I am a children’s author and have written over 100 picture book texts for young children, including the best-selling Aliens Love Underpants series. I also enjoy making beautiful things for my home and garden, and for friends and family. Whilst writing is hard work, this other creative side is pure relaxation and ‘switch off’ time. But any projects have to be easily achievable within snatched moments in a busy work life. So here are my top crafting books for people who love creating things but, like me, don’t have much time...
Twenty five quick and easy sewing makes for using up fat quarters or leftover remnants of fabric. Lots of cute ideas to pretty up your home, or great little stocking fillers for Christmas. There is a series of these books if you get hooked!
Fat Quarter: Quick Makes is part of a fantastic new series of stash-busting sewing books aimed at beginner to intermediate crafters. There are 25 super-quick and easy projects to make, all from fat quarters to fabric scraps. Each project has easy-to-follow step-by-step instructions and beautiful accompanying photography, as well as a useful tools and techniques section. This book is ideal for using up leftover remnants of fabric from your stash to create a range of decorative and useful items in a flash. Projects include: book bag, baby dress, eye mask, bunting, festival flag, owl brooch passport cover, makeup bag.
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
Small things have large stories to tell. Here the topic is a particular type of pocket: generously-sized containers tied on, usually hidden from sight beneath a skirt. Brought to life through surviving examples and depictions of their use, the passages from novels, diaries, court proceedings, and more are especially revealing (in every sense). Is the pocket the necessary accessory of the neat housewife, or an aid to duplicity and secret immorality? This thorough and attractive study has the answer.
"A riveting book . . . few stones are left unturned."-Roberta Smith's "Top Art Books of 2019," The New York Times
This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women's everyday lives-from duchesses and country gentry to prostitutes and washerwomen-and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women's stories into intimate focus.
"What particularly interests Burman and Fennetaux is the way in which…
I am an English major turned magazine editor turned book author, with a longtime love of outbuildings. Sheds, carriage houses, studios, barns… I love them all. When I had the chance to do a book about she sheds I was thrilled. Now with two books about she sheds on the market, I’m busy running She Shed Living with my business partner. We design sheds for women throughout Southern California, sell our own line of exterior chalk-based paint, and offer resources and advice to women who want a room of their own.
This book should be considered the bible of women’s artistic expression. Built on the idea of physical spaces and how they nurture the creative endeavor a woman does there, Where Women Create introduces you to dozens of extraordinary artists, textile designers, mixed media artists, book producers, entrepreneurs, and product designers. You get lost in their stories and inspired by their ingenious outlook on organization, clutter, and ways to keep the artistic spark alive.
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This story is about how a garment called a gabi is made in Ethiopia, from the planting of cotton seeds to the weaving, trimming, and wearing during festive occasions. It shows the significance of carrying on a traditional craft through lyrical text and colorful illustrations.
I love the idea that children can see how clothing and other items around the world are not necessarily made in factories. In this case, the creation of a traditional piece of clothing involves many artisans of all ages working by hand. (Illustrated vocabulary is included.)
From seed to harvest, from loom to shop, to a gift for Girma, this lyrical story of the Ethiopian Gabi is a beautiful celebration of weaving, community and culture.
Written in the cadence of The House That Jack Built, this vibrant and lushly illustrated tale pays tribute to the Gabi- a traditional Ethiopian cloth that is used to celebrate both community and culture. From the tiny seed to the fluffy white cotton, from the steady hands of the farmer to the swift fingers of the weaver, from the busy shopkeeper, to a gift for a loved one, follow the journey…
Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
I am immediately drawn to this magnificent book for the many textile designs it contains and then, a new discovery for me, the vitality of the label imagery.The labels are sensual and sensational, devotional and secular.Most were created by British artists inspired by earlier Indian paintings and engravings just as so many textile designs are descendants of earlier patterns.
I learned how the stories told by these labels provide a rich view into an important period of British textile history and trade as well as Indian culture – from the heavenly realm of the Hindu Gods to the earthly palaces of Maharajas – from the mill workers of Lancashire to the khadi-clad followers of Mahatma Gandhi.
This book will be released in February/March 2023, but advance orders are being taken.Just take a peek and brace yourself for a wild, wonderful trip.Over 1000 period labels illustrate the…
At one time Great Britain clothed the world. In the 1880s, when the British textile industry was at its height, 85 percent of the world's population wore clothing made from fabric produced in the mills of Lancashire. From 1910 to 1913 alone, seven billion yards of cloth were folded, stamped, labeled, and baled. Most of this output was for export, and 30 percent of it went to India.
British textile manufacturers selling into the competitive Indian market were dealing with a largely illiterate population. In order to differentiate their goods, they stamped their cloth with distinctive images-a crouching tiger or…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!
Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
I'm an internationally recognised opinion leader in sustainable fashion. My career started as a designer with the pioneering upcycling label From Somewhere, which I launched in 1997. My label’s designer collaborations include collections for Jigsaw, Speedo, and 4 best-selling capsule collections for Topshop. In 2006, I co-founded the British Fashion Council Initiative Estethica at London Fashion Week, which I curated until 2014. In 2013 I co-founded Fashion Revolution, a global campaign with participation in over 90 countries. I'm a regular keynote speaker and mentor, and Associate Visiting Professor at Middlesex University. My first book Loved Clothes Last is published by Penguin Life, Corbaccio Editore in Italy and in France by Edition Marabou.
A very detailed and beautifully written history of the textile industry throughout time, this book really underlines how our industriousness has turned into a multibillion-dollar industry, disregarding many of the principles and values it stems from.
As a go-to a history of the textile industry, you can’t read much better than this, an unbroken thread of useful knowledge for whoever thinks fashion is frivolous.
From colorful 30,000-year-old threads found on the floor of a Georgian cave to the Indian calicoes that sparked the Industrial Revolution, The Golden Thread weaves an illuminating story of human ingenuity. Design journalist Kassia St. Clair guides us through the technological advancements and cultural customs that would redefi ne human civilization-from the fabric that allowed mankind to achieve extraordinary things (traverse the oceans and shatter athletic records) and survive in unlikely places (outer space and the South Pole). She peoples her story with a motley cast of characters, including Xiling, the ancient Chinese empress credited with inventing silk, to Richard…
Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
Among my favorite textiles from anywhere, anytime are the Central Asian woven ikats used to make men’s robes and the superb Suzani embroideries made for young girls' dowries. Both of these exotic forms have inspired and been emulated by countless Western designers from Oscar de la Renta to ABC Carpet and Home. Many fine examples are generously illustrated in this extraordinary, beautiful and meticulous book.
Silk and Cotton combines powerful visuals of pattern and form with the history, use, and cultural significance of a wide sampling of Central Asian textiles. The archival photographs of the region by Max Penson add great depth and connect the objects to the peoples for whom they were, and in many cases still are, part of their daily lives.
The traditional textiles of Central Asia are unknown treasures. Straddling the legendary Silk Road, this vast region stretches from Russia in the west to China in the east. Whether nomadic or sedentary, its peoples created textiles for every aspect of their way of life, from ceremonial objects marking rites of passage, to everyday garments, to practical items for the home. There were suzanis for the marriage bed; prayer mats; patchwork quilts; bridal ensembles; bags for tea, scissors, and mirrors; lovingly embroidered hats and bibs; and robes of every color and pattern.Author Susan Meller has spent years assembling the 590 textiles…
As a mixed media artist, I use color every day. Color is my language and my Secret Decoder Ring. It allows me to create moods, tell stories, illuminate a message (or a mystery), and express/expound/explore. What’s my favorite color?–All of them! My approach is “more is more,” and I use color in abundance. Nothing is as lavish as a canvas or journal page slathered in bold colors, and nothing makes me happier than a color-soaked room full of vibrant textiles and collections. And books! Color rules.
This impressive volume brings together two of my favorite topics: art journals and color. A unique idea sparked a round-robin collaboration between fifteen noted mixed-media artists: Each artist was invited to select a color and create a beginning for an art journal.
The volumes traveled throughout the United States for over a year and were worked on by all the participants. Eventually, each journal returned home, absolutely bursting with creativity. The inclusions ran the gamut of custom musical CDs, found objects, poetry, fold-outs, quilted textiles and embroidery, and more.
The lavish photography on each page makes this book a feast for the eyes, and the emotional stories from the artists provide insights into the healing nature of art journaling. From pure white to mysterious black (and every color in between), the true colors in this book lifted my spirits.
Somerset Studio Presents True Colors: A Palette of Collaborative Art Journals Reflective. Explosive. Playful. Heart Felt. Monochromatic. Riotous. No rules. No boundaries. No wonder the 16 extraordinary color journals black, white and all the colors in between burst out of their covers and into our imaginations.
Fifteen amazing artists wanted to see what they could do with a single color scheme. Each artist contributed a journal cover in her chosen palette and a page in each journal. The finished works are filled with page after page of techniques and mediums, including stamping, painting, sketching, fabric art, metalwork, transfers and layered…
As a mixed media artist, I use color every day. Color is my language and my Secret Decoder Ring. It allows me to create moods, tell stories, illuminate a message (or a mystery), and express/expound/explore. What’s my favorite color?–All of them! My approach is “more is more,” and I use color in abundance. Nothing is as lavish as a canvas or journal page slathered in bold colors, and nothing makes me happier than a color-soaked room full of vibrant textiles and collections. And books! Color rules.
Sometimes, restraint can be a good thing. As much as I normally advocate using the whole paint palette, I was enthralled by the story of a lone color: indigo.
Deceptively modest, this color is celebrated worldwide and has influenced designers, crafts people, artists, and more. From secret dye recipes to historic batik prints to skirts of one hundred pleats to distressed Japanese “boro,”–Indigo endures. Visuals abound in this encyclopedic and fascinating volume.
Gloriously pieced together, much like the fine garments it portrays, this colourful volume takes the reader on an international tour of indigo-coloured textiles, presenting a huge swathe of remarkable clothing, people and fabric. Catherine Legrand, who has spent over twenty years travelling and researching the subject, has a deep knowledge of the ancient techniques, patterns and clothing traditions that characterize ethnic textile design, knowledge that she deploys to great effect in seven chapters exploring the production of Indigo textiles throughout America, China, India, Africa, Central Asia, Japan and Laos/Vietnam, and the men and women behind them. This profusely illustrated photographic…
