The best books about teachers

I have always been fascinated with stories about women who step outside the norm and accomplish their goals. Books that tell of girls who are shy or insecure, but find inner strength in the face of adversity, inspire me. My mother wasn’t afraid to guide me toward these stories when I was young, and I gave books with this theme to my daughters as well. It doesn’t matter where you start from, it only matters where you think you can go, and I love books that share this idea; especially stories of women who do amazing and unexpected things.  

I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”

Carole Boston Weatherford, author of Unspeakable: The Tulsa Race Massacre, has over 60 books, including the Newbery Honor winner, BOX: Henry Brown Mails Himself to Freedom, and three Caldecott Honor winners: Freedom in Congo Square, Voice of Freedom: Fannie Lou Hamer, and Moses: When Harriet Tubman Led Her People to Freedom. Recent titles include Beauty Mark: A Verse Novel of Marilyn Monroe, R-E-S-P-E-C-T: Aretha Franklin, The Queen of Soul, and The Roots of Rap: 16 Bars on the 4 Pillars of Hip Hop. A two-time NAACP Image Award winner, she teaches at Fayetteville State University in North Carolina.

I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.

I’ve been a teacher for over 30 years and a traveler for longer. As a child, I lived in Germany and Japan. When I grew up, I continued to travel, teaching and living in Thailand, London, and China. I’ve written book chapters, poetry, travel pieces, and won a number of writing prizes: the 2023 New York Book Festival prize and a finalist for both the Peter Taylor Prize for Literature and the Gival Press Novel Award. A graduate of Middlebury College (BA) and University of Rochester (PhD), I now live in San Diego with my husband and two cats, teach adult literacy, and work as a volunteer at the San Diego Zoo.

In my 26 years as a Holocaust educator, I worked closely with hundreds of Holocaust survivors helping them to pass along their legacy of remembrance to thousands of students and teachers. When I retired, I developed and began teaching a course entitled Living and Leaving Your Legacy®. Since 2012, I have taught 64 classes and have spoken to audiences locally, nationally, and internationally. My goal is to help people understand that how we live our lives becomes our legacy. I have worked with individuals at the end of their lives helping them to do sacred legacy work and have trained hospice staffs and volunteers to do the same.

Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell. 

I’m a historian and writer and worked in universities all my life. I love writing and everything about it—pencils, pens, notebooks, keyboards, Word—not to mention words. I started writing the histories of migrants and refugees in twentieth-century Britain (and their entanglement with the history of the British Empire) in the 1980s and then kept going. When I studied history at university, migrants and refugees were never mentioned. They still weren’t on historians’ radar much when I started writing about them. Here I’ve picked stories that are not widely known and histories that show how paying attention to migrants and refugees changes ideas about what British history is and who made it. 

My Last Innocent Year is about a young woman losing innocence and gaining wisdom (the flip side of the coin) as she does the hard and necessary work of becoming herself. As Isabel navigates the transition from child to adult, she discovers that adults are, in fact, as lost and confused as she is. The books I have chosen are ones that explore the sometime (often) painful process of growing up and the joy that comes from learning that our voice matters. As the mother of three teenagers, I feel I’m witnessing this transition in real time.

Like my narrator Maggie, I was a child, then a teen wandering the woods and dreaming of a life. I’ve always hated those books/TV shows/films where women, especially young women, are helpless and reliant on a man to get them out of trouble. I gravitate toward stories where females figure out their own paths, not always to a happy ending. I’m still a wanderer today, mostly solo, from New York City to the vast Highlands of Scotland, and while the world can seem scary, I’m confident and free on my own. 

I was born and raised in Durham, North Carolina where I was loved, nurtured, and mentored by several brilliant, creative, and powerful Black women. One of those women was Dr. Maya Angelou, who was close with my Grandmother, Queen Mother Frances Pierce, and was my mom's God-Mother. She and the other authors on this list are all women who I respect professionally and love dearly. I am a picture book author, a Grammy-nominated children's musician, and a father of two. I have read these stories to my children and am so proud to live in the great state of North Carolina with so many talented, genuine, and inspirational Black women.

I’ve loved Scotland ever since I spent a year studying abroad at the University of Edinburgh. In fact, I loved it so much that I returned to the University a couple of years later to complete my master’s degree in creative writing. Between the rugged dramatic landscapes, the stunning Gothic architecture, and the dark cold weather, Scotland was the perfect place to inspire a young aspiring suspense author such as myself—and the ideal setting for a creepy, atmospheric thriller like my debut novel. Although I’ve since moved back to the U.S., I’m always on the lookout for a Scottish-set thriller to take me back to the country where I left my heart but—blissfully—found my husband.

I love my family. I can’t do without them. I have three siblings, and I’m the oldest. My father is a hard-working Texas man who I like to compare to Gus from Lonesome Dove. My mother is a lady. Like Jackie. She’s a classic. This made for interesting suppers. We were expected to behave like royalty while our father wanted us to “pull his finger”. I can’t tell you the mischief that went on in my house. And the fanciness. Oh, my heavens, the fanciness. My mother has so many teapots. My family is the reason I can tell stories, and I applaud any author who makes family come alive.

My writing motto is life & love in between the margins of a page. I believe that every character has a story that matters, so I write fully realized protagonists with real-life issues and life-defining relationships. I want my readers to see parts of themselves in my stories, and while I can’t write everybody, I can recommend the following character-driven books. Subversive means ‘seeking to undermine the power and authority of an established system.’ All these titles have characters that break the mold. They are unapologetically fat or queer. They are criminals and lore. They are trope-twisters and game-changers and everything you want in a well-written and satisfying tale.

NLP at Work has led me to many different countries and experiences and, most of all, an ability to choose how I live my life. NLP; Neuro Linguistic Programming is a way of studying how we do what we do, especially when we do things that are outstanding. The difference that makes the difference is the strapline, and that difference is invariably some unconscious, intuitive act – often rooted in how we think and what we believe. I have sought to present both the tools to study in this kind of way and some of the results of that – the techniques that can be discovered with NLP.

I have been involved with teaching in prison for the last 22 years, and have taught everything from creative writing to meditation to college classes across carceral facilities in New York, California, and Massachusetts. As the founder and director of the Emerson Prison Initiative at Emerson College’s campus at Massachusetts Correctional Institution at Concord, I constantly work with faculty and students who are navigating the teaching and learning environment under some of the most adverse circumstances. These books have helped me feel less alone in this work.

I am passionate about the importance of telling stories in the classroom. My career has been as a children’s librarian in public libraries, but with much time spent telling stories in schools. My daughter and her husband followed in my footsteps as storytellers and found that using storytelling in the classroom has so many benefits. We all offer workshops for teachers, write articles encouraging storytelling, and try in any way possible to grow the corps of teachers who discover this joyful addition to the classroom.

I love language and its power to inform, inspire, and influence. As I wrote Seven Cs: The Elements of Effective Writing, I researched what others have said about writing well and honed it down to these resources, which I quote. During my decades as a journalist and marketer, I developed and edited scores of publications, books, and websites. I also co-wrote two travel guides—100 Secrets of the Smokies and 100 Secrets of the Carolina Coast. I’ve written for such publications as National Geographic Traveler and AARP: The Magazine. A father of three women, I live in Springfield, Pennsylvania, outside Philadelphia, with my wife, daughter, son-in-law, and granddaughter. 

I am an Icelandic writer, best known for crime fiction although I have also written horror and children’s books. From a young age I have been a fan of creepiness and horror. My threshold for the macabre is thus high, maybe best witnessed by me noting that my first crime series featuring lawyer Thora was a cosy crime series, only to be reminded that in the first installment the eyes of a dead body were removed with a teaspoon, in the second a child was killed and the third featured decapitation. Whenever I need a reprise from writing crime I revert to horror, the best received of these being I Remember You. 

Funny stuff happens all the time in my wafty, solo-travelling life. Sometimes that funny stuff will only become apparent after the proverbial dust has settled and I’m no longer in imminent danger or at my wit’s end: the hilarity of a situation reveals itself when I’m telling the story. Travelling alone puts you in a vulnerable position of being open to ‘the moment’ far more so than when you are travelling with someone else. I get a sense of place and people and write about what happens true to my voice which is intrinsically connected to my funny bone—an intention to capture culture through accurate observation and tragi-comic humour.