Fans pick 100 books like Antipoems

Czesław Miłosz was awarded the Nobel Prize for Literature in 1980. But that isn’t the reason to seek out this book. In fact, the book contains none of his poems; it’s an anthology of poems he selected from across the ages and across the globe. The poems are idiosyncratic to Miłosz’s taste—and he has excellent taste, offering us brief personal header notes to guide our reading. Most of the poems are less than half a page long, none more than a page and a half—and some just a handful of lines. These are delicate, thoughtful poems that never become syrupy or stringent. Even after decades of reading poems, I’ve returned again and again to this book when I want to remind myself of why I turned to poetry in the first place.

Frank O’Hara is most talked about as a “city poet” who, on his time off from working at an art museum, walked around Manhattan writing about what he felt and saw. A poet of “I do this, I do that,” O’Hara is lauded for his finding the beautiful in the quotidian. But that’s the lesser half of the story. O’Hara’s greatest feat is writing tender, quirky and deeply satisfying love poems. If you are not enviably moved by his poem “Having a Coke with You,” there’s little reason to continue reading poems at all.

“Pillow talk of the highest order” ends one review this book. Out of context that would seem to indicate this is a book about romance. There is romance, I suppose, but it is for the English language itself. Open the book at any point and you are likely to be knocked over by the sheer sounds and textures of words bumping into each other—literally and metaphorically. The greatest trick Mullen performs—and there are innumerable tricks here, including anagrams, puns, parodies, borrowed forms—is that she makes poems that are fun to read aloud but also serious in their fun.

This book will challenge your notion of what a poem is or can be. Let it. Subtitled “Diagram poems,” these works mix both word and illustration to get at their playful effects. The illustrations come from “found” or ephemeral sources, e.g., a manual on textiles, or a guide to common beetles of North America, or a grammar on computer languages, or the layouts of American playgrounds. The interplay in the poems creates a wonderful uncanniness. The friction, say, caused when you read “You are special” next to a few numbered puzzle pieces in Figure A. and “Everyone is special” next to a completed puzzle in Figure B, and yet when you try to superimpose the one on the other, you realize that some of the pieces have had to adjust themselves to fit the whole. The sudden epiphany is: How special is anyone? And yet answering that question… show more.

Monica Brown’s picture book biography of Pablo Neruda is a wonderfully written account of his life and the creation of his beautiful writing and poems that sing, even under the weight of tremendous struggles. The lyrical text soars on the page while Julie Paschkis’ colorful illustrations capture the heart and soul of the poet of the people. This is a must-read!

Reading Graves’ biography, I get the sense of not just his wry humour but of his enduring pain. When he covers his First World War service, his jokes are cracked out of exasperation at the orders he receives that led to a succession of “bloody balls-ups,” and retold through a wince.

Graves’ biography has been described as “a version of events that told the poetic truth about his experiences…rather than being primarily fact-driven.” I believe all biographies are a form of fiction as our own memories are more often a product of our imagination than photographic recall.

Graves’ poetic retelling allows a more universal resonance beyond the trenches of the Somme than if he just stuck to the facts of that time and place, and resonated more for me because of this. 

Masefield, before his 50-year tenure as Britain’s Poet Laureate, spent the war writing dispatches from the front. This slim book from l917 is his honest, soberly graphic description of what the Somme battlefield looked like after the fighting moved on—an approach that conveys war’s horrors without any moralizing or exaggeration.

I’m also a playwright, so I really admire a full story told in propulsive first-person monologue. This novella is a confession of Father Urrutia from his deathbed, beginning with the line “I am dying now, but I still have many things to say.” As he speaks, the priest untangles the twisted, uncomfortable agreements between artists and institutions in Chile under Pinochet. I often recommend this book for people who have not yet read Bolaño and might feel intimated by the length of his major works. 

Set during World War I and inspired by letters of the author’s grandparents, this delightful novel is filled with a fetching cast of characters and borne along by the author’s entertaining sense of humor. The narration reminds us that many folks were suspicious of people with German ancestry during the war, even though they were American citizens and even using the common term “gesundheit,” and that children of German immigrants were drafted to fight against their parents’ former countrymen.

Young Iowa men were trained into soldiering, where there were still rivalries—some about girls back home, some about German sympathies—and sent across to fight the Kaiser’s troops in France. Some didn’t return home, some came back with broken bodies. There is a compelling scene with wounded veterans in a local hospital, at least one scarred on the inside and fighting his own private battle.

This winsome story also carries themes of… show more.

This is Taylor’s debut novel and like my book, the time slip element takes us back to World War 1 in 1916. Louisa is admitted to Coldbrook Hall Psychiatric hospital after an accident in which she is believed to have tried to commit suicide. Whilst there she slips back to her days at a hospital treating wounded soldiers and falls in love with Robert Lovett. Not only must she find a way to remain with him, but she must find him when he is taken prisoner on the Western Front. The detailed descriptions of life in the trenches really brought the horrors of WW1 to life. Taylor has researched this area thoroughly and her vivid writing style allows the reader to experience the cold, muddy, and rat-infested conditions for themselves. 

The author’s observations on everyday life during the war add interest and are sometimes surprising, for instance, the fact that… show more.