Some men need killing. Whether monsters, serial killers, or husbands, women often face off with danger and must put a stop to it. How they do that fascinates me as a former psychotherapist. Must her life be in imminent danger, his finger depressing the trigger, for her to shoot? What if he terrorized or stalked her, but at the moment of death, she sneaks up on him? What if this guy killed her family, and she seeks revenge? Where we draw these lines in fiction informs who we are as humans and the very nature of our souls. And each of the books on my list, prism-like, reveals a separate facet.
I’m listing this novel first because who’s worse than the devil? He’s the embodiment of a woman’s fears, there when we walk into a parking lot after dark, our keys clenched between our fingers in a makeshift weapon. And in a myriad of other forms. The devil is hard to get away from, especially as a woman.
In this novel, two childhood friends have to face off with the literal devil. And what they do to him—with him—is an anthem of female friendship, a love letter to our girlhood friends, and a book whose final line is as lasting as those years in our lives, the ones we believe at the time will never, ever have to end.
The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act different. She s moody. She s irritable. And bizarre incidents keep happening whenever she s nearby. Abby s investigation leads her to some startling discoveries and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil? Like an unholy hybrid of Beaches and The Exorcist, My Best Friend s…
In the 1990s, books and movies began cropping up about spousal abuse. And domestic violence. It was as if a mass awakening were taking place that queasily asserted: just because you fed the dude a piece of white-slicked cake, he doesn’t have the right to cause you to put on makeup because you have a black eye or wear long sleeves on hot August days, or give in to sex whenever he’s in the mood.
This book was a part of that awakening, and my hat is off to the author for her brave, don’t-look-away examination of Sara and Martin’s relationship. I was rooting and cheering for Sara so loudly that my throat still feels raw thirty years later.
'Sara slept with the enemy but survived. She was one of the lucky ones. Any woman contemplating leaving a violent relationship would do well to read this book' - Erin Pizzey. She is a stranger in a small town. She changed her name. Her looks. Her life. All to escape the most dangerous man she ever met. Her husband.
Whether this book should be taken as a polemic against feminism or support of feminism at its most radical—i.e., women may not always get it right in their fiercest battles, and that’s okay—is probably in the eye of the beholder-slash-reader.
But it doesn’t matter which side I’m on (cough, the second one) in terms of what this book means to me. Which is that adolescence is a tumultuous time when we all get to learn who we are and what matters most to us—if we’re lucky. If we’re less lucky, someone may come along and take advantage of our fresh, unfolding minds such that we never get a chance to bloom.
The girls at Modesta High School feel like they're stuck in some anti-feminist time warp-they're faced with sexism at every turn, and they've had enough. Sponsored by their new art teacher, Ms. Stark, they band together to form the Daughters of Eve. It's more than a school club-it's a secret society, a sisterhood. At first, it seems like they are actually changing the way guys at school treat them. But Ms. Stark urges them to take more vindictive action, and it starts to feel more like revenge-brutal revenge. Blinded by their oath of loyalty, the Daughters of Eve become instruments…
I have never been as scared reading a book—that includes Stephen King’s whole oeuvre, and I am a huge SK fan—as I was this one. Barry conjures up a scene almost any woman will find familiar—you’re driving down a long, dark, lonely road, and then it gets even worse because you’re not alone anymore.
That Barry manages to create masterful suspense against a political backdrop that is even more relevant now than when the book was published is particularly dazzling. And the triumphant battle to the death at the end had my heart in my throat and my blood pulsing.
An addictive, fast-paced thriller that will keep you on the edge of your seat. Perfect for fans of LISA GARDNER and CLARE MACKINTOSH.
'A novel like razor-wire' AJ Finn, author of #1 bestseller The Woman in the Window 'A nerve-shredding book' Rosamund Lupton, bestselling author of Three Hours
Two strangers, Cait and Rebecca, are driving across America.
Cait's job is to transport women to safety. Out of respect, she never asks any questions. Like most of the women, Rebecca is trying to escape something.
But what if Rebecca's secrets put them both in danger? There's a reason Cait chooses to…
I’m ending with this unorthodox double feature (think Godzilla v. Kong) because girls who kill put a twist on the theme of this list. What are little girls made of? Sugar and spice and everything nice. But maybe they’re a little less nice when boys are boys.
A feminist reimagining of March’s classic 1950s novel has Claude Daigle perhaps deserving of his fate at Rhoda Penmark’s hands. What if he tormented and taunted her, and she took revenge? While the daughter in Stage’s contemporary novel walks a very narrow line that kept me unsure the whole time… the guessing was delicious. Is Hanna evil? Or misunderstood? Is her mom, Suzette, going to get her due? Or is she going insane?
The bestselling novel that inspired Mervyn LeRoy’s classic horror film about the little girl who can get away with anything—even murder.
There’s something special about eight-year-old Rhoda Penmark. With her carefully plaited hair and her sweet cotton dresses, she’s the very picture of old-fashioned innocence. But when their neighborhood suffers a series of terrible accidents, her mother begins to wonder: Why do bad things seem to happen when little Rhoda is around?
Originally published in 1954, William March’s final novel was an instant bestseller and National Book Award finalist before it was adapted for the stage and made into a…
Psychologist Arles Shepherd treats troubled children struggling with each case to recover from her own traumatic past. There is one patient Arles most longs to heal: a ten-year-old boy who has never spoken a word—or so his mother, Louise, believes.
Hundreds of miles away, Cass Monroe is living a parent’s worst nightmare: his daughter has vanished on her way home from school. Fighting a heart that was already ailing, Cass turns to a pair of true crime podcasters for help while struggling to keep his marriage alive along with himself. The lives of Arles, Louise, and Cass are entangled in ways none of them realize. And when the collision occurs, a quarter-century-old secret will be forced out of hiding because nothing screams louder than silence.
This book is set in Montauk, under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk’s last parcel of undeveloped land. Everyone in town has a stake in the outcome, among them Julienne, an environmentalist and painter fighting to save the landscape that inspires her art; Theresa, a bartender whose trailer park home is jeopardized by coastal erosion; and Molly and Billy, who are struggling to hold onto their property against pressure to sell. When Clancy…
The Stark Beauty of Last Things is set in Montauk, the far reaches of the famed Hamptons, an area under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk's last parcel of undeveloped land.
Everyone in town has a stake in the outcome, among them Julienne, an environmentalist and painter fighting to save the landscape that inspires her art; Theresa, a bartender whose trailer park home is jeopardized by coastal erosion; and Molly and Billy, who…
