomes not an uninvited guest, but a crusader on the behalf of the downtrodden. Or does he…?
Geling Yan captivates readers once more in her breakthrough novel. This is the fantastical tale of Dan Dong, an unemployed factory worker whose life takes a series of unexpected twists after he discovers that, by posing as a journalist, he can eat exquisite gourmet meals for free at state-sponsored banquets. But the secrets he overhears at these events eventually lead Dan down a twisted, intrigue-laden path, and his subterfuge and his real identity become harder and harder to separate. When he becomes privy to a scandal that runs from the depths of society to its highest rungs, Dan must find…
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
Poetry like this is crucial to telling the other side of the story. It’s a counternarrative, and that’s why Oodgeroo’s work has shaped my thinking and experiences in life-affirming ways.
Oodgeroo sees her work as an extension of the songkeeping and oral storytelling so intrinsic to Indigenous social life and survival. Her poems are not simply about a bygone past, as every line is relevant today (but hush, you mustn’t say so, Oodgeroo teases). That’s why I treasure her wit and writing – they give me life, a lifeline to a reality often denied us in Western thought.
It is written with so much beauty, elegance, and hope. Full of love for her people and full of grace, passion, and rage. Because there is so much to rage about (but that is another story)…
Oodgeroo’s writing has a unique place in Australian literature. When her poetry was first published in the 1960s, Kath Walker, as she was known then, provided a brave new voice for marginalised Aboriginal Australians. For the first time, an Aboriginal Australian was analysing and judging white Australians as well as her own people. She often made provocative and passionate pleas for justice:
We want hope, not racialism, Brotherhood, not ostracism, Black advance, not white ascendance: Make us equals, not dependants.
This collection of poetry and prose is a reminder of Oodgeroo’s contribution to Indigenous culture and the journey…
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
Powwow's Comingis a simple, colorful, and “full of dancing descriptions” that show the fun and importance of powwow celebrations. Linda is part Native and part teacher and fully a creative author and illustrator. She explains in rhyming narrative the reasons for the gathering of many tribal members at a powwow to share dancing, chanting, and drumming. Powwow’s Comingis a perfect read aloud for younger “listeners.” Boyden has included a teachers’ resource page so the book can easily be incorporated into different curriculums.
Powwow's coming, hear the beat? Powwow's coming, dancing feet. Powwow's coming, hear the drum? Powwow's coming, everyone! Frustrated as a school teacher not being able to find good instructional materials on American Indians, Linda Boyden has bypassed the tired stereotype of Indians on horseback or hunting game and placed them in today's setting of a powwow. ""Powwow's Coming"" provides children with a foundation for understanding and celebrating the enduring culture and heritage of American Indians. Boyden's exquisite cut-paper collage and engaging poem visually place readers within the scenes of a contemporary Native American community while offering a thoughtful look at…
I have been a dance teacher all of my adult life, and a poetry and word-lover even longer. I love the economy of language, immediacy, and the promise of surprise in poetry.
In middle age, I returned to writing just as my body began its slow rebellion, with the added shifts of remarriage and step-parenting a severely disabled son. I went back to grad school and wrote my first book, drawing on the experience of confronting change, just as these recommended poets have done.
Each of these poets has a very different story, but what they have in common outweighs their differences, and because of that we are able to see ourselves in their writing.
I like poetry that teaches me something, and I like how Harjo can teach me about Native American myth and culture (as a member of the Muscogee Nation)in a poem set within the context of something as mundane as an airport.
She expertly threads together the modern with the historical, and the sacred within the ordinary. “Once a woman fell from the sky. The woman who fell from the sky was neither murderer nor saint. She was rather ordinary…”
I am also struck with how Harjo unifies her own unique culture with the shared experiences of all of us, as in: “Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last/ sweet bite”.
She draws from the Native American tradition of praising the land and the spirit, the realities of American culture, and the concept of feminine individuality.
