Here are 65 books that Remembering the Future fans have personally recommended if you like
Remembering the Future.
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In 2016, I started thinking about art’s power to unite diverse people. The recent presidential election coincided with a sharp spike in anti-immigrant rhetoric, but artists, musicians, creatives, and performers were fierce defenders of the value of cultural difference. In my own life, I’ve always found inspiration and solace from creative practice. For years now, I’ve been part of an eclectic friend group I first met in painting class. The joy art brings to my life also made me wonder who gets credit and what even constitutes “art.” Is an expensive oil painting really worth more than a comic book, if someone loves the comic book just as much?
Every biographer must do battle with Robert Caro’s Pulitzer Prize-winning book, a monumental account of urban planner Robert Moses, whose God-like power redesigning postwar New York City effectively remade the capital of the twentieth century. Over the course of 1,336 pages, Caro details Moses’s world-making vision while also acknowledging problematic issues, such as Moses’s reported use of racial slurs and his remapping of roads and overpasses to exclude poorer communities.
Today, half a century since its first publication, The Power Broker remains one of the greatest English-language biographies. It's also a landmark in showing how world-historical change can begin with aesthetic power. Like all foundational texts, its comprehensive documenting of both the ambitions and the prejudices of that era also lays a path for future insight. In gesturing toward Moses’s faults, this magisterial work also leaves room for subsequent generations to re-examine the problems of the past.
The Power Broker by Robert A. Caro is 'simply one of the best non-fiction books in English of the last forty years' (Dominic Sandbrook, Sunday Times): a riveting and timeless account of power, politics and the city of New York by 'the greatest political biographer of our times' (Sunday Times); chosen by Time magazine as one of the 100 Best Non-Fiction Books of All Time and by the Modern Library as one of the 100 Greatest Books of the Twentieth Century; Winner of the Pulitzer Prize; a Sunday Times Bestseller; 'An outright masterpiece' (Evening Standard)
There never was nor ever could be a better fair, and that is the memory I’ve carried since that family vacation brought us to the Queens fairgrounds in 1964. Though I do not remember much, what remains in my heart is a sense of wonder and happiness. Over the years, the memory faded until I took a class on Renaissance Sculpture for my master’s studies. It amazed me that Michelangelo’s Pietà could have ever been shipped to Queens–I began researching and was deeply moved by the story that unfolded.
After reading Lawrence Samuel’s book, I wish I could turn back the hands of time and walk the fairgrounds one more time. This is an excellent history of the fair from beginning to end.
I enjoyed Samuel’s beautiful writing style and in-depth coverage of this slice of Americana. His sense of humor made me laugh out loud. I admit, it’s a nostalgic trip, taking us back to a simpler time. Well, it really wasn’t so simple, but that’s how I remember it as a child visiting the best fair ever!
From April 1964 to October 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Taking a perceptive look back at ""the last of the great world's fairs,"" Samuel offers a vivid portrait of this seminal event and of the cultural climate that surrounded it. He also counters critics' assessments of the fair as the ""ugly duckling"" of global expositions. Opening five months after President Kennedy's assassination, the fair allowed millions to celebrate international fellowship while the conflict…
There never was nor ever could be a better fair, and that is the memory I’ve carried since that family vacation brought us to the Queens fairgrounds in 1964. Though I do not remember much, what remains in my heart is a sense of wonder and happiness. Over the years, the memory faded until I took a class on Renaissance Sculpture for my master’s studies. It amazed me that Michelangelo’s Pietà could have ever been shipped to Queens–I began researching and was deeply moved by the story that unfolded.
I was taken back in time reading this account of the World’s Fair along with the cultural and political background Tirella provided. It gave me a broader view of the seismic societal changes that were starting to hit the country.
I also enjoyed another take on the fair–everyone has an opinion, even if it doesn’t necessarily match my own. World’s fairs are cultural Petri dishes, telling us much about the society we live in, and this book proves it.
This New York Times bestseller is a vivid account of the 1964-65 World's Fair in New York City, a spectacle that embodied the innovation, lunacy, hope, and fear of a dramatic twenty-first century decade-and one that pitted Robert Moses vs. Andy Warhol, brought the vision of Walt Disney together with the Merry Pranksters, featured an Audio-Animatronic Abraham Lincoln and real-life LBJ in the midst of the Civil Rights struggle, and featured much, much more. Tomorrow-Land entertains, informs, and illustrates how the 1964-65 World's Fair-inside its gates and just outside its gates-represents the cultural and political pivots taken by New York…
There never was nor ever could be a better fair, and that is the memory I’ve carried since that family vacation brought us to the Queens fairgrounds in 1964. Though I do not remember much, what remains in my heart is a sense of wonder and happiness. Over the years, the memory faded until I took a class on Renaissance Sculpture for my master’s studies. It amazed me that Michelangelo’s Pietà could have ever been shipped to Queens–I began researching and was deeply moved by the story that unfolded.
I didn’t realize that Walt Disney was so involved in the NY World’s Fair–he was everywhere. How I loved “It’s a Small World”–Disney! I’m from Illinois, and even though I don’t remember it, the animatronic of Abe Lincoln–Disney! General Electric’s Progressland–Disney! The Ford ride back to the future–Disney!
It made sense to me then that Disney World was basically an extension of the New York Fair, but I didn’t understand it until I read Kiste’s book.
For the 1964-65 New York World's Fair, the Disney company designed four paviliions, which later they reimagined for Disneyland. In this first volume of a definitive series, historian Andrew Kiste presents the story of the first of these pavilions: Great Moments with Mr. Lincoln.
Two score and fifteen years ago, Walt Disney took an opportunity to bring his unique style of entertainment to the 1964-65 New York World's Fair in Flushing Meadow. Initially using the fair as an opportunity to determine the level of interest in his theme-park attractions with the "more sophisticated tastes" of those east…
My dad instilled in me a love of, and respect for, history and an avid interest in golden-era Hollywood. In my adult life as a professional writer, that paternal guidance has translated into eight books about various aspects of old Hollywood, with a growing focus on the intersection of Hollywood and World War II. My career to date was punctuated by the international success of Dutch Girl: Audrey Hepburn and World War II, which detailed the future star’s very hard life in the Netherlands under Nazi occupation. Dad didn’t live long enough to know I’d written anything, let alone a number of books he would have enjoyed reading.
When a New York Times correspondent and Yale Fellow sits down to write a book about the making of Casablanca for its 50th anniversary, one expects quality, and Harmetz delivers by detailing the times and people who created and marketed the timeless classic.
This book served as a primary source during the writing of my book. The extensively researched and footnoted book was repackaged in 2002 as The Making of Casablanca: Bogart, Bergman, and World War II and remains in print more than 30 years after its initial release.
I am an aviation historian and writer, a defense analyst, and a retired, combat-experienced, Marine Corps fighter pilot. I am one of the lucky ones. Since early childhood, I wanted nothing more than to become a fighter pilot. It was a combination of good fortune, hard work, and a bit of talent that made it possible for me to realize that dream. I was inspired by the memoirs and recollections of World War II fighter pilots, and I read every book on the topic that I could find. Following my military service, I transitioned from a reader to a writer; my experience as a military pilot helps to make my books real and credible.
The archetypal combat flying story, this is an easy, fun, and eye-opening book that Scott wrote only months after returning from the war. Scott clearly loved to fly and had done so since the early 1930s after graduating from West Point. Resourceful and tenacious, he received command of a fighter group in China after having been officially told the previous year that he was too old (at the ripe old age of 33) to fly fighters. This is a rollicking read that will be enjoyed by readers of all ages.
This book was issued during World War II, in conformity with all government regulations controlling the use of paper and other materials (so stated on copyright page). The author, Colonel Robert L. Scott, Jr., consistently scheduled himself as a pilot on all possible missions. He led all types of combat missions, but specialized in the most dangerous, such as long-range flights to strafe from minimum altitudes Jap airdromes, motor vehicles, and shipping deep in enemy territory. Colonel Scott’s group of fighters always operated against greatly superior numbers of the enemy. Often the odds were five to one against them. This…
I have loved historical novels since my mom first read Anne of Green Gables to me as a kid. They are the novels I reach for first and love the most. The creative glimpse into other times and lives is, to me, the most exciting reading experience. I hope you enjoy these books as much as I do. My latest book – The Sunshine Girls is a dual narrative timeline, set in the current day and the 1960s-1980s.
NYC in the ’70s gets the spotlight with all of its grit and glitter in this extremely thoughtful and thought-provoking novel about a mother and daughter. It’s not just rich in fascinating detail about the time and setting, it’s a nuanced look at women’s sexuality and the price of fame and family obligations.
Perfect for fans of Taylor Jenkins Reid, Jodi Picoult, and Emma Cline, this vividly lyrical, evocative novel from the award-winning author transports readers to the gritty atmosphere of 1970s New York City as the precarious lines between girl and woman, art and obscenity, fetish and fame flicker and ignite for a young girl on the brink of stardom and a mother on the verge of collapse.
“A gorgeously written, emotionally resonant novel about mothers and daughters.” —Jillian Cantor, USA Today bestselling author
In 1970s New York, her innocence is seductive. Four decades later, it’s a crime...
We are the Paper Lantern Writers, an author collective focused on historical fiction of all eras. From Medieval Europe to the Gilded Age (and beyond), in locales around the world, from romantic to tragic and back again, our books will take you on the journeys of a lifetime. There’s a story to be told every where you look and we'd love to be your tour guide. Follow us on Facebook, Instagram, Twitter, and YouTube, and join our Facebook group SHINE.
This book features stories by different authors who envision the crowds of people passing through Grand Central Station in New York and choose to tell ten stories of people returning from Europe at the end of World War II. It’s a time of upheaval and great change in the world and in their lives. I love when the macrocosm of the world can be distilled down to a single person’s story.
Ten bestselling authors inspired by New York City's iconic Grand Central Terminal have created their own stories, set on the same day, just after the end of World War II, in a time of hope, uncertainty, change, and renewal….
A war bride awaits the arrival of her GI husband at the platform…A Holocaust survivor works at the Oyster Bar, where a customer reminds him of his late mother…A Hollywood hopeful anticipates her first screen test and a chance at stardom in the Kissing Room…
On any particular day, thousands upon thousands of people pass through Grand Central, through the whispering…
Since childhood, I have been fascinated by accounts of the Second World War, particularly the war in the Pacific Theater. Perhaps because I had an uncle and a step-father (Bronze Star awarded for bravery) who fought in that theater. I joined the U.S. Navy in 1958 and traveled in the USS Bennington, CVS 20, too many of the islands captured by the Japanese in blood-soaked battles–Pearl Harbor, Guam, Okinawa, Midway, and the Philippines. Further, I was stationed at Atsugi Naval Air Station in Japan for twenty months, which allowed me to look into World War II history from the other side.
I was and am fascinated by accounts of the Battle of Tarawa. As James Dwyer’s book relates, the battle was a brutal series of Navy and Marine mistakes by the attack leaders from day one.
I particularly like the way he uses the fictional voices of Marines and Japanese Rikosentia (basically Japanese Marines) to tell the story of the terrible battle with its ‘horrific’ casualty rates on both sides.
Before the historic battle for Iwo Jima was fought...there was Tarawa!!! Experience the incredible horrors and the distinguished heroism of the battle for Tarawa with a platoon of marines who must fight their way ashore and then battle the Japanese defenders in their hidden bunkers and foxholes! The hellacious fighting for this tiny island took place in November of 1943 and the legendary battle went on for three and a half days between the elite Japanese Rikosentai who refused to give up...and the marines of the Second Division...who refused to stop. When this bare-knuckled brawl was finally over, four Medals…
As an artist whose grandparents were refugees, minorities escaping genocide, I feel driven to investigate the mechanisms of status and their relation to personal history. My work is a portrait of what I believe is the essence of the American condition—a painful cultural hangover from presumptions of privilege undermined by the collapse of exceptionalist fantasies based on race, gender, religion—and the rearguard defenses such loss triggers. I write in order to open a space where we can ask ourselves what our own roles in these mechanisms are, and to express the hope we might escape them.
I’m sad the brilliance of Herlihy’s novel has been overshadowed by the (admittedly also brilliant) movie it inspired. What the film can’t include is the dangerous repression of sex and sexuality, described in unrelenting detail, that defined Joe Buck’s childhood. The novel’s indictment of this tyranny and the effects it has on people, both individually and collectively, is embedded in its portrait of gay men driven to self-hatred by religion, discrimination, and social pressure. The homosocial love that develops between Buck and Ratso, Midnight Cowboy tells us, could only happen outside the boundaries—represented in the novel by middle-class economics and its accompanying pieties—of “normal” America.
The basis for the Oscar–winning buddy film. “There is no questioning the rampant power achieved through shriveling, shattering scenes” (Kirkus Reviews).
Midnight Cowboy is considered by many to be one of the best American novels published since World War II. The main story centers around Joe Buck, a naive but eager and ambitious young Texan, who decides to leave his dead-end job in search of a grand and glamorous life he believes he will find in New York City. But the city turns out to be a much more difficult place to negotiate than Joe could ever have imagined. He…
