The Civil War has been a passion of mine since I was seven years old. This was inflamed by a professor I met at SUNY Cortland—Ellis Johnson, who first told me of the POW camp at Elmira, New York. Even though I grew up just thirty miles from Elmira I was astounded at this revelation. Later I learned that I had a third great-grandfather—William B. Reese—who served in the Veterans Reserve Corps after being wounded at the Battle of Gettysburg and was assigned to the garrison in Elmira, where he may have stood guard over the very prison his great grandson would write about.
A native of Elmira, Horigan sought to uncover the grisly story of the Elmira prisoner of war camp and why it was so deadly to its inhabitants. Not only does he reveal the constellation of hardships faced by prisoners, but a story of retribution which he pins on the Secretary of War Edwin Stanton and the penny-pinching Commissary General of Prisoners William Hoffman. In the end, Horigan lays out a damning indictment, which he carefully enumerates in his conclusion, of the conduct of the War Department and Officers overseeing the Elmira camp who he blames for the great suffering and death along the banks of the Chemung River in 1864-1865.
The Civil War prison camp at Elmira, New York, had the highest death rate of any prison camp in the North: almost 25 percent. Comparatively, the overall death rate of all Northern prison camps was just over 11 percent; in the South, the death rate was just over 15 percent. Clearly, something went wrong in Elmira. The culmination of ten years of research, this book traces the story of what happened. Author Michael Horigan also places the prison in the context of the greater Elmira community by describing the town in 1864 and explaining its significance as a military depot…
From over three decades of work on development projects in countries of the Middle East, Afghanistan, Pakistan, and Africa, I am convinced that when efforts fail, it is invariably because we lack the cultural understanding of what people want or how we provide it. These books all reinforce my point by either underlining the way culture shapes the way people see the world or by showing how when we neglect culture, we do so at our own peril. Culture can be discovered through multiple entry points with these books offering a good start. Even something as mundane as advice columns in newspapers offer political insights when plumbed for the meanings below the surface.
This book describes the rich multi-ethnic, multi-cultural, and multi-lingual communities that co-existed peacefully in Alexandria and Cairo in the 1940s and early 1950s. They forged close ties in such public domains as commerce and schooling, while keeping their family and religious lives mainly private and marrying within the community. By the mid-50s as Arab-Israeli problems spread to Egypt, the Nasser government stoked animosity against the Jews and other non-Muslim communities, forcing many to migrate. The book shows graphically how even during normal times cultural communities distinguish between areas where it is safe to mingle with outsiders and those where it is better to draw tight boundaries against penetration if they are to sustain their uniqueness. The latter are mostly areas that define them, including religion, values, and bloodlines.
In vivid and graceful prose, Lucette Lagnado re-creates the majesty and cosmopolitan glamour of Cairo in the years between World War II and Gamal Abdel Nasser's rise to power. Her father, Leon, was a boulevardier who conducted business on the elegant terrace of Shepheard's Hotel, and later, in the cozy, dark bar of the Nile Hilton, dressed in his signature white sharkskin suit. But with the fall of King Farouk and Nasser's nationalization of Egyptian industry, Leon and his family lose everything. As streets are renamed, neighborhoods of their fellow Jews disbanded, and the city purged of all foreign influence,…
This book was recommended by a friend and I immediately downloaded the audio version for an upcoming drive. The reflective nature of the story matched the reflective state of my life at the moment. Looking back on accomplishments, dreams lost along the way, and what lies ahead in the remaining years. The main character is a trailblazing woman with an iron will. Even as an elderly lady walking the streets of New York and facing down thugs, she shows resolve and tenacity.
A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.
“In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…”
She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid…
I’m the author of two novels, both of which explore the impact of the digital age on my characters’ lives. I’m old enough to have experienced being a teenager before the Internet but young enough to have used it all my adult life. I can’t forget the before-times! While I’ve benefitted a lot from what the tech industry calls Web 2.0, I’m also really alive to the losses: social, economic, personal, and existential. From our work lives to our communities to our health and sex lives–nowhere is free from technology’s influence. We are living in fascinating and dangerous times.
It’s got a brilliant premise which it uses to explore the world of social media and Internet relationships. A large part of it is set in Berlin, where I used to live, and I recognised so many places. It poses interesting questions about authenticity and who we are to one another in the digital age.
The author has a sharp eye for hypocrisy, and no one is left unscathed. Reading the book made me realise how much the Internet has changed human social life forever.
A NATIONAL BESTSELLER * A NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE * A WASHINGTON POST BEST BOOK OF THE YEAR
"An invigorating work, deadly precise in its skewering of people, places and things . . . Stylish, despairing and very funny, Fake Accounts . . . adroitly maps the dwindling gap between the individual and the world." —Katie Kitamura, The New York Times Book Review
A woman in a tailspin discovers that her boyfriend is an anonymous online conspiracy theorist in this “absolutely brilliant take on the bizarre and despicable ways the internet has warped our perception of reality”…
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This book is an unyielding portrayal of the excesses of 1980s consumerism, hedonism, and self-destruction. Amis pulls no punches in his depiction of John Self, a 35-year-old director of TV commercials who lives a life of excess driven by his appetites—primarily for food, drugs, alcohol, sex, and, of course, money. Through John Self’s descent, the novel delivers a harsh commentary on the culture of greed and indulgence that characterized the decade.
The novel's portrayal of greed, addiction, and sexism rubbed some readers and critics the wrong way. Some saw it as too nihilistic or excessively grim in its critique of 1980s culture, where everything seemed for sale, including morality. However, in this age of trigger warnings, safe spaces, and pervasive purity spirals, I personally found its unapologetically gritty satire a breath of fresh air.
This book will appeal not only to fans of dark humor and satire but also to…
One of Time's 100 best novels in the English language-by the acclaimed author of Lionel Asbo: State of England and London Fields
Part of Martin Amis's "London Trilogy," along with the novel London Fields and The Information, Money was hailed as "a sprawling, fierce, vulgar display" (The New Republic) and "exhilarating, skillful, savvy" (The Times Literary Supplement) when it made its first appearance in the mid-1980s. Amis's shocking, funny, and on-target portraits of life in the fast lane form a bold and frightening portrait of Ronald Reagan's America and Margaret Thatcher's England.
This book was published over fifteen years
ago, but a friend of mine told me I’d love it…and I did. It’s set in a blue-collar Brooklyn
neighborhood in 1947.
It’s the touching
story of two vivid characters. An
eleven-year-old Irish Catholic kid named Michael Devlin and a Rabbi from
Prague. A refugee named Judah Hirsch. The rabbi hires Michael to be a Shabbos
Goy. He shows up on Saturdays to turn on the lights and other things prohibited
by Jewish law on the Sabbath. They forge an unlikely friendship as Michael
learns about Prague and its destruction by the Nazis and the rabbi learns about
Jackie Robinson and baseball.
It’s gritty
and grounded, but full of magical realism. The descriptions are vivid and
Hamill creates a real sense of place. It enthralled me the same way A
Gentleman in Moscow did with characters full of hope and courage and
humanity.
This book is . . . a survey history of medicine from the earliest times, centered thematically on how changing concepts of disease have affected its management. . . . One finds a gratifying mastery of recent as well as classic scholarship in medical history and a careful sidestepping of positivistic excesses. . . . Disease and Its Control is a fresh and welcome synthesis of historical scholarship that will be accessible to interested laymen. Annals of Internal Medicine
I love people who are totally lost because they are on the brink of their greatest discovery–their true nature. Even as a little boy I remember seeing that everyone has a purpose in life, but that is hidden to them. I have always felt that every step of the way, life seems to be a little off-track. But through authentic stories, I came to an understanding that right now, everyone is doing great things with their lives, even if they can’t see it.
I love the main character’s horrible, deep, dark depression. Aaron’s life as a kid in the projects of New York City means he can’t be gay. So many bad things happen to Aaron that he wants to get a procedure to erase parts of his memory.
I love that just as it seems like Aaron’s life, his friends, his romantic life, his mom and brother, all seem to be somewhat in balance, everything goes to shit and his life is worse than he thought. His father, who he thought died of a heart attack, actually killed himself in the bathtub they use every day.
In the first version of the book, the ending is so sad and depressing, the author went back and added a new chapter just to give me some hope for Aaron. The updated ending is amazing.
A special Deluxe Edition of Adam Silvera’s groundbreaking debut featuring an introduction by Angie Thomas, New York Times bestselling author of The Hate U Give; a new final chapter, "More Happy Ending"; and an afterword about where it all began.
In his twisty, heartbreaking, profoundly moving New York Times bestselling debut, Adam Silvera brings to life a charged, dangerous near-future summer in the Bronx.
In the months following his father's suicide, sixteen-year-old Aaron Soto can’t seem to find happiness again, despite the support of his girlfriend, Genevieve, and his overworked mom. Grief and the smile-shaped scar on his wrist won’t…
Growing up in a mostly pre-Internet time, I was hungry for androgynous and queer characters and didn’t know why. Books offered an escape hatch into the heads of the people I wanted to be. As I got older, writing was how I processed this disconnect, but for a long time, my lack of clarity negatively affected many of my relationships. It was through words (mine and others’) that I learned who I am. Amongst other things, a fragile and flawed and wildly imperfect person. It’s been great to see all the wholesome, positive LGBT rep that’s come out in literature over the last years, but my heart and stories will always belong to the bad-angel queers struggling to get a foot into Heaven.
I picked up Narcisa in Portland’s legendary Powell’s bookstore over ten years ago on a whim and it ended up worming its way into my top ten books of all time. The prose is chaotic, evocative, drippy, disgusting, engaging, fantastic. Narcisa is a predatory, magnetic mess of nature and like the narrator, you’ve got to keep flying with her until she throws you down. I was floored and inspired by Shaw’s ability to tame such a blizzard of turmoil between two thin paper covers.
The first trade edition of the cult classic from the artist/author hailed by Iggy Pop as “the great nightmare anti-hero of the new age,” legendary tattoo artist Jonathan Shaw, that chronicles a scandalous, degenerative addiction between two people—a wild, brutal, passionate, and unstoppable ride into depravity and darkness through the back alleys of Rio De Janeiro and New York City.
A legendary tattoo master and notorious creator of trendsetting underground art, Jonathan Shaw has created a masterpiece with this powerful story that captures the destructive addiction of love, sex and drugs, embodied in two people whose irresistible passions threaten to…
Teaching middle school made me painfully aware of the disparity in our students’ lives. Some kids have every advantage, while others struggle to survive without enough food, clean water, or a safe, dry place to sleep for the night. All these kids, with their diverse backgrounds, sit side-by-side in class and are expected to perform at the same academic and social levels. In my novels, I feature ordinary teens that are strong, smart, and resilient, like so many of the students who taught me as much as I taught them.
Can’t Get There from Hereis another stark look at the realities of kids living on the street. Strasser quickly drew me into the life of Maybe and her tribe of friends Maggot, 2Moro, Rainbow, and Tears. Their day-to-day existence is one of scrounging for food, looking for a safe place to sleep for the night, and avoiding those who would harm them. Adults have hurt these kids so many times and in so many ways that their reluctance to trust the police for help is totally understandable.
She lives with a tribe of homeless teens -- runaways and throwaways, kids who have no place to go other than the cold city streets, and no family except for one another. Abused, abandoned, and forgotten, they struggle against the cold, hunger, and constant danger.
With the frigid winds of January comes a new girl: Tears, a twelve-year-old whose mother doesn't believe her stepfather abuses her. As the other kids start to disappear -- victims of violence, addiction, and exposure -- Maybe tries to help Tears get off the streets...if it's not already too late.…
I’ve been on a
second-person narrator kick this year, both because I love the intimacy of the
format and for my own novel-writing research. This book is such a romp.
It
follows a guy with a bunch of problems he’s not talking about, among them a
drinking problem, as he tries to stamp out those problems with chaotic fun. It
teeters between light and dark in such an affecting way, all the humor with a
tinge of pain. Plus, the voice is like candy.
It’s an ode to the dumbassery and
bravado of youth that felt both nostalgic and voyeuristic.
It is six am, the party is over and reality is threatening to intervene in the power-fuelled existence of a young man who should have everything but who might just end up with nothing at all. His wife has left him, his job is in jeopardy, and his social life is about to end.
