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Novelist, essayist, and short-story writer W. D. Wetherell is the author of over two dozen books. A visit to the World War One battlefields in Flanders led to his lasting interest in the human tragedies of l914-18, inspiring his novel A Century of November, and his critical study Where Wars Go to Die; The Forgotten Literature of World War One.
H. G. Wells coined the wildly optimistic phrase “A war to end wars” in l914, but four bitter years later he would sadly admit “This war is the worst thing that’s ever happened to mankind.” His autobiographical novel traces the emotional and intellectual arc of this journey from idealism to disillusionment; a bestseller in l916, it still packs a punch, the testament of a compassionate, highly-civilized man powerless to stop the world’s agony.
Herbert George Wells was born on September 21st, 1866 at Atlas House, 46 High Street, Bromley, Kent. He was the youngest of four siblings and his family affectionately knew him as ‘Bertie’. The first few years of his childhood were spent fairly quietly, and Wells didn’t display much literary interest until, in 1874, he accidentally broke his leg and was left to recover in bed, largely entertained by the library books his father regularly brought him. Through these Wells found he could escape the boredom and misery of his bed and convalescence by exploring the new worlds he encountered in…
Novelist, essayist, and short-story writer W. D. Wetherell is the author of over two dozen books. A visit to the World War One battlefields in Flanders led to his lasting interest in the human tragedies of l914-18, inspiring his novel A Century of November, and his critical study Where Wars Go to Die; The Forgotten Literature of World War One.
The good news? After a long career as an editor in Boston, Ms. Aldrich retired to her beloved France in June l914. The bad news? The cottage she bought was only a few miles behind the front lines once the war started later that summer. This is her eyewitness account of what the Great War does to her adopted village, and memorably combines two literary genres that would seem to be incompatible: a book of simple rural pleasures with a book on war.
Mildred Aldrich (November 16, 1853 – February 19, 1928) was an American journalist and writer She was born in 1853 in Providence, Rhode Island. She grew up in Boston, taught at elementary school there and went on into journalism.[2] She wrote for the Boston Home Journal, the Boston Journal and the Boston Herald. She started the short-lived The Mahogany Tree in 1892. In 1898, she moved to France, and, while there, became a friend of Gertrude Stein and Alice B. Toklas. She worked as a foreign correspondent and translator.
Novelist, essayist, and short-story writer W. D. Wetherell is the author of over two dozen books. A visit to the World War One battlefields in Flanders led to his lasting interest in the human tragedies of l914-18, inspiring his novel A Century of November, and his critical study Where Wars Go to Die; The Forgotten Literature of World War One.
Film historians regard the movie version as one of Stanley Kubrick’s most powerful achievements, thanks in no small measure to Kirk Douglas, who, in the role of a French colonel desperate to preserve the life of his men in a suicidal attack, gives a performance for the ages. The l935 novel the film is based on stands on its own as one of the great anti-war books that followed in World War One’s wake.
Familiar to many as the Stanley Kubrick film starring Kirk Douglas, "Paths of Glory" explores the perilous complications involved in what nations demand of their soldiers in wartime. Humphrey Cobb's protagonists are Frenchmen during the First World War whose nightmare in the trenches takes a new and terrible turn when they are ordered to assault a German position deemed all but invulnerable. When the attack fails, an inquiry into allegations of cowardice indicts a small handful of lower-ranked scapegoats whose trial exposes the farce of ordering ordinary men to risk their lives in an impossible cause. A chilling portrait of…
Novelist, essayist, and short-story writer W. D. Wetherell is the author of over two dozen books. A visit to the World War One battlefields in Flanders led to his lasting interest in the human tragedies of l914-18, inspiring his novel A Century of November, and his critical study Where Wars Go to Die; The Forgotten Literature of World War One.
Masefield, before his 50-year tenure as Britain’s Poet Laureate, spent the war writing dispatches from the front. This slim book from l917 is his honest, soberly graphic description of what the Somme battlefield looked like after the fighting moved on—an approach that conveys war’s horrors without any moralizing or exaggeration.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
I am the child of refugees from the Holocaust, so displacement and the effects of war and violence have been part of my personal experience. My book, Only the River, is loosely based on my mother’s story. She and her family escaped from Vienna in 1938 and spent the war years in Bolivia, the only country that would give them visas. I am also a high school teacher who works with immigrant students, who have fled violence and poverty. It is my vocation to offer them hospitality and help them find a sense of home here, in an environment that is often hostile. These books bring the stories of the displaced and dispossessed alive.
This book by Canadian writer Marina Endicott is quirky in all the best ways—smart, tender, heart-wrenching, and quietly hopeful. It is about a lonely, divorced accountant who takes in a homeless family after crashing into their car. The book is gorgeous on the sentence level and the way Endicott writes about the connections and lack of connections between the characters in the book is full of wisdom and pathos. Though the premise is quite simple, the book is full of surprises.
Absorbed in her own failings, 43-year-old Clara Purdy crashes her life into a sharp left turn, taking the young family in the other car along with her. When bruises on the mother, Lorraine, prove to be late-stage cancer, Clara moves the three children and their terrible grandmother into her own house while Lorraine undergoes treatment at the local hospital.
We know what is good, but we don't do it. In Good to a Fault, Clara decides to give it a try, and then has to cope with the consequences : exhaustion, fury, hilarity, and unexpected love. But she questions her…
When I was a young girl, I was lucky to have friends from all over the world, so learning about a new country or a new city always fascinated me, and it still does. I’m always trying to learn new things, meet new people and whenever I can I like to travel the world. As a writer and illustrator, it’s always nice to experience new things, it helps to expand my imagination. I hope this list inspires you not only to read but to learn a few things here and there.
The combination of Julia Donaldson and Rebecca Cobb is fantastic. I love the playful illustrations (just look at the children’s hair!), and the rhymes make the story sing. The book tells the story about the Bear from Class One who accidentally gets lost and thus begins his big adventure throughout the city showing us places that can sometimes be hidden from our everyday lives.
The Everywhere Bear has a home on a shelf But he doesn't spend very much time by himself, For each boy and girl in the class is a friend And he goes home with one of them every weekend.
The Everywhere Bear has a wonderful time with the children in Class One, but one day he gets more than he bargained for when he falls unnoticed from a backpack and embarks on his own big adventure! He's washed down a drain and whooshed out to sea, rescued by a fishing boat, loaded onto a lorry, carried off by a seagull…
Though I’m not personally an orphan, I’ve always been drawn to books that feature them. Maybe it’s because I felt the lack of a father; mine wasn’t around much during my childhood, since he worked at a job in the city through the week. The absent or distant father is a recurring theme in my novels, including the Shakespeare Stealer series, Moonshine, The Imposter, The Year of the Hangman, and Curiosity. Of course, when you write for young readers, orphans also make ideal protagonists, since they’re forced to use their own resources to confront and resolve the story’s conflict, rather than relying on grownups.
Okay, this is really three novels, but they’re all linked, and all fascinating. Martha, the orphan, is offbeat, often unlikeable, and yet one of the most compelling characters you’re likely to find in fiction. Though Sharp is best known for The Rescuers and its sequels, this series is in a whole different universe, and definitely not for young readers. (By the way, they’re also very funny.)
They met at the Chelsea Arts Ball: he went as a paper parcel, and she as a Spanish dancer. Harry Gibson and Miss Diver fell deeply in love...
But when Mr Gibson decides he'll have to marry the hopelessly unprepossessing daughter of his colleague in order to save his ailing business, Miss Diver is cut off without a penny. She's forced in turn to take in a lodger, Mr Philips, who mistakenly takes Miss Diver for a much richer woman than she is...
Watching over them all is Miss Diver's niece Martha, a clumpy, unappealing child of a certain artistic…
I have a lifelong respect for the true sociopaths among us who just happen to side with the good rather than the bad element in society. From Sherlock Holmes’ disregard for the shackles of Scotland Yard and the totally criminal world of Don Pendleton’s Mack Bolan I have cheered on my champions for half a century. My heroes share a common trait – the willingness to break the law to uphold the law. The 21st century has brought an entire new set of protagonists whom I consider to be arbiters of justice. While I believe in jurisprudence, I also subscribe to the tenet that most often the end justifies the means.
In spite of weighing in at one-sixth of a ton and never willingly leaving his home, Nero Wolfe disappears completely, arranges employment for his personal chef Fritz Brenner, and leaves man-Friday Archie Goodwin to shift for himself.
This mano-a-mano contest between crime boss Arnold Zeck and the reclusive Wolfe stands out from Stout’s 50-some-odd cases in that it becomes a duel between evil and vengeful. Law and order are non-players, and the ending fully satisfies the reader. Rex Stout ranks with the best and his protagonist amongst the most rude, lazy, and brilliant.
The aging millionairess has a problem: where is her young playboy husband getting all his money? To help find the answer, Archie infiltrates a party at her palatial estate. But her late-night murder ruins the festive mood . . . and a letter bomb from a powerful crime boss makes Nero Wolfe do the unthinkable—run for his life. Suddenly Archie finds himself on his own, trying to find a killer without the help of his old mentor. For to all appearances, Wolfe has vanished. The career of the world’s most famous detective has ended in cowardice and disgrace . .…
I expect that the folks at Shepherd.com approached me as a picture book author, since I’m the author of eleven picture books, including the four books of the Vampirina Ballerina series, which were adapted into the Disney Junior hit series Vampirina. But my thoughts and ideas about friendship and community really stem from once having been a child myself and from being a parent of four children, each of whom approached the roller coaster ride of childhood friendship in their unique ways. I was always happy to help them find answers in a book, even when those answers involved more, and deeper, questions.
An unnamed imaginary friend waits and waits for a child to choose him; but when he has waited long enough, he sets out on an adventure into the real world to find his Alice. The sweetness of Alice and Beekle’s new friendship is heartwarming, made all the sweeter by the wait. Beekle won the Caldecott Medal, so it won’t surprise you that the illustrations are brilliant. Santat’s use of shadow and color is just mesmerizing.
This magical story begins on an island far away where an imaginary friend is born. He patiently waits his turn to be chosen by a real child, but when he is overlooked time and again, he sets off on an incredible journey to the bustling city, where he finally meets his perfect match and-at long last-is given his special name: Beekle. New York Times bestselling and award-winning author and illustrator Dan Santat combines classic storytelling with breathtaking art, creating an unforgettable tale about friendship, imagination, and the courage to find one's place in the world.
My dad instilled in me a love of, and respect for, history and an avid interest in golden-era Hollywood. In my adult life as a professional writer, that paternal guidance has translated into eight books about various aspects of old Hollywood, with a growing focus on the intersection of Hollywood and World War II. My career to date was punctuated by the international success of Dutch Girl: Audrey Hepburn and World War II, which detailed the future star’s very hard life in the Netherlands under Nazi occupation. Dad didn’t live long enough to know I’d written anything, let alone a number of books he would have enjoyed reading.
When a New York Times correspondent and Yale Fellow sits down to write a book about the making of Casablanca for its 50th anniversary, one expects quality, and Harmetz delivers by detailing the times and people who created and marketed the timeless classic.
This book served as a primary source during the writing of my book. The extensively researched and footnoted book was repackaged in 2002 as The Making of Casablanca: Bogart, Bergman, and World War II and remains in print more than 30 years after its initial release.
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