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As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
Czesław Miłosz was awarded the Nobel Prize for Literature in 1980. But that isn’t the reason to seek out this book. In fact, the book contains none of his poems; it’s an anthology of poems he selected from across the ages and across the globe. The poems are idiosyncratic to Miłosz’s taste—and he has excellent taste, offering us brief personal header notes to guide our reading. Most of the poems are less than half a page long, none more than a page and a half—and some just a handful of lines. These are delicate, thoughtful poems that never become syrupy or stringent. Even after decades of reading poems, I’ve returned again and again to this book when I want to remind myself of why I turned to poetry in the first place.
Selected by Nobel Laureate Czeslaw Milosz, an inspiring collection of 300 poems from writers around the world.
Czeslaw Milosz's A Book of Luminous Things—his personal selection of poems from the past and present—is a testament to the stunning varieties of human experience, offered up so that we may see the myriad ways that experience can be shared in words and images. Milosz provides a preface to each of these poems, divided into thematic (and often beguiling) sections, such as “Travel,” “History,” and “The Secret of a Thing,” that make the reading as instructional as it is inspirational and remind us…
As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
Frank O’Hara is most talked about as a “city poet” who, on his time off from working at an art museum, walked around Manhattan writing about what he felt and saw. A poet of “I do this, I do that,” O’Hara is lauded for his finding the beautiful in the quotidian. But that’s the lesser half of the story. O’Hara’s greatest feat is writing tender, quirky and deeply satisfying love poems. If you are not enviably moved by his poem “Having a Coke with You,” there’s little reason to continue reading poems at all.
Available for the first time in paperback, The Collected Poems of Frank O'Hara reflects the poet's growth as an artist from the earliest dazzling, experimental verses that he began writing in the late 1940s to the years before his accidental death at forty, when his poems became increasingly individual and reflective.
As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
“Pillow talk of the highest order” ends one review this book. Out of context that would seem to indicate this is a book about romance. There is romance, I suppose, but it is for the English language itself. Open the book at any point and you are likely to be knocked over by the sheer sounds and textures of words bumping into each other—literally and metaphorically. The greatest trick Mullen performs—and there are innumerable tricks here, including anagrams, puns, parodies, borrowed forms—is that she makes poems that are fun to read aloud but also serious in their fun.
Harryette Mullen's fifth poetry collection, "Sleeping with the Dictionary", is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, "Roget's Thesaurus" and "The American Heritage Dictionary". In her menage a trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the…
As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
Pablo Neruda is the Chilean poet everyone knows. But Nicanor Parra is the Chilean poet everyone ought to know. If you enjoy sending up poetry’s preciousness, Parra is your poet. From daily living to romantic love and from political upheaval to climate disaster, Parra parses irreverence and satire in ways that make his sentiments cut much deeper than other poets’ straight-forward sincerity. “Butterfly:” he writes, “you have to pull off its wings / to see how it flies.”
"Real seriousness," Nicanor Parra, the antipoet of Chile, has said, rests in "the comic." And read in that light, this newest collection of his work is very serious indeed. It is an abundant offering of his signature mocking humor, subverting received conventions and pretensions in both poetry and everyday life, public and private, ingeniously and wittily rendered into English in an antitranslation (the word is Parra's) by Liz Werner. Of the fifty-eight pieces in Antipoems, the first twenty-three are taken from Parra's 1985 collection, Hojas de Parra ("Vine Leaves" or "Leaves of Parra"), two others appeared in his Paginas en…
I grew up in rural Missouri, where my best friends were horses, dogs, cats, ducks, and an occasional squirrel or injured bird. I developed rhyming and rhythm at an early age, and I got my first newspaper byline with a rhyming opinion piece. When I grew up, I became a writer. Then, when I had kids, I discovered the joy of writing children’s books, starting with rhyming board books and animals. To date, I’ve had over 500 books published, with at least one rhyming book annually for the past 40 years. The joy comes from writing my heart—my love for animals, rhyme, children, and God (not in that order).
Denise Fleming has a wonderful way with words—unexpected rhymes, internal rhymes, repetition. I love animals, and beetles will do, especially these beetles—striped, spotted, all-over dotted. These beetles are super interesting, too. They creep and crawl, hide in cracks, and even crash. They are noisy, gnawing beetles, and you will love them. I’m no fan of bugs, but I love these guys. They bop and bring joy...especially if they stay inside of the pages of this book.
They crawl up walls, they hide in cracks, they flip, they fly, and sometimes...Crrrash. Beetles some in all shapes and sizes, and they are everywhere in this thoroughly buggy, beautifully designed book. There are striped beetles, spotted beetles, all-over-dotted beetles - and don't forget the noisily gnawing beetles! Whether you love bugs or whether the sight of them makes you itch, you will adore this infested offering from the beloved Denise Fleming.
I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!
A middle-grade novel about an artistic beetle? Sign me up. This delightful story of a talented beetle named Marvin, his human friend James, who work together to help the Metropolitan Museum of Art recover a stolen artwork is delightful, thrilling, and heartwarming. It’s not always easy to have (or not have) artistic talent!
A New York Times bestselling middle grade mystery novel full of adventure, friendship, and stolen art.
Marvin lives with his family under the kitchen sink in the Pompadays' apartment. He is very much a beetle. James Pompaday lives with his family in New York City. He is very much an eleven-year-old boy. After James gets a pen-and-ink set for his birthday, Marvin surprises him by creating an elaborate miniature drawing. James gets all the credit for the picture and before these unlikely friends know it they are caught up in a staged art heist at the Metropolitan Museum of Art…
I am a chocolate loving writer, goat yoga enthusiast, and author of several successful children’s books specializing in early learning, along with an award-winning line of gratitude coloring journals. I hope to inspire a love of reading through education and laughter. My latest book, Gomer the Gassy Goat has sold over 21,000 units since 2021, and was recently referenced in The New York Times about the importance of using humor in books for kids to inspire a love of reading. “Not every book has to reach a lesson. Sometimes it can just be fun.” - Mr. Price
Who doesn’t love a book about poop... Steve the Dung Beetle rolls this ball of dung past all the animals on the Savanah and along the way he teaches them why the dung beetle is so important to the environment. The illustrations are just fabulous and zookeepers write about the more endangered animals mentioned in the book. But I think the biggest plus are the poop jokes on the back of the book. Guaranteed laughs...
I've been passionate about Fantasy ever since I found a used copy of the Dragonlance Chronicles in a second-hand book store in India. I was 10 years old and immediately fell in love with the idea of fantasy worlds with magic and dragons. Soon after I read Terry Brooks, Neil Gaiman, Piers Anthony, RA Salvatore, Edgar Burroughs, and a host of other writers from the 1980s. What I like about the books I've chosen is that these characters are memorable. They are stories that can be re-read because the plot doesn't feel like rehashed tropes. The uniqueness of the settings, the challenges they face, and the solutions they engineer are what make them worth reading.
Ten glorious books about deceitful spiders, brave dragonflies, and steadfast beetles. In a world where people possess the traits of different insects, the wasps are expanding their empire. One lone beetle decides to challenge them. Shadows of the Apt turns traditional fantasy on its head by bringing together a whole new set of protagonists - Mantis who are skilled swordsmen beyond compare, Spiders who can craft deceitful webs of intrigue, Ants who can operate within a hive mind, and the like. The storytelling is unique for never before have there been characters like this, on a scale as massive as the insect kingdom.
Empire in Black and Gold is the first instalment in the critically-acclaimed fantasy series Shadows of the Apt by Adrian Tchaikovsky.
The days of peace are over . . .
The Lowlands' city states have lived in peace for decades, hailed as bastions of civilization. Yet that peace is about to end. A distant empire has been conquering neighbours with highly trained soldiers and sophisticated combat techniques. And the city states are its desirable new prize.
Only the ageing Stenwold Maker - spymaster, artificer and statesman - foresees the threat, as the empires' armies march ever closer. So it falls…
Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.
This story is full of drama and laughs. I loved the detail in the artwork and the wit–the four beetles that patrol the garden are called . . . Ringo, John, Paul and George!
I had never really thought how much every tiny seed growing in our garden or in the park has to face before it grows up! There are worries and dangers around every corner, but, like a child, if that seed is nurtured and protected by friends and family, it can grow tall, bloom, and reach for the sky whilst grounded by strong roots we cannot see. Bud is a tale that brings tears to my eyes.
I live in Nairobi, and my first book, Warrior Boy, is set here in Kenya. I live in a house that used to be an animal foster home. The previous owner left, but some of the non-human residents remained, including a gazelle, 25 tortoises, six cats, two dogs, a monkey, a snake, some fish, guinea pigs, and chickens. They all have such diverse personalities, and my children and I will often amuse each other by performing whole scenes involving the various animals and their voices. I could not help but write my next book, Forever Home, from their perspective. I hope you enjoy my book recommendations, all of which have helped me write my book.
Technically, Beetle Boy is not told from an animal’s POV (or even a beetle’s POV for that matter), but an important part of the main human character’s journey is that he learns how to understand what the beetles are saying. Young people have a special ability to communicate with animals, and because you are reading this, it is highly likely you are one of those. So, please enjoy this super fun, heartwarming tale, and be encouraged that if you think you understand animals—you probably do. Conversely, if you think I am ridiculous, then I suggest you learn how to listen to animals and minibeasts as soon as possible. You don’t want to become one of those adults Roald Dhal calls “stodgy” now do you?
In this “hugely entertaining adventure with . . . characters worthy of Roald Dahl,” a boy searches for his father with help from an extraordinary beetle (The Guardian).
Darkus Cuttle can’t believe his eyes when a huge insect drops off the pants leg of his horrible new neighbor. It’s a giant beetle—and it seems to want to communicate with him. But how can a boy be friends with a beetle? And what does a beetle have to do with the disappearance of his dad and the arrival of the terrifying Lucretia Cutter, with her taste for creepy fashion?
