97 books like Sacred Hearts

Most romance readers know that this story is about a run-down villa in Tuscany and a heartbroken heroine (Frances Mayes) struggling to build a life after her divorce. But read the book for the beautiful descriptions of the countryside, the delicious food and wine, and the gorgeous accounts of village life—the markets, the frescos, the fading sunlight!

This memoir is not just a restoration journey; it’s a book about finding yourself. 

I have always loved visiting the city of Naples – for the great food, the rich history, and the warm locals who remind me of my southern Italian relatives. Ferrante’s novels go deep into the complexities of a female friendship that spans many decades, while also bringing to life a wide range of characters who I grew to love and truly care about, while devouring this extraordinary series.

A friend of mine recommended this book before it became well-known—and the moment I saw the cover, I knew I had to own it!

Turquoise-blue water, a jagged Italian coastline, pastel-colored buildings set against a cliff, and oh—that typeface that screams late 1950s/early 1960s! Such enticing visuals! Of course, with such a setup, I might have been expecting too much—but the story didn’t disappoint me.

Its initial chapters are set in a small, down-on-its-luck hotel in a remote Italian village where a young starlet with a compelling secret comes to stay. Spanning time periods and continents, the novel has an epic feel.

But it’s that romantic setting that has stayed with me forever and fueled my ongoing love of the Italian coast! 

This memoir of a Sicilian year beautifully weaves together Simeti’s personal experience in rural Sicily and Palermo with her extensive knowledge of history, mythology, and culinary traditions. Simeti’s honesty truly prepared me for my first trip to Sicily – giving me a full picture of the island’s light and dark sides. 

I always appreciate a book that connects Renaissance history to present-day issues – like the never-ending pressure for women to fit a particular standard of beauty. Like us, Renaissance women obsessed over how they looked, how they smelled, their weight, their hair, their makeup (which somehow makes them seem like people we might have been friends with 500 years ago!).

Burke looks at Renaissance beauty culture through the lens of a historian, using sixteenth-century how-to manuals, poems, letters, diaries, and art to think about the impact of Renaissance ideas about beauty and the enduring connection between cosmetics and gender, misogyny, and power.

It’s an entertaining read that’s backed by serious research.

I loved this book because it’s a biography that reads like a novel and because its subject is a woman who was celebrated in her own time but has been almost totally forgotten since.

In an age when “respectable” women were discouraged from writing and publishing, Vittoria Colonna became one of the most revered poets of the Renaissance, moving in the same circles as popes, princes, writers, and artists.

I love how Targoff brings to life Colonna’s different environments – from the rocky island of Ischia off Naples, where she lived as a newlywed, to the convent where she sought refuge after the death of her husband (who inspired much of her poetry). I also appreciate the nuanced presentation of Colonna’s friendship with Michelangelo, which shows us how influential she was as his spiritual mentor. 

I really enjoyed Leah Chang’s beautifully written Young Queens. It adds a new twist to the “royal biography” genre by tracing the interconnected lives of three women – Catherine de’ Medici, Elisabeth de Valois, and Mary, Queen of Scots – from childhood into adulthood.

Chang has a gift for bringing history to life, interweaving her sources with a sweeping narrative so that you feel like you can hear these women speaking in their own voices. She shows the paradox at the heart of their lives: even at the height of power, these queens were measured by their gender and their bodies, seen as vessels for the future of the state. It’s an important counterbalance to the usual narrative of royal history.

I wanted to include this book because it focuses not only on women in the Renaissance but on the particular experience of a Jewish woman living and writing in seventeenth-century Venice.

Even though the Venetian republic proclaimed justice and equality, those ideals did not extend to women nor to the thousands of Jews and other non-Christians who made their home in the city. As a Jewish woman, Sarra Copia Sulam had to navigate prejudice and suspicion on two fronts, yet she courageously defended herself and her faith in print.

The book does a wonderful job of showing how Sulam used her dexterous pen to take on her critics, and Westwater’s account reveals new biographical information about Sulam, her family, and Jewish life in the Renaissance.

Sister Joan is yet another religious sleuth. Set in the early 1990s, I think this series now qualifies as a historical mystery. It is a lighter read than my other choices, but one I absolutely loved and, like Cadfael, I dived in and devoured the lot. Vow of Silence is the first and hooked me straight away. The religious life fascinates me and I enjoyed the way the ceremonial routine of the convent was woven into the mysteries. This detail serves to immerse you in the life of Sister Joan, a down-to-earth heroine who drew my admiration. The mysteries unfold naturally into the setting and don’t seem incongruous. A more gentle read than the others I have chosen, but acutely satisfying.

It’s an all-too-common crime of a history written by societies victors that brilliant women like Sor Juana Ines De La Cruz are doomed after living a life enriching this world’s literature and thought.

It was rage at this kind of historical injustice which inspired my writing of my book. 

Sor Juana’s great poem "First Dream" also inspired me not only in my first novel, but in many of the visual art I did in my 20’s. We even called my daughter Inés, partially in homage to her.

Octavio Paz’s masterpiece that won him the Nobel Prize of Sor Juana Ines de la Cruz is an incredible time travelling journey. It’s so wonderful that sometimes you think you are reading a memoir and go deep inside her poetry, science, love life, and dreams.

It is biography, history, literary criticism, and an expose against the Vatican’s minions who were colonizing… show more.