The best books about nuns

As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.

As a practicing Catholic, I believe in the supernatural and thus, other worlds. In the Nicene Creed, there is a line: “I believe in one God, the Father almighty, maker of heaven and earth of all things visible and invisible.” I find inspiration in both fictional fantasy as well as nonfiction stories of people encountering the impossible and discovering their personal stories or talent. As I grew up and learned about the lives of the saints I found myself engrossed in these real people who experienced miracles. It was this conviction of my own faith that inspired me to write a more secular, Catholic-inspired Young Adult series: St. Blair: Children of Night.

I just looked this up. The word is Hibernophile. I love all things Irish even though I'm American, and distantly, Irish American. My inspiration for the Brigid of Ireland trilogy met at the intersection of genealogy research and discovering druids. The novel Druids by Morgan Llywelyn which I read soon after The Mists of Avalon impacted so much of my future writing I love research, too. Finding my family roots—immigrants to the New York marble quarries during the Famine—was the impetus for tying these two things together. This—researching Catholicism in Ireland—led me to Patrick and Brigid. I live, teach, and write in the mountains of Virginia.

As a professor, I see students fascinated by science, but petrified to take a science class. This is in part because we have dehumanized science, removed the story, edited out the human, deleted the parts that allow people to connect with it. Science does not get delivered by gods, but is created by people: smart, quirky, sometimes immoral people. As a writer, my hope is to be able to reinsert life into readers’ understanding of our greatest advances. As a reader myself, I am deeply appreciative when other authors do it too.

As a psychologist with environmental interests people often ask me about hope. It goes something like this: “Climate change is pushing us toward disaster! What is your source of hope?”  I finally figured out that I only have one source of hope. It is that we, as people, are able to work together just well enough to keep it all afloat. There’s a lot involved in working together – learning to listen with compassion, run good meetings, empower everyone to give of their best, and rebuild trust when it starts to break down. I’ve been researching these topics in community settings for the past 15 years. 

My passion for true crime fiction started in 2016 with the murders of eight family members in a neighboring county in Southern Ohio. The case made international news, and five years later there are still more questions than answers. I felt the victims of this heinous crime deserved some closure which the legal system has not yet provided. So, writing a fictional version of this story was my way of providing closure - at least in my own mind.

I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.

Even as a child, I wanted to escape from current times and visit bygone or future eras. History and literature were favourites and I gleaned most of what I know of the past by reading. Then I found Georgette Heyer, prompting a lifetime love affair with all things Georgian and Regency. Agatha Christie got me into mystery. I loved both the puzzle of whodunit and being whirled away into Poirot, Marple, or Cadfael territory. A good mystery and a deep dive into history as well? Heaven! Best of all is the author who draws me so completely into their imaginary world that the real one fades away.

I’m an engineer-turned-mystery-writer, and my taste in fiction is as unconventional as my career. I love books set in obscure periods of the past, with underdog characters who rise to the occasion through cleverness and grit. I write the kind of books I love to read, which explains why I set my novels in ancient Rome. The engineer side of my brain thrives on doing historical research while my creative side imagines quirky, imperfect characters who find unconventional ways to solve tricky mysteries. I hope you enjoy my list of clever, spunky sleuths from various periods who solve murders in unique ways. 

I am grateful to my maternal grandparents, immigrants from southern Italy, who instilled in me a love for the Bel Paese that has inspired me all my life. I began to travel to Italy 45 years ago, and after writing for television—on the staff of Everybody Loves Raymond—I turned to travel writing. I’ve written 4 books about Italian travel, along with many stories for magazines. I also design and host Golden Weeks in Italy: For Women Only tours, to give female travelers an insider’s experience of this extraordinary country.