I’ve alwaysbeen fascinated by children’s language development and am a word hound. For over five decades I’ve been a teacher, teacher trainer, school founder/director, mentor, founder/executive director of a large children’s museum; author of 6 classic textbooks on how children think and learn, and author/self-publisher of one of my many story-poems. My passions are writing, studying new findings in brain development, and launching top-quality schools in underserved urban areas. Between 1969 and 1990, I founded six schools, five still running, three as private non-profit schools and two as essential entities (one called the “safety-net") in their public school systems. The MELC is the only U.S. school accredited by Reggio's founders.
At Gianni Rodare Scuola for 3-month to 3-year-olds, I watched 2 to 3-year-olds draw, a year-long project described in the book The Little Ones of Silent Movies by Loris Malaguzzi and Tiziana Filippini: The authors explain:
“Children are born with “insuppressible, vital, eager urges to build conversational friendships... Words that come later are not a sudden event born from nothing but emerge from a submerged silent laboratory of attempts, trials, and experiments in communication using tools children constantly improve through long preparation. The results—words and drawings—show the strong desire to communicate and interact, basic traits of children.”
I love this book because its text explains and drawings show the roots of language. It inspired me to observe babies more closely and introduce paints and markers.
I’ve been a science fiction writer since I was old enough to read, and I’ve spent probably way too much of my life reading and writing and researching and thinking about aliens. I’ve worked in the aerospace industry, launching rockets to the moon and Mars and Saturn, and five of the books I’ve published have touched on alien life in one way or another. I’ve worked as a contributing editor for WIRED magazine and the science and technology correspondent for the SyFy channel, and I hold patents in seven countries, including 31 issued U.S. patents.
This nonfiction book takes a hard look at humanity’s various attempts to craft a universal language that might, just might, let us one day communicate with extraterrestrials.
What symbols could we use? What encoding? How would we start, and once we’ve started, what would we talk about?
These aren’t easy questions, and we probably still don’t have all the right answers, but I loved the way Oberhaus walked us through the work that has already been done and the directions that future work might take.
If we send a message into space, will extraterrestrial beings receive it? Will they understand?
The endlessly fascinating question of whether we are alone in the universe has always been accompanied by another, more complicated one: if there is extraterrestrial life, how would we communicate with it? In this book, Daniel Oberhaus leads readers on a quest for extraterrestrial communication. Exploring Earthlings' various attempts to reach out to non-Earthlings over the centuries, he poses some not entirely answerable questions: If we send a message into space, will extraterrestrial beings receive it? Will they understand? What languages will they (and we)…
Gibberish is one of those brilliant picture books
that couldn’t be made any other way.
The combination of words, symbols, and
multiple art styles perfectly tells the story of an immigrant child’s
acclimation to an English-speaking classroom. At first, the English words are
all written in symbols, which read as gibberish, and those speaking them are
depicted as old-timey cartoon characters.
As the child begins to
understand, the symbols slowly transition to letters, and the characters gradually
merge with the style of the rest of the book. It is so clever, so emotional, and so
simple for even the youngest of us to understand.
It's Dat's first day of school in a new country! Dat and his Mah made a long journey to get here, and Dat doesn't know the language. To Dat, everything everybody says - from the school bus driver to his new classmates - sounds like gibberish. How is Dat going to make new friends if they can't understand each other? Luckily there's a friendly girl in Dat's class who knows that there are other ways to communicate, besides just talking. Could she help make sense of the gibberish?
Growing up with two languages, I always wondered how one ‘retrieves’ the right words. Later, I worked on how children acquire a language. I looked at when they understood words like IN and ON; BIG and LOW; FATHER, SISTER, or COUSIN; HERE, THERE; BEFORE and AFTER. I tracked when children could produce such words, too. And I found that designing experiments was fun and rewarding. I also worked on when and how children coin words to fill gaps: TO OAR = row; a CUT-GRASS = lawn-mower; a CLIMBER = ladder. I found that learning a first language is a long journey, with many steps along the way.
Think about what we really do with language every day. This book offers a very accessible entry point into how people use language.
Crystal looks at many of the things we all can do with language and what happens to a language as it is used and then changes over time.
Engagingly written, Crystal’s account makes a great starting point for anyone who stops to think about how much we rely on language every day to communicate and coordinate our activities with others.
Steven Pinker meets Bill Bryson in this landmark exploration of language.
In the author's own words, "How Language Works is not about music, cookery, or sex. But it is about how we talk about music, cookery, and sex-or, indeed, anything at all." Language is so fundamental to everyday life that we take it for granted. But as David Crystal makes clear in this work of unprecedented scope, language is an extremely powerful tool that defines the human species.
Crystal offers general readers a personal tour of the intricate workings of language. He moves effortlessly from big subjects like the origins…
I have been a Professor of Middle Eastern Studies and Linguistics at Dartmouth College since 1997. Previously: Professor of Hebrew at London University. BA Oxford, Ph.D. London. Author/co-author of seven books, including The Story of Hebrew (Princeton, 2017) – one of CHOICE Magazine’s 'Outstanding Academic Titles for 2017', a Princeton University Press nomination for the Pulitzer Prize for nonfiction – and (co-author Jon Schommer)A Screenful of Sugar? Prescription Drug Websites Investigated. Over 80 papers on language and its social and political impact, in particular in pharmaceutical and financial literacy.
Some of the best language stories lie dissected in the work of social scientists. Not an easy read. But once in a while, someone brings it to life, enjoyably.
One such is John Edwards, whose ‘Multilingualism’ is required reading for my course on language and politics. Most countries are host to several languages – often a source (or a product) of ethnic pride, and why not? Sometimes, however, full-scale political and economic interventions may occur. And then, a language conflict is on the cards.
Nationalism often enflames such situations but sometimes wisdom and fortune prevail. Not long ago, Catalan and Quebecois French faced a bleak future, but have now seen political and cultural rejuvenation. But other vectors can change the story: Take the Southern Irish: The occupation over, they saw little cultural or economic value in Gaelic, which is now severely endangered.
Multilingualism is everywhere in our globalised society. Delving into the 'social life' of languages, John Edwards provides a brief yet compelling overview of multilingualism and its sociocultural implications and consequences. Covering major topics including language origins, language death, lingua francas, pidgins, creoles and artificial languages, this book provides a complete introduction to what happens when languages meet.
A vital primer for anybody interested in multilingualism, this new edition has been refreshed and updated, expanding its coverage and adding new topics such as linguistic imperialism, minority languages, and folk linguistics. A brand new chapter on recent developments also covers the linguistic…
I know first hand the damage that bullying can have on children, It weighs heavy on your psyche, and emotional well-being. I was determined to find a way to teach children important values to fight the root causes of bullying. I found an old "sketch" and it was my "aha" moment. With continued tweaking, my bubbly hippo was born that I named Bentley.
Sporting his red running shoes, Bentley has become a positive role model for children. He represents resilience, friendship, joy, and kindness. We all grew up hugging a teddy bear, but now it's time for the World to Hug a Hippo. The books I've picked below inspire me and will help kids learn the value of kindness.
Being kind is not only doing something, but kindness is also knowing when you are not ready or responsible enough to care for something like a pet. Oftentimes we think of ourselves and our wants and overlook our capabilities and responsibilities.
So many children think puppies are so cute, and they desperately want one, not truly understanding the responsibility that comes along with it. This novel is about a little boy who was one of those kids who desperately wanted a puppy, or so he thought. He learns the cost of having a puppy, both financially and physically. Teachers, parents, and students will find an extension activity at the end of this novel that tie Reading, Language Arts, Writing, and Math together with one story. Students are asked to find the total amount this family spent, research specific breeds, and calculate…
As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
“Pillow talk of the highest order” ends one review this book. Out of context that would seem to indicate this is a book about romance. There is romance, I suppose, but it is for the English language itself. Open the book at any point and you are likely to be knocked over by the sheer sounds and textures of words bumping into each other—literally and metaphorically. The greatest trick Mullen performs—and there are innumerable tricks here, including anagrams, puns, parodies, borrowed forms—is that she makes poems that are fun to read aloud but also serious in their fun.
Harryette Mullen's fifth poetry collection, "Sleeping with the Dictionary", is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, "Roget's Thesaurus" and "The American Heritage Dictionary". In her menage a trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the…
Women who behave badly delight me. My mother is Polish and I was raised by a formidable group of great aunts who gathered in flannelette nighties and curlers, in a cloud of cigarette smoke, to play cards into the early hours, fuelled by vodka shots and ginger cake. Survivors of Nazi invasion and atrocities, they were loud, effusive, argumentative, unapologetic, loving, and fiercely loyal. I explore difficult territory through my stories, but I have great faith in humanity. My characters are strong women, bold in the face of challenges. Love and loyalty are the keys to their survival.
The title of the book and the stylish cover design offer the first taste of its delicious content. I love a proper story, rich with details that conjure a heightened world and allow me to feel immersed within it. The sort of book you can’t wait to get back to. Extraordinary characters, glamour, danger, and adventure. And such beautiful writing – the language and rhythm sweep you along like a musical score. All that and a charismatic, inspiring heroine who overcomes monumental obstacles during a significant and distinctive period of European history. This book is a delightful, sensory experience. I recommended it to my book group and it did not disappoint.
As the clock chimed the turn of the twentieth century, Lilly Nelly Aphrodite took her first breath. Born to a cabaret dancer and soon orphaned in a scandalous murder-suicide, Lilly finds refuge at a Catholic orphanage, coming under the wing of Sister August, the first in a string of lost loves. There she meets Hanne Schmidt, a teen prostitute, and forms a bond that will last them through tumultuous love affairs, disastrous marriages, and destitution during the First World War and the subsequent economic collapse. As the century progresses, Lilly and Hanne move from the tawdry glamour of the tingle-tangle…
I’m a writer and a Spanish teacher. Creative and a little crazy. I love teaching people who arrive in my city (Madrid) to live for a while. I love writing fiction, specially novels, but also poetry and little stories. Sometimes I mix both skills and create texts as the one below. I dream about winning the lottery but I never buy tickets, and I also love to sing with my guitar when I’m alone. Pleased to meet you.
I would never recommend this book to a student who doesn’t have a good level of Spanish, and who doesn’t have enough confidence. Nevertheless, it’s perfect for intermediate to high level students, who are already well trained, to go deep in their acknowledgement and mend mistakes.
Reading this book can even help you discover mistakes that you didn’t know you were doing and polish aspects of the use of the Spanish language that you ignored. It’s oriented to the difficulties of English speakers, but you can find other versions for speakers of other languages (German, Italian, Brazilian).
Another very good aspect of this little book is its price. Really affordable for its good quality content.
Este libro recopila los errores que con más frecuencia cometen los angloparlantes que quieren aprender español y sugiere una solución. En él se expone el error, se dan claves y fórmulas para corregirlo, y se proponen una serie de ejercicios para consolidar el aprendizaje. Al final del libro hay una sección con las soluciones de todos los ejercicios.
Growing up with two languages, I always wondered how one ‘retrieves’ the right words. Later, I worked on how children acquire a language. I looked at when they understood words like IN and ON; BIG and LOW; FATHER, SISTER, or COUSIN; HERE, THERE; BEFORE and AFTER. I tracked when children could produce such words, too. And I found that designing experiments was fun and rewarding. I also worked on when and how children coin words to fill gaps: TO OAR = row; a CUT-GRASS = lawn-mower; a CLIMBER = ladder. I found that learning a first language is a long journey, with many steps along the way.
This is a great introduction to what linguists do when they analyze languages to see how they work.
Bolinger spent his life observing how speakers use language, making notes on how and when they hesitate as they plan what to say, common errors they make, and what all this tells us about how language functions as a tool for communication.
And he drew on his observations to tell the story of what is involved in studying how languages work. I regularly recommend this book to anyone who wants to know what linguistics is. (It is not being a polyglot!)
