Here are 79 books that My Best Friend's Exorcism fans have personally recommended if you like
My Best Friend's Exorcism.
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I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
This is an absolute classic of the genre. Brooks draws in various ‘accounts’ of a recent zombie outbreak and structures them as if the broad details are common knowledge to his in-universe audience.
This approach means the real-world reader is always discovering new details and nuggets of information in a way that really whets the appetite while increasing the sense of horror at the way events unfolded in a world that isn’t quite our own.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.
Black Tomtouches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.
He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.
People move to New York looking for magic and nothing will convince them it isn't there.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic…
I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!
I am one of those people who were really into Lovecraft until they discovered he was a huge racist and homophobe, among other things; the contemporary reclamation of Lovecraft’s iconic mythology is delicious, and this book is a wonderfully eerie, weird entry into the new canon.
This book checks a lot of my personal boxes, like secretive government experiments, shady, half-revealed lore, and lyrical writing. I’m a huge fan of stories where you know just enough about what’s going on to keep up, and the characters are so sympathetic that you’ll follow the mystery for their sake alone.
Two decades ago the U.S. government rounded up the people of Innsmouth and took them to a desert prison, far from their ocean, their Deep One ancestors, and their sleeping god, Cthulhu. Only Aphra and Caleb Marsh survived the camps, emerging without a past or a future.
Now it's 1949, and the government that stole Aphra's life needs her help. FBI Agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant and hasten the end of the human race.
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing properties–Julia unearths a story rife with hidden agendas and a missionary community unwilling to share the truth. As she confronts the eerie legends and a fellow traveler with his own motives, Julia finds that the longer she stays, the thinner the line between reality and the fantastical becomes until she…
From the award-winning author of Dead Souls and Poe comes an all-new bone-chilling novel where a mysterious island holds the terrifying answers to a woman's past and future.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunges off a waterfall to her death, convinced the spirits of her dead husband and daughter had joined the nightmarchers-ghosts of ancient warriors that rise from their burial sites on moonless nights. But was it suicide, or did a strange young missionary girl, Agnes, play a role in Irene's deteriorating state of mind?
I am passionate about writing books that put good into the world and highlight meaningful and inspiring themes, which, in turn, means I am also passionate about reading books that do the same. I love to write and read books that leave the reader feeling like there is still good in the world, even when it seems to be very dark around us. If people read my books or any on this list, I sincerely hope they feel encouraged and inspired and enjoy them as much as I do.
While I don’t always love mainstream classics, The Giver is a classic for a reason, and, in my opinion, it rightfully deserves its place on the shelf.
I love the emotional draw of this book and the invitation to think deeper about the meaning of life and the burden it can take on us. I love books that challenge us to think about the bigger concepts of life and all they entail: the good, the bad, and the ugly.
THE GIVER is soon to be a major motion picture starring Jeff Bridges, Katie Holmes and Taylor Swift.
Now available for the first time in the UK, THE GIVER QUARTET is the complete four-novel collection.
THE GIVER: It is the future. There is no war, no hunger, no pain. No one in the community wants for anything. Everything needed is provided. And at twelve years old, each member of the community has their profession carefully chosen for them by the Committee of Elders.
Jonas has never thought there was anything wrong with his world. But from the moment he is…
Some men need killing. Whether monsters, serial killers, or husbands, women often face off with danger and must put a stop to it. How they do that fascinates me as a former psychotherapist. Must her life be in imminent danger, his finger depressing the trigger, for her to shoot? What if he terrorized or stalked her, but at the moment of death, she sneaks up on him? What if this guy killed her family, and she seeks revenge? Where we draw these lines in fiction informs who we are as humans and the very nature of our souls. And each of the books on my list, prism-like, reveals a separate facet.
I’m ending with this unorthodox double feature (think Godzilla v. Kong) because girls who kill put a twist on the theme of this list. What are little girls made of? Sugar and spice and everything nice. But maybe they’re a little less nice when boys are boys.
A feminist reimagining of March’s classic 1950s novel has Claude Daigle perhaps deserving of his fate at Rhoda Penmark’s hands. What if he tormented and taunted her, and she took revenge? While the daughter in Stage’s contemporary novel walks a very narrow line that kept me unsure the whole time… the guessing was delicious. Is Hanna evil? Or misunderstood? Is her mom, Suzette, going to get her due? Or is she going insane?
The bestselling novel that inspired Mervyn LeRoy’s classic horror film about the little girl who can get away with anything—even murder.
There’s something special about eight-year-old Rhoda Penmark. With her carefully plaited hair and her sweet cotton dresses, she’s the very picture of old-fashioned innocence. But when their neighborhood suffers a series of terrible accidents, her mother begins to wonder: Why do bad things seem to happen when little Rhoda is around?
Originally published in 1954, William March’s final novel was an instant bestseller and National Book Award finalist before it was adapted for the stage and made into a…
I’ve loved learning about history since childhood, as attested by my bookshelves full of American Girl series, Laura Ingalls Wilder, and The Royal Diaries (Cleopatra was my favorite). After writing my first book about reenactors pretending to be French explorers, I worked as a history writer for Smithsonian Magazine. I especially love the philosophical and political questions of how we still interact with the past and how history is presented. I hope you’ll enjoy thinking about that and learning some history from these books!
This is the only fiction on a list otherwise full of nonfiction, but it more than deserves a place on this list. There are so many things to love about this book—its audacious opening line, the lush writing, the twisted relationships—but what I think history lovers might appreciate most is how deeply entwined the characters get with the history of Antiquities.
After all, the main group of characters in this dark academia only come together because they’re all studying Greek and Latin. In fact, the plot hinges on their obsession with Antiquity—but I won’t get too much more into that. I just recommend picking the book up and going along for the ride.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
Looking to move past the social shame of her suicide attempt, Margaret Prior begins visiting a woman’s prison to conduct rehabilitative charity work. But when she meets the young spiritualist Selina Dawes, she finds herself pulled into a world of smouldering passion and the realisation the world may be more than she ever realised.
In this book, Sarah Waters takes Victorian gothic romance and brings it into the modern age. Reading this book involves peeling away the layers and interpreting the unspoken. Nothing is spelt out, as none of the characters would ever deign to say such things out loud. But by looking at what isn’t said, we gradually learn the hidden truth.
'Affinity is the work of an intense and atmospheric imagination . . . Sarah Waters is such an interesting writer, a kind of feminist Dickens' Fiona Pitt-Kethley, Daily Telegraph
Set in and around the women's prison at Milbank in the 1870s, Affinity is an eerie and utterly compelling ghost story, a complex and intriguing literary mystery and a poignant love story with an unexpected twist in the tale. Following the death of her father, Margaret Prior has decided to pursue some 'good work' with the lady criminals of one of London's most notorious gaols. Surrounded by prisoners, murderers and common…
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
Just when I thought I was done with vampires, Silvia Moreno-Garcia’sCertain Dark Things came along.
I was burned out on the genre. Most of the characters in vampire stories are rich, privileged, and frankly, not that interesting. Atl, the main character in Certain Dark Things, is the exception.
A descendant of Aztec blood drinkers, she finds herself caught between the rival vampire clans that dominate Mexico City. When she develops an unexpected attachment to a street kid named Domingo, her life gets even more complicated.
Domingo could have been nothing but a Renfield, a plaything for her vampire lead. But Moreno-Garcia explores the tender bond that develops between them, a connection that puts both in jeopardy. An engrossing new spin on the vampire tale.
Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood-drinkers, is smart and beautiful - and very dangerous. Domingo is mesmerised.
Atl needs to escape the city quickly, to get far away from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn't include Domingo, but little by little, she finds herself warming up to the scrappy young man and his undeniable charm. As the trail of…
I remember how it was to be an awkward teen, misunderstood, questioning, and having nowhere to turn. I remember living in a violent world where I had to grow up to survive. The world was a scary place for a neurodivergent who lived more in her head than in real life. I want to be able to bring stories to our young people where they might see themselves and not feel so alone because we all are a bit awkward, a bit misunderstood, and filled with stories that deserve to be told.
Coming out sometimes happens slowly. This book is about two boys who meet over one summer and become best friends. Although they’re different, they find the pieces of themselves that fit together.
Throughout the story, it felt as if they were meant to be together. The Universe made it so. All Ari had to do was believe.
This Printz Honor Book is a "tender, honest exploration of identity" (Publishers Weekly) that distills lyrical truths about family and friendship.
Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When they meet at the swimming pool, they seem to have nothing in common. But as the two loners start spending time together, they discover that they share a special kind of friendship--the kind of friendship that changes lives and lasts a lifetime. And it is through their friendship that Ari and Dante will learn…
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
One night, a gaunt woman stumbles into the road in front of Lauren and her father. They take her home, but the next day she is gone, and only Lauren can remember she was ever there.
The best supernatural horror works because it reflects the terrors of real life. Francine Toon’s Pine is the story of Lauren, a young girl growing up in rural Scotland with an alcoholic father and only the memory of a mother who disappeared when she was a child.
And while the supernatural is always present, it is the isolation and actions of the living that create true horror.
WINNER of the McIlvanney Prize 2020 Shortlisted for Bloody Scotland's Scottish Crime Debut of the Year 2020 Longlisted for the Highland Book Prize 2020
'Hugely atmospheric, exquisitely written and utterly gripping' LUCY FOLEY, author of The Hunting Party 'It's both eerie and thrilling at once, and had me under its spell until the end' SOPHIE MACKINTOSH, author of Blue Ticket and The Water Cure ______________
They are driving home from the search party when they see her. The trees are coarse and tall in the winter light, standing like men.
Lauren and her father Niall live alone in the Highlands,…
