Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.
This beautiful nonfiction book is a chronicle of four seasons spent following the desert bighorn sheep who live throughout the Southwest.
Even if you’re thinking, “Hmm, I’m really not that interested in sheep,” this book transcends its subject, weaving together science, imaginative observation, and personal reflection. She probes deeper, contemplating how humans connect with the more wild creatures on the animal spectrum.
The late Ellen Meloy was a lyrical writer, and all of her books are worth a read, but I especially love this book. Here’s a quote to give you a taste of her writing: “Each time I look into the eye of an animal...I find myself staring into a mirror of my own imagination.”
Long believed to be disappearing and possibly even extinct, the Southwestern bighorn sheep of Utah’s canyonlands have made a surprising comeback. Naturalist Ellen Meloy tracks a band of these majestic creatures through backcountry hikes, downriver floats, and travels across the Southwest. Alone in the wilderness, Meloy chronicles her communion with the bighorns and laments the growing severance of man from nature, a severance that she feels has left us spiritually hungry. Wry, quirky and perceptive, Eating Stone is a brillant and wholly original tribute to the natural world.
In addition to being the author of lots of books, I am a wrangler of lots of pets. I live with a dog, two cats, a Belgian warmblood horse who I rode in dressage for many years, and his pasture pal who is a miniature horse. I’m known for writing books with animals in which the animal is a character, not a caricature. So many authors don’t seem to know animals deeply, and so just insert them in a scene like a placeholder. But every animal is an individual, and I try to reflect that in my work.
This is a stunning debut novel about a woman who is a master wildlife tracker out to help save the Mexican wolf from extinction. There’s a lot more to the plot than that, but her relationship to animals and to the natural world is deeply satisfying. She allows them to “people” each scene, not only the wolf but her ranch animals, and her respect for other species shines through. This is a far cry from my pet peeve, which is a book with a dog, but the dog is a cardboard cutout who just holds up the end of the leash and makes us think his owner is nice. This is the opposite of that stereotype.
A master wildlife tracker's life is thrown into upheaval when she is tapped to hunt not the animals of America's Southwestern terrain, but her own troubled brother.
Willa Robbins is a master tracker working to reintroduce the Mexican wolf, North America's most endangered mammal, to the American Southwest. But when Colorado police recruit her to find her own brother, Zeb, a confessed murderer, she knows skill alone will not sustain her. Willa is thrown back into the past, surfacing memories of a childhood full of intense love, desperate mistakes, and gentle remorse. Trekking through exquisite New Mexico and Colorado landscapes,…
I’ve been passionate about Edward Abbey since I read Desert Solitaire in 1994.By 2010, I decided to write a biography on Abbey,Finding Abbey: The Search for Edward Abbey and His Hidden Desert Grave, which allowed me to research and explore Abbey. I interviewed his great friends, including Jack Loeffler, Doug Peacock, Ken Sleight, and David Petersen. I visited Abbey’s special collections library and read his master’s thesis on anarchism and an unpublished novel. I visited his first home in Pennsylvania and many of his Desert Southwest homes. Along the way, I found the spirit of Abbey and the American Southwest.Finding Abbeywon the National Outdoor Book Award.
Abbey wrote twenty-one books. While others considered him a “nature writer,” he roiled at that idea.
Instead, he considered himself a novelist, and he spent his entire career trying to write “the great American novel.” Published in 1988, a year before his death, Abbey called The Fool’s Progress his “fat masterpiece.” And I agree.
This might be his most intimate and emotional book. To me, this book aches with heart. This semi-autobiographical novel is about Henry Holyoak Lightcap’s journey home from the Desert Southwest to die in West Virginia.
The book is filled with reflection on death, which was what Abbey was experiencing in his own life.
Henry Lightcap, a man facing a terminal illness, sets out on a trip across America accompanied only by his dog, Solstice, and discovers the beauty and majesty of the Southwest
I'm a fifth-generation Arizonan, a former staff writer for the Arizona Republic, and a lifelong student of the Grand Canyon State. One of my very favorite things to do is travel the backroads of this amazing state and talk with the astonishing people who live there. Along the way, I wrote eight nonfiction books, including Island on Fire, which won the 2020 National Book Critics Circle Award. My day job is at Chapman University, where I am an English professor.
“They came hungry,” begins the first chapter of this delightful look at the gastronomy of America’s desert quarter.
The whole dining table is here: huevos rancheros, tamales, chili, oranges, russet potatoes, rotgut whiskey, the chimichanga (which McNamee calls “a crispy torpedo of goodness”) and the Apache home-brewed beer called tiswin.
It’s one thing to enjoy Southwestern cooking. It’s another to understand its roots.
In this entertaining history, Gregory McNamee explores the many ethnic and cultural traditions that have contributed to the food of the Southwest. He traces the origins of the cuisine to the arrival of humans in the Americas, the work of the earliest farmers of Mesoamerica, and the most ancient trade networks joining peoples of the coast, plains, and mountains. From the ancient chile pepper and agave to the comparatively recent fare of sushi and Frito pie, this complex culinary journey involves many players over space and time. Born of scarcity, migration, and climate change, these foods are now fully at…
As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories.
The Sea of Grass is a short novel, standard in length for the time in which it was published (1936), close in time to other short classics such asThe Grapes of Wrath and The Postman Always Rings Twice. It is written in first person, and in some respects, it suggests the influence ofThe Great Gatsby, another short masterpiece some ten years earlier, with an observer narrator, an elegiac tone, an evocative prose style, and interesting figurative language. This novel, like many, draws upon the range war (nesters versus the cattle empire) for its premise, but it becomes a very interesting exploration of human nature and the inevitable passing of time.
Published in 1936, this novel presents in epic scope the conflicts in the settling of the American Southwest. Set in New Mexico in the late 19th century, The Sea of Grass concerns the often violent clashes between the pioneering ranchers, whose cattle range freely through the vast sea of grass, and the farmers, or "nesters," who build fences and turn the sod. Against this background is set the triangle of rancher Colonel Jim Brewton, his unstable Eastern wife Lutie, and the ambitious Brice Chamberlain. Richter casts the story in Homeric terms, with the children caught up in the conflicts of…
Michelle Lute is a conservation scientist and advocate with fifteen years’ experience in biodiversity conservation on public and private lands around the globe. She dedicates her professional life to promoting human-wildlife coexistence through effective public engagement, equitable participatory processes, and evidence-based decision-making. Michelle is the National Carnivore Conservation Manager for Project Coyote whose mission is to promote compassionate conservation and coexistence between people and wildlife through education, science and advocacy.
Rick Bass is an absolute American treasure and it’s difficult to choose between this book about Mexican gray wolf recovery or his equally enthralling book The Ninemile Wolves. The New Wolves covers a sometimes overlooked part of the story of wolf recovery in the US. More often than not, people think about Yellowstone and the return of gray wolves to Montana, Wyoming, and Idaho when they think about reintroduction efforts. The saga of Lobos in the Southwest is a poignant and important one to remember and Rick Bass’ skilled prose will stay with you too.
The award-winning writer documents changing wildlife patternsThis is the hopeful story of the resurgence of a long-hunted animal that nearly disappeared from the planet. The Mexican wolves were reintroduced to the Blue Mountains a few years ago, and Bass' celebration of their revival is writing at its best. Bass' newest release, The Lives of Rocks, is creating new readers for this classic from 2001."This is a ballad of a book, a hymn to the gloriously defiant power of survival."--Publishers Weekly"Enthralling and brilliant." - Jim HarrisonRick Bass lives in Yaak Valley, Montana.
I’ve been passionate about Edward Abbey since I read Desert Solitaire in 1994.By 2010, I decided to write a biography on Abbey,Finding Abbey: The Search for Edward Abbey and His Hidden Desert Grave, which allowed me to research and explore Abbey. I interviewed his great friends, including Jack Loeffler, Doug Peacock, Ken Sleight, and David Petersen. I visited Abbey’s special collections library and read his master’s thesis on anarchism and an unpublished novel. I visited his first home in Pennsylvania and many of his Desert Southwest homes. Along the way, I found the spirit of Abbey and the American Southwest.Finding Abbeywon the National Outdoor Book Award.
For decades, Jack Loeffler and Ed Abbey were best friends. Nearly fifteen years after Abbey’s death, Loeffler wrote about their friendship and their time exploring the Desert Southwest in this beautiful biographical memoir.
Loeffler takes us on some of the countless backpacking trips the two men went on while also revealing the many complexities of Abbey. This beautiful book lets us lean in and listen to Loeffler and Abbey talking about anarchism and environmentalism around so many campfires. I had the pleasure of interviewing Loeffler, and this book sounds so authentic to him.
It is smart, passionate, and kind, just like Loeffler is.
No writer has had a greater influence on the American West than Edward Abbey (1927-1989), author of twenty-one books of fiction and non-fiction. This long-awaited biographical memoir by one of Abbey's closest friends is a tribute to the anarchist who popularised environmental activism in his novel 'The Monkey Wrench Gang' and articulated the spirit of the arid West in Desert Solitaire and scores of other essays and articles. His 1956 novel 'The Brave Cowboy' launched his literary career, and by the 1970s he was recognised as an important, uniquely American voice. Abbey used his talents to protest against the mining…
Since my earliest memories, I have been fascinated with rocks, landscapes, and the movement of time. It was perhaps only fitting then, that I should have landed in the bottom of the Grand Canyon in the 1970s working as a backcountry ranger where I discovered GEOLOGY! Since then, my world view has been shaped by the record of earth history that is held in sedimentary rocks, mountain belts, and the colorful and varied landscapes of the Desert Southwest and Colorado Plateau. I am in love with these landscapes and know them well. This love affair causes me to visit other landscapes around the world and ponder their development.
I’ve been fortunate to have “stumbled” into a geologic writing career and if I had to put my finger on a single book that has the greatest effect on me choosing this path, it would be this little river guidebook. Maybe you will not run the San Juan River (but you should!). Nevertheless, the introductory chapters to the rocks and landscape of Monument Valley and the San Juan River will have you planning a trip there in no time. The chapter called “Permianland” was especially enlightening to me - I have read the first two paragraphs in it innumerable times. Great book!
Four Corners Geological Society Staple-bound Pamphlet 1973. 94 pp. Size 8" by 5" by about 0.25". Binding intact; no loose pages. Covers and pages clean and unmarked EXCEPT a red upside-down "PAID" stamp on front cover and an occasional dirt spot. All text pages are unmarked. Numerous B&W photos, charts, maps, and drawings. Articles by D.L. Baars and Jack A. Ellingsen (both of Ft. Lewis College, Durango) and Gary C. Huber (of Colorado School of Mines, Golden) discuss the geology and canyon structures of the river from around Aneth westward to about Big Bend. The last chapter is the "River…
Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.
I can’t stop going back to this book, which I have read in various translations under various titles. No book I know better documents the transformation of a human being. Abandoned, shipwrecked, and enslaved, Cabeza de Baca, a conquistador in the model of Cortez, begins a barefoot trek across the American Southwest as one kind of man and ends it as the opposite of the man who started out.
His memoir has the shape and structure of an adventure novel, and, truly, this narrative is where American literature begins. He leaves me in awe of his will to survive, his capacity for adaptation, and his compassion and love for the native world that he had come to the continent’s shores to subjugate.
This enthralling story of survival is the first major narrative of the exploration of North America by Europeans (1528-36). The author of "Castaways (Naufragios)", Alvar Nunez Cabeza de Vaca, was a fortune-seeking nobleman and the treasurer of an expedition to claim for Spain a vast area that includes today's Florida, Louisiana, and Texas. A shipwreck forced him and a handful of men to make the long westward journey on foot to meet up with Hernan Cortes. In order to survive, Cabeza de Vaca joined native people along the way, learning their languages and practices and serving them as a slave…
I retired in 2019 after 38 years of teaching journalism, environmental studies, and Native American Studies at the University of Nebraska at Omaha. About half of my employment time was set aside for writing and editing as part of several endowed professorships I held sequentially between 1990 and 2018. After 2000, climate change (global warming) became my lead focus because of the urgency of the issue and the fact that it affects everyone on Earth. As of 2023, I have written and published 56 books, with about one-third of them on global warming. I have had an intense interest in weather and climate all my life.
While several other books describe uranium’s effects on the Navajos and other Native American peoples from individual effects of exposure and death, Wastelanding is strongest in building a strong case that all of these individual efforts constitute a clear case that environmental racism, as well as colonization, and gender discrimination, combine with the United States’ hunger for uranium in a new atomic age to make victims of people who had lived in the areas for millennia while leaving the uranium in the ground, which is exactly where the people decided it should stay.
Wastelanding tells the history of the uranium industry on Navajo land in the U.S. Southwest, asking why certain landscapes and the peoples who inhabit them come to be targeted for disproportionate exposure to environmental harm. Uranium mines and mills on the Navajo Nation land have long supplied U.S. nuclear weapons and energy programs. By 1942, mines on the reservation were the main source of uranium for the top-secret Manhattan Project. Today, the Navajo Nation is home to more than a thousand abandoned uranium sites. Radiation-related diseases are endemic, claiming the health and lives of former miners and nonminers alike.
