Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
Could you do what it takes to keep humanity safe? Even if it means condemning yourself to Hell for all eternity?
Elizabeth is part of the Circle, a group that believes they must find and sacrifice innocent souls for a ritual that keeps the Devil bound in Hell. They live set apart from the world, knowing that no one outside their number could ever understand the necessity of what they do. No matter how horrific their actions, the alternative means the death of everything.
Laura Purcell is a master of the modern gothic horror novel. By that, I mean she clearly has a passion for both history and gothic literature but does not allow them to control her work.
But what I love most about Purcell’s work, and The Corset in particular, is how Purcell balances our belief as to whether the supernatural is real or not. Can Ruth really kill people through her needlework, or is it all a terrible coincidence? Is she a victim of her circumstances or a murderer who deserves her terrible fate? Or both?
'Laura is a masterful writer, her deliciously gothic stories so skilfully woven that you can't get them out of your head even if you wanted to' Stacey Halls, author of The Familiars
'The Corset is a contender for my Book of the Year. Beautifully written, intricately plotted, a masterpiece' Sarah Hilary
Is prisoner Ruth Butterham mad or a murderer? Victim or villain?
Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.
When Dorothea's charitable work leads her to Oakgate Prison, she finds herself drawn to Ruth, a teenage seamstress - and self-confessed…
One night, a gaunt woman stumbles into the road in front of Lauren and her father. They take her home, but the next day she is gone, and only Lauren can remember she was ever there.
The best supernatural horror works because it reflects the terrors of real life. Francine Toon’s Pine is the story of Lauren, a young girl growing up in rural Scotland with an alcoholic father and only the memory of a mother who disappeared when she was a child.
And while the supernatural is always present, it is the isolation and actions of the living that create true horror.
WINNER of the McIlvanney Prize 2020 Shortlisted for Bloody Scotland's Scottish Crime Debut of the Year 2020 Longlisted for the Highland Book Prize 2020
'Hugely atmospheric, exquisitely written and utterly gripping' LUCY FOLEY, author of The Hunting Party 'It's both eerie and thrilling at once, and had me under its spell until the end' SOPHIE MACKINTOSH, author of Blue Ticket and The Water Cure ______________
They are driving home from the search party when they see her. The trees are coarse and tall in the winter light, standing like men.
Lauren and her father Niall live alone in the Highlands,…
True horror scares and unsettles us because of how it reflects the real world. And is there anything more terrifying than coping with adolescence in a conservative world?
When Abby’s best friend, Gretchen, is possessed by a demon, her biggest obstacle isn’t the powers of hell or the terrible thing Gretchen does, but her conservative parents desperate to hide anything that might shatter their perfect Reaganite world, even if that means harming their child and those around her.
The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act different. She s moody. She s irritable. And bizarre incidents keep happening whenever she s nearby. Abby s investigation leads her to some startling discoveries and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil? Like an unholy hybrid of Beaches and The Exorcist, My Best Friend s…
Looking to move past the social shame of her suicide attempt, Margaret Prior begins visiting a woman’s prison to conduct rehabilitative charity work. But when she meets the young spiritualist Selina Dawes, she finds herself pulled into a world of smouldering passion and the realisation the world may be more than she ever realised.
In this book, Sarah Waters takes Victorian gothic romance and brings it into the modern age. Reading this book involves peeling away the layers and interpreting the unspoken. Nothing is spelt out, as none of the characters would ever deign to say such things out loud. But by looking at what isn’t said, we gradually learn the hidden truth.
'Affinity is the work of an intense and atmospheric imagination . . . Sarah Waters is such an interesting writer, a kind of feminist Dickens' Fiona Pitt-Kethley, Daily Telegraph
Set in and around the women's prison at Milbank in the 1870s, Affinity is an eerie and utterly compelling ghost story, a complex and intriguing literary mystery and a poignant love story with an unexpected twist in the tale. Following the death of her father, Margaret Prior has decided to pursue some 'good work' with the lady criminals of one of London's most notorious gaols. Surrounded by prisoners, murderers and common…
His storytelling and artwork combined create books which even the strongest stomached would find uncomfortable. And yet, we are drawn to them, unable to look away. And he understands that the most terrifying thing is not an invasion by something outside of our world but the realisation that the everyday world around us might turn against us.
Uzumaki is a story about incomprehensible obsession and how it can take over a society to the point of destruction. One by one, the people of a small Japanese town become obsessed with spirals. Not a monster or a ghost, but a shape, until the power behind it destroys everything.
Kurozu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but by a pattern: uzumaki, the spiral, the hypnotic secret shape of the world. It manifests itself in everything from seashells and whirlpools in water to the spiral marks on people's bodies, the insane obsessions of Shuichi's father and the voice from the cochlea in our inner ear. As the madness spreads, the inhabitants of Kurozu-cho are pulled ever deeper into a whirlpool from which there is…
A contemporary romance novel about second chances, love in the workplace, and balancing single parenthood with a career. Bailey Grant and Fox Goodman have given up on love. They’re working hard, they’re raising kids—romance is the last thing on their minds. Until they get seated next to each other on a flight and realize they have more in common than just the company where they work.
But can a VP date the CEO? How will they make it work? Wait and see how sparks fly in this uplifting, feel-good, dual-narrative romantic read!
Bailey Even from afar, you could feel it: the man's ever-present, effortless charm, looks, and for lack of a better word, swagger. Everyone—and by everyone, I meant every female at Havelin—had speculated about his personal life. We all knew he had two sons, but what about a wife? Not that I cared. I was VP of Quality, a widow, and a mother raising two teenage daughters. Love was the last thing on my mind.
Fox She was staggeringly beautiful. And she didn’t know it. Not even in the slightest. Not a clue. I’d never felt like this before. Even more…
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