90 books like Round Up the Usual Suspects

For those who don’t know, Errol Flynn was the “bad boy” of Hollywood’s golden era in addition to serving as the king of adventure pictures from 1935, when he appeared as Captain Blood, to 1953, when he made The Master of Ballantrae. In between, he starred in 40 other films, wrote two books, married three times, survived a spurious rape charge and trial, and debauched himself with booze and drugs.

Just a year before his death at age 50, Flynn sat down with a ghostwriter to create a memoir both candid and poignant. This book has gone on to sell millions of copies since its release in 1959 and remains in print today—a testament to the power of Flynn’s personal history and narrative.

Leonard Maltin shot to prominence as a youth publishing the annual Leonard Maltin’s Movie Guide, with each new edition becoming an instant New York Times bestseller. Maltin also served a long stint as an on-air correspondent for Entertainment Tonight, where he earned backstage access to generations of movie stars.

His recently published memoir details his early obsession with the movies and then his slow but steady rise as one of Hollywood’s leading historians. I love this book most for its insights into the old stars that Maltin met—stars who knew him from his books and TV work and opened up about their own histories, making this book a valuable resource for film scholars.

The year before Errol Flynn blew into Hollywood, the “pre-Code” era ended. What was the “pre-Code” era? It was the period in the early 1930s when Hollywood rode the cliff, making movies about sensational topics like adultery, pay-for-play, drug use, and more. Many of the pictures included a scene or two with leading ladies scantily clad and even braless. Leading men were often scoundrels.

This book entertainingly details both the point of view of studios struggling to remain relevant in the depths of the Great Depression by creating salacious products and the outcry from alarmed parents who took their kids to the movies only to cover their eyes and rush them back out again.

The author backs up his narrative with eye-popping photos illustrating just what was so shocking about the pre-Code era. This interesting period of Hollywood history ended abruptly and, unfortunately, with the puritanical “Production Code” that ushered… show more.

The author was one of a platoon of young, bicycle-riding male messengers that roamed the sprawling Warner Bros. studio in Burbank before World War II, delivering scripts and memos to directors, writers, and stars like Humphrey Bogart, Bette Davis, Olivia de Havilland, and yes, Errol Flynn (who got a big thumbs-up from the messenger boys).

Jerome pulls no punches on the stars he liked and those he detested and provides graphic details to back up his rankings. This book shows the stars as real people, for better or worse, while also providing an invaluable look at the inner workings of one of the most successful studios of old Hollywood.

Written in separate voices in alternating chapters, this unusual double memoir by the long-married couple, the novelist Anne Bernays and biographer Justin Kaplan, tells the stories of two privileged New Yorkers.  Growing up on opposite sides of Central Park, they came of age in the 1950s. Dreaming dreams of literary lives, they came to see them realized as their lives converged.

The archetypal combat flying story, this is an easy, fun, and eye-opening book that Scott wrote only months after returning from the war. Scott clearly loved to fly and had done so since the early 1930s after graduating from West Point. Resourceful and tenacious, he received command of a fighter group in China after having been officially told the previous year that he was too old (at the ripe old age of 33) to fly fighters. This is a rollicking read that will be enjoyed by readers of all ages.

NYC in the ’70s gets the spotlight with all of its grit and glitter in this extremely thoughtful and thought-provoking novel about a mother and daughter. It’s not just rich in fascinating detail about the time and setting, it’s a nuanced look at women’s sexuality and the price of fame and family obligations.

This book features stories by different authors who envision the crowds of people passing through Grand Central Station in New York and choose to tell ten stories of people returning from Europe at the end of World War II. It’s a time of upheaval and great change in the world and in their lives. I love when the macrocosm of the world can be distilled down to a single person’s story.

Haycraft was an American commentator and this survey of the history of crime writing up to the Second World War is soundly written and sympathetic. Interestingly, he believed that the locked room puzzle was played out and that authors should avoid it, whereas this type of mystery has enjoyed a significant revival in recent years. Predicting how crime writing will evolve in the future is fraught with danger! Inevitably, Haycraft’s focus was mainly on American and British crime fiction. The limited number of translated mysteries in those days meant that the global reach of crime writing, and the achievements of authors whose first language is not English, has long been under-estimated. Only now is this problem being addressed.   

I’m sad the brilliance of Herlihy’s novel has been overshadowed by the (admittedly also brilliant) movie it inspired. What the film can’t include is the dangerous repression of sex and sexuality, described in unrelenting detail, that defined Joe Buck’s childhood. The novel’s indictment of this tyranny and the effects it has on people, both individually and collectively, is embedded in its portrait of gay men driven to self-hatred by religion, discrimination, and social pressure. The homosocial love that develops between Buck and Ratso, Midnight Cowboy tells us, could only happen outside the boundaries—represented in the novel by middle-class economics and its accompanying pieties—of “normal” America.