Tim Murray has been a leading exponent of the history and philosophy of archaeology for the past thirty years. He has used the history of the discipline to explore the nature of archaeological theory and the many complex intersections between archaeology and society. Of his many publications flowing from this general project, the award-winning global scale five-volume Encyclopedia of Archaeology,the single volume global history of Archaeology Milestones in Archaeology. Murray is a global leader in applying studies in the history of archaeology to the reform of archaeological theory. This is evidenced by the publication of a collection of his essays, From Antiquarian to Archaeologist, and his numerous academic papers on the subject.
The first (and still most influential) history of archaeology in the Americas.
Willey and Sabloff wrote at a time of great ferment in the theory and practice of archaeology where old certainties were beginning to give way to radically new ways of creating and understanding archaeological knowledge. This book was particularly influential in helping archaeologists find their ways through a new intellectual landscape.
As a history and travel writer, I had always heard the siren song of the Alps. Deciding to try (unsuccessfully) to ignore my fear of heights, I take a hair-raising tour across most of the highest passes of the Alps, through France, Italy, Switzerland, Liechtenstein, Austria, Germany and Slovenia. So many boundaries crossed: linguistic, religious, historical, political, even culinary. I learned the Alps are not a monolith, they are a polyphony.
In a travelogue which spends much of its time in the Alps, Twain delivers anecdotes of haplessness that will make readers smile, if not laugh out loud. Twain portrays himself as an American naif who thinks he understands everything while actually understanding nothing at all.
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This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
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As an Indigenous person, I have a lived experience of the negative impacts of an erased history on all people. Students I teach are shocked to hear that Indigenous people have been in the Americas for over 60,000 years. The violence against archaeologists publishing on older than Clovis sites in the Americas is intense; that got me asking why? I sought the truth about the evidence for Pleistocene age archaeology sites in the Americas. Global human migrations attest to the fact that humans have been migrating great distances for over 2 million years. Reclaiming and rewriting Indigenous history is one path of many, leading to healing and reconciliation.
Though only discussing the “day before Clovis” a few thousand years prior to Clovis archaeological sites Dixon and Dixon provide a synthesis of over 40 archaeological sites that predate Clovis. Dixon and Dixon dispel archaeological stereotypes that depict early Indigenous people as simply big-game hunters and provide evidence for a diverse cultural landscape of marine mammal hunters, fishers, and general foragers across the Americas.
This revolutionary archeological synthesis argues an alternative model of the earliest human population of North America. E. James Dixon dispels the stereotype of big-game hunters following mammoths across the Bering Land Bridge and paints a vivid picture of marine mammal hunters, fishers, and general foragers colonising the New World. Applying contemporary scientific methods and drawing on new archaeological discoveries, he advances evidence indicating that humans first reached the Americas using water craft along the deglaciated Northwest Coast about 13,500 years ago, some 2,000 years before the first Clovis hunters. Dixons rigorous evaluation of the oldest North American archaeological sites and…
I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave. She said they lived in caves outside our East Tennessee town and had six fingers on each hand. I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs. For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.
In this 1994 cri de coeur Brent Kennedy discusses the Melungeon branches of his family tree. One branch is on my family tree, twice since my paternal grandparents were cousins. This book provided my first hint that my own family tree harbored some mysterious ancestors. It launched me on a ten-year quest to discover who the Melungeons were, where they came from, and whether or not my ancestors had been among them. The book also launched an Appalachian liberation movement of sorts, as many who had been taught to conceal their racially mixed ancestry rushed to claim it – and proclaim it.
I've taught Latin American literature for many years and in many different ways, but there's one thing that has never changed. I always combine our study of literature with relevant works of visual arts, and particularly with paintings and photographs. Don’t we all move naturally among different media—different forms of expression, different ways of seeing—to understand our world? An interdisciplinary approach allows us to explore the many ways that we imagine and represent reality. Photography is a wide-ranging way to know Latin America. For this reason, I recommend that you pay close attention to the rich traditions of Latin American photography. Mix and match media, and you’ll understand the world in new and different ways.
Photographs pretend to replicate the real, as do literary fictions, and yet both media also create their own “realities”.
This book explores how photographs, placed in fictional narratives, can distort and deceive characters (and the reader) or, to the contrary, illustrate and illuminate the story. Photographs in the hands of writers can create alternative “realities” within the fictional world or reveal the truth!
A primary example of the use of photography in fiction is the Argentine writer Julio Cortázar’s famous story “Blow up,” which was made into a movie—now a classic—directed by Michelangelo Antonioni. In Dan Russek’s book, we see a number of such “mixed media” fictions.
I love Latin American photography, and I love seeing how Latin American novelists engage this powerful medium for their own literary purposes.
Textual Exposures: Photography in Twentieth Century Spanish American Narrative Fiction examines how twentieth-century Spanish American literature has registered photography's powers and limitations, and the creative ways in which writers of this region of the Americas have elaborated in fictional form the conventions and assumptions of this medium. While the book is essentially a study of literary criticism, it also aims to show how texts critically reflect upon the media environment in which they were created. The writings analyzed enter a dialogic relation with visual technologies such as the x-ray, cinema, illustrated journalism, and television. The study examines how these technologies,…
I write whodunits. I love a good puzzle. And I love humour. I have written five mysteries Wayward Shot,Death and Denial, a travel mystery, The Trouble with Funerals, The Suspects, my protagonists, go on another travel mystery, and Murder Exit Stage Right. I have won BWL INC best-selling author two years in a row. I am now writing another mystery Moving is Murder the publishing date is October 2023. And new to me and a challenge is a historical mystery I’m writing set in the 1900s.
As a historical fiction, this novel rates right up at the top.
I loved this story; James brought the people of the day alive for me. And I followed up with his other novels. He was a fantastic storyteller.
It is an adventure that takes place in the early 19th century. English, European and American traders sailed to Asia and began trade with the Chinese. James paints an exotic picture of the China of the day.
The culture of China mixed with the craftiness of the traders as they vied for domination over the other. Who will become the leader, The Tai-Pan?
I’m a science researcher and writer living in London. My research field is astrobiology and the possibility of life on other planets – it brings together lots of different areas of science with engineering and space exploration and so is deeply ‘interdisciplinary’. And as a science writer, I try to bring this same broad perspective and unifying approach to other profound questions. My fascination with understanding our own origins was sparked by my childhood growing up in East Africa, the cradle of humanity. In Origins I explored different ways that planet Earth has influenced our human story across the millennia - it’s an example of ‘Big History’.
Guns. Germs and Steel is an absolutely thrilling ride through world history in pursuit of the deepest answers to the question: why was it that European powers came to dominate those of the Americas from the sixteenth century, and not vice versa. The book was awarded the Pulitzer Prize and is a cracking example of what has come to be known as ‘Big History’.
As an Indigenous person, I have a lived experience of the negative impacts of an erased history on all people. Students I teach are shocked to hear that Indigenous people have been in the Americas for over 60,000 years. The violence against archaeologists publishing on older than Clovis sites in the Americas is intense; that got me asking why? I sought the truth about the evidence for Pleistocene age archaeology sites in the Americas. Global human migrations attest to the fact that humans have been migrating great distances for over 2 million years. Reclaiming and rewriting Indigenous history is one path of many, leading to healing and reconciliation.
Many archaeological site reports from South America are published in non -English languages and are often hard to locate. Where the South Wind Blows is an English language collected edition with chapters authored by South American archaeologists. Chapters included numerous discussions of archaeological sites throughout South America that pre-date Clovis sites.
The early prehistory of South America is poorly known by the English speaking world. This edited volume, translated from Spanish, contains twenty-one short papers documenting some of the most important recently investigated early archaeological sites from South America. These papers report Paleoamerican complexes and excavations of sites older than eleven thousand radiocarbon years before present, as well as cover issues in geoarchaeology, geochronology, Pleistocene extinction, and paleoecology. Numerous graphics are used to Illustrate site locations, excavations, and artifacts.
As an archaeologist, anthropologist, and historian who has worked on both the East Coast (Flowerdew Hundred and Jamestown, Virginia) and West Coast (San Diego, California) of the U.S. and dug sites from the 17th, 18th, 19th, and 20th centuries, I am passionate about how archaeology can serve to offer new insights for marginalized peoples in American history. I specialize in exposing how narrow thinking, revisionism, and myth-making warp local histories and turn them into fabrications of the present.
This book weaves together two strikingly different stories about slavery that are separated by centuries and hundreds of miles. Ballard's powerful and riveting book not only demonstrates how exploitation in the Americas transcends time and space, it also offers evidence of good deeds by everyday people to combat such lingering evil.
In the 1800s American South, Harriet Jacobs is enslaved and tormented by a cruel master. He relentlessly attempts to force her into a sexual union, and, when rebuffed, he separates her from her children and spends a lifetime trying to coerce her and then recapture her when she escapes to freedom. Jacobs outwits her tormentor and eventually reunites with her children, works in the cause of abolition and reform, and helps newly freed slaves with education and aftercare.
In 2012, Timothy Ballard encounters a grieving father in Haiti whose three-year-old son has been kidnapped and sold into slavery, along with…
Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
This captivating, sensory novel features a Chinese man who is kidnapped and taken to work as a contract laborer in Peru’s guano, or bird dung, industry during the nineteenth century. With strong and memorable characters from the protagonist’s family in Southern China as well as the varied souls he meets on his journey, this story follows his attempts to return home to his family. It is an imaginative yet historically accurate story of perseverance and hope.
“ Held me captive right from the start.”—Alan Cheuse, NPR, All Things Considered
“Her clear voice and simple but elegant style easily turns this work into a real page-turner.”—Library Journal
“A vivid tale of a faraway time.”—Asian Week
“Beautifully combines the hardships and brutality of the kidnapping of a Chinese man, conditions on the slave ships, and the bitterness of backbreaking labor in a foreign land with the sadness and determination of a wife and family back home. . . . A story of emotional depth and truth.”—Lisa See, author of Snow Flower and the Secret Fan
