100 books like The Old Front Line

H. G. Wells coined the wildly optimistic phrase “A war to end wars” in l914, but four bitter years later he would sadly admit “This war is the worst thing that’s ever happened to mankind.” His autobiographical novel traces the emotional and intellectual arc of this journey from idealism to disillusionment; a bestseller in l916, it still packs a punch, the testament of a compassionate, highly-civilized man powerless to stop the world’s agony.

The good news? After a long career as an editor in Boston, Ms. Aldrich retired to her beloved France in June l914. The bad news? The cottage she bought was only a few miles behind the front lines once the war started later that summer. This is her eyewitness account of what the Great War does to her adopted village, and memorably combines two literary genres that would seem to be incompatible: a book of simple rural pleasures with a book on war.

Film historians regard the movie version as one of Stanley Kubrick’s most powerful achievements, thanks in no small measure to Kirk Douglas, who, in the role of a French colonel desperate to preserve the life of his men in a suicidal attack, gives a performance for the ages. The l935 novel the film is based on stands on its own as one of the great anti-war books that followed in World War One’s wake.

How’s this for a challenge? Write a humorous book during World War One that can still make readers laugh 100 years later. That’s exactly what Lardner does here, when he turns his famous character Jack Keefe, the semi-literate, big-talking baseball pitcher into a soldier and sends him boasting and bragging to “Nobody’s Land,” where he hilariously ducks every dangerous situation he’s put in.

The Battle of the Somme 1916 was the longest and bloodiest battle ever fought by the British Army. In popular imagination, the battle tends to focus on its first day – 1st July 1916 – when British forces suffered almost 60,000 casualties. Yet the battle was much more than this single, dreadful day and the fighting would rage for another 140 days. What happened? This meticulously researched book tells the full story of the Somme campaign and shows how it was planned and fought. It is immense in scope, taking the reader from the corridors of high politics to the smoldering shell holes of no-man’s land. Ultimately, it reaches provocative conclusions that may change your thinking about the battle.

Reading Graves’ biography, I get the sense of not just his wry humour but of his enduring pain. When he covers his First World War service, his jokes are cracked out of exasperation at the orders he receives that led to a succession of “bloody balls-ups,” and retold through a wince.

Graves’ biography has been described as “a version of events that told the poetic truth about his experiences…rather than being primarily fact-driven.” I believe all biographies are a form of fiction as our own memories are more often a product of our imagination than photographic recall.

Graves’ poetic retelling allows a more universal resonance beyond the trenches of the Somme than if he just stuck to the facts of that time and place, and resonated more for me because of this. 

Lyn Macdonald is my go-to historian for WW1, and I only pick out this volume – she has written one for each year of the war – because if you want a thorough, detailed account of the war you will want to start at the beginning. She is a fine writer, and very readable, and her books are full of extracts from letters and diaries of the men at the front, and their families back home, which give you the genuine, authentic flavour of how people thought and spoke at the time, and allows you to feel you were really there.

This is the one First World War novel in which the characters actually talk like soldiers – i.e., they swear. It therefore provides a powerful counterpunch to our usual notion of what the trenches sounded like.

The scalding language survived intact due to the book’s complicated publication history. Initial release in an anonymous volume available only for subscribers meant that Manning, an Australian who had served on the Somme, could sidestep the mores of his time.

The result was lines like this: "“Fuckin' slave drivers, that's what they are!” said Minton, flinging himself on the ground.  “What's the cunt want to come down ‘ere buggerin’ us about for, ‘aven't we done enough bloody work in th’ week?”” A bowdlerised version – “Her Privates We” – later followed, but the unexpurgated original is the one to read.

Ernest Hemingway, Ezra Pound, T.S. Eliot, and T.E. Lawrence all praised Manning’s work.

This is my most personal choice. The architectural historian and critic Gavin Stamp, who died in 2017, was my husband. This was one of his best and most deeply felt books. It tells the story of the memorial arch at Thiepval in Belgium designed by Edwin Lutyens, which bears the names of 73,000 men whose bodies were never found after the catastrophic Battle of the Somme in July 1916. It shows how architecture can bestow dignity on loss, how it can both embody grief and to some extent relieve it. Gavin’s book looks beyond the monument itself to meditate on the greater tragedy of the First World War. 

Parade’s End has been described by Mary Gordon as “the best fictional treatment of war in the history of the novel.” 

What made me truly connect with the story is its protagonist, Christopher Tietjens, who serves in the British Army during the “Great War.”

A member of a prominent, landowning family, Tietjens is driven by a strong sense of duty and commitment to marriage and country—whatever the cost to himself. Although he is in love with Valentine, he remains married to his promiscuous wife, Sylvia, and accepts as his son a child who may not be his.

But Tietjens’ experiences in the trenches on the Western Front eventually teach him that truth and happiness are more important than societal duties.