It's about baseball--from the early days until now and baseball's association with NYC. The characters and history were fascinating and often hilarious.
This book hurt me. It really, really hurt me. First, it gave me hope. Then, it gave me a sinking feeling deep in my chest, followed by
a sense of hopelessness and despair that really struck a nerve. And because it
was all fiction and I was completely safe, it was an awesome and beautiful
experience.
This novel explores a Puerto Rican American family living in Staten
Island, New York, set in two timelines: the 1990s and today (in a nebulous time,
pre-COVID). This book explores the Ramirez family as they grapple with the
disappearance of the middle child, Ruthy, in the ‘90s.
Ruthy navigates 1990s New
York with the reader while in the present day, her two sisters, Jessica and
Nina, find a girl on TV that they believe looks a lot like Ruthy on a reality
TV show. The present-day part of the novel not only explores the…
A powerful debut novel that's "hilarious, heartbreaking, and ass-kicking" (Jamie Ford), of a Puerto Rican family in Staten Island who discovers their long‑missing sister is potentially alive and cast on a reality TV show, and they set out to bring her home.
A Most Anticipated Book of 2023 by Elle • USA Today • Today.com • Ms. Magazine • Good Housekeeping • Bustle • The Week • Goodreads • Bookriot • Pop Culturely • SheReads • Litreactor • Electric Lit • The Mary Sue • People Español • Zibby Mag • Debutiful • Her Campus
I was born in Odessa, USSR, a Southern Ukrainian city that many more people know now than when my family and I immigrated in 1977. Growing up in the US, everything I read about Soviet immigrants was either cliched, stereotyped, or plain wrong. A 1985 short film, Molly’s Pilgrim, about a (presumably Jewish) Soviet immigrant girl showed her wearing a native peasant costume and a scarf on her head which, for some reason, Americans insisted on calling a “babushka.” “Babushka” means “grandmother” in Russian. Why would you wear one of those on your head? I was desperate for more realistic portrayals. So I wrote my own. And the five books I picked definitely offer them.
Most books about the USSR, World War II, and refugees, feature saintly people suffering in noble silence. Something Unbelievable reminds us that the Soviet citizens fleeing Communism and Nazis were all individuals, not one-dimensional ciphers. They were sometimes vain, sometimes selfish, sometimes bored, and sometimes frustrated. They were real, flesh and blood, petty, complicated human beings who lived through the unthinkable… while still managing to think about sex, romance, jealousy, and betrayal. The granddaughter in Something Unbelievable is moved to learn all this and more about her grandmother’s evacuation to Asia during World War II. And so is the reader.
An overwhelmed new mom discovers unexpected parallels between life in twenty-first-century America and her grandmother’s account of their family’s escape from the Nazis in this sharp, heartfelt novel.
“A fresh perspective—one that’s both haunting and hilarious—on dual-timeline war stories, a feat that only a writer of Kuznetsova’s caliber could pull off.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
Larissa is a stubborn, brutally honest woman in her eighties, tired of her home in Kiev, Ukraine—tired of everything really, except for her beloved granddaughter, Natasha. Natasha is tired as well, but that’s because she just had…
I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
On May 8, 1970, just days after the killing of four college students at Kent State University, construction workers in New York City violently attacked a group that had gathered to protest the Vietnam War.
Kuhn offers a riveting account of the events (dubbed the “Hardhat Riot” by some and “Workers’ Woodstock” by others), but he also situates them into a broader story of how the war and other developments of the 1960s exacerbated divisions within the Democratic Party between white, heavily unionized blue-collar workers in the urban North and an emerging class of college-educated professionals.
Nixon successfully courted many of the blue-collar workers on the way to his landslide victory in 1972. Kuhn is no apologist for the workers, but he also avoids facile stereotypes about the white working class, some of which persist to this day.
In May 1970, four days after Kent State, construction workers chased students through downtown Manhattan, beating scores of protestors bloody. As hardhats clashed with hippies, it soon became clear that something larger was happening; Democrats were at war with themselves. In The Hardhat Riot, David Paul Kuhn tells the fateful story-how chaotic it was, when it began, when the white working class first turned against liberalism, when Richard Nixon seized the breach, and America was forever changed. It was unthinkable one generation before: FDR's "forgotten man" siding with the party of Big Business and, ultimately, paving the way for presidencies…
My entire fifty-year professional life has been dedicated to law and order, investigating crime and corruption at its highest levels in government and the private sector. I’ve worked on hundreds of cases together with local, state, and federal law enforcement. Also, internationally with Scotland Yard, GSG9, New South Wales, and the Soviet KGB. There is deep gratification in taking the “bad” guy off the street, protecting those who cannot protect themselves. I have a law degree and am an Adjunct Professor of Constitutional Law looking forward in contributing to winning the battle of “equality for all” in the justice system.
Police departments are comprised of, and are considered, the largest gangs in the country. They have developed a culture all its own. Within that culture are good cops and bad cops. I have personally encountered both while an FBI Agent and working cases of joint jurisdiction. Corruption within certain departments was so great during my tenure with the Bureau that we were ordered not to share information. That is why the author’s position as head of NYPD’s Internal Affairs Bureau for nearly two decades is incredible. It is a position where its chief is the most disliked cop in the entire department. Blue on Blue goes deep into the world of cops. Its content has provided a major portion of my Criminal Justice syllabus and teachings on “Leading Police Resilience.”
In one of the most illuminating portraits of police work ever, Chief Charles Campisi describes the inner workings of the world’s largest police force and his unprecedented career putting bad cops behind bars. “Compelling, educational, memorable…this superb memoir can be read for its sheer entertainment or as a primer on police work—or both” (Kirkus Reviews, starred review).
From 1996 to 2014 Charles Campisi headed NYPD’s Internal Affairs Bureau, working under four police commissioners and gaining a reputation as hard-nosed and incorruptible. During Campisi’s IAB tenure, the number of New Yorkers shot, wounded, or killed by cops every year declined by…
This book was recommended by a friend and I immediately downloaded the audio version for an upcoming drive. The reflective nature of the story matched the reflective state of my life at the moment. Looking back on accomplishments, dreams lost along the way, and what lies ahead in the remaining years. The main character is a trailblazing woman with an iron will. Even as an elderly lady walking the streets of New York and facing down thugs, she shows resolve and tenacity.
A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.
“In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…”
She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid…
When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
Girl Through Glass offers readers entry into the magical and rarified world of an aspiring ballet dancer at the School of American Ballet and New York City Ballet.
For readers who love a gritty New York setting, glimpses behind the beautiful façade that ballet offers, and dark secrets, this novel has it all. Fans of My Dark Vanessa will also appreciate the #metoo elements of this story.
Long-listed for the Center for Fiction First Novel Prize
An Amazon Best Book of the Month
A Buzzfeed Most Exciting Book of the Year
A The Millions Most Anticipated Book of the Year & Bestseller
Selected as a Skimm Read
A Refinery 29 Best Book of the Year
Chosen as a Rumpus Book Club Selection
Chosen as a Bustle Best Literary Debut Novel Written By Women in the Last 5 Years
An enthralling literary debut that tells the story of a young girl’s coming of age in the cutthroat world of New York City ballet—a story of obsession and the…
I was working installing solar panels in rural Maine when I first had the idea to write a climate crisis novel. I grew up in the woods of New England, and have always loved nature, but I was feeling pretty despondent about global warming. I started to wonder: what would it feel like to be part of a mass mobilization installing solar, wind, and so on, to save the planet? Those were the seeds of the novel. When I’m not writing, I’m a fourth grade teacher. I worry about the planet my students will inherit, and if I’m doing enough to make that world as hopeful as possible.
This is a one-of-a-kind novel by two authors who are also members of “Team Utopia.”
The entire novel is told from “interviews” of people who participated in the complete revolution across our planet, from the liberation of Palestine to the foundation of the New York City Commune. While not exclusively a climate novel, the book depicts the total transformation of society and the economy over the largest hurdles that we face today, of which the climate crisis plays an oversized role.
I was super excited to find this book because it depicts not only the “utopia” that exists in the near future, but shows how people fought and organized to build that utopia. I tried to do the same thing with my book, offering a sort of utopian blueprint for my wildest dreams.
By the middle of the twenty-first century, war, famine, economic collapse, and climate catastrophe had toppled the world's governments. In the 2050s, the insurrections reached the nerve center of global capitalism-New York City. This book, a collection of interviews with the people who made the revolution, was published to mark the twentieth anniversary of the New York Commune, a radically new social order forged in the ashes of capitalist collapse.
Here is the insurrection in the words of the people who made it, a cast as diverse as the city itself. Nurses, sex workers, antifascist militants, and survivors of all…
I love crime fiction—mysteries, thrillers, espionage, you name it, plots and puzzles that excite and confound and ultimately gratify. I also love the non-genre called literary fiction, sharply observed and beautifully written books that move me, and leave me with a slightly better understanding of humanity. And I think the sweetest spot of all is the intersection of the two, with sparkling prose, fully realized characters, and interesting settings combined with an insistent, credible plot that makes it a matter of urgency to turn the page, presenting the exquisite dilemma of wanting to race through the excitement but also the opposite urge to slow down and enjoy it all.
Richard Price’s propulsive plots revolve around crime, but the novels are always about something much bigger, andLush Life merges many of his favorite themes into one masterpiece: ambition and compromise, race and class, gentrification and crime, the push-and-pull of a city’s progressive leanings against reactionary forces for law and order and property values. Price’s city is constructed on a bedrock of conflict between those who’ve come to New York struggling to create art, those who were born here struggling to get by, and the cops struggling to hold the middle, in a spectacular kaleidoscope of a downtown scene at the turn of the millennium, of hipsters and gangsters, housing projects and trendy restaurants, all these subcultures clashing in one microcosm of urban life.
'So, what do you do?' Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places - until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's…
I’ve always been fascinated by the stories of outsiders. I’m probably attracted to the topic because I come from a couple of misfits who reared me in a small town in the deeply conservative South. My mom is an irreverent, Socialist, Croatian immigrant with half a dozen kids, and my dad a curmudgeonly polyglot who loves books more than people. First as a journalist, then as a historian, I’ve long studied the economies and cultures created by those systematically marginalized or merely with a healthy disdain for the mainstream—enslaved people, queers, disenfranchised women, downtrodden artists, poor immigrants. The books here all capture things that make our society beautifully textured, diverse, and resilient.
This book taught me that there are always sources for determined historians to find on any topic. Like most good stories about subcultures, It reveals the influence of the marginalized on the mainstream, even when it’s been hidden from history.
Chauncey explodes the false perception that gay men before the 1960s did not share a common culture but were closeted and isolated from each other. I love his humanizing use of unpublished personal sources like diaries. He also reveals how the pathologizing of homosexuality by medical professionals accidentally supported the creation of vibrant gay communities.
Rarely have I learned so much from such an engaging book. This is my favorite history book of all time.
The award-winning, field-defining history of gay life in New York City in the early to mid-20th century
Gay New York brilliantly shatters the myth that before the 1960s gay life existed only in the closet, where gay men were isolated, invisible, and self-hating. Drawing on a rich trove of diaries, legal records, and other unpublished documents, George Chauncey constructs a fascinating portrait of a vibrant, cohesive gay world that is not supposed to have existed. Called "monumental" (Washington Post), "unassailable" (Boston Globe), "brilliant" (The Nation), and "a first-rate book of history" (The New York Times), Gay New Yorkforever changed how…