The best books set in Long Island

As an author, I write both serious nonfiction and literary fiction. As a journalist, I have lifelong associations with The Atlantic and the Washington Monthly. I didn’t plan it, but four of my nonfiction books make an extended argument for the revival of optimism as intellectually respectable. A Moment on the Earth (1995) argued environmental trends other than greenhouse gases actually are positive, The Progress Paradox (2003) asserted material standards will keep rising but that won’t make people any happier, Sonic Boom (2009), published during the despair of the Great Recession, said the global economy would bounce back and It’s Better Than It Looks (2018) found the situation objectivity good on most major issues.

I spent most of my childhood running amok and creating imaginary worlds with my three siblings on a small farm in New Hampshire. Because of my large family, I’ve always loved reading about charismatic, complicated families in literature. In fact, I had to struggle to edit this list down from 15 books to five. Before I wrote my first book, I didn’t think of all the family-centric novels I read as anything more than reading. But working on Even in Paradise helped me realize that all my reading was actually research for the first fictional family I would create, the “Great Buchanans.”

Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusual pet.

As a thriller writer, I have a simple goal: I want to entertain. I'm not the kind of writer whose name is coupled with the Pulitzer Prize or the National Book Award. I write the kind of stories people read to divert themselves on a rainy afternoon or on the beach or on airplanes. My hope is that I can divert and delight my readers. Help them forget the real world for a while. Give them an enjoyable reading break. If people have fun while reading my thrillers, I've done my job.

I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible. 

I’m drawn to stories about the human experience in the throes of extreme situations. When I was younger, I lived on a military base. I remember hearing snippets of life through the walls of our duplex, seeing things through open windows in our cul de sac. Of course, it wasn’t all sinister, but I was impacted. Secrets and how people cope with trauma are a common theme throughout my work, and I seek out stories with them as a focus. Books that deep-dive into characters and their lives will always make the top of my list!

Even as an overachieving student, I struggled with true/false tests, always writing short essays explaining why the answer wasn’t quite clear cut. Some teachers loved my need to blur the lines. Others not so much. But this aversion to boundaries—the idea that something (or someone) must be this or that—it’s part of my blood. I read everything in the library, nonfiction, fiction, all genres. I like books that cross from real to fantasy, history to fiction. I love characters who refuse to be told who and what they can (or can’t) be. I want love to break boundaries, too. That’s what this list is all about.

Since I was introduced to many authors published by Grove Press, I have been intrigued by transgressive literary fiction, especially stories and novels that feature narrators and protagonists whose unreliability and moral culpability fuel plots to surprising yet inevitable climaxes. Lesser writers of such works use the shocking and revolting as crutches for vapid prose, failing to lead readers to revelations that can be found in the darkest places and in the unlikeliest of people. What better accomplishment can any writer ask for except getting readers, in some way, to identify with characters whom they would avoid in real life?

Atmosphere can play a critical role in crime fiction, and I always find the most satisfying and memorable stories convey a strong sense of place. My own mysteries are set in the Thousand Islands, where many residents live in island homes built by gilded age titans of industry, and this setting is integral to Death in the Family and the entire Shana Merchant series. For twenty years I’ve been a regular visitor to the area, which extends from Upstate New York to Ontario, Canada. The human dangers in my books may be imagined, but the remote and rugged nature of the region always contributes to my contemporary, Agatha Christie-style plots. 

Frank Partnoy is the Adrian A. Kragen Professor of Law at UC Berkeley, where he co-runs an annual conference on financial fraud and teaches business law. He has written four trade press books (WAIT, The Match King, Infectious Greed, and F.I.A.S.C.O.), dozens of scholarly publications, and multiple articles each for The Atlantic, The New York Review of Books, Harvard Business Review, and The Wall Street Journal, as well as more than fifty opinion pieces for The New York Times and the Financial Times. Partnoy has appeared on 60 Minutes and The Daily Show with Jon Stewart, and has testified as an expert before both houses of Congress. He is a member of the Financial Economists Roundtable and has been an international research fellow at Oxford University since 2010.

Susan Beckham Zurenda taught English for 33 years on the college level and at the high school level to AP students. Her debut novel, Bells for Eli (Mercer University Press, March 2020; paperback edition March 2021), has been selected the Gold Medal (first place) winner for Best First Book—Fiction in the 2021 IPPY (Independent Publisher Book Awards), a Foreword Indie Book Award finalist, a Winter 2020 Okra Pick by the Southern Independent Booksellers Alliance, a 2020 Notable Indie on Shelf Unbound, a 2020 finalist for American Book Fest Best Book Awards, and was nominated for a Pushcart Prize for 2021. She has won numerous regional awards for her short fiction. She lives in Spartanburg, SC.

I am a Canadian author of eleven mystery/thriller novels that combine suspense and humor, featuring unorthodox private detective Gabriel Ross. Pick a book from the series to step back in time to Biloxi, Mississippi, in the late '70s and early '80s. You'll get caught up in a fast-paced plot driven by compelling and unusual characters. There are elements of my books that I can directly attribute to the five books I've chosen.  

I am a rabbi and educator who lives in the midst of a large Jewish community and a large Muslim community. But up until about 10 or so years ago, I had no Muslim friends. My wife and I set out to change that. (She formed the Sisterhood of Salaam Shalom and I benefited as a plus one.) I am also the author of nearly 100 books, a growing number of which are for children and some focus on the relationship between Muslims and Jews. 

Since writing a middle-grade novel about a lab rat living on the International Space Station, I was curious to see how other authors tackled the challenge of creating stories about talking rats and mice. After all, these rodents are not generally popular in real life. What exciting approaches did others use to get past this dilemma? I wanted to see how they balanced the ideal—being true to the nature of a species—while constructing original characters in challenging situations. Analyzing how other writers succeed is always useful.

I grew up reading Stephen King and Michael Crichton. That combination of horror and techno-thriller greatly impacted my writing style and genre. I love a page-turner and chapters that end with a cliffhanger. I love that creepy feeling of dread that washes over you when engrossed in a scary scene. I love when you put a book down for the night, turn off the light, and then wince when you hear a strange noise in the other room. I love a story that's so believable that you can't help but wonder, "Could this happen...maybe even to me?" If you do, too, you may enjoy my books.

I’m a novelist who has primarily written in the dark fantasy and horror genre, which often embraces all things autumn. My first novel Black & Orange, its sequel, Nomads, and supplemental short story collection, Reaping October, all take place in autumn and focus on an encroaching dimension of darkness that would change life as we know it. Halloween isn’t just a holiday, it’s a different existence altogether. Having a love for the season and being its steadfast student, I’ve explored these atmospheric themes for decades. I have a solid opinion on what stories take you there.

In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit. 

When I began writing my first novel, the words “what happens next is up to all of us” became my guiding mantra. I have just completed my second novel with the same theme, The Space Between Dark and Light. It will be released early in 2023. During the years between the two books, I have become a speaker on topics related to the environment and peace. In 2020, I received an award as a Creative Environmental and Peace Activist from Visioneers International Network. It is the thought of the world our grandchildren (and generations after them) will inherit from us that makes me care passionately about the future.