I’ve always been fascinated by history and the sense of place. That has led to a career in Egyptology, but I’ve come to realise that that fascination has been a part of my other interests whether it be Arsenal Football Club, rock music, or cycle touring. I’ve had the opportunity to travel a lot in recent years. My horizons have broadened, and I’ve come to appreciate the natural environment and man’s place in it more and more. None of the books on my list were chosen because of this – I read them because I thought I would enjoy them, but there’s a common theme linking them all – places, people, interactions.
This book is about a historic house in rural Suffolk in the East of England, which the author inherited from the artist John Nash. Blythe has himself made a career of writing about various aspects of the local landscape and how it, and the ways in which people have made their lives in the English countryside, have changed. The yeoman’s house itself, ‘Bottengoms’, was built in the 16th century, adapted, fell into ruin, and was then restored, and continues to be maintained to this day. It incorporates a garden and is set into the archetypally English countryside of Suffolk. Blythe’s gentle prose conveys a sense of sadness at the old ways of the traditional agricultural economy that have been lost, but in maintaining his beautiful house and sharing its story he is helping to keep some aspect of those ways, and that landscape, alive.
What happens in an old farmhouse when the farmers have left? Perhaps only a poet-historian-storyteller can say. These traditional work centres were established centuries ago, sometimes in the village street, often far away in their own fields. But the pattern of the toil was the same. This quietly vanished a few years ago. Ronald Blythe describes the going of it in his celebrated Akenfield. Some years before this his friend John Nash had rescued an already abandoned farmhouse in the Stour Valley from total dereliction. It was called Bottengoms. Nobody knows why. John Nash called himself an Artist-Plantsman. Behind both…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This excellent introduction to the latest archaeological textile studies should convince you that this is the most exciting field for new interdisciplinary approaches to understanding the past. There are 23 essays discussing finds from 16 counties, each telling intelligent but accessible stories about social, chronological, and cultural aspects of ancient societies. Well illustrated and with lots of further reading listed, you’ll end up wanting more.
There is evidence that ever since early prehistory, textiles have always had more than simply a utilitarian function. Textiles express who we are - our gender, age, family affiliation, occupation, religion, ethnicity and social, political, economic and legal status. Besides expressing our identity, textiles protect us from the harsh conditions of the environment, whether as clothes or shelter. We use them at birth for swaddling, in illness as bandages and at death as shrouds. We use them to carry and contain people and things. We use them for subsistence to catch fish and animals and for transport as sails. In…
Disgraced British anthropologist Nigel Rowe hopes his YouTube adventure channel will be just the treat to redeem him, but vengeful treasure hunters have other plans! Seeking a legendary Jesuit mission in Baja, Nigel saves his producer’s life when the man takes a bullet meant for him.
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
The dates that Egyptologists use for most rulers are guesstimates, and there’s not one fixed dating scheme.
Just for instance, one reference volume gives 1334-1325 B.C. as the dates for King Tut’s reign. Another says 1332-1322 B.C. And yet a third another has 1336-1327 B.C.
How do you know which one to believe?
During the three decades I worked as a staff writer at National Geographic magazine, we relied on the king list that Baines and Malek published in this book.
I still consider it as the last word on dates for my own research. It’s also full of very helpful maps, diagrams, and descriptions of archaeological sites all over Egypt.
Filled with fascinating facts and stunning images, this single-volume reference to ancient Egypt introduces readers to this unique, sometimes startling culture.
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
If, like me, you love labyrinthian books that actually lead you somewhere, then Brazilian writer Fabio Fernandes’s short story collection,Love. An Archeology, is for you. Using meta with meta on top, these loosely related stories will take you on a wild ride with androgynous characters, mysterious places, and poetic situations. As you have probably figured it by now, I love to be challenged by books and this one is one of the most rewarding reads I have experienced. Highly recommended for lovers of high-brow speculative fiction who hate when genre is taken too seriously.
Fourteen stories, ranging from science fiction to weird, mixing future scenarios (on and off-Earth) and alternate realities, but in fact, they are essentially about one thing: love and its malcontents. A man who refuses to let death erase the memories of his loved ones; two time- travellers leaping through the aeons in a literal love-and-death relationship; a murderer in love with the ghost of his prey - and more.
What would you do for love? What lengths, in space and time, would you go to? These characters have done it all.
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
This book is not about learning to read hieroglyphs so much as about understanding the relationship between hieroglyphs and Egyptian art. As hieroglyphs are pictures, the same pictures can be used in an artwork, as opposed to a written text. The author takes 100 of the over 700 hieroglyphs used in Egyptian writing, and shows how they are used in Egyptian art. He dedicates 2 pages to each symbol, with a written description and illustrations.
This
new book is the best one-volume history of the Vikings and the Viking Age available. It sometimes reads like a thrilling novel, taking the reader deep into this
mysterious and often misunderstood world.
Price explodes many misconceptions
about the Viking Age and the people who lived in it while presenting fantastic
new information in the fields of archeology, history, and literature to give us
a clearer picture of the time.
It’s an absolute must-read for anyone interested
in Norse history, spirituality, and culture and was invaluable background
reading for my book.
'As brilliant a history of the Vikings as one could possibly hope to read' Tom Holland
The 'Viking Age' is traditionally held to begin in June 793 when Scandinavian raiders attacked the monastery of Lindisfarne in Northumbria, and to end in September 1066, when King Harald Hardrada of Norway died leading the charge against the English line at the Battle of Stamford Bridge. This book, the most wide-ranging and comprehensive assessment of the current state of our knowledge, takes a refreshingly different view. It shows that the Viking expansion began generations before the…
Miranda falls in love with her dream house but soon discovers it's an affair with complications. A lot of them. Rosewood is a centuries old, tumble-down, gambrel roofed charmer located in an isolated, coastal corner of Virginia referred to as "strange". Known for long-standing and antiquated customs, an almost indecipherable…
I study culture. Ever since I was little, I’ve been fascinated by what people think, feel, believe, have, and do. I’ve always wondered why people need things to be meaningful. Why do people need an explanation for why things happen that puts the meaning outside their own minds? I wanted to get beyond the need for things to be meaningful by themselves, so I began looking into meaning-making as a thing we do. Once I realized the process was infinitely more interesting and valuable, I read books like those on my list. I hope they spark you as much as they have me.
I love that Ingold uses the concept of design to explore how people make meaning and things meaningful. By bringing me through lenses such as architecture, archaeology, and art, he shows me that design is not a process of doing but of making.
When we design, we do so by constructing meaning and knowledge. The artifacts that come from my design thinking are secondary effects of the thinking and meaning-making. I love being brought into a larger point of view on the everyday activities of my own life.
Making creates knowledge, builds environments and transforms lives. Anthropology, archaeology, art and architecture are all ways of making, and all are dedicated to exploring the conditions and potentials of human life. In this exciting book, Tim Ingold ties the four disciplines together in a way that has never been attempted before. In a radical departure from conventional studies that treat art and architecture as compendia of objects for analysis, Ingold proposes an anthropology and archaeology not of but with art and architecture. He advocates a way of thinking through making in which sentient practitioners and active materials continually answer to,…
I’m a voracious reader and watcher of movies and TV shows—in other words, I’m in love with stories. But after a while, it becomes harder and harder to find a story I haven’t heard, seen, or read before, so I get so excited when I find something completely new to me or a quirky take on a familiar story. These are books I really treasure for their ability to take me by surprise.
I’m a big fan of vampires and werewolves in fiction, and I think the Fangborn series is one of the most original takes on the legends I’ve encountered. Vampires and werewolves are parts of the same family—as in a vampire sister and a werewolf brother in the first Fangborn story—and both types of supernatural creatures use their special abilities to fight evil. After debuting the series in the mystery story “The Night Things Changed,” Cameron went on to write three excellent Fangborn books, but I really enjoy the variety of the short stories, and I’m so pleased that she recently collected them into this volume.
The Fangborn are werewolves, vampires, and oracles dedicated to protecting humanity. Known as “Pandora’s Orphans,” the Fangborn Family is the hope that was left behind when evil was released into the world. Through the millennia, they’ve tracked and fought that evil in secret.
Since 2008, and the publication of “The Night Things Changed,” ten award-winning tales of the Fangborn have been published in best-selling anthologies and magazines. They are collected here for the first time, with an all-new adventure, never before published.
Nationally best-selling author Dana Cameron writes across many genres, but especially crime and speculative fiction. Her work, inspired…
This is the middle book of a series of novels by French archaeologist and historian Fred Vargas. Jean-Baptiste Adamsberg is a Parisien Chief of Police, although he comes from the Pyrenees. It is a crime novel, but so much more than that.
I would recommend reading this book first and then going back to the first in the series. I found Adamsberg instantly engaging, as is the whole weirdly original story. It might not be for everyone.
The crimes are bizarre (but never disturbingly explicit), and Vargas, who is female, creates a cast of eccentric and loveable characters who are never clichéd. This is a novel that feels foreign and yet wonderfully familiar. I literally couldn’t put it down.
`People will die,' says the panic-stricken woman outside police headquarters. She has been standing in blazing sunshine for more than an hour, and refuses to speak to anyone besides Commissaire Adamsberg. Her daughter has seen a vision: ghostly horsemen who target the most nefarious characters in Normandy. Since the middle ages there have been stories of murderers, rapists, those with serious crimes on their conscience, meeting a grizzly end following a visitation by the riders.
Soon after the young woman's vision a notoriously cruel man disappears, and the local police dismiss the matter as…
As an Indigenous person, I have a lived experience of the negative impacts of an erased history on all people. Students I teach are shocked to hear that Indigenous people have been in the Americas for over 60,000 years. The violence against archaeologists publishing on older than Clovis sites in the Americas is intense; that got me asking why? I sought the truth about the evidence for Pleistocene age archaeology sites in the Americas. Global human migrations attest to the fact that humans have been migrating great distances for over 2 million years. Reclaiming and rewriting Indigenous history is one path of many, leading to healing and reconciliation.
Many archaeological site reports from South America are published in non -English languages and are often hard to locate. Where the South Wind Blows is an English language collected edition with chapters authored by South American archaeologists. Chapters included numerous discussions of archaeological sites throughout South America that pre-date Clovis sites.
The early prehistory of South America is poorly known by the English speaking world. This edited volume, translated from Spanish, contains twenty-one short papers documenting some of the most important recently investigated early archaeological sites from South America. These papers report Paleoamerican complexes and excavations of sites older than eleven thousand radiocarbon years before present, as well as cover issues in geoarchaeology, geochronology, Pleistocene extinction, and paleoecology. Numerous graphics are used to Illustrate site locations, excavations, and artifacts.
