100 books like My Best Friend's Exorcism

The ‘zombie apocalypse’ scenario has been used for years by risk management professionals to make the examination of possible societal breakdowns more fun and/or interesting.

By focusing on a hazard people know, like hurricanes or wildfires, audiences come to the discussion with pre-existing biases and, in many cases, first-hand experience. This forces the communicator to counter such bias before getting to key messages.

There’s never been an actual zombie apocalypse (nor is there likely to ever be one…), which means the zombie scenario adequately ‘levels the field’. It forces audiences to think beyond their go-to assumptions and introduces levels of uncertainty and unknown that are typical of major disasters.

This book, written without obvious heroes and heroines, in a documentary style, makes a perfect proxy for a disaster exercise scenario. I also believe it does a great job illustrating how different forms of governance result in different response strategies, which… show more.

The Ballad of Black Tom rocked my world.

I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.

Black Tom touches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.

He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.

I have always been a fan of Lovecraft, but the unfathomable remoteness of his fearsome creations left me dissatisfied. Ruthanna Emrys flips the Lovecraftian script on its head and tells tales within Lovecraft’s universe from the perspective of the characters that Lovecraft vilified. In a world that celebrates diverse perspectives far more than in Lovecraft’s day, Winter Tide gives readers a chance to appreciate the richness and creativity of Lovecraft’s world through the eyes of its marginalized characters.

I love a good dystopian novel, and this hit all the right notes for me. At first, everything seems perfect in Jonas’s tightly-ordered world—only everyone is hiding something. Jonas is different, but he doesn’t know how.

I loved how thought-provoking The Giver was. It got me asking questions about what it means to be a part of a community, a friend, and a member of a family. What risks are we willing to take for the ultimate good, and what crosses the line?

I found Jonas’s story fascinating and felt genuinely concerned for him throughout the book.

No Dark Academia list would be complete without The Secret History—Donna Tartt’s 1992-debut (!) has come to define the genre.

Among the many things I love about this novel are that it’s a mystery told in reverse, and a meditation on toxic friendships between students at a top-tier institution, which explores the darker corners of the human psyche contained within classical texts.

It’s a book I come back to again and again, and Tartt’s effortless style has influenced my own writing. There’s an intimacy here, and readers will feel as if they, too, are starting their campus journey together with newcomer Richard Papen, at a college based on Tartt’s own alma mater, Bennington.

Looking to move past the social shame of her suicide attempt, Margaret Prior begins visiting a woman’s prison to conduct rehabilitative charity work. But when she meets the young spiritualist Selina Dawes, she finds herself pulled into a world of smouldering passion and the realisation the world may be more than she ever realised. 

In this book, Sarah Waters takes Victorian gothic romance and brings it into the modern age. Reading this book involves peeling away the layers and interpreting the unspoken. Nothing is spelt out, as none of the characters would ever deign to say such things out loud. But by looking at what isn’t said, we gradually learn the hidden truth.

Just when I thought I was done with vampires, Silvia Moreno-Garcia’s Certain Dark Things came along.

I was burned out on the genre. Most of the characters in vampire stories are rich, privileged, and frankly, not that interesting. Atl, the main character in Certain Dark Things, is the exception.

A descendant of Aztec blood drinkers, she finds herself caught between the rival vampire clans that dominate Mexico City. When she develops an unexpected attachment to a street kid named Domingo, her life gets even more complicated. 

Domingo could have been nothing but a Renfield, a plaything for her vampire lead. But Moreno-Garcia explores the tender bond that develops between them, a connection that puts both in jeopardy. An engrossing new spin on the vampire tale.

Set in 1987 Texas, this sweet coming-of-age story has so many of my favorite things: A slow-burn romance, opposites attracting, and characters so beautifully drawn that you won’t want to let them go when you get to the final page.

Dante is artistic, sensitive and wears his heart on his sleeve. Ari is fiercely loyal, tough on the outside but on the inside is still finding his way. When an accident changes the dynamic of their summer friendship, they both need to come to terms with what they really mean to each other.

I love that this story unfolds at a pace that breathes –  Sáenz takes his time letting his characters get to know one another, through swim lessons and summertime meandering, through letters, and deep conversations. 

One night, a gaunt woman stumbles into the road in front of Lauren and her father. They take her home, but the next day she is gone, and only Lauren can remember she was ever there. 

The best supernatural horror works because it reflects the terrors of real life. Francine Toon’s Pine is the story of Lauren, a young girl growing up in rural Scotland with an alcoholic father and only the memory of a mother who disappeared when she was a child.

And while the supernatural is always present, it is the isolation and actions of the living that create true horror. 

This book was like a big piece of literary chocolate cake. It was a blast from start to finish, set in the 1940s theater world of New York.

Ninety-five-year-old Vivian recounts her time in the theater, looking back on all the pleasure and pain of youth. The theater itself is another character within the novel, and like Broadway itself, the book is littered with eccentrics and phenomenal characters. An absolute jewel.