Here are 100 books that Good Neighbors fans have personally recommended if you like
Good Neighbors.
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I do not remember a time when I wasn’t captivated by stories about adolescence. This was the case when I myself was a teenager—when I sought in these overwrought sagas the sort of sentimental melodrama that eluded the banality of my own life—but curiously it’s no less true at thirty, for reasons that are fundamentally the same but somehow more urgent. Becoming an adult is an exercise in hardening; to grow up is to forget what it’s like to be beholden to one’s own autobiographical romance.The following titles offer a respite from the cynicism that is adulthood; as a writer and a human, I'm forever in their debt.
I’d normally abstain from the pompous sin of quoting one’s own fiction, but I’m doing it here only to contextualize this recommendation.
“Adolescence is an exercise in coveting what exists just beyond our grasp,” my book’s narrator tells us in his preamble to his telling of Foster’s story. “It is this inaccessibility that sustains its magic.” To be fifteen is to be a voyeur looking wistfully in on the poignancy of others’ lives: this is the idea I tried to operationalize through the narrator’s project, with full knowledge that I’d never do it as lyrically as The Virgin Suicides.
Nominally, the main characters of Eugenides’ debut are the five titular Lisbon sisters, who successively take their own lives, but we encounter them chiefly as figments of a collective imagination: in the captivated minds of a faceless group of teenage boys who witness the tragedies from afar.
Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come.
That girl didn't want to die. She just wanted out of that house. She wanted out of that decorating scheme.
The five Lisbon sisters - beautiful, eccentric and, now, gone - had always been a point of obsession for the entire neighbourhood.
Although the boys that once loved them from afar have grown up, they remain determined to understand a tragedy that has defied explanation. The…
Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell.
So few books give me chills, but I could feel my temperature downright drop the deeper into this graphic novel I went. Certainly not for the weak-hearted, or stomached for that matter, Powell and Schechter plunge into one of the most depraved characters of the Midwest… none other than Ed Gein himself. There is an odd beauty to the madness at display here. It just goes to show you never know what’s going on behind the closed doors of your next-door neighbors.
“It is fantastic! Not only is Eric Powell's art on point, but Harold Schechter introduces some new ideas about Ed Gein that have never been heard.” - THE LAST PODCAST ON THE LEFT
“A natural choice for true-crime fans.”―BOOKLIST
“As extensively researched as the Alan Moore/Eddie Campbell Jack the Ripper graphic novel From Hell, ”Did You Hear What Eddie Gein Done?” is a masterpiece of the form, standing as the best possible dramatization of Ed Gein's tale in any medium.”―BLOODY DISGUSTING
“This is a new true crime comics essential.”―SYFY WIRE
Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell.
Samson’s one and only novel, The Auctioneer is a wonderfully unnerving tale of how a community can find itself completely hollowed out in a matter of a single devil’s bargain. Predating Stephen King’s Needful Things, this book is a literary garotte that slowly closes around the reader’s throat. The paranoia is palpable in these pages, believe me.
One of the finest and best-selling horror novels of the 1970s returns at last to chill a new generation of readers
In the isolated farming community of Harlowe, New Hampshire, where life has changed little over the past several decades, John Moore and his wife Mim work the land that has been in his family for generations. But from the moment the charismatic Perly Dunsmore arrives in town and starts soliciting donations for his auctions, things begin slowly and insidiously to change in Harlowe. As the auctioneer carries out his terrible, inscrutable plan, the Moores and their neighbors will find…
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I really don't know how Catriona Ward manages to balance the languid sadness and unrelenting tension so well.
Ward's profound empathy for every single character, no matter how flawed, is what twists your heart. At the same time, you feel as though you're on a roller coaster barreling at breakneck speed through pitch-black tunnels.
I wasn't always sure I understood what was going on from moment to moment, and that seems very much by design because, wow, what a twist! And the deeply felt depiction of the characters never made me feel like I was truly lost. I will indulge a great deal of mystery as long as it is presented by such a steady and skillful hand.
"The buzz...is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end." ―Stephen King
Winner of the British Fantasy Award for Best Horror Novel! A World Fantasy Award Finalist! An Indie Next Pick! A LibraryReads Top 10 Pick! A Library Journal Editors' Pick! STARRED reviews from Library Journal and Publishers Weekly! Named one of the "50 Best Horror Books of All Time" by Esquire!
"Brilliant....[a] deeply frightening deconstruction of the illusion of the self." ―The New York Times
Catriona Ward's The Last House on Needless Street is a shocking…
Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell.
A bewitching book from beginning to end. Harrison knows how to blend her horror with humor, along with an added dash of pathos to make her characters feel achingly real and relatable. What would you do if you moved to a new town, only to discover your neighbor just-so-happened to be a witch? Fair warning to those afraid of spiders: This book is crawling with the little homewreckers.
A darkly funny, frightening novel about a young woman learning how to take what she wants from a witch who may be too good to be true, from the author of The Return.
All her life, Annie has played it nice and safe. After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation.…
I've been reading Horror and Dark Fantasy books since I was twelve and prefer this genre over any other. The depths of the human psyche explored in these genres expose the core of storytelling itself and the themes that make the best stories really come alive!
This is a forgotten treasure that was made into a movie before many of us were born.
A little girl, Rhoda Penmark, looks so sweet and can get away with anything, even murder. Unfortunate accidents always happen when Rhoda doesn't get what she wants. Eventually her mother has to face the truth, that her sweet little girl is a cold-hearted killer and will do whatever it takes to have her way. Every parent's worst nightmare!
The bestselling novel that inspired Mervyn LeRoy’s classic horror film about the little girl who can get away with anything—even murder.
There’s something special about eight-year-old Rhoda Penmark. With her carefully plaited hair and her sweet cotton dresses, she’s the very picture of old-fashioned innocence. But when their neighborhood suffers a series of terrible accidents, her mother begins to wonder: Why do bad things seem to happen when little Rhoda is around?
Originally published in 1954, William March’s final novel was an instant bestseller and National Book Award finalist before it was adapted for the stage and made into a…
I love thrillers. Mysteries, police procedurals, domestic noir, horror—no matter the sub-genre, I love books that grip me in a well-structured plot. But the books that I re-read, that leave me thinking about them long after, have more than just the pull of a page-turner. There’s a lushness to the language, a psychological complexity to the characters, and the landscapes are alive, vivid, and filled with menace. I call these books “chewy” because, like excellent food, there’s so much to savor. They satisfy my cravings and fill me up, but their flavors and textures add layers to the experience. I hope you’ll devour andsavor these books as much as I have.
This book is a meticulous and gut-wrenching story of the unraveling of a family. At its center, is a young woman who is abducted while running in the Rockies, but it is so much more than that (and that story in and of itself is riveting). I’ve always been drawn to stories that look at the ripples of an act of violence. There’s the shock of the act itself, but then there’s all of the days and years after. What Johnston does so beautifully in this story is show how this family unravels but also how each one of them fights like hell to survive within that unraveling and how that hope ultimately saves them all.
As their world comes undone, the Courtlands are drawn into a vortex of dread and recrimination. Why weren't they more careful? What has happened to their daughter? Is she alive? Will they ever know? Caitlin's disappearance, all the more devastating for its mystery, is the beginning of the family's harrowing journey down increasingly divergent and solitary paths until all that continues to bind them together are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point will a girl stop fighting for her life? Written with a precision that captures…
I love to see complicated characters rising to the occasion. People in real life generally have a lot going on just handling the day-to-day, and they aren’t waiting around for adventure, romance, or mystery to find them. It feels very human to me to see characters struggling with more mundane things like social situations, worrying about their appearance, or holding down a job, rather than only focusing on the plot arc, and that’s the type of character I also focus on as a writer. My latest protagonist, Simon, definitely has enough problems without a missing-person case to solve, so he may be what got me thinking of this topic.
I love the contrast between Libby Day as the innocent, young sole survivor of an apparent satanic massacre and as a broken adult with a messy life and few moral qualms. Having experienced severe trauma and lost her family at a young age, Libby has enough to do getting through daily life and making ends meet after various schemes, like a self-help book milking her trauma, fail to pan out.
I love how, after spending her whole life not wanting to talk about the murders and being annoyed with true crime fans and their theories about what "really" happened, she takes a gig with these very fans to reopen the case decades later, and find out truths she may not even want to know.
'Eerily macabre... Wonderful' Guardian 'A nerve-fraying thriller' New York Times 'Every bit as horribly fascinating as In Cold Blood' Daily Mail
Libby Day was seven when her family was murdered: she survived by hiding in a closet - and famously testified that her older brother Ben was the killer.
Twenty-five years later the Kill Club - a secret society obsessed with notorious crimes - gets in touch with Libby to try to discover proof that may free Ben. Almost broke, Libby agrees to go back to her hometown to investigate - for a fee.
I love thrillers. Mysteries, police procedurals, domestic noir, horror—no matter the sub-genre, I love books that grip me in a well-structured plot. But the books that I re-read, that leave me thinking about them long after, have more than just the pull of a page-turner. There’s a lushness to the language, a psychological complexity to the characters, and the landscapes are alive, vivid, and filled with menace. I call these books “chewy” because, like excellent food, there’s so much to savor. They satisfy my cravings and fill me up, but their flavors and textures add layers to the experience. I hope you’ll devour andsavor these books as much as I have.
Laura McHugh writes about parts of the U.S. that are often either villainized or over-simplified. Instead of leaning into the cliches, she brings these landscapes and their people alive with compassion but without pity. From the first paragraph, I could feel the oppressiveness of the protagonist’s world but I could also see its wild beauty. This is a place where the air is “heavy as a sodden sponge” and insects buzz like an “unholy plague.” The darkness implied in the title has a layered meaning here: there’s the darkness of ignorance, the darkness of the human mind that is capable of justifying cruelty as salvation, and the darkness of hidden and ignored places.
Abducted as a teenager, a woman must now confront her past and untangle the truth of what really happened to her in this dark thriller from the author of The Wolf Wants In.
ONE OF THE BEST BOOKS OF THE YEAR: St. Louis Post-Dispatch, Self • “Compulsively, propulsively readable.”—Laura Lippman, bestselling author of Lady in the Lake
Seventeen-year-old Sarabeth has become increasingly rebellious since her parents found God and moved their family to a remote Arkansas farmstead where she’s forced to wear long dresses, follow strict rules, and grow her hair down to her waist. She’s all but given up…
I love thrillers. Mysteries, police procedurals, domestic noir, horror—no matter the sub-genre, I love books that grip me in a well-structured plot. But the books that I re-read, that leave me thinking about them long after, have more than just the pull of a page-turner. There’s a lushness to the language, a psychological complexity to the characters, and the landscapes are alive, vivid, and filled with menace. I call these books “chewy” because, like excellent food, there’s so much to savor. They satisfy my cravings and fill me up, but their flavors and textures add layers to the experience. I hope you’ll devour andsavor these books as much as I have.
I once heard Elizabeth Brundage talk about how she sees the thriller plotline as something to attach larger ideas to. That made so much sense to me. It was hard for me to choose which of her books to recommend, but I decided on The Doctor’s Wife because it has a new resonance with the current debate around reproductive rights. There are two characters in this book who are on opposite sides of the abortion debate. Brundage’s characters can do monstrous things but they are not monsters; they are complex, hurt, angry, loving, and so recognizably human.
A stunning work of literary suspense by the the acclaimed author of All Things Cease to Appear.
"The memory starts here, in my apron pocket, with the gun."
Lydia Haas is devoted to Jesus, her church, and her husband. Only recently, after it's too late, has she understood how much she has sacrificed to all of them.
Michael Knowles is a rising young doctor, an OB/gyn at a prominent hospital. A man committed to his principles, to rescues with uncertain outcomes; to his wife. The life they've made. He never intended to have to make a choice.
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