The most recommended books about the Great Depression

This is an unlikely story, yet it is also a true one. Harry de Leyer, a Dutch immigrant, saved a horse named Snowman from the slaughterhouse. Harry trained Snowman to become a show-jumping champion. This is a story about an incredible long shot and about a man who believed in his horse. What’s not to love?

I am a third-generation horsewoman, and I grew up hearing stories about the “great horses.” I remember my mother sharing the tale of Snowman and Harry de Leyer with me. For the most part, equestrian stars are incredibly expensive, pedigreed animals. Snowman, in contrast, pulled a plow. The story of Snowman makes it seem possible that we can also find or encounter our own magical plow horse who can carry us to the rarified air of the top of the equestrian world.

Published in 1957, this book is one of the few comic novels about London, and it is genuinely funny.

In a dead-end suburb, variety entertainment is dying a painful death in a flea-pit cinema that attracts a parade of fantastical characters, from the Falstaffian impresario Sam Yudenow to a pair of Greek caterers and bomb makers.

It makes a lost world seem both alluring and deeply unsavoury.

West Virginia’s Jayne Anne Phillips made a noisy arrival on the literary scene with her triumphant collection of short stories, Black Tickets. One of the first of the “dirty realists,” Phillips paints the backroads and forgotten lives of rural West Virginia during a time when that state, and many like it, were on no one’s radar. As one of her characters says, “This ain’t the South…this is the goddam past.” Phillips captures the loneliness and the disconnected lives of young women and men in a way few books have done.  

Dorothea Lange struggled with disease and disability and eventually found her path, becoming one of America’s greatest photographers through her ability to capture the human experience notably through photographs of people in the Great Depression. This book not only helps readers learn about Lange, but it aids them in understanding this difficult time in United States’ history. The illustrations are colorful and engaging, portraying a wide range of emotions that express the essence of Lange and her work. 

This lovely story is one of loss, tragedy, hope, family, and new beginnings that come in the most unexpected ways.

Seventy-five-year-old Sarah has a good life. She’s been married to Charles, a man she adores, for fifty years. She assumes they will live out the rest of their lives together in the tranquil setting of their Vermont country home. But when Charles unexpectedly passes away, Sarah’s beautiful life is shattered.

With her children grown and raising families of their own, she finds herself alone in her big house, no one to nurture, no place to put her love. Until a collection of displaced characters begin to find shelter in her home. Working through her grief, Sarah discovers interests she never took the time to explore, and in pouring into others, soon finds her own cup overflowing. 

This story provides perspective on what things are important, and what are not. So… show more.

Written in separate voices in alternating chapters, this unusual double memoir by the long-married couple, the novelist Anne Bernays and biographer Justin Kaplan, tells the stories of two privileged New Yorkers.  Growing up on opposite sides of Central Park, they came of age in the 1950s. Dreaming dreams of literary lives, they came to see them realized as their lives converged.

Keyes was a journalist (she died in 1970), and her background informed every novel she wrote. 

Joy Street is set primarily in Boston in the 1930s and 1940s. At the time I read this book, I had never been to Boston. When I finally visited that city several years later, her descriptions of the area in and around Beacon Hill still were so vivid in my mind that I felt as though I already knew the neighbourhood intimately.

Keyes had an equally deft hand with character development and plot. Joy Street is a book populated with characters that seem real and a story that moves forward at a satisfying pace.

It is a joy to read.

Patrick Dennis’s “hyperbolized” version of his life with his aunt and legal guardian, Mame Dennis, has a history both on Broadway (“Mame” portrayed by Lucille Ball) and on the silver screen (“Auntie Mame” portrayed by Rosalind Russell). It was the film that led me to the book, which Dennis admits is filled with hyperbole and imaginary details. It is, however, based on the sometimes outlandish and often controversial life of his “progressive” aunt, who believed “life is a banquet and most poor suckers are starving.”

It’s hard to tell where reality ends and fiction begins, but in truth you won’t want to. Auntie Mame manages to be both touching and hysterical as it follows Mame’s swinging New York lifestyle through the Great Depression into the workforce (a first for the heretofore wealthy heiress) and beyond into marriage into a “proper” Southern family, whose scrutiny Mame does not always survive intact.… show more.

Mixing philosophic insight with the study of history, biology, and social science, Mumford’s penetrating analysis laid bare the prospects and pitfalls of American culture as no writer had done before. The Great Depression revealed the inability to build stable well-balanced communities that Mumford traced to a pioneer heritage predicated on exploiting resources. Setting humanity’s potential within nature’s prescribed limits, The Culture of Cities articulated the next stage in human evolution: balancing "ecological relations" and “consumer desires.” He envisioned a regional city that harmonized the “urban, rural, and primeval landscapes” that prefigured sustainability: “people in all their ecological relations” inhabiting “the compact and coherent form of the actual environment.” The goal, he concluded, was to sustain “the richest types of human culture and the fullest span of human life.”

This is a collection of four novellas that feature pack horse librarians, a project of the Works Progress Administration that delivered books to remote regions in the Appalachian Mountains between 1935 and 1943. I knew nothing about the program and was captivated by these brave women who traveled deep into the mountains by themselves to bring reading and education to the poor (As someone who loses her car in a mall parking lot I can’t imagine doing this). What I loved most about the stories is the impetus it created for me to dig deeper into the program and the women themselves. Being a book lover and former library trustee, what these women did moved me on a deeply emotional level.