Here are 100 books that The Neapolitan Novels Boxed Set fans have personally recommended if you like
The Neapolitan Novels Boxed Set.
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Everyone should read this book right now which features hurricanes and flooding in Florida. The flood scene in this book still stays with me, years after I read it. The waters are not just terrifying, but contain horrors such as a rabid dog clinging to a piece of debris.
That scene still keeps me up at night, and I think about it often now with all the flooding in the south. It’s not just the water, it’s what’s in the water.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
I’m a word guy. I’ve been a radio announcer and an academic librarian. Currently I translate Norwegian film and TV production scripts into English. I’ve had an obsession with Vikings all my life and have made researching the subject my lifelong hobby. I’m also a Christian (not as paradoxical as you might think). I like authors who a) know how to use words, and b) explore the larger, more challenging moral questions with honesty and decency. Most of all, I like stories that work magic with words to make my spirit soar. I’ve written several stand-alone “urban” fantasies and am carrying on my ongoing historical fantasy series set in Norway around the first millennium.
A wonderful book in two senses – it’s wonderfully written, and it evokes wonder. This is an idiosyncratic urban fantasy set in an imaginary metropolis called New York City (cut off from the world by an impenetrable cloud wall that lifts only occasionally, to let the trains through). In this city, amazing characters (amazingly good and amazingly evil) clash as they strive for the things that matter to them most. And the prose is as bright and vivid as a Van Gogh painting. Winter’s Tale contains one of my favorite lines in all literature, where one character is described as “breathtakingly short.”
One night in New York, a city under siege by snow, Peter Lake attempts to rob a fortress-like mansion on the Upper West Side. Though he thinks it is empty, the daughter of the house is home . . .
Thus begins the affair between this Irish burglar and Beverly Penn, a young girl dying of consumption. It is a love so powerful that Peter will be driven to stop time and bring back the dead; A New York Winter's Tale is the story of that extraordinary journey.
I love writing books that feature buildings and construction as a backdrop to life. I’ve worked as an interior designer for over 30 years, and now I teach design at a university in Sydney. Our homes offer so much more than four walls and a roof. They provide us with comfort and shelter. They offer security and stability. They help us stay sane and grounded in a sometimes confusing and turbulent world. I don’t think the importance of our homes can be underestimated.
Most romance readers know that this story is about a run-down villa in Tuscany and a heartbroken heroine (Frances Mayes) struggling to build a life after her divorce. But read the book for the beautiful descriptions of the countryside, the delicious food and wine, and the gorgeous accounts of village life—the markets, the frescos, the fading sunlight!
This memoir is not just a restoration journey; it’s a book about finding yourself.
Discover the New York Times bestseller that inspired the film. The perfect read for anyone seeking an escape to the Italian countryside.
When Frances Mayes - poet, gourmet cook and travel writer - buys an abandoned villa in Tuscany, she has no idea of the scale of the project she is embarking on.
In this enchanting memoir she takes the reader on a journey to restore a crumbling villa and build a new life in the Italian countryside, navigating hilarious cultural misunderstandings, legal frustrations and the challenges of renovating a house that seems determined to remain a ruin.
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
For me, this is another masterful interweaving of historical fact and wildly creative imagination. It’s a prime example of in-depth research wielded to tangibly ground the reader in the book’s world; you learn about everything from 19th-century psychological theory and forensics to quilt-making and housecleaning techniques.
Part of what I really love about the novel, though, is that unlike in The Handmaid’s Tale, here Atwood deliberately blurs the lines between “good” and “evil” and “victim” and “villain.” Grace isn’t entirely likable, and she’s pretty much entirely unreliable. So, embodying her perspective as a reader is a continual guessing game of whether or not she’s telling the truth about her role in the murders at the book’s center. At the same time, it’s also a kind of ethical guessing game, for even if Grace is guilty, Atwood makes the role society and class play in her downfall so painfully clear…
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
Since I was a little boy, long before I dreamed of becoming a Daoist monk, I sensed that there was far more beneath the pond of life than on the surface. I remember feeling jealous of a little turtle I saw in the Connecticut River. Why couldn’t I pop out of my world and see what was happening above, but he could? My spiritual questing led me to Asia and also deep into myself. Writing magical realism does not feel like engaging a fantasy; it feels like I can finally share how the world really is.
As both a novelist and a monk whose life focuses on blending the material and spiritual, I consider this a very important work. Despite a privileged Jewish upbringing in New York City, Latin culture has forever been an important part of my life. The fact is, I’ve always been surrounded by South American friends and spent time in South America in my teen years.
This book brings to life the mystical heart of so much that drives South American culture, revealing it in a way that pulls you straight into the arms of a parallel world, or if not parallel, then one that exists both above and below what we superficially see and feel. I find it a great read and one that remains alive in my imagination year after year.
“Spectacular...An absorbing and distinguished work...The House of the Spirits with its all-informing, generous, and humane sensibility, is a unique achievement, both personal witness and possible allegory of the past, present, and future of Latin America.” —The New York Times Book Review
Our Shared Shelf, Emma Watson Goodreads Book Club Pick November/December 2020!
The House of the Spirits, the unforgettable first novel that established Isabel Allende as one of the world’s most gifted storytellers, brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political…
I’ve devoted my career to writing love stories. I’ve analyzed and dissected most of the great ones, always with the intention of writing something to join their ranks. Along the way, I noticed something interesting: the books that make people cry often stick with them, long after they’ve finished reading them. Perhaps this is because we all need to release feelings that are not socially acceptable? Whatever the reason, if you’re like me and love a good cry, then you’ll most certainly enjoy the books on my list.
Until I wrote my book I was exclusively a screenwriter. And throughout my career, I’ve been hired to adapt a variety of different novels, mostly love stories and romantic comedies. But nothing I’ve ever worked on has haunted me quite like Alyson Richman’s tale of first love – a love ripped apart by the brutality of the Nazis and their “Final Solution.” And yet, even as the horrors unfold, Richman always manages to find pinpoints of light in the darkness. Her prose is both elegant and poetic – and the tale she weaves will undoubtedly call forth the waterworks.
A rapturous novel of star-crossed love in a time of war-from the international bestselling author of The Secret of Clouds.
During the last moments of calm in prewar Prague, Lenka, a young art student, and Josef, who is studying medicine, fall in love. With the promise of a better future, they marry-only to have their dreams shattered by the imminent Nazi invasion. Like so many others, they are torn apart by the currents of war.
Now a successful obstetrician in America, Josef has never forgotten the wife he believes died in the war. But in the Nazi ghetto of Terezin,…
I love learning about history, and the more I learn, the more I appreciate my place in this world. While military history, particularly from pre-WW1 to the end of WW2, was what made me first plant my nose in a book, I can geek out on pretty much any historical period: the rise of human civilization, Rome, the conquest of the New World, the development of airplanes. But it’s the personal element that most draws me in, and the fact that we humans remain fundamentally the same in how we cope with another through the ages. It’s through fiction that we see the past in a way that makes sense.
I really enjoyed this novel for several reasons. For one, Jess Walter is a fantastic storyteller. As a history geek, this book gives a fascinating retro look into an era I otherwise would’ve ignored: Hollywood during the making of the movie Cleopatra. One of the strengths of fiction is fleshing out a historical personality by putting him or her on stage, giving them voice, emotion, and substance that would be difficult to do in nonfiction.
We meet Richard Burton in all his self-centered, boozy, womanizing splendor, and you can’t help but feel disappointed that you never got to spill drinks with him. But the guy who steals the show is Hollywood producer Michael Deane, a narcissistic schemer who tramples over everyone to get his way, on the surface self-absorbed, yet inwardly fully aware of the effect he’s having.
The #1 New York Times bestseller—Jess Walter’s “absolute masterpiece” (Richard Russo, Pulitzer Prize-winning author): the story of an almost-love affair that begins on the Italian coast in 1962 and resurfaces fifty years later in contemporary Hollywood.
The acclaimed, award-winning author of the national bestseller The Financial Lives of the Poets returns with his funniest, most romantic, and most purely enjoyable novel yet. Hailed by critics and loved by readers of literary and historical fiction, Beautiful Ruins is the story of an almost-love affair that begins on the Italian coast in 1962...and is rekindled in Hollywood fifty years later.
Before I became a writer, I worked for a time in the violence against women sector, and I started to see how violence against women was normalised or sanctioned by a complex matrix of laws, norms, and ideas that stick to our society like a spider’s web. I wanted to do my part in unpicking the web—and for me, as a writer, that comes in the form of beginning to break down simplistic stories and archetypes about what women should be, and what they historically might have been, in favour of a liberated future where the true potential of half the human race can be dreamed of, and realised.
A fascinating novel that depicts, in unsettlingly flat style, a historic gang-rape of a Palestinian woman by Israeli soldiers. Cut to the present day and a nameless, obsessive narrator becomes an amateur sleuth, preoccupied with understanding what took place. A brilliant meditation on memory, agency, and our relationship with history.
Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba - the catastrophe that led to the displacement and expulsion of more than 700,000 people - and the Israelis celebrate as the War of Independence. Israeli soldiers capture and rape a young Palestinian woman, and kill and bury her in the sand. Many years later, a woman in Ramallah becomes fascinated to the point of obsession with this 'minor detail' of history. A haunting meditation on war, violence and memory, Minor Detail cuts to the heart of the Palestinian experience…
Before I became a writer, I worked for a time in the violence against women sector, and I started to see how violence against women was normalised or sanctioned by a complex matrix of laws, norms, and ideas that stick to our society like a spider’s web. I wanted to do my part in unpicking the web—and for me, as a writer, that comes in the form of beginning to break down simplistic stories and archetypes about what women should be, and what they historically might have been, in favour of a liberated future where the true potential of half the human race can be dreamed of, and realised.
I write about violence against women, because I think it’s important and overlooked. Toto Among the Murderers takes place in the north of England in the late 70s and early 80s, when the country was shadowed by the presence of multiple serial killers. It sounds dark, right? But this is a paen to young womanhood, to the fun and freedom that can be inhabited even within the constraints of a world that, too often, allows women to be harmed.
'Vividly portrays the human face of young women on the margins of society, women who defy being statistics, who have their own stories and loves to tell' Sophie Ward
WINNER OF THE PORTICO PRIZE LONGLISTED FOR THE OCKHAM AWARDS
It is 1973 and Jude - known to her friends as Toto - has just graduated from art school and moves into a house in a run-down part of Leeds. Jude is a chaotic wild child who flirts with the wrong kind of people, drinks too much and gets stoned too often. Never happy to stay in one place for very…
