By François Vigneault and Jonas Madden-Connor
Author
Why are we passionate about this?
We’re a couple of award-winning graphic novel creators who happen to have been friends since middle school. We’ve been enmeshed in films and comic books for our entire lives, and always enjoyed discussing them with each other, sharing hidden gems, and staying up late to pore over what went right (or wrong) when a favorite comic was made into a movie or TV show. We’re in the middle of an ongoing wave of cinematic adaptations, with billion-dollar blockbusters and indie gems alike looking to graphic novels for inspiration. Read these five books now before they show up on a screen near you, and you’ll have the sweet pleasure of pronouncing “The graphic novel was better!”
While Neil Gaiman’s much-beloved classic The Sandman was finally brought to the screen recently, we’re really champing at the bit to see this killer spinoff series adapted. Following the dream-inspired investigations of masked crimefighter Wesley Dodds in 1930s New York, the series is a mix of methodical detective work, believable action, and memorable characters that would translate seamlessly to the small screen. This two-decade-old story is shockingly ahead of its time, foregrounding thorny issues of racial prejudice, violence against women, and the rise of fascism that are more resonant now than ever. Out of print for years, this series is finally getting a massive collection bringing together the first 1000 pages (!) of the series in a single volume… Don’t sleep on this hidden gem.
In this noir collection, millionaire Wesley Dodds becomes the Sandman to fight injustice in 1930s New York City, going after kidnappers, blackmailers and predators who prey on rich socialites. The year is 1938, and the world is holding its breath-mesmerized by the onrushing storm that will soon engulf it in fire and steel. In New York City, one man's sleep is filled with tormenting visions of the evils that mankind visits upon itself, compelling him to act. And so, by night, Wesley Dodds lays aside the trappings of his inherited wealth to roam the shadows as the Sandman, armed with…
Some of my fondest memories have been of curling up with the family dog and reading a good book. This started as a child with our golden retriever OJ, and continues today with Lolo, our sweet but spoiled German shorthaired pointer. Dogs are such wonderful companions, always up for anything: hiking, exploring, car rides, sitting on the couch, and lounging. It’s no surprise, then, that not only do I love reading books featuring dogs I’ve also included a canine sidekick in each of the nine thrillers that I’ve written. I hope you enjoy this dogged list of mysteries and thrillers as much as I have.
Chevy Stevens is one of my favorite go-to authors and Never Let You Go, the story of a woman and her child who escape an abusive relationship and eleven years later the threat returns, is a book that has lingered with me for years. In the very first chapter Stevens manages to capture such intense fear and helplessness in Lindsey and her daughter Sophie as well as a sense of determination and a will to survive. But Lindsey can’t do it alone. At her side is Angus – a lug of a German shepherd mix, whom Lindsey found at the local animal shelter. Angus doesn’t make an appearance until about halfway in the novel, but what an appearance he makes. He instantly becomes a beloved family member, providing a sense of comfort and security to Lindsey and Sophie. As Lindsey’s ruthless ex-husband draws ever closer, Lindsey, Sophie, and Angus…
In Never Let You Go, Chevy Stevens delivers a chilling, twisting thriller that crackles with suspense as it explores the darkest heart of love and obsession.
"Stevens's taut writing and chilling depiction of love twisted beyond recognition make this a compelling read." ―Publishers Weekly, Starred Review
"Disturbing, suspenseful, and just a little nerve-wracking." ―Library Journal
Eleven years ago, Lindsey Nash escaped into the night with her young daughter and left an abusive relationship. Her ex-husband, Andrew, was sent to jail and Lindsey started over with a new life.
Now, Lindsey is older and wiser, with her own business and a…
I am a crime writer from New Zealand and have set all of my books either in small towns or isolated settings. The appeal of isolated settings, for me, is that social norms are lacking, people are often making their own rules in which to live by and they have chosen to live this life for particular reasons. The physical environment of isolated settings holds power and danger, but also beauty. In the five books I’ve chosen, all settings are stunning in their own way but with the introduction of characters with their own stories and histories, the beauty often contradicts the dark events going on and the secrets being kept.
In The Last Thing to Burn, Will Dean is very clever in his choice of location and how it’s become a prison for Jane.
Jane lives in a small cottage with her farmer husband surrounded by paddocks. The whole book is set in the cramped confines of the small cottage, where Jane’s husband rules over her and punishes her if she does anything wrong. Jane’s completely cut off from the rest of the world. Her whole world is the cottage.
I love the way Jane slowly realises that she may have a way out, and we join her, heart in mouth, as she plans her escape. I’ve never raced through the last forty pages of a book so fast!
'Outstanding. The best thriller in years' MARTINA COLE 'One of the best thrillers I have read in years' THE OBSERVER 'I couldn't put it down. A visceral nightmare of a book with one of the most evil villains I've come across in a long time. Powerful writing' STEVE CAVANAGH 'Short, sharp shocker' THE TIMES 'an early contender for one of the best books of the year' S MAGAZINE
He is her husband. She is his captive.
Her husband calls her Jane. That is not her name.
She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she…
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
This book delivers truly striking insight into the nature of fear, the cost of survival, and cycles of violence. Dawson’s writing shines here, grounded and visceral, and deeply honest. Between the propulsive and tense plot, the exquisitely rendered characters, and the unflinching examination of the world we live in, this one kept me up late and woke me up early.
How far would you go to be free? Three generations of women forge a new path through an America torn by a mysterious wave of violence in this “chilling [and] dizzyingly effective” (The New York Times Book Review) novel of revenge, liberation, and triumph.
“A compulsively readable fusion of domestic thriller and modern horror.”—Kameron Hurley, author of The Light Brigade
“A novel that defines this era.”—Stephen Graham Jones, New York Times bestselling author of The Only Good Indians
They call it The Violence: a strange epidemic that causes the infected to experience sudden bursts of animalistic rage, with no provocation…
I’m a nerd by temperament (raised by a psychologist and a librarian, what else could I be?) and by profession (decades working as a U.S. diplomat and an academic administrator honed my people-watching faculties to a fine edge). So, of course, I’ve always been drawn to my opposite: that cynical loner whose pursuit of justice requires hard fists and a bent moral compass. Private eye mysteries are my perfect place. In them, I can exercise my passion for intellectual puzzles and my love for thrilling action. I enjoy the combination of social commentary and sheer entertainment I find when I dive into reading (or writing) a private eye mystery.
Los Angeles investigator Grayson Sykes is hired to track down a missing woman who may have disappeared for excellent reasons. As she digs into the secrets and betrayals surrounding her quarry, Gray uncovers unexpected commonalities with the missing woman. I enjoyed the intricate dance between two damaged and complex women, a dance that kept me shifting my loyalties and sympathies as the mystery deepened.
“Sharp, witty and perfectly paced, And Now She’s Gone is one hell of a read!” ―Wendy Walker, bestselling author of The Night Before
Isabel Lincoln is gone.
But is she missing?
It’s up to Grayson Sykes to find her. Although she is reluctant to track down a woman who may not want to be found, Gray’s search for Isabel Lincoln becomes more complicated and dangerous with every new revelation about the woman’s secrets and the truth she’s hidden from her friends and family.
Featuring two complicated women in a dangerous cat and mouse game, Rachel Howzell Hall's And Now She’s…
Before I became a writer, I worked for a time in the violence against women sector, and I started to see how violence against women was normalised or sanctioned by a complex matrix of laws, norms, and ideas that stick to our society like a spider’s web. I wanted to do my part in unpicking the web—and for me, as a writer, that comes in the form of beginning to break down simplistic stories and archetypes about what women should be, and what they historically might have been, in favour of a liberated future where the true potential of half the human race can be dreamed of, and realised.
I write about violence against women, because I think it’s important and overlooked. Toto Among the Murderers takes place in the north of England in the late 70s and early 80s, when the country was shadowed by the presence of multiple serial killers. It sounds dark, right? But this is a paen to young womanhood, to the fun and freedom that can be inhabited even within the constraints of a world that, too often, allows women to be harmed.
'Vividly portrays the human face of young women on the margins of society, women who defy being statistics, who have their own stories and loves to tell' Sophie Ward
WINNER OF THE PORTICO PRIZE LONGLISTED FOR THE OCKHAM AWARDS
It is 1973 and Jude - known to her friends as Toto - has just graduated from art school and moves into a house in a run-down part of Leeds. Jude is a chaotic wild child who flirts with the wrong kind of people, drinks too much and gets stoned too often. Never happy to stay in one place for very…
I have always had a greater interest in supernatural horror compared to the other subgenres of horror. Another way to describe it is fantasy horror. However, sometimes the fantasy can take away from the overall story. I find the best stories with supernatural elements also have a lot of real-life horror to balance with the fantasy. Magic realism is also a trope of Post-Modern Culture and I find myself drawn to stories with post-modern elements versus those that don’t. These are my top five pics for the best “Real-Life Horror Meets Supernatural Horror” novels.
I’ve read several of Christina Henry’s books. I enjoyed them all, but this one is my absolute favorite. Mattie lives in the mountains with her abusive husband, and she has no memory beyond the last few years, and she lives in fear of her husband’s wrath. An unknown, large creature appears and makes things more complicated. Mattie has to escape her husband and a monster in the woods and try to remember her past. This novel is one of the best horror stories I’ve ever read. It’s suspenseful and you never know what will happen next. One of my favorite things about this novel is, despite the supernatural creature, it’s not over-the-top and everything feels real including the actions and choices of the characters. This is definitely a must-read.
Mattie can't remember a time before she and William lived alone on a mountain together. She must never make him upset. But when Mattie discovers the mutilated body of a fox in the woods, she realizes that they're not alone after all.
There's something in the woods that wasn't there before, something that makes strange cries in the night, something with sharp teeth and claws.
When three strangers appear on the mountaintop looking for the creature in the woods, Mattie knows their presence will anger William. Terrible things happen when William is angry.
I've been a researcher, educator, and practitioner of domestic violence services for over 15 years, and am extremely passionate about this topic. After having worked in the domestic violence field, I then pursued my PhD to study this problem, which I now continue to research and teach about as an Assistant Professor of Anthropology at Moravian University. In our ever-globalizing world, I believe it's especially important for us to consider domestic violence from a cross-cultural perspective, and having studied this issue in Latin America and among Latina women in the U.S., I hope to spread that knowledge even further. More than ever, it is important for everyone to gain knowledge on this worldwide problem.
If you’re interested in learning about domestic violence from a cross-cultural perspective, the literature on domestic violence in anthropology is an excellent place to look.
This is the second book by Jennifer Wies and Hillary Haldane, two anthropologists who have carved out a space for understanding how to apply anthropological insights to actual domestic violence work. This book offers cross-cultural ideas for how to do just that from a variety of anthropologists working all around the world who continue to work together on this issue from an applied anthropological perspective.
Both Wies and Haldane are mentors of mine, and Haldane was a huge support in the development of my own research. I have also collaborated with several of the authors in this book and can attest to the excellence of their research.
Applying Anthropology to Gender-Based Violence: Global Responses, Local Practices addresses the gaps in theory, methods, and practices that are currently used to engage the problem of gender-based violence. This book complements the work carried out in the legal, human services, and health fields by demonstrating how a focus on local issues and responses can better inform a collaborative global response to the problem of gender-based violence. With chapters covering Africa, Asia, Latin and North America, and Oceania, the volume illustrates the various ways scholars, practitioners, frontline workers, and policy makers can work together to end violence in their local communities.…
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Evan Stark’s book introduced me to the concept of ‘coercive control’.
It is a continued and malevolent pattern of domination and entrapment that makes family violence a human rights crime. He also noted that the perpetrator, often a man, uses gendered stereotypes to control the woman, to convince her that it is she who is at fault.
Evan Stark’s insights helped me connect the gendered cultural practices of money with family violence. When these cultural ways of dealing with money were used for entrapment and abuse, money as a medium of care became a medium of coercive control.
Despite its great achievements, the domestic violence revolution is stalled, Evan Stark argues, a provocative conclusion he documents by showing that interventions have failed to improve women's long-term safety in relationships or to hold perpetrators accountable. Stark traces this failure to a startling paradox, that the singular focus on violence against women masks an even more devastating reality. In millions of abusive relationships, men use a largely unidentified form of subjugation that more closely resembles kidnapping or indentured servitude than assault. He calls this pattern "coercive control". Drawing on sources that range from FBI statistics and film to dozens of…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
In 2022 she teamed with best-selling thriller author James Patterson on a novel about an aspiring country musician with a troubled past. AnnieLee hitchhikes her way to Nashville, but just as her musical career starts to gain traction, the demons from her past start to catch up.
Knowing Dolly co-wrote the story makes it hard to avoid reading her voice into the experiences of the youthful main character, but also into the voice of the older country music legend Ruthanna, who takes the struggling newcomer under her wing.
This book reminds you that Dolly, at her core, is a skillful storyteller.
From America’s most beloved superstar and its greatest storyteller—a thriller about a young singer-songwriter on the rise and on the run, and determined to do whatever it takes to survive.
Every song tells a story.
She’s a star on the rise, singing about the hard life behind her.
She’s also on the run. Find a future, lose a past.
Nashville is where she’s come to claim her destiny. It’s also where the darkness she’s fled might find her. And destroy her.
Run, Rose, Run is a novel glittering with danger and desire—a story that…
