The most recommended archaeology books

Now these two main characters, both “villains,” are refreshingly human. When the evil archeologist in Raiders of the Lost Ark tells Indy that it would only take a small push to move him out of the light, this is the kind of thing he meant. For the woman in the story, being bad is an almost understandable way to cope with the particular situation she faces (that we’ve all faced). For the man, he’s been in the dark for a long time, but it doesn’t mean he doesn’t need love. A serial killer/black comedy/love story about a hired killer and an inspired killer. Is it a match made in Heaven, or Hell?

Published in the 1960s, Chariots of the Gods is a book forever! Mysteries do not limit to fiction works alone. There are stunning mysteries remaining shrouded in the limitless cosmos. What is there in the space? Are we the only intelligent beings in the universe? Thousands of years ago, how were the pyramids in Egypt and South America built, without the help of developed tools and technology? What do the magnificent cave drawings, and huge carved granite temples in India and elsewhere, tell us? A well-researched book Chariots of the Gods takes the readers on an exploratory trip to the fascinating cosmos and beyond. The possibilities are countless and life proves to be different from what we knew. The lucid narration could keep even ordinary readers glued to the book.

This book sums up so much of what went on in the Middle East from the Second World War onwards. As such, James Barr lifts the curtain on British plotting and intrigue in a most readable and thrilling way. It details how America got involved in the middle decades of the twentieth century and much of the rivalry that existed during this period between the secret services. Essential reading to understand some of the present-day political ramifications of the region.

I loved the young female Indiana Jones character in this book, and it’s a great read for adventure-seeking readers between eight and twelve whether they are boys or girls. The story is fast-paced and intriguing. I got caught up in this one and I’m not a middle-grade-age reader.

Many archaeological site reports from South America are published in non -English languages and are often hard to locate. Where the South Wind Blows is an English language collected edition with chapters authored by South American archaeologists. Chapters included numerous discussions of archaeological sites throughout South America that pre-date Clovis sites.

If we have gotten better at recycling waste in the last few decades, it is in part thanks to Bill Rathje's invention of garbology. His innovative application of archaeological excavation and analysis techniques on American landfills proved that an archaeology of contemporary life is not only possible, but can contribute to solving today's problems. Before Rathje, who knew of our disposable diaper problem, or the fact that 'compostable' waste lingers a long time in the urban dump, or that landfills ooze toxic sludge? While archaeologists of antiquity love to find a good midden full of old bones and potsherds, Rathje digs us and tells us, in an amusing and accessible fashion, shocking things about American consumer habits and the waste landscapes that our economy continues to create.

If any contemporary detective writer is the heir to Dorothy L. Sayers, it has to be Fred Vargas.

Trained as a historian and archaelogist, she writes well-plotted mysteries with complex, flawed characters. But most of all, her books are bristling with fascinating, arcane facts. In this novel, the inhabitants of a rural, mountainous region of France are being terrorized by what seems to be a huge wolf – or is it a werewolf?

The resolution is entertaining, but what I really loved was learning about everything from medieval legends to the contemporary politics of reintroducing wild wolves in Europe – not to mention sheep-farming, wildlife photography, and plumbing.

For anyone who loved Sayers’ deep dives on bell-ringing or the advertising business, Vargas is for you.

Adovasio & Pedler present evidence on pre-Clovis sites in both North and South America in a beautifully illustrated book. Presenting credible evidence for archaeological sites in the Americas dating to 19,00 years ago and possibly as early as 38,000 years ago. The discussion of each site is accompanied by photographs, maps, and diagrams. The authors discuss what they consider legitimate and illegitimate pre-Clovis archaeological sites in a book that is accessible to non-archaeologists.

Anyone who has watched the History Channel late into the night, or has listened to certain talk radio shows, understands the popular appeal of pseudo-archaeology. Whether it be talk of “ancient aliens,” a technologically-advanced Atlantis or nationalistic myths told for political motivation, pseudo-archaeology has been popular since the twentieth century and even before. Archaeologist Kenneth L. Feder tackles some of the misconceptions about history and archaeology that lead to pseudoscientific beliefs while painting a wondrous portrait of real-world archaeology. Feder not only dispels myths that might seem more fantastic or interesting than the facts, but he does so with an appreciation of past peoples and their accomplishments that is infectious. The reader emerges not only with an understanding of fact versus fiction vis a vis archaeology, but with an enduring interest in the science.

Peeling back the stratigraphic layers of archaeology’s history, self-described “weirdshitologist,” archaeologist Jeb Card, reveals the discipline’s very “spooky” foundations in this riveting book. These foundations included a belief in a mythic time that preceded our modern world which has left behind its spoor in the form of eerie and phantasmagorical archaeological sites imbued with evil spirits, elves, pixies, djinn, elementals, and other paranormal entities. Card discusses haunted landscapes, bloodthirsty Druids, cursed mummies, and Lovecraftian “Old Ones” in his romp through all that is weird, strange, and, indeed, spooky in archaeology. Finally, Card shows that archaeology as presented on cable TV, YouTube videos, blogs, and social media is still haunted by the specter of Victorian Age beliefs about humanity’s presumably spooky past.

Out of the feminist movement in American archaeology came this thick testament to the number and importance of women archaeologists and ethnographers who worked in the American Southwest before the U.S. Civil Rights Act made discrimination illegal. As a woman who had been ignored and even brutally put down by men archaeologists, reading of these hardworking, persistent, and some of them brilliant women thrilled me. Over and above the revelations of great researchers who often collaborated with First Nations people, the book is a treasure of stories about pioneer conditions in the Southwest, discoveries of famous ruins, and early anthropologists breaking through into native communities.  

One of the most important Southwestern sites isn’t in the USA’s “Southwest.” This is the site of Paquimé, in the Mexican state of Chihuahua. Paquimé (pronounced pah-key-may) was the capital city of a region that encompassed much of northeastern Chihuahua and portions of southern New Mexico, from 1250 to 1450. While Pueblo people to the north recovered from the traumas of Chaco by deliberately simplifying their societies, Paquimé rose in glittering glory with a massive city center (hence Paquimé’s other name, Casas Grandes) surrounded by Mesoamerican-style ball courts, (small) pyramids, a football-field-long effigy of a plumed serpent, and all the wealth in the world: for example, copper artifacts fancier and more plentiful than at many central Mexican sites, and 500+ colorful macaws – birds brought up from the tropical south and bred at Paquimé.

The list of the architectural and artifactual wonders goes on and on. Archaeologists were aware of… show more.

I love teaching from this book because I learn something new every time I pick it up. This robust volume includes chapters that cover how death was understood in a wide range of cultural contexts, from antiquity (e.g. “Ancient Identities: Age, Gender and Ethnicity in Ancient Greek Burials” or “The Place of Veneration in Earl South Asian Buddhism) to the contemporary (e.g. “Contested Burials: The Dead as Witnesses, Victims, and Tools” or “The Archaeology and Material Culture of Modern Military Death”). At over 800 pages, this book may seem overwhelming, but each chapter can be excerpted on its own. My favorite is “The Powerful Dead of the Inca” because it parallels the questions and paradigms I tackle in my own work on ancient Egypt dead, some 3000 years and 7,800 miles away. 

Egyptology is a strange subject in that, even though you wouldn’t know it from the name, it really only concerns one aspect of Egypt – its ancient past – and it’s quite possible to develop an expertise in the field without having any familiarity with Egypt of the present day. One might become an expert in reading the hieroglyphic script, or in distinguishing an Old Kingdom statue from one sculpted in the New Kingdom, all without ever even visiting Egypt itself. Although this is an unintended consequence, it does rather foster the false idea that ancient Egypt is entirely unconnected from modern Egypt. But while more than a thousand years have passed since anyone worshipped the ancient gods or wrote anything in the ancient script, the two are very much connected of course – the natural environment, the land, and the climate are essentially unchanged, the modern people are the… show more.

Every historical period needs a seminal work to set the scene and give a solid grounding in the era. Bryce's 'The Kingdom of the Hittites' does that and manages to entertain along the way, with stories of outlandish Hittite customs - such as spitting in a sheep's mouth to cure marital strife! - adding colour and character to the foundational principles of their ancient societal system.

This is the best up-to-date book for beginners learning to read ancient Egyptian hieroglyphs. Egyptian hieroglyphs are the most beautiful written language. They are not an alphabet. It is a complex system. The authors have it organized in sections that make it easier to understand the basics, and to read actual ancient texts on Egyptian artifacts. 

This book has everything in it across 37 chapters: technology, landscapes, material culture, identity, and empire. It is one of the few volumes in this series of Companions and Handbooks from various publishers that takes an explicitly archaeological focus. It includes developments in the city of Rome over time, but broadens out to include Italy and Rome’s empire. The book benefits from drawing on the research of 37 leading experts, who present in concise sections key findings based on archaeological research – often from archaeological projects that they have led in the field.

I remember reading this when it first came out and being unable to put it down. The Mayan decipherment is still ongoing, and Michael Coe wrote with the knowledge and expertise of someone on the front line of researchers. The decipherments of Hieroglyphic Egyptian and Linear B are usually told as ‘hero-narratives’, in which one individual’s genius was able to make the breakthrough. This book reminds us that all decipherments are made incrementally, and gives due space to the many different contributions made to a decipherment.

This is a lavishly illustrated work showing the major pieces of Roman art, an important component of their ideology and self image. It explains how the Romans built on the Greek tradition of art and architecture and created their own artistic world, much of which is still with us today.

In two volumes, this is quite simply one of the most beautiful books I own. Much more than an atlas of maps, it includes illustrations of archaeological evidence from across the city and is full of reconstruction drawings. It is a book to simply lose yourself in and spend time browsing through the pages that set out the city of Rome. The overlaying of the ancient buildings from Rome onto the modern street grid, also allows for the reader to see how those ancient buildings, such as the Theatre of Pompey, continue to shape the streetscape of the city of Rome.