Here are 100 books that The Violence fans have personally recommended if you like
The Violence.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve always had a soft spot for history—in particular, mysteries, myths, and legends. If it’s strange, unexplained, obscure, supernatural, or downright weird, I’m all in. And Celtic folklore, it turns out, excels at exploiting the dark intrigue of human antiquity. Backdropped by a landscape that makes literally anything seem impossible, these stories tell us as much about fairies, merfolk, and other mystical creatures as they do about ourselves. Like so many legends around the world, Celtic mythology is a mirror. One that exposes our deepest fantasies. Reflecting the dark, dangerous side of humanity’s desires back onto itself, and making us question who the real monsters really are.
Three sisters vanish as kids and mysteriously return with no memories of what happened and a lot of strange quirks… in other words, the perfect set-up for a modern story about changelings! Initially, I was skeptical about this one because—while I shamelessly loved Twilight back in the day—I’ve also been kinda burned out from all the froofy falling-in-love-with-magical-creatures/worlds books that surfaced in its aftermath. (And c’mon. That cover? It practically screams froofy tortured teen magic.)
But let’s just say the marketing team failed here because while this book was beautiful, it was also kinda rotten, incredibly atmospheric, and genuinely creepy in places. The perfect read for a dark, modern twist on a traditional myth.
'A gorgeous, grisly modern fairy tale.' - THE GUARDIAN
'Dark and delicious. House of Hollow hums with malice and mystery. I devoured it whole.' - KIRAN MILLWOOD HARGRAVE
** SHORTLISTED FOR THE YA BOOK PRIZE 2022 **
The Hollow sisters - Vivi, Grey and Iris - are as seductively glamorous as they are mysterious. They have black eyes and hair as white as milk. The Hollow sisters don't have friends - they don't need them. They move through the corridors like sharks, the other little fish parting around them, whispering behind their backs.
An interdimensional mixer with angels and other beings brings unexpected trouble for Malachi and his friends in this smart and uniquely funny second book about the squad of teens from hell.
When an angel comes to his home to deliver a message, Malachi immediately knows what’s going on. The seraph…
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
Hide feels like a book tailor-made to pull me in and refuse to let go. The pitch—a high-stakes game of hide-and-seek in an abandoned amusement park—is solid gold, and the book delivers so much more than it promises. With relentless, cutting-class commentary and a truly ferocious sense of clarity, Hide excoriates systems of exploitation with incredible efficiency. I found myself sneaking chapters wherever I could.
A high-stakes hide-and-seek competition turns deadly in this dark supernatural thriller from New York Times bestselling author Kiersten White, perfect for fans of Stephen King and SQUID GAME.
The challenge: spend a week hiding in an abandoned amusement park and don't get caught.
The prize: enough money to change everything.
Even though everyone is desperate to win - to seize their dream futures or escape their haunting pasts - Mack feels sure that she can beat her competitors. All she has to do is hide, and she's an expert at that.
It's the reason she's alive, and her family isn't.…
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
Elison is a master of her craft. With Number One Fan she constructs a multilayered horror story that has given me many sleepless nights. This book explores terror from every conceivable angle, from the physical to the existential, while delivering profound insight into the nature of creativity, fandom, and obsession. There’s a scene in this one that made me clench up into a ball and I’m not sure I’ll ever fully relax again.
"Elison’s brutal, incisive novel cuts to the heart of what makes public figures vulnerable and asks us to question our voyeurism." —New York Times Book Review
She created a beautiful world. Now he wants it all.
On her way to a speaking engagement, bestselling novelist Eli Grey gets into a cab and accepts a drink from the driver, trusting that everything is fine. She wakes up chained in the stranger’s basement. With no close family or friends expecting her to check in, Eli knows she needs to save herself. She soon realizes that her abduction wasn’t random, and though she…
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
When I was a kid I was very excited about wolves. Not in the sense that I knew a lot about wolves—I didn’t study them and learn about them—so much as I felt certain, in my heart of hearts, that if I met a wolf, we would understand each other in a way no two creatures ever have. Feed Them Silence is a book that returned me to that sense of certainty, but with a more fundamentally realistic understanding of the nature of animals as existing outside of human understanding. I couldn’t put it down, and the hours slipped right past me.
Lee Mandelo dives into the minds of wolves in Feed Them Silence, a novella of the near future.
What does it mean to "be-in-kind" with a nonhuman animal? Or in Dr. Sean Kell-Luddon’s case, to be in-kind with one of the last remaining wild wolves? Using a neurological interface to translate her animal subject’s perception through her own mind, Sean intends to chase both her scientific curiosity and her secret, lifelong desire to experience the intimacy and freedom of wolfishness. To see the world through animal eyes; smell the forest, thick with olfactory messages; even taste the blood and viscera…
I've been a researcher, educator, and practitioner of domestic violence services for over 15 years, and am extremely passionate about this topic. After having worked in the domestic violence field, I then pursued my PhD to study this problem, which I now continue to research and teach about as an Assistant Professor of Anthropology at Moravian University. In our ever-globalizing world, I believe it's especially important for us to consider domestic violence from a cross-cultural perspective, and having studied this issue in Latin America and among Latina women in the U.S., I hope to spread that knowledge even further. More than ever, it is important for everyone to gain knowledge on this worldwide problem.
If you’re interested in learning about domestic violence from a cross-cultural perspective, the literature on domestic violence in anthropology is an excellent place to look.
This is the second book by Jennifer Wies and Hillary Haldane, two anthropologists who have carved out a space for understanding how to apply anthropological insights to actual domestic violence work. This book offers cross-cultural ideas for how to do just that from a variety of anthropologists working all around the world who continue to work together on this issue from an applied anthropological perspective.
Both Wies and Haldane are mentors of mine, and Haldane was a huge support in the development of my own research. I have also collaborated with several of the authors in this book and can attest to the excellence of their research.
Applying Anthropology to Gender-Based Violence: Global Responses, Local Practices addresses the gaps in theory, methods, and practices that are currently used to engage the problem of gender-based violence. This book complements the work carried out in the legal, human services, and health fields by demonstrating how a focus on local issues and responses can better inform a collaborative global response to the problem of gender-based violence. With chapters covering Africa, Asia, Latin and North America, and Oceania, the volume illustrates the various ways scholars, practitioners, frontline workers, and policy makers can work together to end violence in their local communities.…
I grew up on my family’s land run farm north of Enid before coming to the OKC metro for school, giving me a view of the quiet rural spaces and the hopping city life Oklahoma pushes for today and more!
It wasn’t until HBO’s Watchmen that most people learned of the Tulsa Race Massacre, though a few of us who paid attention in tenth-grade history remember a line or two about a “riot” back in Tulsa before the book moved on to talk about something else. This book gives chilling firsthand accounts, both from the author as well as other survivors, who experienced the demolition of an entire community strictly out of prejudice, fear, and hate. It’s a good reminder that it can happen anywhere, any time if we let it.
Mary Parrish was reading in her home when the Tulsa race massacre began on the evening of May 31, 1921. Parrish's daughter, Florence Mary, called the young journalist and teacher to the window. "Mother," she said, "I see men with guns."
The two eventually fled into the night under a hail of bullets and unwittingly became eyewitnesses to one of the greatest race tragedies in American history.
Spurred by word that a young Black man was about to be lynched for stepping on a white woman's foot, a three-day riot erupted that saw the death of hundreds of Black Oklahomans…
I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years I’ve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. I’ve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
This book revealed a threat new to me and to many readers in a culture where mothers had to hide their daughters in shallow graves in Guerrero, Mexico, adjacent to the drug cartels in order to avoid their abduction. They often masqueraded their daughters as boys or tried to make them ugly by chopping off their hair and blackening their teeth.
I was riveted by the story of Ladydi and her friends as they sought a larger world and future they instinctively knew existed. They supported each other but were constantly at risk and challenged by the dangerous drug culture and misogynistic environment they were born into.
Prayers for the Stolen is filled with vignettes and images that stayed with me, written in Jennifer’s poetic prose—she is also a poet. With imagination, narrative drive, and suspense, it explores the struggle and limited triumph of some of the women and reflects…
'Now we make you ugly,' my mother said. 'The best thing you can be in Mexico is an ugly girl.'
The Narcos only had to hear there was a pretty girl around and they'd sweep onto our lands in black SUVs and carry the girl off. Not one of the stolen girls had ever come back, except for Paula.
She came back a year after she'd been kidnapped. She held a baby bottle in one hand. She wore seven earrings that climbed the cupped edge of her left ear in a line of blue, yellow and green studs and a…
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. I’m recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you haven’t covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
When I was 10 I disappeared from my life for a while. I left school, home, and my family to live in a hospital for several months. This break in my own childhood narrative is what got me into the Busby story. Cylin Busby was nine years old when her dad, John, a police officer, was shot. Her father survives, but the family is forced to disappear for their own protection.
While the book is written by a father and daughter, it is Cylin’s young nine-year-old voice that pulled me in, reminding me what it is like to be a child and powerless as the world around you falls apart. That sounds dark, but children have a way of finding hope. This story has a happy(ish) ending.
When Cylin Busby was nine years old, she was obsessed with Izod clothing, the Muppets, and a box turtle she kept in a shoebox. Then everything changed overnight. Her police officer father, John, was driving to his shift when someone leveled a shotgun at his window. The blasts that followed left John's jaw on the passenger seat of his car-literally. While clinging to life, he managed to write down the name of the only person he thought could have pulled the trigger. The suspect? A local ex-con with rumored mob connections. The motive? Officer Busby was scheduled to testify against…
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This is an immensely readable book and a wonderful introduction to the very different ways in which violence might be interpreted from a dizzying range of perspectives.
Schinkel urges us to reflect on our appetites for violence in our reading matter, our cinema and theatre-going, and our hunger for news. He also poses thorny questions about the ‘productive’ potential of violent action.
This book provides a novel approach to the social scientific study of violence. It argues for an 'extended' definition of violence in order to avoid subscribing to commonsensical or state propagated definitions of violence, and pays specific attention to 'autotelic violence' (violence for the sake of itself), as well as to terrorism.
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This book is particularly enlightening concerning the ways in which cultural value may be attributed to individual bodies, armed conflict, and, indeed, to human life itself in different political, geographical, and military circumstances.
Butler compels us to examine our own practices of compassion, partisanship, and/or habits of interpretation as we (or the media) move from one location to another around the globe.
In this urgent response to violence, racism and increasingly aggressive methods of coercion, Judith Butler explores the media's portrayal of armed conflict, a process integral to how the West prosecutes its wars. In doing so, she calls for a reconceptualization of the Left, one united in opposition and resistance to the illegitimate and arbitrary effects of interventionist military action.
